Get a Free eBook of Queen’s Shadow (Plus, Read an Exclusive Excerpt)

By the D23 Team

 

May the 4th is just around the corner, and Star Wars fans everywhere are prepping to celebrating the galaxy far, far away. In between your movie marathons and The Mandalorian rewatch, you might be looking for some new intergalactic reading—and you’re in luck! From May 1 until May 8, you can download a free copy of the ebook Queen’s Shadow by E.K. Johnston here.

Set in between Star Wars: The Phantom Menace and Star Wars: Attack of the Clones, discover what happens when Padmé Amidala steps down from her role as Queen of Naboo to pursue a role in the Galactic Senate. Alongside her loyal handmaidens, Padmé must navigate her new political situation—and her new identity.

Jump into the action of Queen’s Shadow with this exclusive excerpt:

Padmé Amidala was completely still. The brown halo of her hair spread out around her, softened here and there by white blossoms that had blown through the air to find their rest amongst her curls. Her skin was pale and perfect. Her face was peaceful. Her eyes were closed and her hands were clasped across her stomach as she floated. Naboo carried on without her.

Even now, at the end, she was watched.

It was no more than was to be expected. Ever since she’d entered the arena of planetary politics, her audience had been unceasing. First they had commented on her interests and ideals, then later on her election to queen. Many had doubted her strength in the face of an invasion, when the lives and well-being of her people would be held ransom against her—hers to save if only she would give up her signature—and she had proven them all wrong. She had ruled well. She had grown in wisdom and experience, and had done both rapidly. She had faced the trials of her position unflinching and unafraid. And now, her time was ended.

A small disturbance, the barest movement through the otherwise peaceful water, was Padmé’s only warning before her attacker struck.

An arm wrapped around her waist, pulling her down into the clear shallows, holding her there just long enough to let her know that she had been bested.

The Queen of Naboo surfaced, sputtering water in the sunlight as her handmaidens—her friends—laughed around her. Yané and Saché, who had suffered for their planet during the Occupation. Eirtaé and Rabé, who had helped make sure their suffering meant something. Sabé, who took the most frequent risks and was the most beloved. Together—young and seemingly carefree—they were a force that was often underestimated.

No matter how many times they were proven able, people who looked at them were blinded by their youth and by their clothing, and dismissed them yet again. That was exactly how they preferred it.

The lake country was renowned for its privacy. Here, even the queen could go unnoticed, or at least be easily overlooked. Naboo’s natural heritage was to be protected and treasured, even before new treaties with the Gungans had been signed, and this had reinforced the isolation of the lakes in the region. The bustle of the capital was far away, and Padmé could have, for however small a moment, some time to herself. Well, to herself, her handmaidens, the guards Captain Panaka deemed appropriate, and all the household staff. Solitude, it turned out, was somewhat relative.

From the beach, Quarsh Panaka watched his charges frolic in the sun with an all-too-familiar expression on his face. He had argued to bring ten of his people down to the water’s edge with him, and Padmé had conceded. Eventually. This give and-take had once been his custom when it came to dealings with the queen—even if their relationship had grown colder and more formal of late. He was a professional, so he stood there and glowered, knowing that today of all days, his interference would not be welcomed.

“You let me do that,” Saché said. The youngest handmaiden wore a swimming suit cut in the same style as the rest of them, but where the others bared skin to the sun, she bared a large collection of mottled scars that wrapped around her arms, legs, and neck. Yané paddled next to her and ran her fingers through Saché’s hair.

“I couldn’t have stopped you,” Padmé said. She shook her head, shedding drops of water—and the last few blossoms. Waist-deep in the shining lake and speaking in her own voice, she might have been mistaken for a normal girl, but even now there was something about her bearing that hinted at more. “Though I could have cried out and got a mouthful of lake water for my trouble.”

“And Captain Panaka would have felt honor bound to rescue you.” Sabé said it in Amidala’s voice, and Saché and Yané both straightened out of reflex before Yané sent a wave of water toward the older girl as repayment. Sabé merely swept a flower from her cheek as it landed on her, and continued to float, unbothered by the ruckus. “So really, you were preserving the dignity of many, not to mention a fine pair of boots.”

Unbothered, but not unaware, Sabé spoke loudly enough to be heard by all those who were swimming, as well as several of the guards, who did little to conceal their amusement. “You have aged me prematurely, my ladies,” Panaka said. There was a hint of warmth in his tone, but the uncrossable distance remained. “My wife will hardly recognize me when I go home.”

“Your wife has no such problem,” said Mariek Panaka from her position three paces away from him. She was not in uniform, because she had been in swimming with the queen. She was wrapped in a bright orange sarong that made her brown skin glow in the late morning sun, and her dark hair dripped down her back while the rest of her dried.

“Well,” said Padmé, wading toward the shore with Sabé, as always, in her wake. “Soon we will all be able to rest.”

And there it was: the veermok in the room addressed at last. Because the end was coming, and neither the beauty of Naboo’s lake country nor the best of company could stop it. When the election was over and the new ruler of Naboo was announced, Padmé Amidala would be in search of a new task or calling or profession, and so would most of those in her service. Some, like Panaka, looked forward to retirement, as much as anyone on Naboo ever retired. Padmé guessed Panaka had received several job offers, but they were past the stage where they discussed such personal matters, now. The younger ones, like Eirtaé and Saché, sought the future on their own terms. Musicians, doctors, parents, farmers, and all combinations thereof—it was a time for dreams. Change was coming, and it was coming fast. No one, not even Sabé, had dared to ask the queen about her plans.

Rabé stood up and followed the queen. Eirtaé dove down one more time—a sort of farewell—and then joined the others as they gathered themselves and left the water, too. They didn’t have to, not with so many guards and Sabé besides, but they would always choose the queen when they could, and soon, they would no longer be able to.

Away from the lake house, Naboo was voting. The gears of democracy were well oiled, and centuries of tradition made the biennial event run smoothly, even with the inclusion of Gungan voters for only the second time in the planet’s history. Though few of them chose to vote, Padmé knew her efforts to include them were appreciated because Boss Nass had told her as much. Loudly. Naboo was not quite as united as she might have liked it to be at the end of her four years of service to it, but the people were happy with what she had done.

Almost too happy, it turned out. A faction had tried to amend the constitution so that Padmé could run again. This had been tried only once before, during a time of great upheaval in Naboo’s past, and Padmé could see no reason to fight for something she neither wanted nor believed was right. She had given four years to Naboo, and now it was time for someone else’s vision, someone else’s hands, to select the course. That was the soul of Naboo’s democratic body, that change and service in short stretches were better than stagnant rulership, and Padmé was happy to play all the parts her role included.

“You weren’t even tempted?” Sabé had asked when the messenger had come with the amendment for Padmé to read and she had returned it unsigned after the barest of glances. It was the closest they had yet come to discussion of the future.

“Of course I was tempted,” Padmé had replied. She settled back in her seat, and Sabé resumed brushing her hair.

“I thought of at least ten more things I could do with another term while I was reading the proposal. But that’s not how our legacies work. Not here. We serve and we allow others to serve.”

Sabé had said nothing more.

Now, wrapped in vivid sarongs on the beach, they retrieved their sandals and followed the guards up toward the house.

When they reached the grassy hill at the base of the wide stone stairs, Padmé stopped to brush off her feet. They all halted with her.

“Sand,” she said, by way of explanation.

“I’m sure the housekeeping droids appreciate your efforts, Your Highness,” Eirtaé said. Her face was handmaiden-straight, so only a few people got the joke.

The steps weren’t very steep on this side of the house. The port—for water vessels in this case; there wasn’t really a place to land an airship—was on the other side of the estate, and those steps were cut straight into the spur on which the house was set. This way had been purposely constructed as a path to the water, and therefore it was both more beautiful and more leisurely an ascent. Padmé and Mariek led the way up, with Panaka behind them and the rest of the handmaidens and guards strung along like so many ducklings.

Sabé had paused at the bottom to fasten her sandals. Padmé saw her grimace slightly when she realized that there was, in fact, still sand between her toes. Sabé shook her shoes as clear as she could and then began to climb at an almost leisurely pace. Sabé didn’t often allow her mind to wander when she was with the queen, but here and now, with so little at stake and peaceful change rapidly approaching, Padmé was happy to see her relax as Sergeant Tonra fell into step beside her. He was somewhat taller than Panaka, with white skin that was usually pale, though two weeks in the sun had reddened his face significantly. He had come down the steps just as Padmé had decided to return to the house but was not the least bit winded by his exertions.

“There are several messages for Her Highness.” He spoke quietly to Sabé, but Padmé still overheard him. “None of them are urgent, but one is official and will require the queen to open it herself.”

“Thank you, Sergeant,” Sabé replied, ever competent. “We’ll get to them presently.”

Tonra nodded but did not fall back. Padmé expected Sabé to bristle, as she usually did if she thought someone meant to guard her person, even though she granted more leniency to those who had fought in the Battle of Naboo, as Tonra had. Sabé was as protective of her own privacy as Padmé was of hers—albeit for different reasons. Perhaps, Padmé decided, Sabé was finally allowing herself to appreciate the view.

The lake spread out as they climbed, its water reflecting the sky with such perfection that, but for a few waves, it was possible to convince oneself that sky and water had been somehow reversed. The green hills that rose up from the shore also descended down into the depths, and what few puffy clouds skirted the blue above were mirrored exactly in the blue below. It was as though two bowls were pressed against each other, their rims forming the treed horizon. There was no sign of human habitation jutting out from between the trees, except for the house they were climbing toward, and the sky above them was never dotted with ships or flying recorder droids or anything else that might puncture the quiet with unwanted noise.

The house itself was made of yellow rock, and roofed in red, with copper-green domes. There were several sections, each with its own purpose ranging from habitation to cooking, all linked by a series of elaborate gardens. The property belonged to the government, and Padmé had used it as a retreat for much of her career, beginning back when she was first in the junior legislative program as a child. She didn’t own any part of it, but she had influenced the layout and décor in subtle ways so that there was no doubting that it was a place she dearly loved. It was an oasis, a haven. Padmé had always come here to relax, and even though this was, in theory, the most relaxing visit she had ever taken here, it was obvious to all who saw her that she could not quite quiet her mind.

The queen had arrived two weeks earlier for the customary seclusion during the final campaign, and today was the election at last. Padmé was officially neutral with regard to her successor, though she had of course done her civic duty and cast a vote. A droid had departed with all of their ballots early in the day, but they hadn’t spoken of politics more than absolutely necessary since their arrival, and not at all since that morning. Padmé had run unopposed in her second term, though there had been a few write-in candidates, as there always were. This was the first time she had been this uninvolved in her planet’s politics since she began her studies. She liked it—and also found it deeply unsettling in a way she couldn’t quite explain.

Padmé had hoped the exertion of swimming would help. The distance to the island was something she hadn’t attempted in several months, though her handmaidens were always game to try. She’d thought the swim would at least tire her out too much to think. Instead, her thoughts had only reordered themselves. Even Saché’s dunking hadn’t helped.

She had a great deal to think about. Who was she, after all, when she was not Queen of Naboo? She had entered politics so early and with such zeal that she had no other identity. She had taken five handmaidens with her, and each of them had been shaped by their roles, as well, to the point where they had all taken names in her honor after she was elected. Who were they, when they were allowed to be themselves? Everyone knew that Rabé dreamed of music, while Yané dreamed of a house full of children that Saché would also call home, and so on and so on with each of the others, but it was more challenging for Padmé to see herself in any of their futures. Would they have room in their lives for Padmé when Amidala no longer held them as queen? And who would she be, even if they did?

“You’re going to trip if you don’t stop daydreaming,” Mariek said beside the queen on the steps. “And won’t that be just the way for you to end your reign, falling up the stairs because you were thinking too hard about things that are no longer yours to think about.”

“I can’t help it,” Padmé admitted. She never could. “But you’re right. I’ll wait until I’m alone before I let myself drift that far.”

“You’ll never be alone, my lady,” Mariek said. “And I don’t mean all of this production, either.” She gestured vaguely at the queen’s retinue and smiled widely. “It will be different, but you will be different, too, and you’re smart enough to figure it out.”

“Thank you,” Padmé said. “It’s strange to want two things that are entirely different from one another. I am ready to stop, but I also feel like I could have done more.”

“I know,” Mariek said. “That’s why I wrote you in, anyway.”

“That’s a spoiled ballot!” Padmé protested, stopping dead in her tracks. Everyone below them on the steps halted, too, and looked up to see what had caused the queen to stop walking. “And you’re not supposed to tell me who you voted for.”

Mariek began to laugh, and Quarsh stepped up to take his wife’s arm.

“Don’t tease the queen, love. I know from personal experience that she has her ways of making you pay for it, and even if she’s pressed for time, I have absolute faith in her abilities.” For just a moment, he was her captain again, the one who had trained them all so well before preparedness had turned to paranoia. Padmé missed him dreadfully.

Mariek laughed harder.

“My lady?” Panaka offered his other arm. “I know you don’t need it, but I am happiest when I know you have my support.”

“Of course, Captain,” Padmé said rather formally. She took his arm and began to climb again. “Since I am so near the end of my term as queen, it behooves me to show measured judgment in all things.”

“You have always done so, my lady, even when we disagreed,” Panaka said. It was almost a peace offering. “That’s why I wrote you in, too.”

The Queen of Naboo laughed in the sunlight as she reached the house with her companions and her guards. The watergate stood thrown open, for this was a place of peace and reflection, and had never needed defending from a hostile force. Before them was the quiet courtyard and sun-drenched gardens where they would wait to hear the news, and behind them was the world that voted on the shape that news would take. Queen Amidala entered the house as the ruler of a planet, one last time.

As You Wish: The Princess Bride and the Art of John Alvin

By Natalie Auxier, Walt Disney Archives

In celebration of the release of The Princess Bride on Disney+, the Walt Disney Archives would like to shine a spotlight on John Alvin, the film’s talented poster artist. Born in 1948, he would go on to revolutionize the world of motion picture promotion and marketing. He had a natural and unique artistic ability and attended the Art Center College of Design in Los Angeles where he was an Illustration major and soon became one of the school’s top stars. As his wife, Andrea Alvin, describes her late husband in the book The Art of John Alvin, “His art is iconic and at the same time tells a story. The movies gave John the platform to become the Normal Rockwell of his time.” John worked for multiple motion picture studios, including The Walt Disney Studios during the famed Disney animation renaissance in the late 1980s and 1990s on titles such as Beauty and the Beast and Aladdin. He had the unique ability to convey to adults that these new Disney films were for them, too, and not just for their children.

His extraordinary talent for drawing an audience’s attention and piquing curiosity was evident in his earlier work for other film studios, such as 20th Century Fox. His work there includes such classic titles as The Princess Bride, Cocoon and Young Frankenstein. In describing John’s work on The Princess Bride, Andrea said, “John’s poster featured the grandfather reading the little boy a story. It’s set against a Maxfield Parrish sky and background which lets us know that this is a fantasy. His art was used for the teaser poster or the advance. After the movie was released, the romance became the feature of the poster. I have always loved John’s image, because it evokes the charming ‘story book’ quality of the movie.”

Using his ability to manipulate light to become the focal point of a one-sheet, he engaged prospective moviegoers on a level few other artists have been able to achieve. John’s art oftentimes became a turning point for film advertising campaigns, greatly assisting studio marketing departments in developing the promotional feel and marketing essence of a given movie. Sadly, in 2008, John suddenly passed away due to a heart attack. However, his artistic legacy will live forever in the hearts of film lovers. The artistry and inspiration in his body of work continues to have a lasting impression on film marketing to this day. To quote the man himself, his poster designs were always made with the intention of “creating the promise of a great experience.” 

With many options chronicling adventures far and wide, don’t miss The Princess BrideBeauty and the Beast, and Aladdin now available to stream on Disney +—as you wish!

5 Fantastic Things to Watch This Weekend

By Savannah Salazar

Looking for some fantastic shows and movies to dig into this weekend? Well, as you wish! This Friday marks the debut of the utterly delightful The Princess Bride on Disney+, along with the hilarious George of the Jungle starring Brendon Fraser. And the next day, relive the magic of the Disney Afternoon with an all new episode of DuckTales, featuring the return of some fan-favorite guest stars! There’s a lot to watch this weekend, so mark your calendars and check out our roundup below:

the princess bride

The Princess Bride—Friday, May 1, on Disney+
It would be inconceivable to not add this ’80s classic to our list! Based on the novel of the same name, The Princess Bride beautifully blends fantasy, romance, comedy, and heart-thumping action into a wonderful story for the whole family. Starting off as a fairy tale told to a young boy (Fred Savage) by his grandfather (Peter Falk), The Princess Bride turns into an exciting quest of a farm boy-turned-scoundrel named Westley, as he attempts to be reunited with his true love Princess Buttercup (Robin Wright). Directed by Rob Reiner, the film has an all-star lineup, with Mandy Patinkin as Inigo Montoya, Chris Sarandon as Prince Humperdinck, Wallace Shawn as Vizzini, and André the Giant as Fezzik.

george of the jungle

George of the Jungle—Friday, May 1, on Disney+
This weekend, prepare to journey to the heart of the African jungle with the 1997 film George of the Jungle. A human raised by gorillas—after surviving a plane crash in his youth—George (Brendan Fraser) has grown up in a rain forest with all his animal friends. But when an explorer named Ursula Stanhope (Leslie Mann) arrives, his world gets turned upside down.

Secretariat

Secretariat—Friday, May 1, at 5:30 p.m. ET/PT on ESPN
Based on a true story, this film follows the journey of a gifted horse named Secretariat and his unlikely owner Penny Chenery (Diane Lane), as she must take over her ailing father’s business Meadow Stables. With the help of veteran trainer Lucien Laurin (John Malkovich), Chenery tries to navigate the male-dominated scene, all while fostering Secretariat, who would become one of the greatest racehorses of all time. Directed by Randall Wallace, the film also stars Dylan Walsh as Jack Tweedy, Dylan Baker as Hollis Chenery, and Margo Martindale as Miss Ham.

ducktales

DuckTales—Saturday, May 2, at 9:30 a.m. ET/PT on Disney XD
From Senior Junior Woodchucks to mermaids and spies, the third season of DuckTales has been full of hilarious hijinks, and in the upcoming episode “Astro B.O.Y.D.!,” Gizmoduck aka Fenton Crackshell-Cabrera (aka Lin-Manuel Miranda) returns! As Fenton, Gyro (voiced by Jim Rash), and Huey (voiced by Danny Pudi) take the malfunctioning robot boy wonder B.O.Y.D. back to a lab in Japan, a secret from Gyro’s past comes to haunt him—threatening to destroy the city and Gizmoduck. Tamlyn Tomita and Cary-Hiroyuki Tagawa guest star as Inspector Tezuka and infamous doctor of robotics Akita, respectively.

the rookie

The Rookie—Sunday, May 3, at 10 p.m. ET/PT on ABC
As their rookie year comes to an end, officers Nolan (Nathan Fillion), Chen (Melissa O’Neil), and West (Titus Makin Jr.) are pushed to their limits as their training officers determine whether they are truly ready for the job. Meanwhile, another one of their classmates is involved in a shooting, which leads the team to some unsettling discoveries.

How the American Idol Top 20 Made Musical Magic from Home

By Beth Deitchman

They made it through Hollywood Week and they blew us away with their show-stopping numbers at Aulani, A Disney Resort & Spa, but this week, the American Idol Top 20 delivered captivating performances from a venue they never would have imagined at the beginning of the competition: home. For these 20 young singers, their American Idol journey continued Sunday night—even though, like the rest of America right now, they are staying safe at home. But thanks to an incredibly talented and dedicated team behind the scenes, the Idol hopefuls were able to do what they do best: create memorable musical moments that lifted the spirits of viewers everywhere—not to mention a trio of judges—as part of American Idol’s first-ever remote show.

american idol remote

With contestants performing in locales that ranged from Lakeland, Florida, to Port Alberni, British Columbia—with a host of cities in between—the production team made sure that all were on a level playing field by safely delivering the same technology to all 20 singers and teaching them how to set up and use the lighting, audio, and camera equipment ahead of the show. Lauren Spencer-Smith, who performed the Jessie J song “Momma Knows Best” from a beautiful lakeside setting at her family home in Canada, emphasizes that the production team held their hands through the process, virtually. “It wasn’t like ‘We just sent you a bunch of equipment. Here you go—set it up,’” she explains. “It was like, ‘We sent you a bunch of equipment. We’re going to get in a meeting and we’re all going to do this together. You all can help each other.’”

The contestants enlisted their families as at-home tech crew and also assisted each other via FaceTime. As they became comfortable with the technology, they became more energized by the concept of performing from home and making the remote show something for the TV history books. At that point, Spencer-Smith says, “We kind of looked at it differently and thought, we’re going to get through this and we’re going to make this the most memorable show they’ve ever had.”

american idol remote

The Idol hopefuls also realized that performing remotely affords them a chance to stretch beyond their vocal cords. “I understood that this is an opportunity for me to really embrace my own creativity and think of things that I wanted to show the world with my video that represented me,” Louisiana native Faith Becnel, who sang the Bishop Briggs song “River,” explains.

american idol remote

Even as the contestants were getting up to speed from a technical standpoint, music director Kris Pooley and the American Idol band and vocal coaches were in regular contact with them to nail down their arrangements and rehearse the songs they’d be singing. “Just Sam,” who sang Fantasia’s anthem “I Believe,” credits the music team for making the transition from an expansive stage at Aulani to their living rooms as seamless as it could be under the circumstances. “We were still able to have rehearsals with Kris Pooley and the band. We were still able to have the same support that we had in Hawaii,” she notes.

american idol remote

British-born Louis Knight, who now calls Narberth, Pennsylvania home—and who performed “If the World Was Ending” by JP Saxe and Julia Michaels—details how the back-and-forth the singers enjoy with Pooley and the band has had to change since they left the studio. “If we were together it would be very easy to just kind of go on the fly and say, ‘OK, let’s bring this up, let’s take this down a bit. Let’s change the guitar melody here.’ It was definitely very different, kind of doing that all online,” he says of the first remote show, but adds, “They couldn’t have done a better job. Hands down, it’s just incredible what they were able to do and I’m just grateful to be working with them.”

american idol remote

Country vocalist Grace Leer, who sang “Cry” by Faith Hill from her home in San Ramon, California, emphasizes, “In terms of song and voice, they are doing everything they can to make sure that we have the best performances that we can… that we’re represented in the best way—from the arrangement, to matching our style, to making sure it sounds good—that we are shining.”

american idol remote

As viewers saw Sunday night, the contestants sang in a variety of settings—from Grace Leer’s Northern California backyard; to Louis Knight’s bedroom, just outside of Philadelphia; and more. If you looked closely, you may have noticed Francisco Martin’s “golden ticket” from his first American Idol audition in Oregon hanging on the wall of his Daly City, California, home; and Olivia Ximines appreciated singing in front of the fireplace in her Menifee, California, living room, where she performed Billie Eilish’s hit “Bad Guy.” “My family and I spent a lot of our time in the living room,” she says. “That is where we play games, we watch TV, we spend most of our time there all together. It just means a lot that I was able to perform there, where I feel the most comfortable and happy.”

While the contestants may not have a cheering crowd before them for the remote shows—beyond their enthusiastic families—their desire to connect with the audience hasn’t wavered. Singing Maggie Rogers’ song “Burning” in her living room, Long Beach, California native Sophia James shares, “You still are still very aware that there are people that you are singing to. There was definitely a mental switch there [going from Aulani to performing at home], but it was a beautiful learning experience.”

american idol remote

Though next week’s show will see the top 20 cut in half, Faith Becnel says that the group feels more like family than rivals for the American Idol mantle. That family dynamic was built during the early rounds, she says, “And then having to go through such a difficult time in the world right now I think has brought us even closer and been a really rare experience… Each and every one of us are so different in what we bring to the stage and our music that it’s hard to have a competitive environment. It’s more just everyone supporting how unique and amazing each of us are.”

While they now find themselves miles apart, the contestants stay in regular contact through video calls and group chats where they encourage each other ahead of their performances. “Even though we’re not all together it’s crazy to me how much everyone is supporting each other,” Spencer-Smith says. “I’m so grateful and I wouldn’t want to be in a top 20 with anybody else.”

american idol remote

Of course, in just a few weeks, someone will be named this year’s American Idol. The celebration will look a little different than in years past, but Spencer-Smith refuses to see that as anything other than positive. “I think it’s super important that we send the message that safety is a big concern for us and we want people to be safe and we want people to be home,” she says, noting that for whoever wins American Idol, “You’re still going to have a huge party in your house, even if it’s just with your sister or just with your brother or just with your mom. You’re still going to have a huge celebration, and the feeling is going to be the same and you’re going to have the same opportunity that you would have before. You’re going to get to make an album. You’re going to get to live your dream and do that while being safe and being healthy and representing that for everybody else, too.”

american idol remote

No matter who ultimately wins, all of the 20 finalists are now part of American Idol history. They’re grateful for that, and for the opportunity to make a positive impact through their music. “People are going to be able to look back at this and look back on this time—this unique circumstance that we’re all in, that we’re all experiencing around the world—and they’re going to be able to say American Idol’s top 20 brought more joy and light to their Sunday during this time. I feel like this show is bringing people together, and seeing us perform from home, it really just brings a sense of unity and peace and eternal love and harmony,” Just Sam says, adding, “I’m grateful for this experience. I’m grateful for American Idol, we’re working so hard and we’re still going. The show must go on!”

If you missed last week’s historic episode, ABC will air an encore presentation on Saturday, May 2 (9–11 p.m. ET/PT). And be sure to tune in Sunday, May 3, (8 p.m. ET|7 p.m. CT) to see the Idol hopefuls perform again from home and cast your vote.

Enjoy Discounted Star Wars Films for a Limited Time

By the D23 Team

This week, the force is with us! Explore a galaxy far, far away with all 11 Star Wars films, which are being offered on digital for a discounted price—ranging from $9.99 HD/UHD to $79.99 SD/HD/UHD—from Tuesday, April 28, to Monday, May 4.

Click here starting April 28 to purchase the following films at a discounted price:

$9.99 HD/UHD 

  1.  Star Wars: The Rise of Skywalker
  2.  Solo: A Star Wars Story 
  3.  Star Wars: The Last Jedi
  4.  Rogue One: A Star Wars Story
  5.  Star Wars: The Force Awakens
  6.  Star Wars: Attack of the Clones
  7.  Star Wars: Return of the Jedi
  8.  Star Wars: Revenge of the Sith
  9.  Star Wars: The Empire Strikes Back
  10.  Star Wars: The Phantom Menace
  11.  Star Wars: A New Hope

$27.99 SD/HD/UHD 

  1.  Star Wars: The Sequel Trilogy Bundle

$79.99 SD/HD/UHD 

  1. Star Wars: The Skywalker Saga Bundle

5 Fantastic Things to Watch This Week

By Zach Johnson

Whether you’re in need of a good cry or a good laugh, this week has got you covered! This Wednesday, you can stream all 12 episodes of the Hulu Original series Normal People, based upon the popular novel. The next day, ABC will continue to bring the funny with an all-new episode of Who Wants to Be a Millionaire featuring three celebrity contestants playing for the charity of their choice. On Friday, Disney+ debuts an original series, Prop Culture, that is sure to tug at every Disney fan’s heartstrings—much like the classic film Homeward Bound: The Incredible Journey, which is being added to the Disney+ that day, too. And on Friday, FX will rebroadcast one of our favorite Marvel movies: Iron Man 2.

normal people

Normal People—Wednesday, April 29, on Hulu

Based on Sally Rooney’s New York Times best-selling novel of the same name, the brand-new 12-episode drama series tracks the tender but complicated relationship between Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) from the end of their school days in a small town in the west of Ireland to their undergraduate years at Trinity College. At first glance, popular Connell and lonely Marianne couldn’t be more different. But when he comes to pick up his mother from her cleaning job at Marianne’s house, a strange and indelible connection grows between them—one they are determined to conceal. A year later, they’re both studying in Dublin, where Marianne has embraced a new social world but Connell hangs at the sidelines, shy and uncertain. Lenny Abrahamson directs the first six 30-minute episodes and Hettie MacDonald directs the final six; all 12 are available at launch.

who wants to be a millionare

Who Wants to Be a Millionaire—Thursday, April 30, at 8 p.m. ET/PT on ABC

black-ish star and To Tell the Truth host Anthony Anderson will continue his streak as he plays for The Anderson Family Foundation. Then, Ike Barinholtz will play for Uplift Family Services and Hannibal Burress will play for Melvina Masterminds—all while host and executive producer Jimmy Kimmel keeps them (and us!) laughing throughout the episode.

prop culture

Prop Culture—Friday, May 1, on Disney+

This Disney+ Original series is proof that the magic you see onscreen is real. Film historian and prop collector Dan Lanigan will reunite iconic Disney movie props with the filmmakers, actors, and crew who created and used them in some of Disney’s most beloved films. He will recover lost artifacts, visit private collections, and help restore pieces from the Walt Disney Archives to their original glory. All eight episodes will debut on May 1, so you can binge them in one sitting or spread them out at your leisure. Featured films include Mary Poppins; Tron; Tim Burton’s The Nightmare Before Christmas; Pirates of the Caribbean: The Curse of the Black Pearl; Honey, I Shrunk the Kids; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Who Framed Roger Rabbit; and The Muppet Movie.

homeward bound the incredible journey

Homeward Bound: The Incredible Journey—Friday, May 1, on Disney+

The live-action classic from 1993 is coming to streaming! The adventure begins when the loving owners of three irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. Fearing their family might be in trouble, fun-loving American bulldog pup Chance (voice of Michael J. Fox), hilarious Himalayan cat Sassy (voice of Sally Field), and wise old golden retriever Shadow (voice of Don Ameche) decide to head home. On their journey across the beautiful but dangerous Sierra Nevada mountains, they encounter surprises from man, beast, and nature alike. Directed by Duwayne Dunham, the film’s cast includes Robert Hays as Bob, Kim Greist as Laura, Jean Smart as Kate, Veronica Lauren as Hope, Kevin Chevalia as Jamie, and Benj Thall as Peter.

iron man 2

Iron Man 2—Friday, May 1, at 8 p.m. ET/PT on FX

After unmasking himself as Iron Man, Tony Stark (Disney Legend Robert Downey Jr.) must deal with the adversaries who seek his powers—including business rival Justin Hammer (Sam Rockwell) and Russian scientist Ivan Vanko (Mickey Rourke), who’s constructed a similar warfare suit. The film introduces Scarlett Johansson to the Marvel Cinematic Universe as Natasha Romanoff, and the cast includes Gwyneth Paltrow as Pepper Potts Don Cheadle as James “Rhodey” Rodes, and Samuel L. Jackson as Nick Fury. Director, executive producer and Disney Legend Jon Favreau also reprises his role as Happy Hogan.

What’s in a Name? – Jim Henson

By Kevin Kern, Walt Disney Archives

One of the more unique pieces found in the collections of the Walt Disney Archives represents a rather “out of the box” aspect of our operation… our Guest Book! Since being founded in 1970, we’ve had quite an array of special guests stop by to take a peek at our unrivaled historical collections. For such special occasions, we maintain a Guest Book for our visitors to sign, commemorating their visit. In this treasured volume are notations from such Disney Legends and luminaries as Art Babbitt, Annette Funicello, and even Tom Hanks!

My favorite signature highlights the intersection of two entertainment giants—Disney and Jim Henson. To help shed a bit of light on the subject, Chief Archivist Emeritus of the Walt Disney Archives Dave Smith remembered crossing paths with his fellow Disney Legend during an impromptu visit:

“As a long-time admirer of Jim Henson, I was delighted to hear that he was going to be at the studio filming Muppet*Vision 3D,” Dave remembers. “During a break in the action when Jim was relaxing, I went over and introduced myself and thanked him for the autographed book he had left for me at the Walt Disney Archives several years earlier. He was most intrigued to hear about our Archives because he had started his own Muppet archives in New York. I found Jim to be an extremely friendly gentleman, passionate about his work, and with a real love for Disney.”

During that earlier visit, Henson signed the Archives’ Guest Book (his signature is pictured below), forever cementing himself amongst the hugely talented cache of individuals whose signatures populate the volume, and provided quite the memento for the Archives staff to marvel at for years to come.

Walt Disney Archives Director Rebecca Cline also remembers seeing the master Muppet magician at work at The Walt Disney Studios around the same time:

“Before joining the Archives staff, I was working with the Home Video team and our offices were located on the studio backlot. One day, we had heard that Jim Henson and the Muppets crew were filming Kermit outside, very near our offices. So, we all went out to watch and, sure enough, there he was––everyone’s favorite frog––riding a bicycle back in the old Town Square set. It was the only time I ever saw Jim in person, and the whole production made quite an impression on me. Shortly after seeing such fun on the backlot we heard that Jim had unfortunately passed away, which was very sad and very shocking because we had just witnessed his genius on full display.”

Even while working on such a studio lot as Disney’s, with all of the history and heritage tied to it, I suppose I’ve always found it interesting that our department’s very own Guest Book is quite the “Disney history book” itself!

With that it’s time to play the music, it’s time to light the lights, it’s time to stream the Muppets on Disney+ tonight!

How DuckTales’ Composer Made Sure Donald Duck Hit All the Right Notes

By Beth Deitchman

Life has always been like a hurricane on DuckTales, and in a brand-new episode of the animated series that just premiered on Disney XD, love has a similarly dramatic effect on Donald Duck. This morning marked Daisy Duck’s DuckTales debut, and it was love at first sight for Huey, Dewey, and Louie’s uncle. While there’s much to love about Donald, from his jaunty sailor’s cap to, shall we say, his tempestuous personality, Daisy first was smitten by his smooth singing voice—and we’re not quacking a joke. It turns out that Donald’s distinctive vocals sound very different to Daisy than they do to us. Take a gander in the clip below:

Donald’s big number, “Hear My Voice,” was performed by Dominic Lewis, who wrote the song’s melody and serves as DuckTales’ composer. Executive producer Matt Youngberg and co-executive producer/story editor Francisco Angones tapped Lewis to serve as Donald’s singing voice so that we might hear our feathered hero the way that Daisy hears him. Lewis tells D23 that it wasn’t a major stretch to find his inner duck and help bring to life the magical moment that Donald and Daisy’s romance takes flight. “I think everybody has a bit of Donald in them—very sweet, but can kind of explode at any point,” he laughs. “I think—and my wife would probably agree—I’m an extremely sensitive person. That aspect of it was very easy to channel… Emotional stuff tends to come way easier to me than more general songs.”

ducktales

The heartfelt lyrics were penned by Madison Bateman, a staff writer on DuckTales, before Lewis began writing the melody—a departure for the composer, who typically begins his creative process with the music. Youngberg and Angones had already given Lewis a sense of what direction the song should take, but after he received the lyrics, Lewis recalls, “Just reading the words, I could hear the rhythms just come straight off the page.”

ducktales

The Three Caballeros play an important role in the episode, titled “Louie’s Eleven,” as the trio hopes to impress Duckburg’s most popular tastemaker, Emma Glamour—voiced by Bebe Neuwirth—and make it on to her coveted “it list.” Louie plans an elaborate break-in to move the Three Caballeros past the many obstacles that stand between them and Emma Glamour—one of which happens to be her no-nonsense party planner, Daisy.

ducktales

It was a given, Lewis explains, that “Hear My Voice” feel like a song the Three Caballeros would perform but also have a modern vibe. He recalls, “We brainstormed the idea and [decided on] something that was very moving and started out as a ballad, but is also true to today’s reggaetón or Latin-influenced music.” The song is also reminiscent of some of the great Disney standards, and that’s by design, Lewis shares, noting, “It had to have that Disney sparkle to it.”

Composing for DuckTales is a musical duck blur in the best possible sense, explains Lewis, whose credits include The Man in the High Castle and Disney Junior’s The Rocketeer. “That’s why I love this show. Every single episode I have to pull from a different genre and mix genres,” he notes. “Louie’s Eleven” features a particularly wide range of musical styles. “I got to do that kind of caper-y Ocean’s Eleven-type stuff—’heist-y,’ kind of cool, jazz-influenced and hip hop-influenced stuff for the mission. Then you’ve got the kind of source music for the party—the house music in the background. You’ve got ‘Hear My Voice’ and you’ve also got the kind of Vegas-inspired [music that accompanies an amazing show of talent from Dewey],” Lewis details. This variety constantly inspires Lewis, who is able to draw upon infinite influences and instrumentations to compose a score that accompanies the ducks to the desert, the jungle, or anywhere the animators can imagine. “It’s great,” he emphasizes. “I can pull from my favorite classical composers, I can pull from my favorite pop artists or hip hop for everything. It’s just a really great smorgasbord of stuff.”

ducktales

Of course, the job is even more satisfying for Lewis because he’s a lifelong DuckTales fan. He and the Disney Television Animation music team had been looking for the perfect opportunity to collaborate when DuckTales came along. “That’s my childhood—it’s who I am,” Lewis shares, and he signed on immediately. “That’s what’s great about the show: Every single person who works on the show does it because they were so in love with it as a child and they want to make the best show they can.”

As he sets out to compose for each episode, Lewis says it’s easy to get his creative ducks in a row and begin scoring. “As soon as you get into the episode you’re like, ‘OK, I’m in,’” he says, crediting the writers and animators, led by Youngberg and Angones, for the amazing content from which he draws so much inspiration. He shares, “If I’m honest, I think if I had a dial, my home dial, that ‘zero’ would be set at DuckTales. I think that’s where I’m set. That’s where I’ve been programmed.”

Get the Scoop on Secret Society of Second-Born Royals—Plus More in News Briefs

By Courtney Potter

First Look at Disney+’s New Secret Society of Second-Born Royals

You read about it last year, right here at D23.com—and now, its premiere is drawing ever closer… Just this week, Disney+ revealed a first look at its much-anticipated new film, Secret Society of Second-Born Royals.

Produced by Disney Channel, the film follows Sam (Peyton Elizabeth Lee, formerly of Andi Mack), a teenage royal rebel second in line to the throne of the kingdom of Illyria. Just as Sam’s disinterest in the royal way of life is at an all-time high, she discovers she has super-human abilities and is invited to join a secret society of similar extraordinary second-born royals charged with keeping the world safe. With guidance from their Secret Society instructor, James (Skylar Astin), Sam and a new class of royal recruits must first learn to harness their new powers at a top-secret training camp before they can save the world.

Secret Society of Second-Born Royals

Also starring Olivia Deeble as Roxana, Niles Fitch as Tuma, Faly Rakotohavana as Matteo, Isabella Blake Thomas as January, Élodie Yung as Queen Catherine, Ashley Liao as Eleanor, Noah Lomax as Mike, and Greg Bryk as Inmate 34, Secret Society of Second-Born Royals will begin streaming on Disney+ this summer!

5 Fantastic Things to Watch This Weekend

We’re all looking for a few new things to watch right now—and D23, as always, has you covered with a few of this weekend’s top choices from around the worlds of Disney. If you’re looking for some real-life hilarity, check out the whopping nine season’s worth of America’s Funniest Home Videos coming to Disney+… and don’t forget a brand-new episode of ABC’s American Idol on Sunday! Read our rundown by clicking here.

american idol

Ryan Seacrest Offers Glimpse Into First-Ever Remote American Idol Episode!

Speaking of American Idol, earlier this week, host Ryan Seacrest revealed that he’d kept the original judges’ desk—y’know, the iconic one that Randy Jackson, Paula Abdul, and Simon Cowell sat behind in the early seasons of the show’s first iteration—in storage in his garage… never knowing that it might come in handy again. And come in handy it has, as the ABC series reaches audiences in an all-new way!

Judges Katy Perry, Luke Bryan, and Lionel Richie, as well as host Seacrest and in-house mentor Bobby Bones, will all participate in Sunday’s all-new episode from different locations—as will the Top 20 contestants. You won’t want to miss the excitement as the remaining Idol hopefuls continue their journeys remotely, filming their performances on iPhones… singing their hearts out for a chance to win America’s vote and, ultimately, the coveted season three crown!

American Idol goes remote this Sunday at 8 p.m. EDT, only on ABC.

Brand-New Trailer for Disney+ Disney Gallery: The Mandalorian

Ready to go behind the scenes of one of Disney+’s most beloved new series? Check out the brand-new trailer for Disney Gallery: The Mandalorian, above!

In Disney Gallery: The Mandalorian, executive producer and Disney Legend Jon Favreau invites the cast and crew to share an unprecedented look at the making of the series, which quickly became a pop culture phenomenon after premiering in November 2019. The eight-episode documentary series offers unprecedented access to the first season of The Mandalorian; each chapter explores a different facet of the first live-action Star Wars TV show through interviews, never-before-seen footage, and roundtable conversations hosted by Favreau.

Disney Gallery: The Mandalorian debuts, appropriately enough, on Monday, May 4 (Star Wars Day)—with new episodes streaming on Fridays thereafter… only on Disney+!

the lion king experience

Disney Theatrical Productions Unlocks The Lion King Experience for Free

Are you ready to join the “Circle of Life” like never before? Our pals at Disney Theatrical Productions are now offering a free, virtually accessible version of The Lion King Experience, a unique arts education program that provides students and educators an immersive introduction to theatre-making by way of the Broadway production of The Lion King. The web-based, multimedia curriculum was originally designed to be facilitated in a classroom by an instructor as an enhancement for schools producing KIDS and JR. adaptations of The Lion King—but with new step-by-step instructions, students can explore the full experience at home.

After three years in development, The Lion King Experience launched in 2015, marking the first time any long-running hit musical released a specially created version for students while the original show is still playing on Broadway. The program grants accredited elementary and middle schools the opportunity to produce shortened, age-appropriate KIDS and JR. adaptations of The Lion King, which together with the curriculum, comprises The Lion King Experience. The now-unlocked materials contain all of the tools needed for The Lion King Experience’s experiential theatre curriculum (an 11-session course for students aged 8-11, and an 18-session course for students aged 12-15), including video instruction, at-home learning instructions, student materials, and so much more. The at-home learning instructions are available on the homepage, and all sessions will be unlocked for students and teachers.

For more information, “Be Prepared” and head over to LionKingExperience.com!

Zebra Foal Joins Kilimanjaro Safaris Savanna at Disney’s Animal Kingdom

We have to admit, there really isn’t anything more delightful than some good ol’ fashioned “cute baby animal” footage… and the good folks over at Disney’s Animal Kingdom have come through this week with a brand-new clip featuring the Hartmann’s mountain zebra foal born earlier this month.

Venturing onto the Kilimanjaro Safaris savanna for the first time, foal Asha was joined by her mother Heidi. Asha means “hope” in Sanskrit and “life” in Swahili—a name chosen after being voted on by Walt Disney World cast members! Dr. Mark Penning, Vice President, Animals, Science and Environment, Disney Parks, recently explained the change in procedure in a blog post: “While we normally reserve the naming of a new baby for the cast members on our animal care team,” he explained, “we decided to ask all Walt Disney World cast members to help us choose this little one’s name as a special opportunity for all our cast to be part of a beautiful moment in this challenging time in the world.”

See adorable Asha and proud mama Heidi in action in the video, above!

Have an Incredible Time “On Board” the Incredicoaster!

The folks over at #DisneyMagicMoments are taking us on another epic adventure, albeit virtually, with a new first-person attraction video—this time featuring the truly incredible Incredicoaster at Pixar Pier, inside Disney California Adventure park.

For those unfamiliar, the attraction tells the story of the inaugural launch of a new coaster dedicated to the Parr family in gratitude for their heroic efforts and incredible deeds. But when baby Jack-Jack is left with the inimitable Edna Mode as his babysitter, shenanigans ensue—and Jack-Jack creates chaos along the track while his Incredible family sprints into action to save the day.

So don your best hero gear, buckle up, and join the fun! You may just learn some incredibly interesting Incredicoaster factoids along the way…

Revisiting Walt Disney’s True-Life Adventures: The Vanishing Prairie

By Dave Smith

In helping to celebrate the 50th anniversary of the Walt Disney Archives, the Archives staff wanted to dig deep into their vaults to share an enlightening historical article with Disney fans. The following is an essay that Disney Legend, and Walt Disney Archives founder, Dave Smith wrote for a screening series hosted by the Academy of Motion Picture Arts and Sciences in 2005. It is presented here in honor of Earth Week, and the legacy of nature filmmaking pioneered by Walt Disney more than 70 years ago. 

true-life adventure

Probably one of the best known and most highly regarded of Walt Disney’s series of True-Life Adventures was The Vanishing Prairie. It was the second feature-length film in the series, coming a mere nine months after the release of The Living Desert, and thus being only the second feature released by Disney’s fledgling Buena Vista Distribution Company. Disney had established Buena Vista when RKO, who had been handling the distribution of Disney films, balked at releasing a feature-length nature documentary. With the new distribution set-up in place, Walt Disney now had more control over the types of films that he wanted to make.

Work on what would become The Vanishing Prairie actually began in early 1951, with the opening of story number 1815 at the Disney Studio. The film was tentatively titled Bighorn Sheep, and was to be filmed by Herb Crisler and directed by Jim Algar. At the time, it was merely thought of as one of the two-reel featurettes for the series. Over the next year, several more story numbers were established—1820 (Prairie Story), 1821 (Cat Family), and 1829 (Field Trip—Armadillo). Even before the success of The Living Desert in 1953, Walt Disney realized that feature length was the way to go with the True-Lifes. Theaters, naturally, paid higher rentals for a feature than they did for a featurette. So, in May 1953 he decided to combine these various stories into a feature with the working title of The Prairie Story. The title became The Vanishing Prairie by September.

The writers, Jim Algar, Winston Hibler, and Ted Sears, decided to cover the wildlife in the vast area from the Mississippi to the Rockies, and from the Gulf of Mexico to the plains of Canada, following through the seasons of the year from spring to winter. The film relates the story of the American prairie, whose birds and animals were brought to the verge of extinction, and yet managed to continue their fight for survival. It is the story of the pronghorn antelope, the migratory birds, the prairie dog, the bighorn sheep, the mountain lion, the buffalo, the prairie chicken, the sage grouse, and other creatures who once made the prairie their home. Walt Disney wrote, “The incredibly vast herds and flocks swept aside in that incredible passion for a piece of virgin American soil have dwindled to small groups. Yet remnant herds, as wild as ever their kindred were, still roam the open range, protected by sanctuaries and preserves.”

A dozen different nature photographers would eventually be credited with the striking footage that was compiled into the film. Notably, Tom McHugh, Jim Simon, and Warren Garst were sent to Crow Indian land in Montana to photograph the largest remaining herd of buffalo (over 1,500 head). Murl Deusing captured migratory wildlife mistaking ice for open water. N. Paul Kenworthy Jr. created a cutaway of a prairie dog home. Dick Borden specialized in high-speed photography and caught slow-motion studies of Canadian geese alighting on water. Herb Crisler and Cleveland Grant climbed high into the Rockies to find the bighorn sheep. And, in one of the most dramatic shots, Lloyd Beebe and Jim Simon were able to film a scene where a cougar makes a complete circle around a hiding fawn without seeing it. Other photographers were Stuart V. Jewell, Bert Harwell, and Olin Sewall Pettingill Jr. As with other films in the series, the footage was shot in 16mm Kodachrome, and then blown up to 35mm by special effects wizard Ub Iwerks. Iwerks also doubled in smoke, rain, and sky where needed.

According to photographer McHugh, Walt Disney wanted drama, emotion, humor, and struggles in his film. In order to capture striking buffalo footage, McHugh donned a buffalo robe and was thus able, with a hand-held camera, to sneak up on the grazing buffalo, “which seemed to regard him as some odd-shaped member of their own race and tolerated him accordingly.” 16-power telephoto lenses were often used to get intimate close-ups. Since it was not possible to have the animals do what the photographers wanted them to do, one would often find a photographer taking days to get just one usable shot. Film was cheap; eventually 70 times more film was shot than could be used.

Erwin Verity acted as production manager, and the film was put together by director Jim Algar, associate producer Ben Sharpsteen, and editor Lloyd Richardson, with overall supervision by Walt Disney. The film’s budget was only $382,600. As the film was progressing, non-critical reaction screenings were held in November 1953 and May 1954, with high praise from all who saw the footage. A 43-piece orchestra recorded the score by Paul J. Smith in five sessions between March 21 and May 13, 1954, on Stage A at the Disney Studio. Technicolor released the color negative to Disney in April 1954, negative cutting was completed in July, and the film was released on August 16, 1954 (along with a reissue of Willie, the Operatic Whale, that had first appeared in Make Mine Music eight years previously). The Vanishing Prairie was reissued in 1964 and 1971, and released on video in 1985 and 1995.

Some critics condemned Disney for using some staged shots, though the photographers were quick to defend their actions. In Chicago, the censors ordered deletion of a shot (by Jim Simon and Tom McHugh) showing a buffalo calf from the moment of birth. But other than that, the film was glowingly received by critics. As Walt Disney summed it up, “Our naturalist cameramen found and assembled an eloquent reminder of a past day in human and natural history in the animal personalities of a not-yet-completely vanished prairie.”

The Vanishing Prairie is now streaming on Disney+