X Atencio

He went on to help develop dialogue and music for such attractions as Adventure Thru Inner Space, Haunted Mansion (for which he co-wrote the song “Grim Grinning Ghosts”), and Pirates of the Caribbean (for which he wrote “Yo Ho, Yo Ho, A Pirate’s Life for Me”).

Bill Justice

He programmed Audio-Animatronics^®figures for such Disneyland attractions as Great Moments with Mr. Lincoln, Mission to Mars, Pirates of the Caribbean, Haunted Mansion, Country Bear Jamboree, and America Sings.

Bob Moore

He eventually was named creative director of marketing and designed many Disney movie posters, Christmas cards, letterheads, and logos. He also served as one of Walt Disney’s official autographers, signing thousands of photographs with Walt’s famous signature.

Betty Lou Gerson

Disney Legend Marc Davis, who animated the sweeping, swirling, chain-smoking villainess, credited Betty Lou for inspiring his pencil work.

Bill Peet

He eventually became the sole developer of the animated features One Hundred and One Dalmatians and The Sword in the Stone, for which he drew the characters, wrote the screenplays, and directed the actors’ voice performances.

Wathel Rogers

In 1954, Walt asked Wathel to help develop the model shop for his latest project, Disneyland. Wathel became an ace Imagineer, assisting in the construction of architectural models during the Park’s design and development phase.

Dean Jones

As former president of Walt Disney Pictures David Vogel once said, “When you think of Disney, you think of Dean Jones.”

Angela Lansbury

Angela made her musical comedy motion picture debut in 1971, mesmerizing audiences as the delightful apprentice witch, Eglantine Price, in Disney’s fantasy Bedknobs and Broomsticks.

Wally Boag

Comedian Steve Martin, who worked at Disneyland as a teenager, summed up Wally’s influence: “My hero, the first comedian I ever saw live, my influence, a man to whom I aspired.”

Fulton Burley

In 1962… he received a call from his pal Wally Boag… who had been performing in the Golden Horseshoe Revue for seven years, [who] explained that one of his fellow cast members had become seriously ill and [urging] Fulton to take over the role. Fulton did, and went on to light up the stage with his jovial nature and lilting brogue.