Tracy, Lexington, Kentucky
A: There was indeed serious consideration of Disney doing a project in St. Louis, but not on the scale of Walt Disney World. For more details, I suggest that you find the book, Walt Disney’s Missouri, by Brian Burnes, et al., published in 2002. There is a chapter on the St. Louis project, including copies of plans.
Brett, Newport Beach, California
A: When Island at the Top of the World (1974) was in production, some executives in the company felt that it was going to be a huge hit, so the Imagineers began working on an attraction based on it. The company’s 1976 annual report had a description and drawings of what Discovery Bay, as the area was called, might be; besides Island, it was also meant to have a 20,000 Leagues Under the Sea attraction. The annual report said the area would “bring to life a time and place that climaxed an age of discovery and expansion.” For many reasons, Discovery Bay was never built. First and foremost, the company got busy with work on EPCOT and Tokyo Disneyland, but also a partnership with George Lucas and suggested attractions based on Star Wars and Indiana Jones took precedence, with the feeling that they would have more interest to Disneyland guests. Of course, another reason was that Island did not do as well in theaters as was hoped. But some of the Discovery Bay ideas, including the Hyperion airship, were reborn in Discoveryland at Disneyland Paris.
Chase, Pickering, Ontario, Canada
A: We know that there were metal and ceramic Disneyland ashtrays in the 1950s (a 1959 mail order catalog lists a porcelain smoker set with a cigarette box and two ashtrays for $1.25). By the 1960s, Disneyland had stopped selling ashtrays.
Erica, Antioch, California
A: According to Steve Davison of Walt Disney Imagineering Creative Entertainment, the Barenaked Ladies recording was not used in HalloWishes. The male vocalist is Tim Davis, who served as the vocal/session director for Glee.
John, Egg Harbor City, New Jersey
A: I do not know about roving photographers, which did not seem to have been around Disneyland in the early days, but according to the story we have heard, Walt Disney asked Art Linkletter if he would participate in the Disneyland opening-day telecast. Since Walt was short of money, Art supposedly agreed to help; in lieu of a fee, he requested exclusive rights to the camera and film concessions for 10 years. So, while Kodak had a Main Street, U.S.A. shop beginning on opening day, that shop only provided service (quick camera repairs, help loading film, etc.) and information; adjacent to it was Linkletter’s separate shop that sold film, cameras, and photo accessories.
Robert, Kissimmee, Florida
A: The CALIFORNIA letters were too large and heavy for the Archives’ collection, but according to Kevin Rafferty of Walt Disney Imagineering, they have been donated to the California State Fair in Sacramento. The Archives did get the two Intolerance elephants from the entrance of Hollywood Blvd., some signage from Baker’s Field Baker and Bur-R-R-Bank Ice Cream, and the neon sign from the Golden Zephyr.
Allison, San Ramon, California
A: Here Come the Muppets was a live show at Disney-MGM Studios that operated from May 25, 1990 to September 2, 1991. For a summary of the show, you can check here. It was superseded by a different show, in another venue in the park, called Muppets on Location—The Days of Swine and Roses. That show lasted until 1994.
Melanie, Northfield Center, Ohio
A: This program is still being offered at the Walt Disney World Resort, at both the Hollywood Brown Derby and the Flying Fish Café at the Boardwalk Resort. For more information, click here.