5 Fantastic Things to Watch This Week

By Zach Johnson

The Walt Disney Company has a lot of compelling content in store for the week—and it begins Tuesday with ABC paying tribute to a Disney Legend with a two-hour special, The Happy Days of Garry Marshall, featuring interviews with family members and the biggest names in Hollywood. Two days later, the network will air the series finale of How to Get Away with Murder and the world will finally find out who killed the beloved, complicated Annalise Keating. Disney+ is adding Maleficent: Mistress of Evil to its library on Friday in addition to the first episode of the Disney+ Original series It’s A Dog’s Life with Bill Farmer. And on that same day, Hulu will release all 10 episodes of the aptly titled series The Great.

garry marshall

The Happy Days of Garry Marshall—Tuesday, May 12, at 8 p.m. ET on ABC
In a one-of-a-kind two-hour tribute, the stars of Happy Days, Laverne & Shirley, Mork & Mindy, Pretty Woman, The Princess Diaries, and more come together to celebrate Disney Legend Garry Marshall. Family and friends will share their favorite memories of the creative genius, with special appearances by Disney Legend Julie Andrews, Abigail Breslin, Yvette Nicole Brown, Pam Dawber, Hector Elizondo, Cary Elwes, Jennifer Garner, Richard Gere, Anne Hathaway, Barbara Hershey, Ron Howard, Kate Hudson, Jimmy Kimmel, Ashton Kutcher, David Lander, Rob Lowe, Michael McKean, Don Most, Chris Pine, Julia Roberts, Marion Ross, John Stamos,  Anson Williams, Cindy Williams, Henry Winkler, and more!

how to get away with murder

How to Get Away with Murder—Thursday, May 14, at 10 p.m. ET on ABC
After six seasons, the series finale packs plenty of twists and turns, making for a scandalous and surprising sendoff. Annalise Keating (Viola Davis) discovers there’s a surprise witness that threatens her case. Meanwhile, Connor Walsh (Jack Falahee) tries to persuade the K3 to go along with a new plan. And a lie between Frank Delfino (Charlie Weber) and Bonnie Winterbottom (Liza Weil) threatens their relationship as Annalise’s killer is finally revealed.

it's a dog's life

It’s A Dog’s Life with Bill Farmer—Friday, May 15, on Disney+
The iconic voice of Goofy and Pluto for more than 30 years, Disney Legend Bill Farmer steps out from behind the microphone to meet his own favorite characters: dogs! Join him as he crosses the country meeting dogs doing all kinds of incredible jobs that make our lives better. The first episode, “Whale Poop Dogs & Sheep Herding Dogs,” finds Farmer at sea with a dog who sniffs for whale poop and meeting a dog that shepherds a sheep ranch.

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Maleficent: Mistress of Evil—Friday, May 15, on Disney+
The story of Disney’s most iconic villain continues in the sequel to 2014’s Maleficent—making its streaming debut on Disney+! Although the years have been kind to Maleficent (Angelina Jolie) and Aurora (Elle Fanning), the hatred between man and fairies still exists. Aurora’s engagement to Prince Phillip (Harris Dickinson) is cause for celebration as the wedding serves to unite the kingdom of Ulstead and the neighboring Moors. But, when an unexpected encounter introduces a powerful new alliance, Maleficent and Aurora splinter to opposing sides in a Great War, testing their loyalties and causing them to question if they can truly be a family. Michelle Pfeiffer and Chiwetel Ejiofor round out the stellar cast.

the great

The Great—Friday, May 15, on Hulu
All 10 episodes of the satirical, comedic drama about the rise of Catherine the Great from outsider to the longest reigning female ruler in Russia’s history arrive Friday. The Great is a fictionalized, fun and anachronistic story of an idealistic, romantic young girl (Fanning), who arrives in Russia for an arranged marriage to the mercurial Emperor Peter (Nicholas Hoult). Hoping for love and light, she finds instead a dangerous, depraved, backward world that she resolves to change. All she has to do is kill her husband, beat the church, baffle the military, and get the court onside. It’s a modern story about the past that encompasses the many roles Catherine played over her lifetime: lover, teacher, ruler, friend, and fighter.

EXCLUSIVE: Read the First Chapter from the Updated Kingdom Keepers Novel

By Zach Johnson

New York Times bestselling author Ridley Pearson recently revisited his wildly popular Kingdom Keepers series, and now he’s sharing the first chapter from his updated Kingdom Keepers: Disney After Dark novel exclusively with D23 fans! Featuring a new cover design and additional content, the story follows five young teens tapped as models for theme park “guides” (using a new hologram technology developed by the Disney Imagineers) who find themselves pitted against Disney villains and witches that threaten the future of Walt Disney World and the stability of the world outside its walls. Want to know what happens next? For a limited time from May 11-15, you can get your own copy the book for just $0.99!

“A great deal can change over the years, especially at Walt Disney World: new technologies, new attractions, and whole worlds. As a Keeper of the Kingdom, I felt so much has changed that it was time to update my stories to reflect those changes,” Pearson tells us. “Sometimes I changed only the name of an attraction or the description of a waiting line, but I often rewrote chapters or even whole sections of a book. The fun of that is, you are holding a new and updated Kingdom Keepers novel. (And the first editions remain available for those who like things just the way they were.)”

“So join the Keepers and me on new adventures inside Disney’s new attractions, but following the same important mission: to prevent the Overtakers from stealing the magic and ruining the fun,” he adds. “Disney after dark has never been so unexpected. Enjoy!”

Disney Publishing also shared new covers for the second and third books, Kingdom Keepers: Disney at Dawn and Kingdom Keepers: Disney in Shadow, available now. Both include bonus content and a sneak peek at the next installment, coming out in March 2021.

kingdom keepers

Begin your Kingdom Keepers adventure with this exclusive Disney After Dark excerpt:

He found himself standing next to the flagpole in Town Square, in the heart of the Magic Kingdom. In his pajamas. How he’d gotten here, he had no idea. His last memory was climbing into bed—it felt like only minutes earlier.

Gripped by a sense of panic, awed by the sight of the Cinderella Castle at night, Finn Whitman briefly recalled that he’d had other, similar dreams recently—always in the Magic Kingdom, always at night. But in his thirteen years, none so real, so vivid as this: he felt a breeze on his face; he smelled the wet earth of a flower bed not far away; he heard the distant whine of traffic and the buzz of a motorboat on the lake behind him.

“It looks so different,” he thought, only to realize he’d spoken out loud. Main Street stood empty, not a person in sight. He glanced around and quickly saw that he was all alone.

“Not so different as all that,” came a man’s voice. Though faint, it startled Finn. He looked around again, this time trying to find the source of that voice.

There! An old guy with white hair, on a bench in front of the Town Square Theater.

Finn moved toward the man, crossing the empty street. He felt unusually light, almost buoyant.

The old man wore khakis, a collared shirt, and a name tag: WAYNE.

“Where is everybody?” Finn asked, struck by the electronic sound of his own voice.

“Is it empty?” the man asked, looking up anxiously.

“Tell me what you see.”

Finn wondered if the old guy was blind. He seemed to be looking right at Finn; his blue eyes looked perfectly normal. Still, maybe he couldn’t see.

“Well,” Finn said politely, “it’s like… empty. And it’s dark out. And it’s just the two of us.”

Wayne’s expression changed to disappointment.

“What am I supposed to see, exactly?” Finn asked.

“You’re only supposed to see what you can see.”

“Whatever that means,” Finn said.

“It means exactly what it says.”

“If you say so.”

“Listen, young man, I’ve been around here since long before any of them were even created. I live in the apartment above the fire station.” He pointed right at the firehouse and then looked back at Finn. “That takes some seniority, believe me.”

Seniority or senility? Finn wondered. Living above the firehouse? Finn doubted it.

“Nice pajamas,” the old guy said.

Finn looked at himself. His pajamas seemed to be… glowing. What was with that? He said, “I don’t mean to be rude, but if you can see, if you’re not blind, then why’d you ask me about the park being empty?”

Wayne’s ice-blue eyes drilled into him. “How do you think you got here, young man?”

“That depends on where I am,” Finn answered honestly. This felt like no dream he’d ever experienced.

“Very good answer. I expected no less of you.”

“Excuse me?”

“I assumed that you’d question this—that’s only natural—but ultimately there’s only one explanation, isn’t there?”

“Is there?” Finn asked, confused.

“The other ones I wasn’t so sure about. But you, Finn Whitman. By the way, that’s a fine name you have. A name with real potential.”

Finn took a step back. How did this old guy know his name?

“What other ones?” Finn asked. He studied Town Square and Main Street. The street lamps shone yellow. Cinderella Castle glowed in the distance. All the familiar streets and paths and attractions, but empty.

“I told you, there’s no one here. No one but us. It’s empty.”

Wayne said nothing as he stood and walked up Main Street, past the shops and toward the castle. Finn found himself following right along. They reached Central Plaza, an island in the center of a traffic circle, the spokes of which led to the Magic Kingdom’s various lands—Tomorrowland, Frontierland, Liberty Square. They stopped in front of a statue of Walt Disney with Mickey Mouse. The castle rose majestically into the night sky.

“What time is it?” Wayne asked.

As Finn brought his arm up to look at his watch, he saw that his arm wasn’t exactly his arm. It was… glowing. Not only glowing, but he could almost see through it. As if—

“What’s going on?” Finn asked. “What’s with my arm?”

Wayne sounded critical as he said, “Figure it out.” He then reached into his pocket and removed what looked like a remote control for a car: a small black plastic fob with a single red button. It looked like a garage-door opener.

“What’s with that thing?” Finn asked.

“This button will send you back.”

“Back where?” Finn felt a jolt of fear. What if this wasn’t a dream? He studied his arm again. Then his other arm. He looked down at his legs. His whole body was glowing and vaguely translucent.

“Back to bed,” Wayne answered.

“So it is a dream? I thought so.”

“It’s not a dream.”

Finn saw a pair of four-foot-tall chipmunks come out of the castle. They walked down a path and turned left, toward New Fantasyland. He felt himself staring.

He recognized them.

“What?” Wayne asked excitedly.

“Nothing,” Finn answered.

“You saw something!” he practically shouted into Finn’s ear, causing Finn to jump back, startled.

Wayne leaped up, suddenly years younger. He pulled Finn to his feet.

“You saw something!” he thundered.

“Hey! What’s the big deal?”

“Tell me what you saw.”

“You saw it too!” Finn told him.

“Which character?”

Finn felt relief. Wayne knew Finn had seen a character, which had to mean he’d seen it too. He was clearly playing some kind of game, making Finn actually name the character, but Finn was good at games.

“Which character did you see?” Finn asked.

“You want me to push this button?” Wayne threatened.

Did he? Finn wasn’t sure. If it was a dream, the black remote-control fob represented a way out. When was the right time to use it? He hoped to stretch this out a minute longer. It was fun here.

He glanced around at the sound of footsteps. Goofy went tearing past them, not thirty feet away, and headed into Liberty Square.

Wayne never moved. Never looked in Goofy’s direction.

“You’re playing head games with me,” Finn said.

“Am I?”

“Goofy,” Finn said.

“Are you asking me if I’m goofy? I’ve been called worse.” Wayne studied Finn. His old leathery face brightened as he said, “You saw Goofy!”

Maybe Wayne needed a hearing aid—he seemed prone to fits of shouting.

Finn backed off. “Yeah. So what? You would have too, if you’d bothered to look.”

Wayne probably couldn’t hear all that well. He obviously hadn’t heard Goofy’s footsteps, because he hadn’t turned toward the sound.

Finn decided to test Wayne. “Chip and Dale,” he said. “You saw them, right?”

“You saw Chip and Dale?” He made it sound like Finn had won the lottery. What was with that?

“I, ah . . . This is getting a little weird. I think I want to go back now.” Finn heard himself repeat some of what Wayne had told him, though the words didn’t fit in his mouth all that well. It sounded to him like someone else doing the talking.

“I’ll push the button, if you like. But I have to warn you…” Wayne fiddled with the nametag pinned to his uniform.

“Warn me about what?”

“You’ll be missing the park after dark. Having it all to yourself. One would think the attractions do no operate at night. Not necessarily so.”

“Now I know I’m dreaming.”

“But you aren’t,” Wayne explained. “Are you forgetting your arm?”

Finn studied his arm once more. “I’ll admit, that is… interesting. It’s almost like—” Finn caught himself.

“Like you’re glowing,” Wayne said in an all-knowing, I-told-you-so tone of voice.

“Am I?”

“What might account for that?” Wayne inquired.

Finn understood somehow that a lot hung on his answer—his imagining this place, or dreaming it, or whatever was happening to him. His ability to stay here. To return. He wasn’t quick to answer. He didn’t want to face what Wayne was suggesting.

“I give up,” he said.

“No, you don’t,” Wayne protested. “You never would have been chosen for this if you were the kind who gives up on things. You’re a finisher, Finn. That’s what I liked about you from your first audition tape.”

Stunned by what the old guy had just said, Finn felt his mouth go dry. How did Wayne know about his audition tape? Exactly how complicated could a dream get?

“Who are you?” Finn blurted out.

“I’m Wayne. I work here. I was one of the first people hired by Walt Disney to imagine this park. The rides, the attractions. They call us Imagineers.”

“You knew Walt Disney?” Finn tried not to sound impressed.

“He was my boss, you might say. At any rate, he’s the reason I’m here. The reason you’re here.”

“Me?”

“I know this can’t be easy.”

“It’s a dream,” Finn said, thinking, What’s so hard about a dream?

“No, it’s not a dream,” Wayne said. “Take a look at the moon.” Finn didn’t move. Wayne’s voice became more severe. “I said: look at the moon.”

Finn had to turn around to locate the moon. A half-moon, like a crooked smile, hung well above the horizon.

“When you wake up—when you think you wake up—take a look out the window. You’ll see the same moon, and you’ll know.”

“Know what?” Finn asked.

“That you were here. Sitting here in Disney World with an old guy named Wayne.”

“You’re telling me this isn’t a dream?” Finn felt his words catch in his throat.

“We’ve got a problem. A big problem. A problem that affects not only the park, but the world outside the park. We call them the Overtakers.”

“The what?” Finn didn’t like the sound of that.

Wayne said urgently, “You need to contact the other hosts. All four. Arrange to meet them here at the same time. That will mean all of you going to bed, going to sleep, fairly close to the same time. Within a half hour of one another. Tell them that. That should work, I think.”

“What are you talking about?”

“There’s a fable, a story, a puzzle of sorts that was left in case of a problem like this. It’s called the Stonecutter’s Quill.”

“A problem like what?” Finn felt totally confused. The Stonecutter’s Quill—the title had an eerie sound.

Just then, Tom Sawyer came out of Liberty Square and headed up a long ramp into the castle. Is that really the Tom Sawyer? Finn wondered. The barefoot boy was smoking a pipe with a long stem. Wayne did a good job of not reacting, of pretending he didn’t see the kid.

Wayne said, “The puzzle has to be solved to be understood. It has to be understood to be of any use to us.” He paused and looked over at Finn. It felt to Finn as if Wayne were looking right through him. “You’re going to solve it.”

“Me?”

“The five of you,” Wayne said.

Finn jumped away from the man. Again he thought: how complicated can a dream get? If Wayne was only a part of the dream, how could he possibly know about the four other hosts? How could he talk about Finn’s audition tape the way he had? It was all related, all rolled into one, but Finn couldn’t sort it out.

Finn said, “You’re talking about Disney’s Hollywood Studios.”

“Of course I am,” Wayne said. “You see? I knew you were the right one. You’re the leader, Finn.”

“I don’t have the slightest clue what you’re talking about,” Finn said.

“Nice try. But of course you do. You know exactly what I’m talking about. You just don’t want to face it. Perfectly understandable. That will change.”

“A fable,” Finn said, testing him again. Could a dream remember itself?

“The moon,” Wayne reminded him. “Don’t forget the moon.”

“I won’t.”

“All five of you. I need you together. Here. All in the same place at the same time. I can explain it to you then. Once. As a group. Just the one time. You can decide—as a group—to help us or not.”

“Us?” Finn said.

“I’ll explain that as well.”

“This is the weirdest dream I’ve ever had!” Finn said, not realizing he was shouting.

“You’ll get over it,” Wayne said. He raised his right hand—the one carrying the black remote-control fob— and pressed the button with his thumb.

Finn awoke, sitting up in bed. His bedside clock read 2:07 a.m. He collected himself, checked his surroundings. He reached out and touched the glass of water next to the clock. Just the feel of it was reassuring. Thank goodness, he thought.

A dream? he wondered. “Whoa,” he heard himself say aloud. “What a dream!” This time his voice sounded more the way it always sounded, which reminded him of how thin and electronic it had sounded in the park.

“Whoa,” he repeated, just to hear himself say it. He scratched an itch on his head, and another on his belly. That felt better. He lay back down, his head on the pillow, his green eyes wide open to the dark room.

All at once Finn spotted a shaft of light—bluish light—on his ceiling. It was in the shape of a knife blade. Moonlight.

Finn slipped out of bed with trepidation. He crept toward the window, afraid to look. The closer he got to it, the more his face was bathed in that pale light seeping through a small crack in the curtains.

Finn raised his arm and caught sight of his watch. His arm appeared solid. It did not glow and shimmer the way it had while he was with Wayne. That came as a relief.

Finn parted the curtains.

There, out the window, hanging in the exact same place in the sky, where Wayne had pointed it out to him, Finn saw the curving smile of a half-moon. Could he have known that in his sleep? How? He looked again.

The moon seemed to be laughing at him.

How Your Favorite Stars are Creating Musical Magic for The Disney Family Singalong: Volume II

By Beth Deitchman

If you’ve been struggling to come up with a Mother’s Day plan for that special mom in your life, ABC has got you covered—and Disney fans everywhere get to join in the fun! This Sunday, at 7 p.m. ET/6 p.m. CT, the network airs The Disney Family Singalong: Volume II, a can’t-miss Disney Magic Moment that builds upon last month’s inaugural special, which found nearly 13 million people belting out their favorite Disney tunes from their homes, alongside celebrities performing in theirs.

disney family singalong

“We really want this one to wow audiences in the way the first one did and bring joy and bring surprises, like the first one,” says executive producer Katy Mullan, who talked to D23 by phone as her team put the finishing touches on Sunday night’s special. For the second installment, they’re raising the bar and upping the production values, and they’ve also lined up a star-studded roster of performers that includes Katy Perry, John Legend, Idina Menzel, Ben Platt, Shakira, Halsey, and The Muppets.

While staying completely remote, Mullan and her fellow magic makers worked closely with the stars to bring together the musical moments we’ll see Sunday night. Each performance begins with the song, Mullan explains, and then The Disney Family Singalong team develops a concept with the stars through video chats and phone calls. “Some of [the stars] are fantastic with technology and are really self-sufficient,” Mullan says, adding that some are quarantining with partners or family members who are also technically savvy and help with filming. In some instances, the producers were able to safely deliver sanitized recording kits and then, through video conferences, walk the stars through the entire process, from setting up equipment all the way through setting up specific shots and recording their performances.

disney family singalong

Derek Hough and Hayley Erbert, who created a breathtaking dance sequence to “Be Our Guest” from Beauty and the Beast for the first special (which featured an appearance by Derek’s sister Julianne Hough from her home), definitely fall into that “self-sufficient” category—and then some. The trio returns for The Disney Family Singalong: Volume II, which will find them dancing to “Step in Time” and “Supercalifragilisticexpialidocious” from Mary Poppins. “Derek and Hayley edited the whole piece themselves,” Mullan says, detailing the dancers’ process, which allowed them to set up shots, review them immediately, build an edit, and take care of any reshoots that proved necessary as they went. “They really put in the hours and they really put in the passion to get the performances, and I think people are going to love them,” Mullan shares.

In the case of Sunday evening’s other highly anticipated dance number, Emmy®-winning choreographer Mandy Moore found herself in a very different situation than Hough and Erbert, who live together. For a special performance of “Zero to Hero” from Hercules, sung by Keke Palmer, Moore created a number with Dancing with the Stars pros Lindsay Arnold, Alan Bersten, Witney Carson, Val Chmerkovskiy, Jenna Johnson, Sasha Farber, and Emma Slater that was filmed in five different homes—Chmerkovskiy and Johnson are married, as are Farber and Slater—but comes together as a wonderfully cohesive performance.

We talked to Moore and discovered the truly “Herculean” effort behind the dance number. “Once I assigned different parts of the song to different cast members, I got on FaceTime with them individually and went through their houses to discuss the best place to shoot the sections,” she tells D23. After brainstorming with each of them about the overall idea and layout, the dancers went off to make up their steps. “They then sent me the sections and I cut them together into a pre-viz that we used as the template for the shoot day,” Moore says, and all of the dancers were safely sent the same technology to ensure everything would have a consistent look.

Filming took place on a single day in five different locations, with the dancers setting up each shot themselves. “I had all of them on a video call all day,” Moore says. “We checked in at the top of the day, then they went to shoot their sections, turning off their video and muting as they did it, so we weren’t losing our minds with five locations all going at the same time.” Each dancer would film their takes and text them to Moore to review before moving on to the next section. “Some of the shots we were attempting took specific angles and focus, so it was tedious at times, but very worth it!” the choreographer emphasizes.

Keke Palmer’s performance was filmed in much the same way. “Keke was capturing her vocal live, as well as performing with the timing and movement of the dance, so she had tons to deal with and was a pro,” says Moore, who also reveals, “Once we locked what the dancers were doing, we were able to direct Keke to look to and play with the other dancers virtually next to her… those kinds of little moments of connection made the performance very special.”

Any challenges faced by Moore and the team stemmed from technical issues such as communicating with seven dancers with differing Wi-Fi speeds, rather than creative ones. But, Moore says, “Funny enough, once we got past the first couple shots, we had a great flow and shots were awesome! Sometimes I felt more like an air traffic controller than a choreographer, but it was so wonderful to see everyone working together to create magic… I loved it!”

Mullan concurs that each individual shoot came with unique hurdles to clear, but through technology, dedication, and the determination to deliver an unforgettable show, there was nothing the production team couldn’t safely work out. To create an environment for Rebel Wilson’s performance of “Poor Unfortunate Souls,” the producers provided Wilson with a backdrop that, along with a fish tank, placed her “under the sea” whilst staying in her house in Australia.

In many cases, The Disney Family Singalong: Volume II will mark the first time fans hear some of these stars performing Disney songs. That’s exciting for viewers, but according to Mullan, it was just as thrilling for the talent to bring together these magical performances. “This time around I feel like a lot of the celebrities really embodied the spirit of the characters in a really fun way,” she says, and she adds, intriguingly, “I think people are going to be surprised to see people who they recognize looking very different and really throwing themselves into the characters with their singing.”

We Disney fans are accustomed to surprises, and The Disney Family Singalong: Volume II will not disappoint, Mullan promises. It’s fitting that the special airs on Mother’s Day, given that most of us first discovered our love for Disney with mom right by our side. “All the kids out there should be making sure their mum has time to put her feet up for an hour and watch the singalong and sing at the top of their voices!” she says. “This one is dedicated to all the mums out there, and we want to make sure that we do them proud.”

ABC’s The Wonderful World of Disney Returns May 20—Plus More in News Briefs

By Courtney Potter

moana

Gather the Family for the Return of ABC’s The Wonderful World of Disney

Get the popcorn ready—ABC’s The Wonderful World of Disney is returning to the airwaves for several consecutive Wednesday nights, beginning May 20! Four fabulously beloved titles, currently available on Disney+, will be shown in primetime on ABC, beginning with the broadcast world debut of Disney’s Academy Award®-nominated Moana on Wednesday, May 20, at 8 p.m. EDT.

Additional titles include Marvel Studios’ Thor: The Dark World (Wednesday, May 27),  and the Oscar-winning films Up from Disney and Pixar (Wednesday, June 3) and Disney’s Big Hero 6 (Wednesday, June 10).

The return of The Wonderful World of Disney is part of #DisneyMagicMoments—Disney’s way of bringing magic into homes all over the world during these unprecedented times… And don’t forget: You can find all manner of fun with our pals over at DisneyMagicMoments.com, including tons of entertaining stories, amazing videos, and cool activities from Disney, Pixar, Star Wars, Marvel, and National Geographic!

5 Fantastic Things to Watch This Weekend

Well, we’ve made it to the first full weekend of May, and there’s a lot to look forward on the screen of your choice. Check out a brand-new episode of the adorable Disney+ cooking series Be Our Chef debuting on Friday (May 8) night, and let’s not forget The Disney Family Singalong: Volume II—with new celebs being added as we speak—airing this Sunday, May 10 (which is also Mother’s Day; don’t forget!). For more info, click here.

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Join the Freeform Class of 2020 with Upcoming Funday Event

Calling all grads! (And family and friends of grads too, of course.) Freeform will honor 2020 graduates with their first-ever Funday: Class of 2020 programming event, May 16 and 17.

With graduation celebrations canceled across the country due to the ongoing COVID-19 crisis, Freeform is celebrating the Class of 2020 with grad-themed programming and new content—sharing lots of pomp-and-circumstanced fun across their social channels (using the hashtag #FreeformClassof2020), as well as through a live ticker giving students nationwide a moment to shine. The ticker will run the names of 2020 graduates throughout the whole weekend!

Additionally, the network be joining many others—including ABC—in airing the telecast of Graduate Together: America Honors the High School Class of 2020, hosted by LeBron James (and featuring grown-ish producer and star Yara Shahidi) on Saturday, May 16, at 8 p.m. EDT/PDT.

To learn more about Funday: Class of 2020—and to submit a name to run in that cool on-air graduation ticker—visit Freeform.com/FreeformClassof2020.

taika waititi

Taika Waititi to Direct and Co-Write New Star Wars Film

One of the biggest pieces of news to come out of this week’s fabulous May the Fourth celebrations had to do with a certain Academy Award®-winning writer… Taika Waititi (Oscar winner for best adapted screenplay for Jojo Rabbit)—who recently directed the season finale of Disney+’s The Mandalorian—will find himself in a galaxy far, far away yet again, as he directs and co-writes a new Star Wars movie. Read more about it right here at D23.com.

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Disney Channel’s Austin & Ally Reunited—Virtually!

Fans of the Disney Channel series Austin & Ally were delighted as all get-out when series stars Ross Lynch, Laura Marano, Raini Rodriguez, and Calum Worthy reunited (in a safe, socially distant way—with Calum originating from Vancouver and Ross, Raini, and Laura from Los Angeles) for an interview moderated by E! News’ Lilliana Vazquez via Zoom. The four stars reminisced about their experiences during production of the series, which wrapped five whole years ago. (Time flies, right?!) The fun reunion is available on the E! News website…

Austin & Ally premiered in December 2011, and for four seasons followed the improbable partnership between two polar opposites—Austin, an extroverted musician/singer and Ally, a brilliant yet shy songwriter—and their two best friends, Trish and Dez. It’s available for streaming now on Disney+!

Disney+ Orders New R.L. Stine-Based Series Just Beyond

Big news from the world of Disney+, especially if you enjoy the work of legendary children’s author R.L. Stine: They’ve just ordered a series based on Stine’s Just Beyond graphic novels! Read more about what you can expect from the eight-episode series, created and written by Seth Grahame-Smith (writer of The Lego Batman Movie and author of Pride and Prejudice and Zombies), by clicking here.

droid depot

Bring Star Wars: Galaxy’s Edge to Life at Home with New Droid Depot App

Looking to continue this week’s May the Fourth shenanigans just a little while longer? (Okay, who are we kidding? It’s kinda how we live on the daily.) Then you’ll be pleased to learn there’s a new way to interact with custom BB-series or R-series astromech droid units from Droid Depot at Star Wars: Galaxy’s Edge…

This week saw the release of the new Droid Depot mobile app, available for free download at the App Store and Google Play; the galactic, interactive experience allows Jedi, Sith Lords, and Rebels alike to link up and program their droids; customize them by name; see their profiles; and pilot them on a virtual path around their home, activating sounds—including some favorite galactic jams by DJ R3X at Oga’s Cantina—and maneuvers along the way. Users can also activate strategy mode and play a game of tic-tac-toe with your droid (in easy or difficult modes).

The free mobile app is available for iPhone® and Android™ smartphones. And for the first time, pre-built versions of BB-8 and R2-D2 interactive remote control droids from Droid Depot at Star Wars: Galaxy’s Edge are now available (for a limited time, and while supplies last) on shopDisney.com.

7 Titles on Disney+ to Watch on Mother’s Day

By Savannah Salazar

This Mother’s Day, plan a fun night-in with a movie to celebrate the special mother figure in your life. From heartfelt films to those that make you laugh out loud, we’ve gathered up a few titles on Disney+ for you and your mom to watch this weekend:

brave

Brave
As the daughter of King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson), Merida wants to escape their overbearing expectations and carve out her own path in life. After defying an age-old custom by refusing to marry any suitors from the neighboring clans, Merida gets help from a mysterious witch (voiced by Julie Walters) who accidentally turns her mother into a bear. Merida must seek to repair her broken relationship with her mother and reverse the curse before it’s too late.

dumbo

Dumbo
When you recall Dumbo, there are probably two distinct moments that come into your mind: the elation of seeing the elephant fly and the heart-breaking moment between Dumbo and his mother. But with every heartbreak, Dumbo also has moments of hope and exuberant fun. This classic Walt Disney film is a heartfelt tale great for the whole family.

the sound of music

The Sound of Music
An ode to the great step-mothers of the world. Maria von Trapp (Julie Andrews) graces the screen with an exuberant energy and a transcendent voice that helps the Von Trapp family rediscover joy for music. The heartfelt Rodgers and Hammerstein’s musical is a perfect choice (and one of our favorite things) to watch this Mother’s Day.

frozen 2

Frozen 2
Anna (voiced by Kristen Bell) and Elsa (voiced by Idina Menzel) may have lost their mother too soon, but a mother’s love knows no bounds, as Queen Iduna’s (voiced by Evan Rachel Wood) impact is felt all throughout the sisters’ lives. Frozen 2 begins with Iduna singing a wistful ballad to her daughters, setting the stage for what’s to come. The secrets of their mother’s past coalesce with Anna and Elsa’s journey as Elsa ventures to seek the truth about herself, her powers and the mysterious voice calling to her in the unknown.

ducktales

DuckTales (2019)
While we totally suggest watching the entire series, for Mother’s Day we recommend a trio of episodes in season two: “Whatever Happened to Della Duck?!,” “The Golden Spear,” and “Nothing Can Stop Della Duck!” Fans of DuckTales have always wondered about Huey, Dewey and Louie’s origins, and the team behind DuckTales expertly revealed the answer with the extraordinary introduction of Della Duck (voiced by Paget Brewster)—the determined, loving and mistake-prone mother of the boys.

coco

Coco
From your mamá to your abuela and bisabuela, Mother’s Day is the time to celebrate every important caregiver in your life. In Disney and Pixar’s effervescent film, a young musician named Miguel (voiced by Anthony Gonzalez) accidentally stumbles on an adventure of a lifetime (no pun intended) in the Land of the Dead. There, he intends to uncover the mysteries behind his family history. So, when you’re looking for something to watch this weekend, recuerda Coco!

halloweentown

Halloweentown
The Cromwell women are known for their fantastical power, but it’s not until Marnie’s (Kimberly Brown) 13th birthday that she even discovers her family history, thus the truth that she is a witch. Her grandma Agatha Cromwell (Debbie Reynolds) reveals this and more by telling Marnie, and her brother and sister, about Halloweentown, a city where magical beings and creatures live. Halloweentown may not be the typical or “normal” choice for a Mother’s Day movie, but as Aggie says, “being normal is vastly overrated!”

History at Work: Disney Insider Goes Inside the Walt Disney Archives

By Robert Maxhimer, Walt Disney Archives

One of the greatest benefits of developing and producing exhibitions for the Walt Disney Archives is having access to the seemingly endless resources from the rich and timeless history of The Walt Disney Company’s last 97 years. In fact, one of our greatest challenges in curating exhibitions is how to develop a theme that will allow us to tell a story that is not only focused and concise, but also incorporates as many of the iconic assets within our collections as possible. For me, to be honest, it’s like being a kid in a candy store…

The Archives’ most recent exhibition, Inside the Walt Disney Archives: 50 Years of Preserving the Magic, is the product of more than two years of development and countless hours of hard work by the department’s staff. Originally curated as an exhibition for Japanese audiences and designed to tour Japan for 18 months, it was recently reworked to engage our American audience for a brand-new domestic tour.

The Bowers Museum in Santa Ana, CA, was quickly identified as the first stop on this new tour and for good reason. With a reputation as being one of the top museums in Southern California and located in close proximity to the Archives, it was clear that the Bowers was the perfect choice as our first venue.

As the opening of the exhibition grew close, the Archives was approached by the production team for a new show on Disney+, Disney Insider. The docuseries “pulls back the curtain” on various Disney attractions, films, and events from across The Walt Disney Company, allowing audiences to see how so much of the “Disney magic” is made. It was a great opportunity for the Walt Disney Archives to showcase all of the time, effort, and passion that it takes to install an exhibition of this size. Spanning more than 10,000 square feet and incorporating more than 400 original objects, this is one of the largest exhibitions the Walt Disney Archives has ever produced, and the Disney Insider team was there to capture the installation from beginning to end.

On May 8, be sure to watch Disney Insider to check out all of the action and get a glimpse of our newest touring exhibition, Inside the Walt Disney Archives; 50 Years of Preserving the Magic, exclusively on Disney+.

5 Fantastic Things to Watch This Weekend

By Savannah Salazar

Looking for a helping of Disney magic this weekend? We’ve got you covered! This Friday, tune in to a brand-new episode of Be Our Chef, as two families make some delicious Disney-inspired dishes. The following day, gather the family for the hilariously heartwarming The Parent Trap, playing on Freeform. And of course, we didn’t forget Mother’s Day! Spend it with the ones you love, singing your heart out to the next installment of The Disney Family Singalong premiering on ABC. Check out these titles and more this weekend:

be our chef

Be Our Chef—Friday, May 8 on Disney+
If you’re looking for cooking inspiration, indulge in Be Our Chef hosted by Angela Kinsey. In the brand-new episode, “Anyone Can Cook,” the Perez and Wells families compete to create their own reimagining of the Ratatouille dish. Plus, both families explore the French Pavilion at Epcot to test out the culinary wonders of the park.

elena of avalor

 Elena of Avalor—Friday, May 8, at 1:30 p.m. ET/PT on Disney Channel
In the upcoming episode, “Sweetheart’s Day,” Armando (voiced by Joe Nunez) celebrates the special day by coming up with an idea to impress Marlena (voiced by Latin GRAMMY® Award-winner Gaby Moreno), only to accidentally cast a spell causing the entire town to sing. Along with Moreno, Kether Donohue guest stars as Flo. 

the parent trap

The Parent Trap (1998)—Saturday, May 9, at 5:30 p.m. ET/PT on Freeform
Directed by Nancy Myers, The Parent Trap follows identical twins Hallie and Annie (both played by Lindsay Lohan), who meet for the first time at Camp Walden and hatch a scheme to reunite their mom (a fashion designer in London) and dad (a vineyard owner in Napa Valley). Dennis Quaid stars as their father Nick Parker with Natasha Richardson starring as their mother Elizabeth James.

freaky friday

Freaky Friday (2003)—Sunday, May 10, at 9:40 a.m. ET/PT on Freeform
Spend Mother’s Day with a classic tale of a mother-daughter switcharoo. Directed by Mark Waters, the 2003 iteration of Freaky Friday follows the strained relationship between single mother Tess Coleman (Jamie Lee Curtis) and her teenage daughter Anna (Lindsay Lohan). After a night gone wrong, the two wake up to discover they have switched bodies. Freaky Friday also stars Harold Gould as Grandpa Alan, Chad Michael Murray as Jake and Mark Harmon as Tess’s fiancé Ryan.

disney family singalong

The Disney Family Singalong: Volume II—Sunday, May 10, at 7 p.m. ET/PT on ABC
You sang to your heart’s content with the first volume of The Disney Family Singalong, and now—just in time for Mother’s Day—ABC delivering Volume II. Ryan Seacrest returns to host the second installment of the singalong featuring performances by Idina Menzel, Ben Platt, Seth Rogen, Billy Eichner, Donald Glover, Josh Gad, and more!

Leslie Kay Shares Her Top Tips for Dressing with Disney Magic at Home

By the D23 Team

Disney characters wear iconic costumes that inspire us to dress our best, even if we are just hanging out at our houses! “DisneyBounding,” or taking inspiration from Disney characters in your everyday outfits, was pioneered by author and influencer Leslie Kay—and now, she’s written a book that walks readers through every step of the DisneyBounding process. It also shows Disney fans and beyond that DisneyBounding is not just about playing dress up—it’s about community and discovering who you are—and expressing it through the intersection of Disney and fashion. Check out DisneyBound: Dress Disney and Make It Fashion to learn how to become a DisneyBounding expert!

leslie kay

We had the chance to chat with Kay and get some tips on DisneyBounding at home, finding inspiration, and snapping that perfect outfit photo:

D23: The Official Disney Fan Club: How do you find your inspiration for Disney bounds?
Leslie Kay (LK): Between new seasonal fashion trends and Disney’s stacked calendar of new releases, promotional events, and film anniversaries… there is always something exciting around the corner. There’s an infinite number of ways to create one character, and there is inspiration everywhere!

D23: What kind of DisneyBounds do you think would be most fun to do at home? 
LK: My answer for this is pretty similar to my answer on an average day—whatever makes you the happiest! If getting dolled up and dressed in your vintage best is what makes you happy… do that! If you’re just wanting to find a cute way to add a little Disney magic to your loungewear… take a look at the colors you have and the characters they remind you of. Expressing yourself through Disney and fashion—however it speaks to you, through your own personal style—is what this is all about.

D23: What kind of characters have you been drawn to bounding as lately? 
LK: Just about any character that suits a pair of jeans. Putting on a pair of jeans feels like “dressing up” now—as it’s different from my usual sweatpants or PJs. Lots of Ian Lightfoot, Fix-It Felix, Genie… and even a little Cinderella and Anna!

D23: Do you have advice for your readers on how to “shop their closet” for new Disney bound ideas? 
LK: I recommend starting with looking at the colors that exist in your closet. For me… I wear a lot of black, so when I want to do a quick at-home bound, I start thinking of Maleficent, Ursula, Edna Mode. If you have a lot of pink… you may have Piglet, Aurora, or Cheshire Cat hiding in there. You can also take a look at fun accessories you have. I find it’s the accessories that help to make a bound pop—as they act as your props. You never know what characters have been hiding in your closet all along!

D23: What’s the most creative way you’ve used a piece of clothing for a DisneyBound? ​
LK: Beyond myself, I love to see the creative ways the DisneyBound community uses clothing to get really creative. That’s the fun of it all—there are SO MANY different personal styles so you’ll get many different takes of the same character—using items they would normally wear to bring out a particular aspect of a character that the person next to them might not. For instance… a grey v-neck top is a great silhouette for Meeko, because of his natural V shape in his markings. Or, a white infinity scarf is a great way to bring out the white fluff around Thumper’s neck. There’s just so many unique ways that bounders use their clothes to recreate Disney characters. It’s a lot of fun.

D23: Do you have any recommendations for taking an at-home photo shoot of your Disney bound? ​
LK: One thing I have been seeing A LOT of (and I’m not getting paid to say this), is bounders using Disney+ to help them create a themed background. They decorate their living rooms to match their bound and then pull the film up on the screen to really help pull the scene together.

The Disney+ Original Prop Culture Takes a New and Unique Look at Favorite Disney Films

By Jim Frye

Two moments in particular stick out for Dan Lanigan from the production of Prop Culture, the new Disney+ Original where the enthusiastic collector explores the history and warehouses of The Walt Disney Company, along with the Walt Disney Archives, searching for some of the most iconic and beloved props from Disney’s storied past. “The first moment is sitting down with Rick Moranis,” he says, almost reverentially, a nod to Moranis’ long hiatus from entertainment. Moranis cemented his comedy-legend status with such films as Ghostbusters, Little Shop of Horrors, Spaceballs and Strange Brew, but it was his portrayal as Wayne Szalinski, a nutty inventor in Disney’s 1989 hit Honey I Shrunk the Kids, that forever endeared him to Disney fans.

“He hasn’t really sat down with anybody in a really long time,” says Lanigan. “I was very nervous. We just had a great conversation. And as much as I love Honey I Shrunk the Kids, one of my favorite films is also Strange Brew, which he and Dave Thomas directed. He was just super interesting and enlightening.”

prop culture

The new Disney+ series highlights a classic Disney film each episode; featuring cinematic artifacts and the stories behind the objects, along with the artists and crafts people who brought them to life.

For example, in the sixth episode, viewers will enter the wardrobe as Lanigan examines some of the most memorable artifacts from The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. He travels to San Diego Comic-Con and shares a pair of swords with WETA Workshop founder Sir Richard Taylor, then examines the White Queen’s sleigh with actor Kiran Shah. He follows that by exploring the details behind the movie’s mythical creatures with fabrication department supervisor Beth Hathaway and Academy Award®-winning makeup effects artist Howard Berger. Lanigan then tops it off with a visit to the Walt Disney Archives with director Andrew Adamson to discuss the wardrobe and a Mr. Tumnus statue.

prop culture

“I’ve been reaching out and talking to producers and directors and prop masters for years,” says Lanigan, his boyish enthusiasm barely concealed, “but to do it specially for Disney films—that’s what’s super exciting about this series. We’ll be seeing some cool props and pieces I didn’t even know existed.”

prop culture

In another episode, Lanigan turns his obsession on Who Framed Roger Rabbit, which is where he experienced the second moment that sticks out from the season. “Having a shave and haircut with Christopher Lloyd was really fun,” he says. “And showing him his Judge Doom costume, and seeing how much he really wanted to put it back on and get back into character… it was super, super cool! Every episode has its own special thing.”

prop culture

Lanigan’s Prop Culture journey also takes him to the home studio of Disney Legend Andreas Deja for a lesson on how animated characters were drawn over live-action frames, before he examines concept art with Disney animators Chris Buck and Mike Giaimo as they describe Roger Rabbit’s earliest days. During the episode, stunt coordinator Charlie Croughwell makes a discovery in the desert while Academy Award-winning mechanical effects supervisor George Gibbs demonstrates some of the inventive methods the film’s effects team used to create the illusion of animated characters on a live set. We then meet Charles Fleischer, the voice of Roger Rabbit.

Fans also get to join Lanigan on a special road trip adventure to discover the secrets of iconic props from The Muppet Movie. He visits Jim Henson Studios for an interview with Chairman Brian Henson, then meets up with Drew Struzan, the painter responsible for the original movie poster (Struzan also did many of the iconic Star Wars posters). Viewers will see what goes into dressing fashion diva Miss Piggy with designers Calista Hendrickson and Amy Van Gilder. Then, in Portland, Lanigan searches for a missing prop that was believed to be lost to the sands of time. Back east at the Museum of the Moving Image in Queens, New York, Lanigan explores their extensive Henson exhibit before heading back to the west coast for a chat with voice actor and puppeteer Dave Goelz. Of course, it wouldn’t really be a Muppet Movie episode without that special rainbow connection, courtesy of songwriter Paul Williams (and Kermit’s legendary banjo)!

prop culture

Lanigan says that creating this series has been a dream for him, and even though a second season has not yet been discussed, he has his wish list already prepped. “If we are lucky enough to get a second season, my personal favorites would be Dragonslayer,” he says. “There’s a lot of really great history there. And I’d love to work on Raiders of the Lost Ark, of course. I’ve been collecting Indiana Jones material for many, many years—it’s one of the first movies I collected as a prop collector. We’ll see if that can happen. Also, Star Wars would be great. Then maybe Edward Scissorhands. There’s also a lot of really great Fox films that we’d love to do as well.”

All eight episodes of Prop Culture are streaming now, only on Disney+!

Disney+ Orders New Series Just Beyond, Inspired by R.L. Stine’s Graphic Novels

By Zach Johnson

The latest news from Disney+ is giving us goosebumps! The streaming service has ordered the eight-episode series Just Beyond from writer and executive producer Seth Grahame-Smith. Produced by 20th Century Fox Television, the horror/comedy anthology, based on the best-selling BOOM! Studios graphic novel series from iconic children’s writer R.L. Stine, was created by Grahame-Smith, who famously blended horror and comedy as author of the novels Pride and Prejudice and Zombies and Abraham Lincoln: Vampire Hunter and the screenwriter of the films Tim Burton’s Dark Shadows, The Lego Batman Movie and The Saint.

“I grew up watching Twilight Zone reruns and the original Amazing Stories with my parents,” says Grahame-Smith. “I’ve always wanted to make a genre anthology series that families could enjoy together, and do it in a way that delivered for kids and adults alike. R.L. Stine has been a part of millions of childhoods, and Disney+ has already proven itself as a place that knows how to make high-quality shows for the whole family. I couldn’t be more excited to be working with both of them.”

just beyond

“Back in the day, we had a Goosebumps HorrorLand attraction at Walt Disney World,” says Stine. “It was one of the thrills of my life. Now I’m thrilled to be back with Disney for the TV series based on my graphic novels. Writing Just Beyond for BOOM! Studios has been a joy from the beginning, and I’m so happy to have the wonderful screenwriter Seth Grahame-Smith bring the series to life on Disney+. How lucky can I be?”

A writers room for Just Beyond is being assembled and the series is expected to debut on Disney+ in the fall of 2021. Grahame-Smith and David Katzenberg will be producing the series through their KatzSmith Productions banner.