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The holiday season is upon and there’s plenty of festive content sure to make you feel merry and bright. Enjoy the films Love Actually and Disney’s A Christmas Carol, or a holiday-themed episode of The Simpsons with A Christmas Carol twist, all airing on Freeform. Or, watch Tim Burton’s The Nightmare Before Christmas, available to stream on Disney+. Are you in the mood to sing about your favorite things? Watch The Sound of Music airing Sunday evening on ABC.
The Simpsons—Friday, December 17, at 12 a.m. ET on Freeform Dust off your holiday sweaters and watch a few of our favorite holiday episodes. Among them is “‘Tis the Fifteenth Season,” which features a Simpsons twist on a holiday classic. In this version of A Christmas Carol, Homer is inspired to become giving after coming into a large sum of money, which surprisingly prompts jealousy in his neighbor Flanders.
Love Actually—Friday, December 17, at 9 a.m. ET, on Freeform
Whether it’s the first viewing or thousandth, the 2003 Christmas-themed romantic comedy is sure to cue up the holiday cheer. Nine intertwined stories and an all-star cast including Hugh Grant, Laura Linney, Keira Knightley, Colin Firth, and more examine the complexities of love for the young and young at heart. Get your cue cards ready for the holiday classic.
Disney’s A Christmas Carol—Friday, December 17, at 11:55 p.m. ET, on Freeform Keep the A Christmas Carol spirit going with the 2009 computer-animated movie, starring Jim Carrey as Ebenezer Scrooge and directed by Robert Zemeckis. Seven years after the passing of his business partner Jacob Marley (Gary Oldman), Scrooge refuses to participate in Christmas festivities, declining an invitation to his nephew’s home for Christmas Dinner. After reluctantly granting his loyal employee Bob Cratchit (Oldman) Christmas Day off, three ghosts take him on a journey that reveals long-buried truths. Scrooge must open his heart to undo years of ill will before it’s too late.
Tim Burton’s The Nightmare Before Christmas—Saturday, December 19, at 12:20 a.m. ET on Freeform What’s this? What’s this? Pumpkin King Jack Skellington (voiced by Chris Sarandon) stumbles upon Christmas Town and soon becomes obsessed with the unfamiliar holiday. Jack longs to spread the joy of Christmas with the residents of Halloween Town, but his mission puts Santa Claus (voiced by Ed Ivory) in peril in this stop-motion animated musical full of spooky holiday fun.
The Sound of Music—Sunday, December 19, at 7 p.m. ET, on ABC Gather the family for a screening of Rodgers & Hammerstein’s musical inspired story The Sound of Music. The musical follows the story of Maria (Disney Legend Julie Andrews), who takes a job as a governess for the von Trapp family while she contemplates becoming a nun. She eventually falls in love with the children and later their widowed father Captain von Trapp (Christopher Plummer). After he refuses to accept a position with the Germany Navy, the family devises a plan to flee Austria.
What better way to ring in the New Year than with your favorite mutants? Disney+ just announced its listings for January 2022, which kicks off with the addition of X-Men: First Class to its library. The month will include a new episode of The Book of Boba Fett every Wednesday, in addition to a new batch of episode of The World According to Jeff Goldblum. Marvel Studios’ Eternals makes its streaming debut mid-month, followed by Assembled: The Making of Hawkeye. Other library additions for January include Betty White Goes Wild!, Diary of a Wimpy Kid: Dog Days, Like Mike, The Sandlot, and Vets on the Beach (Seasons 1-2). The month closes out with the original movie The Ice Age Adventures of Buck Wild, which continues the hilarious escapades of the sub-zero heroes from the Ice Age franchise.
All the titles coming to Disney+ in January are listed below:
Saturday, January 1 X-Men: First Class
Wednesday, January 5 The Book of Boba Fett (Episode: “The Tribes of Tatooine”) Miraculous Tales of Ladybug & Cat Noir (Season 4, 7 Episodes)
Friday, January 7 Diary of a Wimpy Kid: Dog Days Fantastic Four
Like Mike Like Mike 2
Miraculous: Tales of Ladybug & Cat Noir (Season 4, Episodes 14-20)
Night at the Museum: Battle of the Smithsonian
Night at the Museum: Secret of the Tomb
Pop Goes the Vet with Dr. Joya The Sandlot
X-Men Origins: Wolverine
Wednesday, January 12 The Book of Boba Fett (Episode: “The Streets of Mos Espa”) Eternals
Friday, January 14 Betty White Goes Wild! Catch That Kid
Wednesday, January 19 The Book of Boba Fett (Episode: “The Gathering Storm”) Secrets of Sulphur Springs (Season 2) Vets on the Beach (Seasons 1-2) The World According to Jeff Goldblum (Season 2, Episode 6-10)
Friday, January 21 Marvel One-Shot: Team Thor: Part 1 Marvel One-Shot: Team Thor: Part 2 Marvel One-Shot: Team Darryl Marvel One-Shot: The Consultant Marvel One-Shot: Agent Carter
Wednesday, January 26 The Book of Boba Fett (Episode: “Chapter 5”) Random Rings (Seasons 1-2)
Friday, January 28 The Book of Manning Called to the Wild (Season 1) Deion’s Double Play Dr. Oakley, Yukon Vet (Season 10, Episodes 6-12) Four Falls of Buffalo The Ice Age Adventures of Buck Wild (Premiere) Insania (Season 1)
Visiting with pals over video chat just got a lot more magical… Download these enchanting D23 Season of Magic Zoom backgrounds to add some merriment the next time you sign on. Spend some holiday time with Mickey and Minnie, Princess Tiana and Louis the Alligator, and Goofy and Max!
Before a spirited princess is captured. Before a smuggler shoots 1st or 2nd (still up for debate). Before a young farm boy would take to the stars. And before a war hero and mentor is lost. Some unlikely heroes embark on what would be a one-way mission that could decide the outcome of a pending Galactic Civil War.
It was five years ago that Rogue One: A Star Wars Story was released in the United States on December 16, 2016. Directed by Gareth Edwards with a screenplay written by Chris Weitz and Tony Gilroy, Rogue One is a story by John Knoll and Gary Whitta a direct prequel that is set before the events of Star Wars: A New Hope (1977).
Rogue One: A Star Wars Story World Premiere Los Angeles, CA
The story follows Jyn Erso (Felicity Jones) daughter of scientist Galen Erso (Mads Mikkelsen), Rebel Intelligence Officer Cassian Andor (Diego Luna) and reprogrammed rebel droid K-2SO (Alan Tudyk). They band together with other Rebels to steal secret plans of the Death Star, the ultimate weapon of the Galactic Empire, from the Imperial Security Complex on the planet Scarif run by the villainous Imperial Director Orson Krennic (Ben Mendelsohn). Their successful transmission of the stolen plans marks the Rebel Alliance’s first essential victory against the Empire, referenced in A New Hope’s opening crawl.
The film grossed over $1 billion worldwide, making it the second highest grossing film of 2016 during its theatrical run. The Rogue One crew from Skywalker Sound and Industrial Light & Magic (ILM) also received two Oscar nominations for Best Sound Mixing and Best Visual Effects.
Rogue One took viewers to both new and some familiar places within the galaxy far, far away. Principal photography began in 2015, at Pinewood Studios in the United Kingdom. Filming took place in multiple locations around the world as ILM led the creation visual effects, including state-of-the-art motion-capture techniques for K-2SO.
Lah’mu
Iceland was used to represent the outer rim planet of Lah’mu. With most of the planets ravaged by the Clone Wars or industrialized by the Empire, Lah’mu is seemingly untouched by the Empire, more serene. This is where the film opens with Director Krennic and his squad of black-armored death troopers who have come to bring Galen Erso back to complete work on the Death Star by any means necessary. In the process, Erso’s wife Lyra (Valene Kane) is killed, sending a young Jyn Erso (Beau Gadsdon) into hiding until later rescued and raised by an ally of the Rebellion. The opening scenes were shot at Reynisfjara beach known for its black sands formed from lava, Mýrdalssandur an outwash plain at the southernmost point of the island of Iceland, and also around the mountains of Hjörleifshöfði and Hafursey.
Director Krenic and Death Trooper squad on Eadu
Jedha
The film crew would travel to Wadi Rum, Jordan to film the action sequences within the holy, but war-torn, Jedha City on the moon of Jedha. Home to an ancient temple where the Empire is extracting precious kyber crystals once used to power Jedi lightsabers but are now being used to harness the destructive power of the Death Star. After being freed from captivity on Wobani at the Imperial Detention Center & Labor Camp, an adult Jyn and Cassian, along with K-2SO, travel here in search of pilot and Imperial defector, Bodhi Rook (Riz Ahmed) who has information on Erso’s father and the Death Star plans. But they are soon caught up in a battle between Saw Gerrera’s (Forest Whitaker) partisan militia and the Empire. After being captured by the partisans along with Chirrut Îmwe (Donnie Yen) and Baze Malbus (Jiang Wen), they witness the first test of the Death Star. Unlike A New Hope’s space view of the complete destruction of the planet Alderaan, here we see the destruction on a smaller scale from ground level. As ILM visual effects supervisor Mohen Leo describes, “the look of this sequence was inspired by one key piece of artwork by an artist in the art department that shows a tiny ship desperately trying to escape an enormous breaking wave of the planet’s debris.” This display of force (no pun intended) by the Empire would be followed by the Rebel assault on Eadu.
Concept art of Empire occupied Jedha City
Eadu
The mountains of Hjörleifshöfði and Hafursey in Iceland were also used for the planet Eadu a storm-stricken planet where Director Krennic would confront Galen Erso and execute his team of scientists just before the Rebel assault on Eadu’s top-secret laboratory. The mountains and the ongoing storm make a perfect cover for a hidden Imperial lab.
Scarif
The final battle where the heroes make their ultimate sacrifice and secure the Death Star plans takes place on and above the planet Scarif. This heavily fortified sub-tropical planet that is covered by a deflector shield and gate is home to the Imperial Security Complex where, according to cargo pilot Bodhi Rook, “all Imperial records are kept.” Production for the Scarif battle was made up of three main filming locations: the Maldives in the Indian Ocean along with Elstree Studios and RAF Bovingdon Airfield in Hertfordshire, England.
Director Gareth Edwards chose Canary Wharf Station in London, England to make up the interior of the Imperial Base. Normally packed with commuters it was transformed into the Scarif base and packed with stormtroopers and droids. The scenes were filmed in the middle of the night when the station was closed to the public. To shoot cockpit scenes for the aerial battle, ILM developed a virtual camera system that allowed Edwards to select camera angles with a handheld remote camera.
Imperial Security Complex on Scarif
Yavin IV
Seeing that the events of this film takes place just prior to those in A New Hope, it’s only right that we return to the jungles of Yavin IV. The hidden Rebel base was shot at Cardington Airship Sheds in the United Kingdom which were first used to film the exterior of the Rebel base for the original movie.
The Death Star
“That’s no moon,” as Obi-Wan Kenobi said, but some do consider it the star of the film. As Tarkin and Krennic fight for control of the battle station, our heroes only objective is to retrieve the plans, determine the flaw in the station’s design, and destroy it.
Yavin IV base concept artThe Death Star
Some familiar characters return to the franchise as well.
Like Onderonian resistance fighter and Clone Wars vet Saw Gerrera who rescues and raises Jyn as a young girl. On the run, he resides in Jedha as leader of the partisans. Though not new to the franchise, the character first appeared in the animated television series Star Wars: The Clone Wars (2008) voiced by Andrew Kishino. Rogue One would be the first live action appearance of the character played by veteran actor Forrest Whitaker, who also voiced the character for the animated series Star Wars Rebels (2014).
Senator Bail Organa (Jimmy Smits) and Mon Mothma (Genevieve O’Reilly) make their return as part of the Rebel Alliance leadership. Along with our two favorite droids C-3PO and R2-D2, who have each appeared in nearly every Star Wars film and animated series.
Saw Gerrera’s last stand on JedhaRebel Alliance High Council Member Senator Bail OrganaRebel Alliance High Council Member Mon Motha
Through the creativity of motion-capture computer graphics, Grand Moff Wilhuff Tarkin, played and voiced by Guy Henry, makes his triumphant return after being played by the late Peter Cushing in A New Hope. That same technology was used to realize a young Princess Leia Organa (Ingvild Deila), first played by Carrie Fisher in A New Hope. Both Rogue One actors wore identical recreations of their character’s original costume and motion-capture tracking dots were placed on their faces. Cushing and Fisher’s likeness were then superimposed over Henry and Delia to complete the process. While permission was granted from the Cushing estate to re-create the character, Carrie Fisher personally gave the brief cameo with the message of “Hope” at the films finale her blessing before sadly passing on December 27, 2016.
Grand Moff Tarkin
Of course, you can’t have a prequel to A New Hope without one of the most iconic villains in cinema history, the Dark Lord of the Sith, Darth Vader. We come upon Vader midway through the film, when Director Krennic is summoned by the dark lord to his castle on the planet Mustafar. But it is during the film’s dramatic climax that we see Vader’s brutal display of the dark side and his iconic red lightsaber as he cuts through many Rebel troopers in an attempt to retrieve the stolen Death Star plans before they are delivered to Princess Leia.
Darth Vader and Director Krenic at Castle Vader on Mustafar
Though Rogue One is the title of the film and military callsign of the secret Rebel infiltrators, this film sets itself apart from the Star Wars saga with its lack of the traditional opening crawl, transitional screen wipes, and familiar musical score courtesy of John Williams. Instead, the soundtrack was composed by Michael Giacchino, who artfully captures the emotion and grittiness of each scene, especially the edge-of-your-seat action on Scarif and Darth Vader’s terrifying rampage.
Having an overall darker tone than other Star Wars films, director Gareth Edwards has described Rogue One as “a grounded, war-based movie, one in which normal people have to come together to fight the Empire as opposed to relying on the Jedi or the Force,” making this film the “Rogue One” of the Star Wars franchise.
Coming next year in 2022 we get to experience the building of a revolution as we explore the events that led us to Rogue One through one man’s eyes, as Diego Luna reprises his role as Cassian Andor in the Disney + exclusive original series Andor.
“Everything I did, I did for the Rebellion.” – Cassian Andor
You already take it everywhere you go—why not add some holiday fun to its screen? Your phone (or tablet) deserves to get in on the D23 Season of Magic fun, so we’ve created some downloadable phone wallpaper that you can use all season long. Featuring Mickey Mouse and Minnie Mouse; Goofy and Max; and more.
Most Disney Parks fans can guide you through Disneyland with ease, thanks to their countless trips to The Happiest Place on Earth and a passion for learning the park’s history—but perhaps the only person who could explore the park more in-depth is Walt Disney himself! With that idea in mind, author Marcy Carriker Smothers set out to write Walt’s Disneyland with the goal of allowing guests to walk around Disneyland identifying the attractions and landmarks Walt championed, touching what he touched, and seeing his original Magic Kingdom through his eyes. To get an inside look at how the book (available for purchase here) was created, we chatted with Smothers about diving into Walt’s world:
D23: The Official Disney Fan Club: Tell us a little about Walt’s Disneyland. How is this book different than any other Disneyland book, and what made you want to write it?
Marcy Carriker Smothers (MCS): After Eat Like Walt was published in 2017, I had lunch with my friend and mentor, Disney Legend Jim Cora. He asked, “What’s next kid?” I pitched three ideas. However, when I mentioned that I was considering a guide book of sorts told from Walt’s perspective and those that built Disneyland with him, he immediately said, “That’s the one—and make it a priority!”
There are many wonderful fact-based and pictorial books about Disneyland. My focus is squarely on Walt, the emotion and excitement he intended to convey, and the feeling we get each and every time we are inside the berm.
D23: There seems to be a lot of information in here that might be new for even the most seasoned Disneyland fans. What was the research process like for you? Was there anything you discovered in your research that was totally new to you?
MCS: Research is fun. It’s the ultimate treasure hunt. I have an insatiable curiosity and happily bounce from rabbit hole to rabbit hole. And I’m always learning something new. A highlight was the 1958 memo where Walt suggested, “Perhaps during peak hours we should… establish a special line for single riders, with the request that they double up.” That was a jaw dropper for me and another validation of what a prescient innovator he was.
D23: What is your favorite story from the book?
MCS: There are many and some are short and sweet. From a simple sentence I found buried in a newspaper article when the reporter asked Walt what surprised him about Disneyland and he replied, “How early they arrive,” to the utterly charming story of Walt Disney Archivist Ed Ovalle finding Walt’s No. 1 badge, long believed to be lost.
If I choose one favorite, it would be Walt’s last day at Disneyland. In my opinion, it’s very important history. I traveled to South Carolina to meet with the Congressional Medal of Honor Society archivist and staff. Their office is at Patriots Point on the USS Yorktown. They were truly taken when I described Walt’s unwavering patriotism in detail. There may have been a tear or two. It was after that occasion they agreed to share all their precious assets from that day, including what is believed to be one of the very last photos—if not the last—taken of Walt at his beloved Magic Kingdom. Henceforth, I plan to be at Disneyland every October 14 to honor Walt.
D23: You intentionally wanted this book to be a paperback instead of doing a hardcover coffee table book; can you tell us why you chose the format you did?
MCS: I chose the format with the full support of my Disney Editions editor Wendy Lefkon. While it could have easily been a big, beautiful, hardcover coffee table book, I wanted it to be affordable and portable, perhaps something the reader would take into the park. For me, one of the best ways to celebrate Walt’s legacy is by making the book accessible. The “souvenir guide” look may belie the three plus years of research and writing, however the smaller softcover was my intention from the very beginning.
D23: You did a lot of writing for this book from Disneyland. What was that like? Where were your favorite spots to write from?
MCS: I wrote at Disneyland right up to March 13, 2020. My favorite spots are Walt’s train (I close my laptop every time we are in the diorama); Walt’s box at The Golden Horseshoe (same, closed laptop during performances and watched); Main Street, U.S.A.; on the porch below Disney Legend Rolly Crump’s tribute window; the tables near the exit of Walt Disney’s Enchanted Tiki Room; and in Frontierland, both Tom Sawyer Island and the landing for the Mark Twain Riverboat and Sailing Ship Columbia. Writing at Disneyland infuses me with the everlasting spirit and energy that Walt created. I am the reader as much as the writer and a proud Disney geek, always.
Walt’s Disneyland is now available here to add to your collection.
Premiering today exclusively on Disney+, Foodtastic is an immersive global competition series in which highly skilled artists create extravagant scene work and larger-than-life sculptures made entirely out of food. Tempted as you may be to taste these works of art, they aren’t made to be eaten! From vegetables and butter to fruit and cheese, watch as everyday food items are transformed into works of art. Each of the 11 episodes is rooted in iconic Disney storytelling, with Keke Palmer serving as host, Amirah Kassem serving as the creative food art expert, and chef Benny Rivera serving as the technical food art expert.With challenges inspired by Disney and Pixar to Marvel and Star Wars, each episode offers something that the whole family will enjoy. We recently chatted with Rivera, founder of NYC’s City Cakes, to learn more about the series—and our friends at Disney+ even shared two exclusive clips from the Cars-inspired episode, which you can watch below!
D23: In your own words, how would you describe Foodtastic? Benny Rivera (BR):Foodtastic is basically an explosion of art using all types of food. It’s the very first food art competition show in which people are going to see amazing artists putting together larger-than-life, edible pieces of art, using all types of foods, such as vegetable, fruits, cakes, cookies—you mention it, and you will see on the show—and it’s all using popular Disney characters from some of the most popular movies.
D23: Tell us about the food artists on the show. Where did you find them? BR: You will see people from all over the planet. They are professionals in their own media or skills. We have fruit carvers, we have ice carvers, we have cake artists, we have sugar artists—so, it’s a little bit of everything.
D23: What does your role as the technical food art expert entail? BR: For this type of competition, there are a lot of technical elements. You have to be careful and make sure things are set up correctly, because so many things can happen…
D23: What surprised you most throughout the course of the competition? BR: Some of the techniques I’d never seen before, and I was very impressed. Amirah, Keke, and I were always blown away by the quality of work we saw in the competition. After seeing their concepts when they were sketching, we got excited thinking about, ‘How are they going to bring this to life? What media are they going to use? What fruits or food elements are they going to use? How are they going to be able to accomplish this?’ It was the journey that was very exciting. I’m sure it was exciting for the contestants, but it was more exciting for us, because we were following them for the entire competition.
D23: Which challenge were you most excited to see the food artists tackle? BR: My favorite Disney movie has always been The Lion King. In that episode, I was blown away by what the teams were able to put together. And the Cars episode is also amazing.
D23: What was it like to work alongside Keke and Amirah? BR: It was a dream come true. As soon as we met, it felt like we’d known each other for a long time. It was beautiful to see Keke so hungry to learn about food, and she was so amazed by what the artists were able to put together. She was sometimes like a little kid, asking, ‘How is that possible?’ I would answer her questions. We knew immediately what we wanted to say. The funny thing is that we agreed all the time; we never had any issues discussing our points of view. It was totally amazing working together with both of them.
(This interview has been edited and condensed for clarity.)
It’s the holidays, meaning you have some time on your hands. Whether you’re in transit or waiting to enjoy a festive meal, we have the perfect way to fill your time: listening to the best D23 Inside Disney podcast episodes!
Today we revisit some of the great chats we had with the people who make and have made magic for guests over the years at Disney parks around the world. And, of course, you can subscribe to the pod wherever you like to stream, so you never miss an episode!
Joe Rohde
The legendary Imagineer talks about his favorite projects, bringing the Guardians of the Galaxy to Disney California Adventure, the Adventurer’s Club, and retiring after 40 incredible years.
Kevin Rafferty
The Imagineer who worked on beloved attractions, characters, and experiences—including Figment, Cars Land, and Mickey & Minnie’s Runaway Railway—talked about his favorite work on the eve of his retirement.
Ken Potrock
Disneyland’s president joined us to discuss the emotional reopening of the parks, surprises on the way, and bringing adult libations to Blue Bayou.
Jonathan Peters
The Imagineer reveals Easter eggs in and around Remy’s Ratatouille Adventure, details of EPCOT’s Creations Shop, and how they prepared to send guests into an orbit of epicurean bliss at Space 220.
George Kalogridis
The Global Ambassador for “The World’s Most Magical Celebration” talks about starting his Disney career busing tables at the Contemporary Resort in 1971 and some of his incredible experiences through the years.
This year, three acclaimed and beloved films from The Walt Disney Company’s rich history—Flowers and Trees (1932), Star Wars: Return of the Jedi (1983), and WALL-E (2008)—are among the annual selection of 25 influential motion pictures to be inducted into the National Film Registry of the Library of Congress. Each of the films was selected for its cultural, historic or aesthetic importance to preserve the United States’ film heritage.
“Films help reflect our cultural history and creativity—and show us new ways of looking at ourselves—though movies haven’t always been deemed worthy of preservation,” said Librarian of Congress Carla Hayden. “The National Film Registry will preserve our cinematic heritage, and we are proud to add 25 more films this year. The Library of Congress will work with our partners in the film community to ensure these films are preserved for generations to come.”
Flowers and Trees, which was released in the dark days of the Great Depression, showcases the magic of cinema with singing birds and trees in full color, all in spectacular hues. The overwhelming response to Flowers and Trees—a landmark in Disney animation—convinced Walt Disney to make all future Silly Symphony shorts in color, followed a few years later by the feature film Snow White and the Seven Dwarfs (1937). Even today, the hand-drawn animation and vibrant Technicolor continues to charm and dazzle, showing new audiences the magic cinema can bring. Flowers and Trees won the Academy Award® for Best Cartoon.
Flowers and Trees joins such iconic Walt Disney Animation Studios feature films as Snow White and the Seven Dwarfs, Pinocchio (1940), Fantasia (1940), Dumbo (1941), Bambi (1942), Cinderella (1950), Sleeping Beauty (1959), Beauty and the Beast (1991), and The Lion King (1994) in receiving this prestigious honor, which has now been given to 825 film titles.
Star Wars: Return of the Jedi was one of two films selected for the registry that drew significant public support this year through online nominations, receiving the most public votes. The third installment in original Star Wars trilogy is directed by Richard Marquand, from a story by Disney Legend George Lucas. Star Wars: Return of the Jedi launches Lucas’ original, legendary characters—Luke Skywalker, Leia, Han Solo, C-3PO, R2-D2, and others—on a series of new adventures, from the planet of Tatooine to the deep forests of Endor. Populated by intriguing new characters—including Ewoks and the gluttonous Jabba the Hutt—and filled with the series’ trademark humor, heart, thrills, and chills, Star Wars: Return of the Jedi ranks as an unquestioned masterpiece of fantasy, adventure, and wonder.
This marks the third Star Wars film to be inducted into the National Film Registry of the Library of Congress, after Star Wars: A New Hope (1977) and Star Wars: The Empire Strikes Back (1980). The film’s visual effects team earned a Special Achievement Academy Award.
Fresh off Finding Nemo (2003), director Andrew Stanton created WALL•E, an incredible blend of animation, science fiction, ecological cautionary tale, and charming robot love story. It follows a lovable, lonely trash-collecting robot, WALL•E (Waste Allocation Load Lifter: Earth Class), who one day meets, quite literally, his EVE (Extra-terrestrial Vegetation Evaluator). An Oscar® winner for Outstanding Animated Feature, the film uses skillful animation, imaginative set design, and little dialogue to craft two deeply affecting characters who transcend their “mechanics” to tell a universal story of friendship and love.
WALL•E is the second feature film from Pixar Animation Studios feature to join the library, following Toy Story(1995). The shorts Luxo Jr. (1986) and Tin Toy (1988) are also inductees.
For the complete National Film Registry listing, click here.
Delight your loved ones with this magical hot cocoa concoction! These hot cocoa surprises—inspired by our pal Mickey Mouse—are the perfect homemade gift for the Disney fan in your life. For more tasty holiday recipes, visit our D23 Season of Magic page!
Ingredients
Cocoa Ingredients:
6 tablespoons instant hot cocoa mix
2 cups dark chocolate candy melts
2 cups red candy melts
1/4 mini marshmallows
1/3 cup mini semi-sweet chocolate chips
1 package mini candy-coated chocolates
Special Equipment:
Silicone half-sphere mold (available online or at most craft stores)
Directions
Place dark chocolate candy melts in a microwave-safe bowl and microwave for 30 seconds, stir, and continuing microwaving in 10-second intervals and stirring until completely melted. Repeat with the red candy melts in a separate bowl.
Using the back of a spoon, spread the melted dark chocolate in half of the indents in the silicone mold. Be sure to spread it all the way to the edge, keeping the layer as even as possible. Repeat with the red chocolate on the other half of the mold. Place in the fridge to chill for about 5 minutes or until hardened.
Spread a second layer of chocolate in each mold, making sure to fully cover any areas where the first layer was thin. Place in the fridge for another 5 minutes or until fully hardened.
Carefully remove each shell from the silicone mold. Fill each of the red shells with 2 tablespoons of hot cocoa mix, a handful of mini marshmallows, and a sprinkle of mini chocolate chips.
Using the remaining melted chocolate, spread a thin layer of chocolate around the top of each red shell, then place a dark chocolate shell on top, creating a full sphere. Use your finger to smooth any excess chocolate around the seam.
Grab 6 un-melted dark chocolate candy melts. Dip each of the candy melts into the remaining melted chocolate, then stick two to the top of each sphere, creating a Mickey Mouse silhouette. Carefully hold each in place for a few seconds to allow the chocolate to harden.
Finally, separate out 6 yellow candy-coated chocolates to use as Mickey’s buttons. Dip each into the melted chocolate, then carefully stick 2 onto the red half of each sphere, just below the seam in the middle.
Ta-da! You’re got a set of hot cocoa surprises inspired by Mickey Mouse himself. To serve, place in a heat-safe mug and carefully cover with hot milk or water. Stir until fully dissolved and enjoy!