Handmade Warmth from Disney+’s Arendelle Castle Yule Log: Cut Paper Edition

December 3, 2021

By Courtney Potter

Imagine gathering by a cozy hearth this holiday season, celebrating family and toasting to the coming of a fresh new year. Sounds absolutely lovely… but what if you don’t have a fireplace? Never fear: Our friends at Walt Disney Animation Studios and Disney+ are once again providing homes near and far with a virtual version sure to warm your heart.

Themed to the world of Frozen and Frozen 2, Arendelle Castle Yule Log: Cut Paper Edition—which debuts on the streaming service on Friday, December 17—features beloved characters Anna, Elsa, Olaf, Kristoff, and Sven around Arendelle Castle’s fireplace (known as the location for many a “Family Game Night”). What makes this year’s yule log fantastically unique is that it’s handmade… and we truly mean handmade. What you’ll see on your TV screen (or streaming device of choice) is a high-resolution image of an incredible paper art sculpture designed and created by Disney Animation visual development artist Brittney Lee.

D23 recently spoke with Lee, the production designer for the short Myth: A Frozen Tale (now streaming on Disney+), about what made this project so very special:

On returning to a familiar world…
“I am so immersed in Frozen at this point that it feels like home. It almost feels like I never left,” Lee admitted. “I never thought in a million years someone was going to be asking me to design a yule log—but the idea of it being the family at home in Arendelle made total sense to me. It was really comfortable and easy to a point where, I’m used to stressing over getting something done, but this was just very natural—because it felt like the pieces exist in Arendelle already. So, it was mostly just composing a ‘family picture’ of that; making it cozy and feel like a tactile piece that could be a little ‘vignette’ in front of a fireplace, or a shadowbox you put on your mantle.”

On what the process was like…
At her home studio in Southern California, Lee mapped out her images and then cut the pieces from sturdy cardstock paper using a precision craft-carving knife. “I think I cut the majority of the yule log piece all on one day… The idea behind it is that all of these different layers are cardstock, stacked,” she said. “They’re about 32 inches by 20 inches, stacked, and there are probably five or six different layers.” The finished-product Arendelle Castle Yule Log: Cut Paper Edition that viewers will see on their Disney+ screens is not a digital scan of the artwork. “Scanning collapses the depth for my pieces,” Lee explained. “I photographed some ‘works in progress’ just to see the detail levels on them… then I took a photo and I processed it, so that it’s the right dimensions; the right aspect ratio; and to make sure my feet aren’t in the image,” she laughingly admitted.

“We took that photo and broke it into layers, so that they can be processed in depth with our CGI artists… One thing that I haven’t ever done tactilely in real life, with my own work, is add the element of backlighting. Since it’s a fireplace, it feels like lighting could be alive… [so] it was really important that we try to capture that [practically] rather than digitally,” she continued. “It was a huge question mark for me. I’m pretty confident that I can compose a front-lit image out of paper; I know how to do that and I can make it look good. But I am not a professional photographer, nor do I have a lot of experience with LED lighting. So, there was a bit of trial and error at my house—trying to figure out the best way to photograph it, and the best temperature of lights to use, to get the photo closest to the concept.”

On how the artists at Walt Disney Animation Studios help bring the image to life…
“We have an effects animator helping us to figure out what the design of the animated fire will look like,” Lee explained. “I cut each frame of the fire out [of vellum, a kind of opaque paper], and hopefully it’ll have a stop-motion feel to it.” Keep an eye out for other animated touches, like glittering snow—“very subtly, so that you get that mix of a warm fire, but also paying homage to Elsa”—as well as certain diamond shapes incorporated into the flames of the fire: “Those are used all throughout Frozen 2, and were a huge design element for us in Myth: A Frozen Tale,” she added.

…Any other Easter eggs viewers should look out for?
“It just made sense, because this was a cozy scene by the fire, that everybody should be in their pajamas,” said Lee. And guess what? She designed Elsa’s original pajama gown for Frozen 2—“another full-circle thing.”

On how she began with paper art in the first place…
“I started working with paper about a decade ago,” she explained. “I’m so used to working digitally for every job that I’ve ever done, so I wanted to work on a project for myself where I could focus on something tactile… there’s a bunch of artists through the years who’ve focused on paper, and [it soon became clear] how experimental it can be—the added depth of pieces of paper. There’s something magical to it that invites you in. So, I started experimenting with it on a single piece that took me forever, but I fell in love with it—and I’ve been experimenting ever since.”

On what Lee hopes Disney+ viewers take away from in this year’s Arendelle Castle Yule Log: Cut Paper Edition …
“I don’t have a fireplace in my house,” the artist said, “so during the holidays, I’ll often end up putting on a yule log [on my TV] just to have that feeling. Hearths in general are so warm and so inviting and so much about family. I wanted to bring people together, and Frozen already does that so well. And I think the neat thing about Frozen, and Disney in general, is that there’s always that added touch of magic. I think that’s what we’re trying to do here… I’m hoping that everybody will enjoy it!”

Look for Arendelle Castle Yule Log: Cut Paper Edition beginning Friday, December 17—only on Disney+!

Rugelach Recipe

December 3, 2021April 21, 2023

By the D23 team

Our Rugelach recipe is sure to be a hit with friends and family all year round! (For the younger set, make sure to have adult supervision—and have your parents do any cutting or chopping.)

Ingredients

Dough Ingredients

21/2 cups flour
6 tbsp granulated sugar
1/4 teaspoon salt
1 cup unsalted butter, cold and cut into small cubes 6 oz cream cheese, cold and cut into small cubes 1 large egg yolk

Filling Ingredients (Chocolate filling, as shown)

For a chocolate filling as shown 8 oz semi-sweet chocolate
1/2 cup sugar
1/4 tsp salt

Other Filling Ideas

Nuts or dried fruits
Jams

Special Equipment

Food processor

Directions

Step 1: Make the dough

In a food processor, add the flour, sugar, and salt, and pulse a few times to mix. Add the cubes of butter, cream cheese, and egg yolk. Pulse until the dough starts to combine into a moistened consistency, maybe half a minute. Remove the dough and place onto a flour-dusted work surface. Knead the dough until it becomes smooth. (Or, cut the ingredients together using a pastry cutter.)
Separate into 3 equal amounts. At this point, decide which shape the rugelach will be. Either the spiral or the crescent shape—or both as shown.
For the spiral shape: roll out the dough in a rectangle shape about 1/2” thick. Cover with plastic wrap and refrigerate for about 1 hour. For the crescent shape, roll out the dough in a circular shape about 1/2” thick. Wrap and refrigerate the dough. If desired, refrigerate for up to 3 days.

Step 2: Make the filling

Break the chocolate into small pieces and place into a microwave safe bowl. Melt in 30-second intervals, stirring the melted chocolate with the un-melted. (Or use a double boiler method.)
Stir in the sugar and salt. The mixture will be grainy.

Step 3: Roll out the dough

Line the baking sheets with parchment paper and preheat the oven to 375°.
For the spiral shape, roll out the dough to about 1/8” thickness on a lightly floured surface in a rectangle shape. Spread the warm filling onto the rectangle leaving a small amount of dough around the edges free of filling. Roll the dough in a tube shape. Chill the dough again for about 30 minutes. When cool, cut about 1” thick pieces with a sharp knife. Place the pieces with the seam down onto the parchment paper-lined cookie sheet.
For the crescent shape, roll out the dough in a circular shape to about 1/8” thickness on a lightly floured surface. Cut out shapes like a pizza. Apply the filling and then roll each cookie ending with the point.
TIP: Be sure the chocolate filling is warm when it is applied to the dough. Work quickly when rolling the dough before it cools. Place the cookies on the parchment paper-lined cookie sheet.
Bake for about 18 to 20 minutes or until lightly golden. Cool on a rack.

Step 4? Enjoy! If you’ve just finished baking these delicious treats with us, be sure to send us a photo of your masterpiece and tag us @disneyd23 on Twitter and Instagram.

Looking for a printout? Download a PDF copy here.

New Look at The Book of Boba Fett—Plus More in News Briefs

December 3, 2021December 10, 2021

By Courtney Potter

**Disney+’s The Book of Boba Fett: New Character Posters and TV Spot**

Earlier this week, Disney+ released cool new character posters of Boba Fett and Fennec Shand for its brand-new, live-action series from Lucasfilm, The Book of Boba Fett! But that’s not all: in addition to premiering a thrilling new TV spot, our pals at the streaming service also announced the series will have seven weekly episodes, starting December 29.

The Book of Boba Fett, a sure-to-be-galactically-memorable Star Wars adventure teased in a surprise end-credit sequence following the season two finale of The Mandalorian, follows legendary bounty hunter Boba Fett (Temuera Morrison) and mercenary Fennec Shand (Disney Legend Ming-Na Wen) as they navigate the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate. Disney Legend Jon Favreau, Dave Filoni, Robert Rodriguez, Kathleen Kennedy, and Colin Wilson are the executive producers. Mark those calendars, y’all!

5 Fantastic Things to Watch This Weekend

Oh boy—the holidays are really and truly upon us, and we couldn’t be more jingle-jazzed! So, what kind of merriment can you get into this very weekend from around the worlds of Disney? Disney Channel gets festive as all get out with the premieres of Disney’s Holiday Magic Quest and Christmas… Again?!; FX presents a marathon of The Santa Clause trilogy (Bernard the Elf is a fave ’round here); and so much more.

**Production Wraps on Chang Can Dunk for Disney+**

More cool news from the good folks at Disney+: Production has just wrapped on Chang Can Dunk—an original, live-action film from Disney slated for release in 2023, exclusively on the streaming service.

Chang Can Dunk tells the story of Chang, a 16-year-old Asian American high school student in the marching band who bets the school basketball star that he can dunk by Homecoming. The bet leads the 5’ 8” Chang on a quest to find the hops he needs to dunk in order to impress his crush, Kristy, and finally gain the attention and respect of his high school peers. But before he can rise up and truly throw one down, he’ll have to reexamine everything he knows about himself, his friendships, and his family.

Bloom Li plays the lead, Chang. Fun fact: Li was encouraged to audition by a friend and submitted a self-tape on his own, which put him on the path to eventually getting the part! Additionally, Ben Wang, recently seen in Disney’s Launchpad short Dinner Is Served, plays Bo, Chang’s best friend; Dexter Darden, a former pro basketball player and two-time Estonia League MVP, plays Deandre; Chase Liefeld plays Matt, the school’s star athlete; and Zoe Renee plays Kristy. To lend authenticity to the film and properly represent the dunk culture, filmmakers hired one of the foremost dunk experts, Connor Barth, to help the actors train.

In his feature-film debut, Jingyi Shao is writing and directing from a script he wrote that placed second on last year’s Blacklist—a platform for film and TV writers to showcase their screenplays for industry members.

More news on Chang Can Dunk in the coming months…

Limited-Time Festivals Return to the Disneyland Resort in 2022

It’s an early holiday gift we’re quite excited for! Two fan-favorite, ever-so-enjoyable, limited-time festivals are returning Disneyland Resort (specifically, Disney California Adventure Park) next year—namely, the Lunar New Year celebration, taking place from January 21 through February 13; and the Disney California Adventure Food & Wine Festival, running from March 4 through April 26.

Lunar New Year at Disney California Adventure is a joyous celebration that commemorates traditions of Chinese, Korean, and Vietnamese cultures. The festival—which celebrates 2022’s Year of the Tiger—is chock full of multicultural performances, special activities, culinary delights, colorful décor, celebratory merchandise, and more. New this year: Tigger will join in on the fun, along with beloved Disney characters including Mulan and Mushu; Mickey and Minnie; the Three Little Pigs and other favorites, all donning festive attire.

Later in the spring, family and friends will come together for the Disney California Adventure Food & Wine Festival—and they’ll enjoy a totally delicious taste of what they’ve been missing. The festival allows guests to explore California regions and neighborhoods in several ways, from delicious eats to vibrant entertainment and festival merchandise. During the festival, epicureans will taste their way through a dozen festival marketplaces, savoring mouthwatering bites and beverages; plus, entertainment will fill the festival’s Palisades Stage and Paradise Gardens Bandstand, with live musical performances and visits from Chef Mickey. And as in years past, a Sip and Savor pass will be available for purchase, as well as special signature events including the Carthay Circle Winemaker Receptions, and Wine, Beer and Mixology Education & Tasting Seminars.

Additional details on both festivals will be announced soon!

**Coming Soon: Best in Dough to Bring Pizza-rific Fun to Hulu**

Fans of delicious flavor, listen up! Hulu has just announced the latest addition to its delectable lineup of unscripted food series: the new original series Best in Dough.

In a world where there seems to be little agreement on anything, there is one great unifier… the universal love of pizza. Best in Dough brings together pizza-obsessed competitors from all walks of life to showcase their pizza slinging skills and battle it out for a cool $10,000. Fire up the oven, because the first ever pizza competition is on!

Best in Dough is hosted by Wells Adams, with head judge Chef Daniele Uditi of Pizzana—and features Chef Millie Peartree, comedian and food influencer Eunji Kim, and baker Bryan Ford serving as judges. Adams is best known from The Bachelor franchise, where he first emerged as a fan favorite on season 12 of ABC’s The Bachelorette and went on to become a semi-permanent fixture on both The Bachelor and The Bacheloretteseries as well as ABC’s Bachelor in Paradise.

The first season of Best in Dough—from Alfred Street Industries, Vox Media Studios, and Majordomo Media—will consist of 10 episodes. Keep your eyes peeled (and your stomach primed) for a premiere date and further info.

**ICYMI: New Details on Guardians of the Galaxy: Cosmic Rewind, the 30th Anniversary of Disneyland Paris, and More**

Were you on an extended Thanksgiving sojourn and, therefore, missed some of the most amazing announcements from our recent Destination D23 event? Or just want a bit of a refresher on all the incredible things you can expect at Disney Parks and Resorts in the months to come? Fret not: We’ve got you covered with this nifty rundown.

Christmas…Again?! Is a DCOM You’ll Never Want to Fir-Get

December 3, 2021December 2, 2021

By Zach Johnson

Christmas comes but once a year… most years, anyway.

But in the Disney Channel Original Movie Christmas… Again?!, debuting tonight at 8 p.m. ET/PT, 12-year-old Ro (Scarlett Estevez) unexpectedly finds herself reliving the holiday. How, exactly, does something like this happen? For starters, Ro isn’t handling her parents’ divorce well. After a disappointing day with her family, she asks a local Santa Claus (Gary Anthony Williams) for a do-over. Now, in order to break a magical, mysterious loop, Ro must learn to appreciate her family as it is and to embrace the true meaning of Christmas.

“Ro is very bold,” says Estevez, who cites Good Luck Charlie, It’s Christmas! as one of her favorite DCOMs. “She can be stern, and she likes to get what she wants; if she doesn’t, she’ll do anything to get it. But she’s also very loving, and she cares a lot about her family.”

In fact, despite her parents’ divorce, Ro had been excited about continuing her family’s holiday traditions, like watching the Santas vs. Elves hockey game with her dad (Daniel Sunjata) and visiting the Winterfest Carnival. Not on the agenda? Spending time with her dad’s girlfriend, Diane (Beth Lacke), and her 8-year-old son, Louie (James McCracken). To make matters worse, the other members of Ro’s family refuse to see things from her POV.

But is Ro willing to see things from their side? “You’ll definitely see how her opinions change,” Estevez assures us. “She starts to discover that maybe people aren’t as bad as she thought. In the beginning, she convinces herself that these people are out to get her, so that makes it OK for her to block them out. But Ro starts to realize that maybe those opinions were wrong, that they really are nice people who want to be a part of her family.”

“At the end of the day, they all love each other,” adds Alexis Carra, who plays Carolina, Ro’s warm-hearted and outgoing mom. “Even though families come in all shapes and sizes, it takes some time for Ro to accept that her family has changed. It doesn’t mean that her parents love her any less or any differently. And who doesn’t need to be reminded of that?”

Suffice it to say, making Christmas… Again?! was a “magical experience,” says Carra. Estevez also shares “fond memories” from her time on set, particularly when it came to “repeat” scenes. “It was super fun, but also a little crazy, because I would lose track of what loop we were in,” she recalls. “I would be like, ‘Wait, what scene are we doing?’ It was super cool and very different, and I don’t know if I’ll be able to experience something like this again.”

Journey Behind the Scenes of Disney’s Holiday Magic Quest

December 3, 2021December 2, 2021

By Zach Johnson

Ready for a magical and merry adventure?

Disney’s Holiday Magic Quest returns tonight at 7 p.m. ET/PT on Disney Channel and hosted by Yvette Nicole Brown, the special finds ZOMBIES franchise stars Meg Donnelly, Milo Manheim, Kylee Russell and Trevor Tordjman competing in a high-stakes holiday adventure with epic challenges. The quest takes place during “The World’s Most Magical Celebration” after dark, inside of Disney’s Hollywood Studios at Walt Disney World Resort. For more on the special, enjoy our Q&A with director and executive producer Artur Spigel.

D23: The first Disney’s Holiday Magic Quest special aired last year. What takeaways from that experience informed how you approached this year’s special?
Artur Spigel (AS): The folks at Disney did really extensive research about what worked and what resonated with kids and families. They want more characters. They want a lot more heroes in the show—as well as villains. They want us to dig deeper into the IP, so they feel more immersed in the storylines. They want more attraction-based challenges.

D23: What’s it like to film in a Disney theme park after dark?
AS: First and foremost, the guest experience is the No. 1 priority at Parks. So, we have to work within the parameters of the guest experience. We can have a crew of 100 people and be ready to go, but if there are guests still enjoying the park, even though it’s after hours, we’re waiting until they’re ready to go. We are beholden to when the park is truly free and clear. Then, the maintenance of these attractions is super important. So, if an attraction’s not ready for us, or if it needs additional maintenance, we have to wait until the time is right. And then when you talk about adding stunts or challenges onto these attractions, the amount of safety and testing and approval and work with Imagineering is really extensive and took months. Things that you would think are a no-brainer and easy to do need to be triple-checked, triple-harnessed, and triple reviewed. But it was well worth it, because it shows the park in a new light. We got to do things that no one’s ever really gotten to do before. They were on board to stretch what’s possible outside of a typical guest experience.

D23: Can you talk more about how you collaborated with Imagineering?
AS: Look, they’re the protectors of this IP, and they’re the protectors of the park. What they say goes, so we need to collaborate with them on multiple levels. First, there’s the script portion. What are the characters going to say? Is this in the storyline of that land? Would the characters actually say that? Can they even exist in this world of a reality special in the park? You have to set those ground rules. Then, it’s a matter of how we show the park and how we photograph it. The guest experience is very different when you’re in The Twilight Zone Tower of Terror^™, with the things you get to see. We have to find that balance. For example, we need to light it for television, but we don’t want to disrupt what the environment looks like or the way a guest would typically see it. So, there’s the storyline, there’s the visual element, and then there’s working with Imagineering to protect the attraction. You know, we were very fortunate that we were allowed to go in Tower of Terror; we got to go behind the ropes and in the lobby area, where they have the bellhop desk. Part of the beauty of that set is that there’s cobwebs, which were handwoven and a hand-placed so many years ago. So, it’s about asking: Where can the camera go? Where can the talent go? How many people can be in this area and for what duration of time? Ultimately, we’re trying to preserve these beautiful environments for all these attractions they created. It’s a deeper, richer experience stepping into these challenges and games this time around.

D23: What can you tease about some of the characters and lands we’ll get to see?
AS: For me, it’s really a dream come true to be able to do this show at all. And in this particular instance, with the show taking place in Hollywood Studios, we get to delve into Star Wars: Galaxy’s Edge. We got to work really closely with Lucasfilm and Imagineering to weave our storyline—our quest—into the story of Galaxy’s Edge, inclusive of being hunted by Kylo Ren and the First Order and working with Chewbacca to help solve the puzzles. That land on camera feels like you are truly in a Star Wars movie. Some of what we shot wound up becoming some of my favorite stuff in the special, just because it is so immersive.

D23: This year’s quest begins with Maleficent stealing the holiday star from atop the Holiday Tree, then scattering its pieces throughout the park. After being divided into two teams, the four ZOMBIES stars must then find the pieces, reassemble the star, and place it back atop the tree in order to restore the park’s magic. What inspired this adventure?
AS: We wanted to take the format to the next level. Last year, it was like, ‘We have to find the holiday magic that was locked away.’ And in this instance, we really wanted to motivate our teams to scatter throughout the lands and go to a lot of different attractions. In the spirit of Disney, we love this idea of goodhearted competition, where people are trying their hardest. But at the end, they all come together to make the world an awesome place.

D23: Both Milo and Kylee competed in Disney’s Holiday Magic Quest last year. Did that give them an edge over Meg and Trevor, who were competing for the first time?
AS: They knew what they were dealing with when it comes to how the show was going to go, but they really don’t know anything. They’ve not seen any of the material. They don’t know any of the challenges. They knew there was a mix of hybrid storytelling, where they get to interact with characters. But then all of a sudden, they’re thrown into real games with real outcomes, and they really have to win or lose. It’s all very spontaneous and real. They have no script points. What they are experiencing is what’s really happening to them. Some characters, like Maleficent, have their beats. But otherwise, they’re all saying what they really feel. Everything is candid. There was a little bit more of a rivalry than we expected; they really got very competitive. Even though it was a fun, dream-filled night, they—especially Milo and Meg—really wanted to beat each other. So, that part was fun.

D23: Tells us about bringing Yvette on as host.
AS: She has such an amazing energy. She brings a serious intensity to the gameplay, but in a very warm, comedic way. She’s a great addition; it was super fun to work with her on this.

D23: What can you say about the charitable component to the special?
AS: Ultimately, Disney is making a donation to Toys for Tots in the name of the winning team. So, a large amount of actual, physical toys are going to be delivered to Toys for Tots.

D23: Will there be any fun cameos?
AS: There are some family members, and there is definitely a ZOMBIES cameo…

Disney’s Holiday Magic Quest is also streaming Friday on Disney+.

Jeff Kinney and Brady Noon Talk Diary of a Wimpy Kid

December 2, 2021

By Courtney Potter

“Zoo-Wee-Mama!” The all-new Diary of a Wimpy Kid is coming to Disney+ this Friday, December 3! Based on the first book in Jeff Kinney’s worldwide best-selling series, the animated film follows the story of Greg Heffley (voice of Brady Noon)—a scrawny but ambitious kid with a mega-active imagination and big plans to be rich and famous… he just has to survive middle school first! To make matters worse, Greg’s best friend Rowley (voice of Ethan William Childress) seems to just coast through life and succeed at everything without even trying. As details of his hilarious—and often disastrous—attempts to fit in fill the pages of his journal, Greg learns to appreciate true friends and the satisfaction that comes from standing up for what’s right.

To celebrate Diary of a Wimpy Kid’s release, Kinney and Noon (recently seen in Disney+’s The Mighty Ducks: Game Changers) got together for a rollicking virtual press conference, offering up some memorable, behind-the-scenes scoop on what it was like bringing Greg and his world (full of adventure and cheese-touching) to a streaming device near you.

Kinney on his journey from struggling illustrator to seeing his characters spring to animated life…
“I really wanted to be a newspaper cartoonist,” the author explained. “I wanted to be like Charles Schultz or Bill Waterson or Gary Larson. That was my goal, [but] nobody liked my stuff. I spent about three years trying to get syndicated, but nobody was having it. I needed to figure out a different way to get my cartoons published, so I came up with this idea of a long-form cartoon; like a novel in cartoons. I worked on it for a long time—eight years!—and then finally I showed it to somebody who liked it. And that’s what got me started in publishing… It’s really exciting to see the characters [now] jump from the page to the screen, in a fully rendered CGI environment. Especially doing it with Disney! And Brady has just done such a good job of bringing this character to life that I feel like you’re going to be seeing Greg Heffley [from] the page onto the screen for the first time—which is really cool.”

Noon recalls when he first came across the Diary of the Wimpy Kid books…
“I remember when I was in elementary school,” said the actor, “when I was very young, my brother and sister and I all had these days of the week in school and we’d go to either art class, the library, the gym, [or] a bunch of other subjects. And every day on library day, we’d all run to the library and fight for a Diary of a Wimpy Kid book, because they were the most prized possessions to have. And I specifically remember always trying to get the next one—after I finished the first one, I had to get the second one the next week, then I had to get the third one. It was just this crazy ‘addiction,’ this craze that everyone had. It’s such a great memory.”

Kinney on using himself—and his family—as inspiration…
“Greg is really a version of myself,” admitted the author. “So, he’s making this mistake of recording his life at a time when nobody should record their life—in the beginning of middle school, nobody wants a record of that, and Greg is doing it. He’s thinking, ‘One day, I’ll be rich and famous’—so he thinks he’s telling his autobiography. I was a lot like Greg. I was a messy kid… I made lots of mistakes, things that I wouldn’t want put on the record. And my family members are reflected in the Heffleys in some ways; my brother actually lived in the basement, just like Roderick. And he played in a bad band—[although] I’m sure he’d call it a good band,” he added, chuckling. “And then the parents are just like my parents in some ways, but everybody’s been put through the ‘fiction’ blender, so it comes out as fiction. Everybody who watches this movie in my family, they know what I’m writing about… Also, in my mid-20s, I did start keeping a journal, to [persuade] myself to work on my comics. I created this journal with text and some cartoon illustrations all throughout. I did it for years. And finally I realized, ‘Oh my gosh, this is the answer. This is what I’ve been looking for; a new format.’ So, my real-life journal actually inspired Diary of a Wimpy Kid.”

Noon on making the switch from live-action performance to voice acting…
“This was my first voiceover work that I’ve ever done,” he said, “except for ADR [additional dialogue recording] work for live action, but it was incredible. I really liked it. And I liked the concept of being able to come to work in sweatpants and a sweatshirt,” he admitted, laughing. “I tried to ‘act out’ most of the scenes as if it was live action—I pretended like there a camera in front of me, just so you get that ‘realness’ and that sincerity in my voice. Like, if I had to run during a scene, I was really running in place, or if I had to jump, I jumped. If I’m in an emotional scene, I’m really putting myself in the shoes of Greg and how I would react. And that’s how I did it. I do the same thing now with live action, which something that I actually learned from doing voiceover. It’s the coolest skill I’ve learned.”

Kinney on where the idea for the “cheese touch” came from…
“The cheese was a real thing in my life,” he explained. “I used to go to a church where there was a piece of cheese on the parking lot underneath the basketball hoop, just like in Diary of a Wimpy Kid. And the kids who went to that school—I didn’t go to the school, but I knew some people who did—they avoided the cheese, just like the kids in Diary do. And I won’t say what happened to the cheese, but I think Brady knows, from the ending of [the film].”

Noon on a favorite scene from the film…
“Definitely the part where we were in the woods, and the older kids run up on us with their truck and they were chasing us,” he recalled. “We’re running and screaming. That’s probably where I laughed the most [watching] the movie. I also really like when Rowley was doing the stuff with the cheese; the unspeakable stuff that I narrated,” he added, laughing. “I feel like that’s where the movie comes together—their friendship finally shows its strong point and comes together. It’s a great moment in the movie that I really enjoyed.”

Kinney on why these characters resonate with people around the world…
“I discovered the answer to that question by traveling around the world,” the author explained. “I think that everybody’s sees Greg as one of them—like if I go to China or Brazil or Israel or New Zealand, they don’t think of Greg as this American kid who lives far away. They think he could be their friend or their neighbor. If you think of Greg Heffley, as he’s designed on the page, he’s really simple… I think that allows people to project themselves onto Greg, which is great. I think that the stories are really relatable—and I think that your family is probably like this in some ways. And of course, hopefully the humor [resonates] as well!”

See Diary of a Wimpy Kid when it debuts on Disney+ this Friday, December 3!

Downloadable: Spread Holiday Cheer with These D23 Season of Magic Gift Tags

December 2, 2021December 8, 2021

By the D23 Team

Ring in the D23 Season of Magic with extra holiday cheer! Use these gift tags to add Disney magic to gifts for loved ones both near and far.

SUPPLIES:
8.5 x 11-inch white cardstock (printable)
Scissors
Double-sided tape

OPTIONAL:
8.5 x 11-inch white sticker paper (found in scrapbooking section of craft store)

Download and print out your sheet of gift labels onto your cardstock.

Using scissors, cut around each tag (using its grey border as your outline).

Fill in the “to” and “from” on the front of the labels.

Attach to your gifts using double-sided tape.

OPTIONAL:
Print the gift labels onto a sheet of sticker paper—then cut around each image (as described above), fill in the “to” and “from” on the front, remove the backing, and affix to your packages.

NOTE: Cutting with scissors should be done by an adult.

ABOUT TOPPS:

Celebrate your fandom throughout the Season of Magic with these new releases across Topps Digitial’s collectible apps! Disney Collect!, Marvel Collect!, and Star Wars: Card Trader unlock a world where you can collect and trade your favorite characters, moments, original artwork and more as you connect with fans around the world – all from your mobile device!

Each app will be releasing BRAND NEW content throughout the month so be sure to recheck this holiday list (we recommend at least twice) for the latest in-app releases.

5 Fantastic Things to Watch This Weekend

December 2, 2021December 1, 2021

By Zach Johnson

The holiday season is in full swing, and the festive fun includes Disney Holiday Magic Quest and Christmas… Again?!, both premiering Friday night on Disney Channel. That same day, the animated feature film Diary of a Wimpy Kid debuts exclusively on Disney+. Enjoy a cup of cocoa when FX presents a marathon of The Santa Clause trilogy on Saturday, and the following night, tune in for a special edition of 20/20 dedicated to the new film West Side Story.

Disney Holiday Magic Quest—Friday, December 3, at 7 p.m. ET/PT on Disney Channel
Join host Yvette Nicole Brown as four stars from the ZOMBIES franchise—Meg Donnelly, Milo Manheim, Kylee Russell, and Trevor Tordjman—compete in a high-stakes holiday adventure featuring new epic challenges. The quest takes place inside Disney’s Hollywood Studios at Walt Disney World Resort after dark as part of “The World’s Most Magical Celebration.” Divided into two teams of two, the stars must navigate a series of new challenges and obstacles through a variety of iconic and immersive attractions and lands.

Christmas… Again?!—Friday, December 3, at 8 p.m. ET on Disney Channel
Rowena “Ro” (Scarlett Estevez) is a high-spirited teenager who is experiencing a lackluster Christmas. Ro isn’t handling her parents’ divorce well. She wants her life back the way it was, and after a disappointing celebration with her family, she asks a neighborhood Santa Claus (Gary Anthony Williams) for a “do-over” and unexpectedly finds herself reliving Christmas day over and over again! Now, in order to break the strange magical loop, Ro must learn to appreciate her loving family as it is, as well as the true meaning of Christmas.

Diary of a Wimpy Kid—Friday, December 3, on Disney+
Greg Heffley (voiced by Brady Noon) is a scrawny but ambitious kid with an active imagination and big plans to be rich and famous; he just has to survive middle school first. To make matters worse, Greg’s best friend Rowley (voiced by Ethan William Childress) seems to coast through life and succeed at everything without even trying! As details of his hilarious—and often disastrous—attempts to fit in fill the pages of his journal, Greg learns to appreciate true friends and the satisfaction that comes from standing up for what’s right.

The Santa Clause Marathon—Saturday, December 4, at 6 p.m. ET/PT on FX
Santa Clause is coming to town! FX is hosting a merry marathon of all three films in the franchise: The Santa Clause (1994), The Santa Clause 2 (2002), and The Santa Clause 3: The Escape Clause (2006). Disney Legend Tim Allen has top billing as Scott Calvin aka Santa Claus; Spencer Breslin, David Krumholtz, Eric Lloyd, and Martin Short round out the casts.

Something’s Coming: West Side Story – A Special Edition of 20/20—Sunday, December 5, at 7 p.m. ET/PT on ABC
ABC News presents a one-hour primetime event that steps inside the upcoming film West Side Story, from Oscar^® winner Steven Spielberg. The special features interviews with Spielberg, Rita Moreno, and other members of the cast and crew; discussions with Puerto Rican actors, artists, and journalists on the role this story has had on their lives and the importance of authenticity and representation in film; and new behind-the-scenes footage.

Get Early Access to the December Disney Treasures from the Vault, Limited Edition Mickey Mouse Revue Plush, Amazon Exclusive

December 2, 2021December 3, 2021

Disney Treasures From the Vault, Limited Edition Mickey Mouse Revue Plush, Amazon Exclusive

Relive the magic of Disney with the Treasures From the Vault Plush. Inspired by Disney’s Audio-Animatronic® musical show, the Limited Edition Mickey Mouse Revue is the twelfth collectible character in this exclusive Amazon series. Standing 15 inches tall, Mickey Mouse is made of soft mixed materials including a twill tuxedo, canvas gloves, and satin bowtie. Mickey Mouse Revue also features embroidered eyes, a red cummerbund, shiny black shoes, and a conductor baton. He even includes a Certificate of Authenticity and comes in a window box featuring exclusive Disney Treasures From the Vault packaging with gold foil detailing; ideal for collectors. Collect all twelve of these commemorative plush. Ages 3+

In 1962, Walt Disney discussed the idea of creating an attraction for “all of the Disney characters, so everyone can see them… I have in mind a theater, and the figures will not only put on the show but be sitting in the boxes with the visitors, heckling. I don’t know just when I’ll do that.” Nearly a decade later, Walt’s concept became a reality when the Mickey Mouse Revue premiered as an opening day attraction in Magic Kingdom Park at Walt Disney World Resort on October 1, 1971. In this fondly remembered musical attraction, maestro Mickey Mouse led an orchestra and cast of over 70 Audio-Animatronics Disney characters as they performed songs from classic Disney films. After nearly a decade of entertaining guests at Magic Kingdom, the Mickey Mouse Revue would move to Japan where it premiered on April 15, 1983, as an opening day attraction at Tokyo Disneyland. When the attraction was retired in 2009, the historic conductor Mickey Mouse Audio-Animatronics figure was preserved by the Walt Disney Archives.

Twelfth commemorative plush in the 2021 Treasures From the Vault Plush collection. Each month a new limited edition commemorative plush is being revealed, exclusively on Amazon. Collect all twelve.
Each Limited Edition Mickey Mouse Review Plush includes a Certificate of Authenticity within the box. D23 members will have early access to the line of limited edition Disney plushes presented by Amazon.
Mickey Mouse Revue premiered as an opening day attraction in Magic Kingdom Park, where maestro Mickey Mouse led an orchestra and cast of over 70 Audio-Animatronics Disney characters as they performed songs from classic Disney films.
Mickey Mouse stands 16 inches tall and made of soft fabrics with embroidered eyes.
Ages 3+
D23 Members will be the first to be notified about each month’s theme and have an opportunity to order the month’s design.
Each month, D23 will provide Members with advance notice of the date the plush will be available for purchase on Amazon.com.
On Friday, December 3, at 9 a.m. PST, visit this page on D23.com for the link to purchase the December Disney Treasures from the Vault, Limited Edition Mickey Mouse Revue Plush, Amazon Exclusive.
Please Note: You must be signed in as a D23 Member to access the link to purchase. Click “Sign In” at the top of the page.
Please note limited quantities of the plush will be available on Amazon.com.

For more Disney favorites, visit amazon.com/Disney for a full assortment of products.

Disney Treasures from the Vault Limited Edition Plush offer available to D23 Members for a limited time. Limited quantity of plush are available, while supplies last at Amazon.com. Items not eligible for any additional promotional discounts or offers except available shipping offers. Offer subject to restrictions and to change without notice. Void where prohibited.

Dressing 1950s New York City in West Side Story

December 1, 2021

By Courtney Potter

“The air is humming, and something great is coming.” 20th Century Studios’ West Side Story opens in just about 10 days’ time—and that lyric, by the late, great Stephen Sondheim, couldn’t be more apropos; directed by Oscar® winner Steven Spielberg, with a screenplay by Pulitzer Prize and Tony® Award winner Tony Kushner, this reimagining of the beloved musical tells the classic tale of electric rivalries and young love in 1957 New York City.

Recreating the look and feel of the Upper West Side in 1950s America—and within a musical, to boot—brings with it a host of uniquely memorable challenges… ones that Tony and Emmy® Award-winning costume designer Paul Tazewell (Hamilton, The Wiz Live!) was more than willing to take on. D23 recently sat down for a chat with the busy designer, who unfurled a bit of the proverbial fabric of his unforgettable experience on the project.

D23: The Official Disney Fan Club: Were you nervous when you first got hired onto West Side Story—considering its source material is so revered?
Paul Tazewell (PT): I was so excited, but there was also a feeling of—now I have to stand up against this iconic [1961] film that has been beloved by so many different people… When I was working in Los Angeles, pulling some of the clothing together and doing a lot of the prep, I had the opportunity when I was at Western Costume [the well-known costume facility] to actually see the color palette that had been put together by Irene Sharaff, who was the original costume designer—both for the original [1957] Broadway production and then also the [‘61] film. So to see what she had set up as her color palette, on the chart, and to actually be able to touch that—it felt like the holy grail! I just realized that this was somewhat of a daunting task to fill that spot for as many people as possible, in a similar fashion—[but] to have my looks, my design, hopefully carry some of that same energy. I was honored to have the challenge.

D23: What was your research for this project like?
PT: It was very important for Steven to reflect a somewhat naturalistic take on the city at that time, in 1957… [that Upper West Side] neighborhood was shifting and changing and actually ended up becoming the Lincoln Center area… After I collected as many [photographic] images as I could, I shared them with Steven, and we had long conversations about what he liked, what he didn’t like, what he thought was true to the way he wanted to tell the story, [and] how he imagined the specific characters being represented. So I continued to refine specific images, looking for actual dress designs from that period of the mid-1950s—whether it’s in a catalog or actual photographs of dresses. Choosing some styles that seem to be appropriate and then modifying those, because I was always approaching the silhouette and the look of the clothes knowing that they were gonna be danced in. So I was wanting to make choices that would look great moving as well as when they were just standing still—[as well as] appropriate for the character and the community that I was representing.

D23: Do you have a favorite moment from designing for this film? Something that you recall fondly, or something that really sets it apart from other projects you’ve worked on?
PT: I couldn’t have asked for a better collaborative team to work with, from the top down. Steven’s level of respect and engagement, I experienced very early [on]; I really appreciate that, because that’s the kind of environment that I work best in. I think you need to surround yourself with other creative people that come from that same mindset—and I try to maintain all of that as well, in the team that I put together. So that was definitely the case [here]. And working with the cast that they had put together—beautiful, very lovely people that are hugely talented—made the process that much more exciting. I was very excited to go to work every day.

There was a moment where we were just getting ready to film; it was the first day of filming for the “Dance at the Gym” [sequence]… and we were dressing everyone in their “Dance at the Gym” looks. As it’s written, it’s all of the teenage kids looking their coolest or their favorite way to represent themselves; their nicest dress or their nicest suit. Everyone got dressed and then they were all in a group, kind of waiting around for someone to announce something—and they all started to applaud, and they were directing it towards me. To get praise in that way, to get that affirmation about the work that I do with clothing—it was wonderful. It moved me greatly, to receive that from the cast and from the crew that was helping them all.

D23: What’s it like to know that this iteration of West Side Story is now part of the worlds of Disney? Were you a Disney fan growing up?
PT: I was a huge fan! My love of Mary Poppins and Cinderella defined how I see the world of [costuming]… There’s something about when Cinderella transforms into [her] ballgown—I always hold that with me. And if I think about, well, what is that magical feeling? How do I recreate that in another garment? Whether it’s gonna be a [1970s] suit for Donna Summer [in Broadway’s Summer: A Donna Summer Musical, which Tazewell designed], or for some kind of turn-of-the-century entrance—how can I orchestrate that same visceral feeling in what I’m designing? And it’s reflective of the feeling that I got when I was watching the animated Cinderella. The same goes for Mary Poppins, and how I was swept away—that was my favorite movie growing up. How does one capture the playfulness of that story, the way that it was represented on film, and transform that? What other moments is that applicable to? It was very formative. I’ve carried it and applied it to other things as well.

D23: What do you hope audiences take away from the film?
PT: So much life has happened [since we filmed West Side Story]—for all of us, collectively, as Americans. I’m hopeful that the story will resonate in a stronger way, and in a deeper way, for a Disney audience. I hope it fosters a better understanding and sensitivity to what life must’ve been like for all of these characters [living in that time period, in New York City]… I think that there’s a lot there that will resonate for an audience.

See 20th Century Studios’ West Side Story when it premieres in U.S. theaters on Friday, December 10!