Get Early Access to the April Limited-Edition Mickey Plush

The April Limited-Edition Flower Power Disney Mickey Mouse Plush is SOLD OUT! Check back next month for the announcement of May’s plush theme and the date and time for the sale launch on Amazon.

NOTE: Due to the strong response to these incredible plush, D23 and Amazon are making the following adjustments to the on-sale announcement for the upcoming months.

  • D23 Members will continue to be among the first to be notified about each month’s theme and have an opportunity to order the month’s design.
  • Each month D23 will provide Members with advance notice of the date the plush will be available for purchase on Amazon.com.
  • On Monday, April 6, at 9 a.m. PST, visit this page on D23.com for the link to purchase the Floral Mickey Mouse plush.
  • Please Note: You must be signed in as a D23 Member to access the link to purchase. Click “Sign In” at the top of the page.
  • Please note extremely limited quantities of the plush will be available on Amazon.com.
  • Extended delivery time: Amazon is temporarily prioritizing the delivery of some items in order to serve their customers in need and ensure the safety of their associates. As a result, some delivery times are longer than usual.

Floral Mickey Mouse

Commemorate the Year of the Mouse with this Limited-Edition Disney Floral Mickey Mouse Plush. The fourth of 12 collectible large plush in the series, this exclusive Mickey Mouse celebrates the month of April. Mickey stands 16 inches tall and features embroidered eyes.  He is made of a soft deluxe velveteen floral-printed fabric, paying homage to the Welcome Gardens at Disneyland® Park. Mickey features a commemorative gold and satin foot patch and includes a Certificate of Authenticity. He even comes in a window box featuring special Year of the Mouse packaging; ideal for collectors. The Year of the Mouse Floral Mickey Mouse plush makes the perfect gift for Disney fans of all ages. Collect all twelve of these commemorative Mickey Mouse plushes. Ages 3+.

The public’s desire to meet Mickey Mouse in person was one of the many factors that shaped Walt Disney’s ideas for creating the Disneyland® Park. The first thing Guests see when they enter The Happiest Place on Earth is Mickey’s smiling face, made completely of flowers. Floral Mickey has been welcoming Disneyland visitors since opening day in 1955, and also graces the entrances of some of the Disney Parks around the globe.

  • Special Edition Floral Mickey Mouse Plush celebrates the month of April.
  • Includes Certificate of Authenticity.
  • Comes in a window box featuring special Year of the Mouse packaging.
  • Amazon exclusive.
  • Mickey Mouse stands 16 inches tall.
  • Made of a soft deluxe velveteen floral-printed fabric.
  • Collect all twelve.
  • Ages 3+.

Continue to watch every month for a brand-new Mickey plush design announcement! For more Disney favorites, visit amazon.com/Disney for a full assortment of products.

Modern Family’s Kids Are All Grown Up—and Now They’re Saying Goodbye

By Zach Johnson

In 2009, the groundbreaking comedy series Modern Family debuted on ABC, forever changing the landscape of television—not to mention the lives of its stars. Ahead of the hourlong series finale, airing April 8 at 9|8c, stars Aubrey Anderson-Emmons, Reid Ewing, Nolan Gould, and Jeremy Maguire recall their favorite memories from making the Emmy® Award-winning sitcom and reflect on growing up alongside their characters.

modern fam farewell

“Eleven years? It just kind of feels like a number; it doesn’t mean anything until you think, ‘Oh, I was 10 years old. I was 4-foot-4. I wasn’t even allowed to ride the big rides at Disneyland!’” says Nolan Gould, who plays Luke Dunphy. “Suddenly I’m 21 years old and I’ve practically doubled in size. I’ve changed. I grow facial hair now! Things like that really remind us and give other people an idea of how much has changed in each of our lives throughout that time, and how Modern Family has been a part of it the whole time.”

modern fam farewell

At age 4, Anderson-Emmons joined the series in its third season, playing Lily Tucker-Pritchett, the daughter of Cameron Tucker (Eric Stonestreet) and Mitchell Pritchett (Jesse Tyler Ferguson). “All I’ve known is this show—nothing else. I can’t imagine being ‘normal,’” Anderson-Emmons says. “I’m only 12 years old, so I can’t retire like Ed O’Neill! But it’s interesting having the show end, because I don’t know my life without it.”

modern fam farewell

Similar to Anderson-Emmons, Maguire was 4 years old when he joined the Modern Family cast in season seven as Joe Pritchett, the son of Jay Pritchett (O’Neill) and Gloria Pritchett (Sofía Vergara). Although Modern Family is ending, Maguire says the cast’s familial bonds will surely continue. “I’m feeling sad and mopey, but I’m also feeling really happy about it ending because all the people on the show are going to move on to other things,” he says. “I’m really happy because I’ll be able to say, ‘Oh, look! I know him or her.’ I guess I’m kind of happy and I’m kind of sad. I’m, like… mild.”

modern fam farewell

Ewing, meanwhile, began making semi-regular appearances as Dylan Marshall in 2009. He’s since become a series regular, and his character married Haley Dunphy (Sarah Hyland), fathered twins, and became a nurse. “This has been the greatest opportunity ever,” Ewing admits. “It’s also given me a lot of purpose. Pretty much any time they brought me back, it was a total surprise. So, I’m really happy that it turned out this way.”

Modern Family became famous for attracting high-profile guest stars, from David Beckham to Nathan Lane. Anderson-Emmons and Maguire pick Rachel Bay Jones and Thomas Lennon, respectively, as two of their favorites, while Gould needs a minute to pick just one. “We had like over 100 really awesome guest stars over the years,” Gould says with a laugh. “I guess Adam Devine. I’m a big fan of his, so having him on the show as Andy was pretty incredible. I miss having him around. He was a great addition.”

The series also took the cast around the world, from Australia to Europe. One of the more recent episodes, set in Paris, is one of Maguire’s favorites. “It was really cool and so fun! All the people were really nice. I liked seeing all the beautiful sites, like the Eiffel Tower and Notre Dame,” he shares. “I cried at Notre Dame because it was so beautiful!”

Gould’s favorite vacation episode occurred midway through season five. “I love the Australia episode… and not just because it was so fun to shoot and the cast got a free vacation,” he jokes. “I just think it’s a funny episode—a big family vacation gone wrong!”

Although the series finale was announced last year, it’s only now starting to sink in for the cast. “This whole season, I’ve been focusing on work, work, work. I’ve been in denial about the show ever ending,” Gould says. “It’s incredibly surreal to talk about it.”

modern fam farewell

“For the most part, it feels just like another day, because our show is awesome,” Gould continues. “I mean, it is work. It’s getting up at 5 a.m. and sitting in rush hour traffic and memorizing lines and hitting your mark. But it’s easy to get caught up in the fun of being with the people you love, so it’s easy to just pretend that it’s not happening. But then there are these moments that stick out—like when we wrapped the Christmas episode and we were like, ‘Whoa, this is our last holiday episode. That’s something we’re known for and we’re no longer going to be doing this.’ We’ve had these little moments, like, ‘Whoa, this is our last Christmas, our last Thanksgiving, our last Halloween…’ It won’t feel real until we film the last episode and we’ll be like, ‘Whoa, this is our last everything.’”

Before the series finale of Modern Family, tune in for the one-hour documentary special, A Modern Farewell, at 8|7c. Featuring special appearances from the cast and crew, ABC will give viewers a heartfelt look back at one of television’s most culturally defining series. Through exclusive interviews and reflections, the special will chart Modern Family’s historic evolution, from the writing and casting of the pilot to the final table read.

5 Fantastic Things to Watch This Weekend

By Savannah Salazar

Marathons, finales, and premieres! This weekend has an exciting roster of series and films from Disney+, ESPN, Freeform, and Disney XD. From magical adventures to heartwarming stories, we’ve rounded up five fantastic things for you to tune in to watch. Check it out, below!

things to watch 2-apr

Disney’s Fairy Tale Weddings—Friday, April 3, on Disney+
Love (and magic) is in the air. Hosted by Stephen “tWitch” Boss and Allison Holker, this series explores the plans of each couple as they put together their dream weddings with the help of Disney’s Fairy Tale Weddings & Honeymoons. From the front of Sleeping Beauty Castle to Walt Disney World and resorts around the globe, Disney’s Fairy Tale Weddings takes viewers to magical locations throughout the worlds of Disney Parks and Resorts. You can catch up with seasons one and two on Disney+ and watch the season two finale, “Marry ME!”, on Friday!

things to watch 2-apr

Glory Road—Friday, April 3, at 8:30 p.m. ET on ESPN
Every Friday, ESPN is airing feel-good sports films for the whole family and this week, timed to the traditional NCAA Final Four weekend, you can watch Glory Road. Based on a true story, the 2006 film follows the story of coach Don Haskins (Josh Lucas) of the small Texas Western University, who puts together history’s first all-African American starting lineup in college basketball. During a time of social and political change, this group of underdogs must overcome the odds to reach the NCAA national championship.

things to watch 2-apr

Disney and Pixar’s Onward—Friday, April 3, on Disney+
Prepare to embark on a grand and glorious quest when Onward makes its debut on Disney+! Set in a suburban fantasy world, New Mushroomton, two teenage elf brothers Ian (voice of Tom Holland) and Barley (voice of Chris Pratt) Lightfoot go on a magical adventure of a lifetime, in hopes to spend one more day with their late father. And after watching Onward, you can read about the heartwarming inspiration behind the film here.

things to watch 2-apr

Everything’s Gonna Be Okay—Friday, April 3, at 5:30 p.m. PT on Freeform
Freeform has your Friday night planned with a marathon of the entire first season of Everything’s Gonna Be Okay. Created by comic Josh Thomas—who also stars—this witty, heartfelt series explores the misadventures of twenty-something-year-old Nicholas (Thomas) and his teenage half-sisters Genevieve (Maeve Press) and Matilda (Kayla Cromer) and their woes, joys, and uncertainties after their father’s untimely death. It’s a plucky show that provides exactly what we need right now: comfort.

things to watch 2-apr

DuckTales—Saturday, April 4, at 9:30 a.m. EDT/PDT on Disney XD
Woo-oo! This weekend sees the return of our favorite Duck family with two new back-to-back episodes to kick off the third season. Join Huey (Danny Pudi), Dewey (Ben Schwartz), Louie (Bobby Moynihan), and the rest of the gang as they go on a globetrotting adventure to find the world’s greatest lost artifacts. And, according to executive producer Matt Youngberg and co-executive producer/story editor Francisco Angones, fans should prepare for hilarious hijinks, a villainous secret organization, and a flock of new characters that will make this the biggest season yet.

Woo-oo! Everything You Need to Know About DuckTales Season 3

By Savannah Salazar

If you thought a moon alien invasion was the biggest adventure for Huey, Dewey and Louie, well, think again. Along with Scrooge McDuck, Donald, their mom Della, Launchpad, Mrs. Beakley and Webby, the brand-new season of DuckTales is taking viewers on an adventure of epic proportions, as they go on a globetrotting hunt for the world’s greatest lost artifacts all while a secret, villainous organization is hot on their tails.

Ahead of the season three premiere of DuckTales on Disney XD this weekend, D23 spoke with executive producer Matt Youngberg and co-executive producer and story editor Francisco Angones to get the inside scoop on the flock of new characters, the exciting adventures and what’s next for our favorite Duck family.

ducktales season 3

On why season three is a duckblur of adventure.
According to the producers, season three is going to be one big season-long quest. For Youngberg, “Quack Pack!,” debuting on Saturday, April 4, is a perfect example of the wacky things bound to happen this season. “We’re getting characters we know and love, building on it and in turn, getting crazier and bigger and more insane,” he said. “We’ve done big things before, but those were just the stepping stones. There are so many more places to go, and I just can’t wait for the fans to see what we do with this season.”

On a brand-new original song.
When asked about a favorite moment in the recording booth, both Angones and Youngberg reminisced on a lot of good moments, unable to pick a specific one. “Every time I get to record it’s fun. It’s like going to play in a really fun sandbox,” said Youngberg. Angones added, “Matt, I don’t think I’ve ever seen you happier than when you were recording Dewey’s singing (voiced by Ben Schwartz) for ‘Double-O-Duck.’” The original song, appearing in “Double-O-Duck in You Only Crash Twice!” airing April 11, had “Matt smiling ear-to-ear and Ben Schwartz had a blast recording it,” said Angones.

On suspecting F.O.W.L. play.
Unbeknownst to the Duck family, an evil operation of characters have been lurking and conspiring since the very first episode of season one, when we had our first glimpse of the Fiendish Organization for World Larceny (aka F.O.W.L.) leader Bradford Buzzard, voiced by Mark Evan Jackson. “When we had Jackson come in to play the character—he had two lines at the time—he was so excited ‘even if it’s a small part,’ he said,” Angones recounted. “And we were like, ‘Mark, you’re the main villain of season three.”

Fast forward two seasons, and F.O.W.L. is finally coming to light, featuring a familiar gang of characters from the Disney canon: Steelbeak from Darkwing Duck, Rockerduck and Jeeves, Black Heron and the Phantom Blot, who originally appeared as Mickey Mouse’s archenemy in a 1939 comic.

On TaleSpin, the Rescue Rangers, and more. Oh my!
During San Diego Comic-Con 2019, Youngberg and Angones surprised DuckTales fans with a big announcement: that characters from Chip ‘n Dale: Rescue Rangers, TaleSpin, Gosalyn Mallard from Darkwing Duck, and Daisy and Goofy were making their way to Duckburg. “We saw Scrooge’s family as the first cornerstone where everything is built off of. And now that Scrooge and the family feel really solid, we thought it would be interesting to see how they interact or inspire or collaborate or work against all these beloved characters,” Angones said.

On the season’s guest stars.
DuckTales has had an impressive roster of characters from its stellar main cast—where else can you get David Tennant, Danny Pudi, Ben Schwartz, Bobby Moynihan, Kate Micucci and Paget Brewster all in one show?—to fantastic recurring guest stars like Lin-Manuel Miranda, and season three is no different. This season’s guest stars include Giancarlo Esposito (The Mandalorian), Selma Blair (Hellboy), Kristofer Hivju (Game of Thrones), and Disney Legend Bill Farmer, just to name a few of the talented voice cast! “We have some amazing guest stars coming up and more who I can’t even talk about,” says Angones. “There’s one in particular who says a classic line that was just like hearing Darkwing Duck say, ‘Let’s get dangerous,’ and I was like oh my gosh, we’re very blessed.”

ducktales season 3

On getting to know the Duck family even more.
“The first word in the first episode of the season is legacy,” Angones tells D23. “The family has finally come to together as a family and is now complete. And now, the question is ‘What is everyone’s part in this family?” Sure, season three takes the Duck family on some of the largest quests yet but both Youngberg and Angones explain that the characters we’ve grown to love start to evaluate their own selves. Dewey explores what he brings to the team; Huey, whose whole personality revolves around knowing everything, suddenly learns everything is not what it seems—thanks to a global, decade-long conspiracy; and Webby explores her role in a family she’s not technically related to, but still very much considers her family.

Then, there is Donald Duck, who after taking care of the boys—Huey, Dewey and Louie—for so long has no real reason to, after Della Duck, the boys’ mom, comes back into the picture. “The kids have their mom back, they’re living with Scrooge. What does that mean for Donald’s place in his life?” Youngberg asked. To which Angones replied, “For Donald, we’re introducing Daisy Duck into the world of DuckTales for the very first time, and maybe Donald can ease up on taking care of the kids for a little bit.”

Watch an exclusive clip from the season premiere, below, and tune in for the latest adventures of Huey, Dewey, Louie and the rest of the Duck family on Saturday, April 4 (9:30 a.m. EDT/PDT) on Disney XD and in DisneyNOW.

Disneyland Goes International: The Opening Day of Tokyo Disneyland

By Matt Moryc, The Walt Disney Archives

The grand opening of Disney’s first international theme park, Tokyo Disneyland, took place on April 15, 1983—the first day of official operation. The hosts for the morning’s events were Disney Legend and then-chairman of the board of Walt Disney Productions, Card Walker; and Disney Legend and then-president of Oriental Land Company, Masatomo Takahashi. A ribbon cutting ceremony was planned to take place early that morning just in front of the entrance to the park, but due to inclement weather, the ceremony was moved underneath the glass-covered shelter of World Bazaar (the Japanese version of Main Street, U.S.A).

A piece of the ribbon cut by Card Walker and Masatomo Takahashi on the opening day of Tokyo Disneyland.

Accompanied by drum roll, Walker and Takahashi approached the stage, flanked by the Tokyo Disneyland Band; the 1983 Walt Disney World, Disneyland, and Tokyo Disneyland Ambassadors; and Mickey, Minnie, Donald, Pluto, and Goofy—each character holding a section of the ribbon. Resembling nothing short of a symbol of goodwill between the nations of Japan and the United States, Mickey Mouse took center stage between both Walker and Takahashi as the two men simultaneously cut the ribbon. As photographers snapped away, Mickey proudly held up his piece of the ribbon for all to see.

Soon after the ceremony, thousands of Guests who had waited outside the park’s turnstiles in the pouring rain were let in to World Bazaar. Takahashi delivered a declaration to the crowd with grand conviction, exclaiming “On this day, April 15, 1983, I declare the opening of Tokyo Disneyland!” At 9 a.m., the rope was dropped, and Guests entered the “Kingdom of Family Dreams.”

This Special Episode of Disney Junior’s Fancy Nancy has a Simple Message for Fans of All Ages

By Beth Deitchman

For the imaginative, enthusiastic title character of Disney Junior’s Fancy Nancy, “less” is never more… and “more” can always be brighter, louder and livelier. But when Nancy meets her friend Lionel’s cousin Sean, she discovers that children with autism don’t necessarily see the world as she does—and she learns that their perspectives are just as unique and interesting as hers. This special 11-minute story, “Nancy’s New Friend,” premieres on Disney Channel this Thursday, April 2 (8 a.m. ET/PT), which happens to be World Autism Awareness Day, a day set aside to recognize people with autism and those who love and support them.

Inclusion is a priority at Disney Junior, and the Fancy Nancy creative team initially found inspiration close to home when they set out to introduce a neurodiverse character, drawing upon personal experiences with family members and friends. They also consulted at length with experts from the organizations Autism Speaks; RespectABILITY; and Hollywood, Health & Society; all of whom offered valuable insights every step of the way. “They really stayed with us throughout the entire process,” says co-producer/story editor Krista Tucker, who emphasizes, “We really took our time. We wanted to get it right.”

fancy nancy

In their commitment to getting it right, the Fancy Nancy writers kept in mind Autism Speaks’ tenet, “If you’ve met one person with autism, you’ve met one person with autism.” With expert assistance, they identified common attributes among children with autism—such as restricted interests and intense reactions to sounds, smells, tastes, textures, lights and/or colors—and allowed those traits to inspire the character of Sean. Tucker shares, “For example, one of [“Nancy’s New Friend” writer] Matt Hoverman’s friends said that her child will freak out if he has chunky peanut butter. He only likes smooth. That’s something we actually used in the script, and the autism consultants said that’s a great example of how a child might be.”

For Nancy, Sean represents the first person with autism she has met—and, in fact, she misunderstands her friend Lionel and initially believes she is going to meet his “artistic” cousin. Nancy also learns that “sensitive” can have different meanings and, through Lionel, she finds a way to connect with Sean that is comfortable for him and also exposes her to his interests and unique point of view. “Sean’s is Lionel’s favorite cousin,” Tucker explains. “He loves hanging out with Sean because Sean sees the world in ways that Lionel doesn’t, and Lionel thinks that’s really cool. Sean is just part of the family and he is who he is, and that’s great.” Lionel shares his experience and understanding in relating to Sean with Nancy—and, indirectly, with kids watching from home.

Sean is voiced by 11-year-old George Yionoulis of Raleigh, North Carolina, who was diagnosed with autism when he was 2 years old. Yionoulis gained attention in 2017 through a video he and his mom created to explain for his fourth grade class what it’s like to be autistic. That video quickly went viral and now has more than 1.3 million views on YouTube. Hoverman found Yionoulis’ video while researching the episode, and Disney Junior reached out to see if he would be interested in lending his voice to Sean. “We’re just so happy he could be part of this,” Tucker says, adding, “He was a natural.”

Elaine Hall, global neurodiversity expert and founder/director of The Miracle Project for RespectABILITY believes that “Nancy’s New Friend” plays an important role spotlighting for kids and families the commonality of those who experience the world differently. “This episode sheds a most important light to understanding that not everyone is the same; understanding sensory, neurological and emotional differences; and how not to take a person’s reactions personally,” Hall says. “I truly believe that ‘Nancy’s New Friend’ can be a most positive influence and teaching tool for this young generation, which will lead towards a more inclusive and understanding world for generations.”

As World Autism Month is celebrated around the globe throughout April, Chief Strategic Initiatives and Innovation Officer Lisa Goring expresses Autism Speaks’ excitement to have partnered with Disney Junior for the special episode and its authentic portrayal of someone on the spectrum. She says, “Global understanding and acceptance of people with autism is core to our mission, so it’s important to help young audiences learn more about their peers with autism.”

Tucker and the Fancy Nancy team are thrilled to give a voice to children and families with autism and create a place on screen where they can be seen. “The other part of what we’re excited for is for kids who don’t have autism—kids who are in classrooms or on playgrounds with kids who have autism—to just have a better understanding of who these people are,” she says. “Understanding creates compassion and kindness, and people with autism can really open our minds. They see the world in different ways and that can be a huge benefit to us if we will take the time and the effort to be friends with them.”

Tune in to “Nancy’s New Friend” in this week’s episode of Fancy Nancy, premiering Thursday, April 2 (8 a.m. ET/PT) on Disney Channel and in DisneyNOW.

Discover Cool Vintage Photography From this Frequent Walt Disney World Visitor

By Matt Moryc, The Walt Disney Archives

The first of seven photograph albums belonging to Mr. Jones that were donated to the the Walt Disney Archives.

Seven photo albums, seven years, 2,206 photographs and 500 park visits tell the story of Millard C. Jones, or as Walt Disney World Cast Members preferred to call him, “Mr. Jones.” Never without his trademark Rolleiflex camera and brown hat, the retired Florida resident first visited the Magic Kingdom on December 13, 1971. From then on, he would make the trek to the vacation kingdom two to three times a week for the next seven years—driving from his home in Lakeland, Florida—a roundtrip of 83 miles.

mr jones archives

Thousands of candid moments and scenes like these are found in the pages of Mr. Jones’ photo albums.

Mr. Jones began visiting Walt Disney World as a way to remedy the boredom and loneliness he felt after the untimely passing of his wife in January 1971. Always with camera in hand, Mr. Jones snapped hundreds of photos of Cast Members both on and off the clock. After keeping one copy of a photo for himself, Mr. Jones would gift a second copy—always at no expense—to those featured in each shot. “That’s really why I come,” Jones told the Orlando Sentinel in 1973. “I like to take picture[sic] of my friends here and give them a copy. I really like to do that. . .” Mr. Jones once told a reporter that he could recall the first names of 90 percent of the Cast Members working at Walt Disney World

Small ceremonies were held for Mr. Jones on the occasion of his 100th and 300th visit, but a special celebration occurred on June 15, 1978, to honor his 500th visit to the Magic Kingdom. Escorted by Snow White––his favorite character––Jones rode down Main Street, U.S.A. in the fire engine during a special parade in his honor. Arriving at the front of Cinderella Castle, Jones was met by then-Vice President of Operations, and future Disney Legend, Bob Matheison, who presented him a special plaque in commemoration of his 500th visit, and a silver pass.

mr jones archives

At the age of 86, Mr. Jones passed away from a sudden illness on August 22, 1978, in Lakeland, Florida. His photo albums were willed to Walt Disney World and displayed backstage for three months for Cast Members to look at and remember arguably the most beloved Guest of that era. His photo albums, roughly 300 photographs in each, captured not only the burgeoning Walt Disney World Resort––as perhaps no Guest ever did back then–– but also images of the resort’s earliest Cast Members.

mr jones archivesA look inside the photo album reveals that Mr. Jones wrote directly on the inside of the front and back cover which days he visited the park, and labeled many pictures with the name of the Cast Member photographed.

Crucial to the Walt Disney Archives’ documentation of 1970s Walt Disney World, the photo albums offer color images of early Cast Member costumes, shop interiors, construction wall artwork, in-park and resort signage, and a few photos of Mr. Jones himself mingling with his friends at the Magic Kingdom.

In December 1978, seven of Mr. Jones’ photo albums were donated by Walt Disney World and made permanent in the collection of the Walt Disney Archives.

mr jones archives

Mr. Jones’ handwritten details of his weekly trips to Walt Disney World.

Can’t get enough of the Vacation Kingdom of the World? Dive into even more Walt Disney World nostalgia with the 2021 D23 Gold Member Collector Set, exclusively available to D23 Gold Members!

Q&A with the Author of So This Is Love, A Cinderella Twisted

By the D23 Team

On April 7, Disney fans can discover what would have happened if Cinderella never put on the glass slipper when So This Is Love, a part of the Twisted Tale book series, debuts. Twisted Tales explores alternate versions of classic Disney tales—and we sat down with author Elizabeth Lim to find out how she created a new twist on the story of Cinderella.

You can preorder So This Is Love here.

D23: The Official Disney Fan Club: The Twisted Tales series takes classic Disney stories and turns them upside down. What was it like for you to imagine Cinderella’s story if she never got the chance to try on the Glass Slipper?
Elizabeth Lim (EL): When I was a kid, Cinderella was one of the few Disney movies I had on VHS, and I must have watched it at least a hundred times. The scene where Lady Tremaine locks Cinderella in the attic was always very tense for me, and when I got the chance to write Cinderella’s Twisted Tale that scene immediately came to me as a pivotal moment for a “twist.” If Cinderella stayed locked in the attic, she’d never get to try on the glass slipper and the “happy ending” that we all know and love would be forever changed. I wanted to explore what might happen to Cinderella in that scenario, and if she had to make her own “happily ever after.”

D23: We can imagine Cinderella experiences an awful lot of heartache in this story – what was it like to tap into that?
EL: Cinderella is no stranger to heartache. She’s an orphan, and she’s been forced to be a servant for her stepmother and stepsisters since childhood. But she has hope and resilience, and that’s what builds her into a strong and courageous character. In So This is Love, that strength is tested when she’s forced out of the Tremaine chateau and has to fend for herself while dealing with her stepfamily’s betrayal. It was a challenge delving into Cinderella’s emotions more and bringing out how hurt and alone she must have been during her childhood, but I also loved bringing out her strength and determination to overcome her past.

D23: You started out writing Fan Fiction, right? What is it like getting to use that background professionally in these new takes on classic tales?
EL: I did! I wrote fan fiction in middle school and posted the stories online, which was both terrifying and such a rewarding learning experience. I love writing fan fiction, especially because I get to take some of my favorite characters and imagine new challenges for them as well as explore their characters more deeply. That background’s helped so much in writing the Twisted Tales, especially with Cinderella, because I feel there’s so much about her that isn’t usually touched upon in the fairytale, such as her father and mother, how she came to be called Cinderella, and why she dreams of going to the ball in the first place. I loved tackling some of these questions and writing a new take on Cinderella, one that I hope stays true to her character yet also enriches her story.

D23: Why will fans who love Cinderella enjoy reading this book?
EL: So This is Love takes the Cinderella we know and love from the film and explores the magic and dreams behind it. Readers will see new sides of old and familiar faces, learn more about the history and lore behind Cinderella’s fairy godmother, and spend more time with the prince as Cinderella chases the wishes deep in her heart, makes new friends, and learns what it means to truly fall in love.

 

At the Helm of Ink & Paint

By Julia Vargas, Walt Disney Archives

The Ink & Paint Department at the Disney studio was an epicenter of artistry and innovation.

In 1932, Grace Bailey came to Disney for a tryout when she found out they were looking for artists. She was put in charge of Paint during production of the Silly Symphony series when the studio was moving away from black- and- white pictures to vibrant colors. Bailey worked her way up the ranks of the Company to painting supervisor, inking supervisor, and, ultimately, to head of the Ink & Paint Department in 1954, where she oversaw more than 200 artists. Animation’s dwindling profits led to the adaptation of Xerox technology in the late 1950s for production. This challenged Bailey and her team to adjust, as the Xerox process streamlined the work of inking and painting. Although it was a difficult transitional period, the department’s perseverance and talent came to the fore – some inkers were kept on, while others  were trained on the Xerox process or woven into other production positions. As interest in animated films ramped back up, Bailey acknowledged the vitality of her smaller, but still mighty department, as highlighted in Mindy Johnson’s 2017 book Ink  & Paint: The Women of Walt Disney’s Animation: “…we’ve consolidated; we’ve moved people in rooms together as the crew got smaller, but the pattern still follows, we do everything about the same way we always did as far as dividing the work, putting the work through here by people and by department, we maintain the same channels.” After spearheading an accomplished team of artists for decades, Bailey retired from the company in 1972.

Another leader at Ink & Paint was Mary Weiser, who initiated and supervised the Paint Lab. Weiser’s team worked to develop new applications for paints and continue to expand the array of colors used for productions. Of her many achievements, one of the most notable was her comprehensive study on the quality of paint used by the studio. She found that problems they were having with paints— stickiness or separation, for example— were becoming increasingly costly. She went on to conclude that the best solution for the studio was to create its own colors and paints. Furthermore, Weiser conducted numerous experiments to find the best materials for paint, taking meticulous notes of her findings. This information was invaluable to the studio financially and in maintaining the quality of  its work. In addition to offering lectures and demonstrations of how to best handle and sustain their materials, Weiser developed “The Painter’s Bible”—a comprehensive guide of best practices for painting. Weiser also acquired two patents: one for her “blend” technique and one for the tool she devised to achieve it.

Grace Bailey and Mary Weiser are just two of the exemplary women whose work ethic and diligence left a lasting impact on their teams, enabling constant innovation at the Ink & Paint Department. Moreover, their work within this department helped to drive the high quality of the brand as we know it today.

 

 

 

EXCLUSIVE: Read the First Chapter of Conceal, Don’t Feel: A Twisted Tale Inspired by Frozen

By The D23 Team

It’s time to venture into the unknown, readers! The latest Twisted Tale—an anthology series of “what-if” imaginings of beloved Disney stories—envisions what might have happened if Frozen’s Anna and Elsa never knew each other. Enjoy an exclusive excerpt from author Jen Calonita’s Conceal, Don’t Feel: A Twisted Tale below. To find out what happens next in the story (where is Anna?!), you can download the free eBook from March 30—April 4 via Apple BooksGoogle PlayAmazonBarnes & Noble, and Kobo!

Chapter One: Elsa

“Presenting Princess Elsa of Arendelle!”

Elsa stepped out of the shadow of her parents and into the sun. Her people were waiting, welcoming her presence in the village square with thunderous applause. There must have been hundreds of subjects gathered, young and old, waving flags with the royal family crest, throwing flowers, and cheering. Children sat high on their fathers’ shoulders, some people stood atop carriages, and others leaned out nearby windows. Everyone wanted to get a better look at the princess. Her parents were used to interacting with their kingdom, but at eighteen, she had only recently been invited to join them on official outings.

Truth be told, she still preferred to live life in the shadows, but duty called.

“Welcome, Princess Elsa!” the people shouted. Elsa and her parents were standing on a raised platform that had been constructed for the event. It overlooked the large courtyard outside the castle gates, giving her a good vantage point, but it also made her feel as if she was on display. That was probably the point.

“Look! It’s Arendelle’s princess,” she heard a mother tell her small daughter. “Isn’t she beautiful? Offer her your gift.”

The little girl was standing in front of the stage holding a bouquet of purple heather, which was Elsa’s favorite flower. Every time she reached up to hand the bouquet to Elsa, she was knocked back by the crowd.

Elsa looked to her mother for guidance. The queen gave a small nod, and Elsa descended the steps, holding the bottom of her pale blue dress, which she had paired with a matching fitted jacket for the occasion. She and her mother shared similar light eyes, but she looked more like her papa with her light hair, which she usually wore in a braided bun at the nape of her neck.

“Thank you for the lovely flowers,” Elsa told the child, graciously accepting the bouquet before stepping back up onto the platform to speak to the crowd. Her father had been teaching her the unique power of presenting to a large group.

“We are pleased you could all join us this afternoon as Axel Ludenburg unveils the sculpture of the royal family he has so graciously gifted our kingdom,” she began. The people applauded. “One note before the unveiling: as Mr. Ludenburg has spent years working on this piece, I suspect I will look much younger molded in bronze than I do standing before you today.”

The crowd chuckled and Elsa glanced back at her father proudly. That line had been her idea. He gave her an encouraging smile.

“His contribution to this kingdom is paramount.” Elsa smiled at the sculptor. “And now, without further ado, I would like to introduce Mr. Ludenburg.” Elsa moved aside to allow the older gentleman to join them.

“Thank you, Princess.” Mr. Ludenburg bowed to her, his white beard almost touching his knees; then he turned to the crowd. “I am thankful to King Agnarr, Queen Iduna, and our fair princess, Elsa, for allowing me to create a sculpture in their honor. It is my hope that this piece will greet every guest who journeys from villages near and far to visit Arendelle’s castle and stand inside its gates.” He looked to his assistant, who dashed forward, untied the rope around the sheet concealing the sculpture where it stood in the middle of a fountain, and pulled it off. “May I present the royal family of Arendelle!”

There was a loud gasp from the crowd, followed by rapt applause.

It was the first time the king, the queen, and Elsa had seen the completed sculpture. Elsa remembered sitting for Mr. Ludenburg’s sketches when she was around eleven, but she’d almost forgotten he’d been working on it until recently, when her father told her she’d be the one to speak at the royal engagement for its unveiling.

“It’s beautiful,” Elsa told Mr. Ludenburg. And she meant it.

Seeing the bronze sculpture was like looking at a moment frozen in time. Mr. Ludenburg had molded the royal family perfectly. The youthful king looked regal in his crown and robe as he stood next to the beautiful queen in her tiara and fine dress. Nestled between them was their only child, Princess Elsa of Arendelle, who looked much younger than her eighteen years.

Seeing the image of her eleven-year-old self flooded Elsa with emotion. Life in the castle had been lonely for her as an only child. Her parents were busy with kingdom affairs, and while she had numerous studies, she still spent a lot of time roaming the empty rooms, watching the hours tick by. Of course, her parents had found her playmates in their stewards’ and noblemen’s children, but it wasn’t the same as having a sibling to grow up with and confide in. This was a weight she kept to herself, never wanting to burden her parents with her feelings. Her mother had been unable to have more children after Elsa.

“Isn’t the sculpture of us lovely, Mama?” Elsa asked.

Her mother was standing quietly beside her. Elsa watched her blue eyes take in every inch of the bronze statue before she gave a deep, almost inaudible, sigh. When she glanced at Elsa, her eyes seemed sad. “It truly is,” she said, squeezing her daughter’s hand. “It’s a lovely portrait of our family and who we are. Isn’t it?” she added to the king.

For such a joyous occasion, her parents seemed slightly melancholy. Was it that the statue reflected a time when they were much younger? Were they sad to think how quickly time had passed? Her father was always talking about the day when she would take the throne, even though he was still a vibrant king. Elsa wondered what made them sad, but she kept her thoughts to herself. It wasn’t her place to question her parents in public.

“Yes, it is quite the honor,” Papa replied, and looked at Elsa. He seemed to want to say something more but held his tongue. “You should thank our subjects for coming, Elsa,” he said finally. “We’re hosting a dinner in Mr. Ludenburg’s honor back at the castle, so we must return and get ready to greet all our guests.”

“Yes, Papa,” Elsa said, and did as she was told.

“To Axel Ludenburg and his fine work!” the king said, holding his goblet high above the banquet table in the Great Hall. The other guests did the same.

“To Axel!” they shouted, and clinked glasses.

The food was plentiful, the company boisterous, and the seating at the long table at capacity. The king had asked Lord Peterssen, his most trusted friend, to join them at the celebration. Mr. Ludenburg’s family was there, too, having traveled by ship from the nation of Weselton, a longtime trade partner of Arendelle. The Duke of Weselton had come with them, and seated himself next to Elsa.

“And to Arendelle and Weselton!” the Duke added. He had a big mouth for such a small man. Elsa couldn’t help noticing he was at least a foot shorter than most guests at the table when he stood up. “Long may our countries grow together and prosper!”

“To Arendelle and Weselton!” everyone echoed.

Elsa clinked glasses with her mother.

“I’m so glad we finally have a chance to dine together,” the Duke said to Mama as the supper plates were taken away and the staff prepared to bring out dessert. “It is a pleasure to meet the princess and witness Arendelle’s bright future.” His brow furrowed. “I’ve long noticed she doesn’t come to many public events.”

Elsa politely returned his smile but said nothing. One of the roles of being a princess, as Mama kept reminding her, was to listen to people but wait to speak till something important needed to be said.

“Elsa is so busy with her studies that we haven’t asked her to join us on many public outings yet,” Mama told him, and looked at Mr. Ludenburg. “But of course, we couldn’t have her miss the unveiling of our family sculpture. That is what this whole evening is all about: family.”

Elsa covered her mouth to hide her smirk. Her mother had a knack for keeping conversations focused.

This was Elsa’s first time meeting the Duke of Weselton. Already she could tell she preferred the Duke of Blakeston, who had kind eyes and always came to the castle with pocket­fuls of chocolate, which he snuck to the princess during particularly boring dinner discussions.

Correction: important negotiations. As her mother kept reminding her, she needed to be ready for the throne when her time came. These days she divided her time between lessons on handwriting, science, and statecraft with her governess, and Papa’s meetings. She was also now old enough to attend the banquets held at the castle, of which there were many. Gone were the days when she was trotted out to say hello to guests, then sent to another room to have supper. Life was less lonely, but she still longed for someone her own age to confide in. The days of hosting playmates were long over.

“Agreed, agreed! But she is too much of an asset to be locked away.” The Duke pounded the table as if to make a point. He moved so much when he talked his toupee kept flipping up on the back of his head.

“Fine point, Your Grace,” said Lord Peterssen, joining the conversation. “She’s a young lady now and ready to take part in the kingdom’s conversations.”

Elsa smiled at him. Papa and Lord Peterssen were so close he wasn’t just an advisor; he was family. Elsa had always thought of him like an uncle. And like an uncle, he had warned Elsa before the dinner about the Duke’s tendency to pry.

“Exactly!” the Duke agreed. “Princess Elsa, I’m sure your studies taught you a lot about fjords and how instrumental they can be.” Elsa nodded. “Well, in Weselton, it was my grandfather who discovered the first fjord. It is because of him that we…”

The Duke droned on and on till Lord Peterssen cleared his throat. “Fascinating, Your Grace! Perhaps we can finish this conversation later? I believe dessert is being served.” He turned away before the Duke could interrupt him. “Mr. Ludenburg, I hope you are still hungry!”

As if on cue, the staff appeared at the doors with platters of fruit and sweets, which they placed on the table.

“We have all these treats and more in Weselton,” the Duke piped up as he helped himself to a piece of cake and two cookies.

Elsa knew it was wrong of her to think it, but “Weselton” sounded a lot like “Weaseltown,” and the Duke did have a weasel-like way about him. She glanced at Papa. Had he ever noticed this connection between the Duke and his country’s name? His thoughts were always veiled. At the moment, he was having a side conversation with Mr. Ludenburg’s wife. Lord Peterssen was speaking with the sculptor himself about his next project, which left the Duke, Mama, and Elsa unengaged.

“Your Majesty, you have a lovely daughter,” the Duke said, making Elsa immediately feel guilty about her thoughts. “She will make a fine queen.”

“Thank you,” Mama said. “She truly will.”

“My parents have taught me well,” Elsa added, smiling at Mama. “When my day comes, I know I’ll be ready to lead Arendelle.”

The Duke looked at her with interest. “Yes! Yes! I’m sure. It’s just a shame you’re the only heir. Why, in the Southern Isles, the king has thirteen sons in line for the throne.”

Elsa clutched her goblet on the table to keep from saying something she would regret. Strangely, the goblet was ice cold. “Sir, I hardly think that’s—”

Mama cut her off. “What Elsa is trying to say is, that is a lot of heirs.” Mama was seemingly unperturbed, having been asked about this before. “My fate was to have only one child, but the world is full of surprises.” She looked at Elsa, her eyes shiny. “I know that she will be fine in the future.”

“Our kingdom only needs one strong leader,” Elsa added, her voice firm. “They already have that in me.”

The Duke frowned. “Yes, but if anything were to prevent you from taking the throne—”

“We are fully prepared to lead Arendelle into the future, Duke, I assure you,” Mama said with a smile.

The Duke scratched his head, his toupee shifting slightly. He looked from the queen to Elsa over his spectacles. “She will be of age in a few years. Are there any potential suitors on the horizon? A match between our two nations or with another trade partner could be prosperous indeed.”

Elsa stared at the napkin in her lap. She felt her cheeks burning.

“Elsa has plenty of time to find a suitor,” Mama said. “For now, we just want our daughter to focus her attention on her duties to this kingdom.”

That statecraft test her governess was giving her in the morning was a lot more pressing than finding a suitor. “Thank you for thinking of me, Your Grace,” Elsa added. “When I do find a suitor, I’m sure you’ll be one of the first to know.” She was being wry, but the Duke seemed pleased with her response. Mama gave her a reproachful look, but Elsa couldn’t help herself.

When the Duke finally retired and Mr. Ludenburg and his family had said their goodbyes, the king, the queen, and Elsa headed to their private chambers.

“You handled yourself well,” Mama told her. “You were excellent at conversation and you impressed the Duke with your knowledge of trade negotiations.”

“He looked surprised I knew as much as I did,” Elsa said. Her shoulders felt tense, as if she’d been carrying the weight of her kingdom on them all evening. She was starting to get a headache and she longed for the quiet of her room.

“I’m very proud of you,” Papa said, letting his guard down for the first time all evening. He smiled at Mama and placed his hand on her arm.

She loved watching her parents together. They still looked so in love. It was hard not to envy the connection they had with each other.

“You will make an excellent queen someday, Elsa,” he added.

“Thank you, Papa,” she replied, but didn’t think anything of it.

Becoming queen was a lifetime away.