The Simpsons are Coming to D23 Expo 2019

by D23 team

Springfield’s best and brightest (or, should we say, yellowest) will be making their way to Anaheim this August when The Simpsons comes to D23 Expo for the first time ever.

Yes, you read that right. The longest-running primetime scripted show in television history, The Simpsons, will be coming to D23 Expo this year, and they’ll be talking all about the upcoming season in a panel on Saturday, August 24, at 10 a.m. in the D23 Expo Arena.

Creator Matt Groening, Executive Producer Al Jean, Executive Producer Matt Selman, Supervising Director Mike B. Anderson, and stars Nancy Cartwright and Yeardley Smith will all be in attendance, and you can expect lots of surprises, including an exclusive Simpsons collectible item for everyone in attendance.

Make sure you head over to the convention floor during D23 Expo 2019, because you’ll have the opportunity to get close and personal with Bart, Lisa, and the rest of The Simpsons family. And, if you’re lucky, you’ll even get a once-in-a-lifetime chance to meet Matt Groening and the rest of the panelists during a one-hour autograph signing session of an exclusive The Simpsons mini-poster right after the panel.

We hope this news made you go “D’oh” (but in a good way).

Cinderella Receives an Incredible Honor and an Unforgettable VIP Ball

By Beth Deitchman

The magic did not come to an end when the clock struck 12 last night.

Disney’s animated 1950 classic Cinderella was officially inducted into the National Film Registry in December 2018, and what better way to celebrate than with a VIP ball? In a very special event, The Walt Disney Studios and the Library of Congress celebrated the iconic film, which taught us to “have faith in your dreams.” D23 Members joined the guests, which included members of Congress, the Boys & Girls Clubs of Greater Washington and other local luminaries, enjoyed a screening of the film before they dashed off to the ball.

Cinderella National Film Registry

The guest of honor herself made a grand entrance at the top of the Library of Congress stairs, casting her own enchanting spell over the event, and Mary Walsh, managing director of the Animation Research Library at Walt Disney Animation Studios, formally accepted the film’s official certificate of induction into the National Film Registry from Dr. Carla Hayden, the 14th Librarian of Congress. Cinderella is one of only 750 film titles to join this prestigious list of films that are determined to be “culturally, historically or aesthetically significant” and recommended for preservation.

Cinderella National Film Registry

Throughout the special event, Cinderella mingled with guests, all dressed in their royal best, from the youngest princesses and princesses to Disneybounders who looked to the princess to inspire their own stylish evening attire.

Cinderella National Film Registry

Cinderella National Film Registry

Gus and Jaq must have been waiting for Cinderella back at home, but there was no shortage of glass slippers, ensuring a fairy-tale ending for all in attendance.

Cinderella National Film Registry

Nearly 70 years after its release, the film continues to delight and inspire fans of all ages. You can experience the timeless story again with Cinderella: Anniversary Edition, available now on Digital and Movies Anywhere and coming to Blu-ray on June 25.

Find Out What Frozen Things Do in Summer with the Latest Video From Frozen on Broadway

By Savannah Salazar

Frozen on Broadway has us in a flurry of excitement! To celebrate the first day of summer, check out this cool new music video for “In Summer,” featuring the first recorded performance by Ryann Redmond (Olaf), the new happiest snow-woman, with back-up vocals by Lauren Nicole Chapman, Alyssa Fox, Ross Lekites, and Nicholas Ward.

But that’s not all! Be sure to check out two more new music videos from Frozen on Broadway.

D23 Members have the chance to watch Broadway’s coolest show at the Hollywood Pantages Theatre. Get your VIP tickets for the January 17 performance of Disney’s Frozen here. 

Celebrate 40 Years of The Muppet Movie with These “Muppetational” Facts

By Courtney Potter

On June 22, 1979, Kermit the Frog brought a gaggle of fuzzy, funny friends to the big screen for the very first time—and Hollywood has never been the same! Kermit and pals, the creation of Disney Legend Jim Henson, had already been delighting audiences for several years via The Muppet Show, an Emmy® Award-winning half-hour musical comedy TV series that began airing in syndication in September 1976. But with the ‘80s on the horizon, the time was right to feature Henson’s creatures in an ambitious, big-budget film production. The resulting “road comedy,” The Muppet Movie—which chronicles just how Kermit left the swamp; met BFFs like Fozzie Bear and Miss Piggy; and became a worldwide phenomenon—was not only a box office smash, but it also garnered an Academy Award® nomination for Best Original Song (Paul Williams and Kenneth Ascher’s iconic “Rainbow Connection”)… and it has inspired legions of fans ever since.

In honor of The Muppet Movie’s four decades of “Muppetational” fun, D23 recently took a spin through the Henson Archives to uncover some amazing behind-the-scene tidbits. We guarantee you’ll have a whole new appreciation for the film—which is currently available on Movies Anywhere and on DVD—the next time you watch it… And remember: “Life’s like a movie—write your own ending!”

The Muppet Movie

Proof of Concept…
The Muppets had, up until this point, only been seen on TV—from their very first appearance in the short-form series Sam and Friends in 1955 to their ‘70s variety show. So before shooting could even begin on The Muppet Movie, Jim Henson and director James Frawley had to film a screen test to see how the characters would look outdoors. The test was shot on location outside London… in an area named, appropriately enough, Frogmore.

Speaking of James Frawley…
The director of The Muppet Movie is himself suitably colorful—perfect for wrangling a host of hilarious, human-esque characters! Frawley got his start on stage in the acclaimed 1960s off-Broadway improvisational troupe The Premise, later appearing on TV’s Gunsmoke, Outer Limits, and The Danny Kaye Show. In the meantime, Frawley was cultivating his skills as a photographer; helming an acclaimed short film called J-24 led Frawley to directing, and he eventually won an Emmy Award as director on the fan-favorite ‘60s sitcom The Monkees.

The Muppet Movie

Just a Frog and His Banjo…
The Muppet Movie memorably opens with Kermit the Frog, perched on a log in the lush green swamp he calls “home,” playing his banjo and singing one of his now signature tunes: “Rainbow Connection.” Ever wonder how they managed to film that scene? The man behind the frog, Jim Henson, spent three full days under water inside a specially constructed “bathysphere,” operating Kermit through rubber-sleeved arms! According to the film’s press notes, the submersible was made from two aluminum jet-engine containers and was wired for both sight (a video monitor which enabled Henson to see Kermit’s performance) and sound (Henson’s microphone hookup).

Even Muppets Need Transportation…
Did you know that Fozzie Bear drives two different cars in The Muppet Movie? One is a 1947 Ford “Woody” station wagon, and the other is a 1951 Studebaker Champion. Meanwhile, Gonzo and his chicken companion Camilla drive a 1969 Citreon plumbing repair truck, while later in the film, Dr. Teeth and the Electric Mayhem are seen tooling around in a brightly painted 1961 International school bus.

Special Guest Cameos A-Plenty…
Most Muppet fans are familiar with The Muppet Movie’s cavalcade of guest appearances—from radio/ventriloquist legend Edgar Bergen (in his final film appearance) and Madeline Kahn to Steve Martin, Richard Pryor, and Mel Brooks, the film boasts a veritable “who’s who” of comedy talent. One such cameo is Oscar nominee Elliott Gould; according to the film’s press material, Gould was once asked to emcee the Miss Universe Pageant, which he declined due to a busy filming schedule. But the pageant world came ‘round again—albeit fictitiously—when Gould was asked to appear in The Muppet Movie as the host of the quaint Bogen County Fair’s beauty contest… won by Miss Piggy, of course!

The Muppet Movie

Some Hollywood History…
The film follows the Muppets on their journey to Hollywood, as they dream of big-screen stardom—all the while pursued by the flamboyantly evil Doc Hopper (Charles Durning), a fast-food tycoon who wants Kermit to star in his commercials. The climactic scene where Kermit and friends finally face off against Doc and his henchmen is portrayed in classic western-film style… and was even shot at the very same location as the showdown in Gary Cooper’s iconic 1952 western High Noon.

A Truly Lasting Legacy…
In 2009, The Muppet Movie was named to the prestigious National Film Registry by the Library of Congress. So what exactly does that mean? Every year since 1988, the registry’s Preservation Board selects 25 films—deemed “culturally, historically, or aesthetically significant”—that showcase the enduring range and diversity of American film heritage, all in an effort to increase awareness for its preservation. We’re sure any Muppet fan would agree: Preserving The Muppet Movie for future generations is a fantastic idea!

Want to keep celebrating this Muppetational milestone? Check out our 10 Fan-tastic Milestones Pin Set, which features an exclusive pin celebrating 40 years of The Muppet Movie.

Disney and Pixar’s Soul to Premiere Next Summer—Plus More in News Briefs

By Courtney Potter

The director behind Inside Out will bring his latest to the big screen next June, and Descendants 3 offers up a new sneak peek… Read more, along with other news from around Disney, in this week’s news briefs!

Mark Your Calendars for Disney and Pixar’s Soul in June 2020

Ever wonder where dreams come from? What about your passions, or your interests? What is it that makes you, YOU? Well, next year, Pixar Animation Studios will take you on a journey from the streets of New York City to the cosmic realms to discover the answers to all of life’s most important questions…

Directed by two-time Academy Award® winner Pete Docter (Inside Out, Up) and produced by Academy Award nominee Dana Murray, Disney and Pixar’s Soul will hits theaters on June 19, 2020. Stay tuned right here at D23.com for more information on this sure-to-be-magnificent film as it becomes available.

Save the Date!
Be sure to mark these upcoming Disney events on your calendar:

D23 and Walt Disney Archives
June 20, 2019
D23 Member Mixer—San Diego
June 22, 2019
The Official Walt Disney Studios Tour – Presented by D23
July 20, 2019
The Official Walt Disney Studios Tour – Presented by D23
August 23-25, 2019
D23 Expo 2019
Parks
August 16, 20, 23, 27, 30; September 2, 6, 8, 10, 13, 15, 17, 20, 22, 24, 27, 29; October 1, 3, 4, 6, 8, 10, 11, 14, 15, 17, 18, 20, 21, 24, 25, 27, 29, 31, 2019
Mickey’s Not-So-Scary Halloween Party at Magic Kingdom park
August 29, 2019
Star Wars: Galaxy’s Edge Opening at and Walt Disney World Resort
August 29—November 23, 2019, 2019
November 8, 11, 12, 14, 15, 17, 19, 21, 22, 24; December 1, 3, 5, 6, 8, 10, 12, 13, 15, 17, 19, 20, 22, 2019
Mickey’s Very Merry Christmas Party at Magic Kingdom park
2019 Epcot International Food & Wine Festival
November 29—December 30, 2019, 2019
2019 Epcot International Festival of the Holidays

Studios
June 21, 2019
Toy Story 4 opens in U.S. theaters
July 19, 2019
The Lion King opens in U.S. theaters
October 18, 2019
Maleficent: Mistress of Evil opens in U.S. theaters
November 22, 2019
Frozen 2 opens in U.S. theaters
December 20, 2019
Star Wars: The Rise of Skywalker opens in U.S. theaters
Television
June 21, 2019
Final episodes of Andi Mack begin airing (8 p.m. EDT/PDT)
August 2, 2019
Descendants 3 premieres on Disney Channel and DisneyNOW (8 p.m. EDT/PDT).

Inside Out Emotional Whirlwind

First Images of Inside Out Emotional Whirlwind at Disney California Adventure

Speaking of Inside Out, Pixar Pier is about to get just a little bit emotional… Inspired by the Disney and Pixar film, Emotional Whirlwind opens later this month at the Inside Out Headquarters neighborhood—and today, via our friends at the Disney Parks Blog, we’re privy to a sneak peek of what the family-friendly attraction will look like!

Inside Out Emotional Whirlwind

Once guests hop aboard one of eight Memory Movers, they’ll take a “sense-ational” spin and help Riley’s Emotions (aka Joy, Sadness, Anger, Disgust, and Fear) sort through memories being collected. Accompanying this memorable adventure will be all-new music from Academy Award®-winning composer Michael Giacchino, who created tracks for each emotion. We can’t wait to make our own memories aboard Inside Out Emotional Whirlwind soon!

New Descendants 3 Trailer Teases More Mayhem… and a Proposal

So many awesome things happened at last weekend’s ARDYs: A Radio Disney Music Celebration—including performances by Avril Lavigne and Andy Grammer, as well as an appearance by K-Pop phenomenon BTS… but fans were especially enchanted by the premiere (during the ARDYs broadcast) of a brand-new trailer for the upcoming trequel Descendants 3.

The trailer itself opens with a first look at King Ben (Mitchell Hope) proposing to Mal (Dove Cameron) during the big “VK Day” celebration… but that happiness is short-lived, for the evil Hades (Broadway vet Cheyenne Jackson) has arrived—and he’s ready to wreak a little havoc on Auradon! In the meantime, a mysterious sleeping spell is infecting scores of residents… Can Mal and her fellow VK pals (including 2019 ARDYs host Sofia Carson as Evie) save the day?

We’ll find out when Descendants 3 premieres on Disney Channel and DisneyNOW on Friday, August 2, at 8 p.m. EDT/PDT.

Star Wars Celebration Lightspeeds Into Anaheim in 2020

The world’s biggest and best-est event for Star Wars fans is coming to the West Coast next year, and its official dates have been set. Luckily, D23 has the scoop; read up on all the Force-filled news about Star Wars Celebration by clicking here, and stay tuned for more information as it becomes available…

DescenDANCE

Brand-New Halloween Fun is Coming to Disney California Adventure Park!

Most folks know Oogie Boogie as the delightfully despicable villain from Tim Burton’s The Nightmare Before Christmas… but maybe he’s not all bad, because he’s planning some frightful fun at Disneyland Resort this Halloween, and we’re all invited! This fall, Disney California Adventure park is debuting the all-new Oogie Boogie Bash – A Disney Halloween Party—a separately ticketed event featuring all manner of amazing new experiences and entertainment.

Perhaps most notable, the Bash will include the debut of Villainous!, a new World of Color show exclusive to the event, that tells the twisted tale of a young girl named Shelley. Y’see, Shelly’s got a decision to make about her Halloween costume… can she really be as strong and unique as some of her favorite Disney villains? Along the way, she takes an unforgettable journey through fountains, lights, lasers, projections, and incredible special effects. Ultimately, Villainous! will prove that—deep down—there’s a little villain in all of us.

But that’s not all: Redwood Creek Challenge Trail will be transformed into a wondrous world filled with Disney villains unlike anything ever seen before, and the entire park will be filled with immersive “treat trails.” And in the Backlot area, the DescenDANCE Party will invite guests to boogie down with the Villain Kids from Disney’s Descendants as the Backlot DJ spins some terrifyingly terrific tunes.

For more information on the Oogie Boogie Bash, visit Disneyland.com/HalloweenParty. And start planning your costumes now!

Disney Wonder Enhancements to Leave You Enchanted

If you happen to be sailing the sea this fall on Disney Cruise Line, aboard the Disney Wonder, you’re in for a treat—because the world of The Princess and the Frog will come to life during your cruising adventure like never before! Read up on the brand-new lounges and clubs—for both adults and teens—right here at D23.com

Rock Out Again with Epcot’s Guardians of the Galaxy – Awesome Mix Live!

Last week, our good pals at Walt Disney World Resort announced the return of a fan-favorite show at Epcot: the galactically groovy Guardians of the Galaxy – Awesome Mix Live! This musical journey through the cosmos features Star-Lord, Gamora, and a killer seven-piece live band, and it’s now getting audiences up on their feet five times a day at the America Gardens Theatre. Even Baby Groot gets in on the action! Check out some footage from the show—and hear from its director/choreographer, Cindy Wilson—in the new video, above.

The show features a cool mix of ’70s and ’80s tunes, as heard on Guardians of the Galaxy: Awesome Mix Volumes 1 & 2. And while you’re enjoying those sweet, sweet sounds, you can also enjoy some snacks and drinks created in honor of the show—including Rocket Fuel (a frozen Coca-Cola slushy with grenadine) and the Space Sandwich (featuring pulled pork and crispy onions on a Kaiser roll). Find out more about all things Awesome by visiting the Walt Disney World Resort website.

All the Amazing Music—and Music Makers—Coming to D23 Expo 2019

by D23 team

We’ve got news that’ll be music to your ears! Disney Music Emporium is returning to D23 Expo 2019, with a pop-up store on the show floor.

Over the weekend, the Disney Music Emporium pop-up will feature album signings by artists and award-winning composers. Limited quantities of a wide assortment of music products will be available, including new releases from Marvel and Lucasfilm, vinyl albums, die-cut picture disc vinyl, cassettes, Crosley turntables, cassette players, posters, and more!

In addition to the 23 new offerings available, there will be 10 titles available for purchase for the first time ever at D23 Expo:

  • Avengers: Endgame (12” picture disc)
  • Aladdin: The Songs (vinyl album)
  • “I Just Can’t Wait to Be King” (12” vinyl single from The Lion King)
  • Star Wars: Galaxy’s Edge Symphonic Suite” (12” picture disc)
  • “Married Life”/”Carl Goes Up” (12” vinyl from Up)
  • The Princess and the Frog: The Songs (12” picture disc),
  • “The Sorcerer’s Apprentice” (12” single from Fantasia)

Randy Newman

While you’re picking up some new albums, make sure to stop and get them signed by some of the people behind the music! Album signings at the Disney Music Emporium shop include Oscar®– and Grammy®-winning composer and Disney Legend Randy Newman (Toy Story films, The Princess and the Frog, Cars films); composer Tyler Bates (Marvel Studios’ Guardians of the Galaxy Vol. 2 and Marvel Studios’ Guardians of the Galaxy Vol. 1); actor Anthony Gonzalez (voice of Miguel from Coco); singer-songwriter, actor, and dancer Matthew Morrison (Glee); plus Hollywood Records artist JD McCrary (voice of young Simba in The Lion King). Scheduled artists subject to change.

But, of course, that’s not all. On Friday, August 23, at the Archives Stage from 10:30–11:30 a.m., Randy Thornton, Disney Music Group’s Supervising Producer and Music Historian will be presenting “Great Moments with Walt Disney.” 

In this presentation, you’ll hear audio recordings of Walt Disney himself as he recalls developing the first cartoon with synchronized sound, creating Disney’s first hit song, and meeting Russian composer Sergei Prokofiev.

Well, we can say for certain it’ll be a foot-tapping good time at D23 Expo 2019!

 

 

 

Toy Story 4 Filmmakers Answer 5 Burning Questions

By Zach Johnson

This spring, D23 visited Pixar’s headquarters in Emeryville, California, where director Josh Cooley and producers Mark Nielsen and Jonas Rivera hosted a Q&A to discuss all things Toy Story 4. Before the film arrives June 21, enjoy this edited and condensed version of that conversation:

Toy Story 4
(left to right) Jonas Rivera, Mark Nielsen, and Josh Cooley

D23: Toy Story 3 had a sense of finality to it. Why did you decide to write another chapter?
Josh Cooley: We love the ending of Toy Story 3; it ended Woody and Andy’s story perfectly. When we started going down the path, we just kept going. We hit upon something that was worth telling.
Mark Nielsen: And the idea of Bo Peep was so intriguing. This movie has been kind of codenamed Peep here within the walls for the whole four years we’ve been making it, because we knew she was such an important character in this one. The idea of them coming back together after not seeing each other for years and what’s become of her was something really worth exploring.

D23: Why did you decide to open Toy Story 4 with a flashback sequence?
Cooley: We had a million different beginnings for this film. We have all these different versions of it. It wasn’t [decided] until we were like, “Let’s just get right into it.” I love starting it off with a bang—literally—with the lightning crashing. We’re getting right into it to establish the stakes.

Toy Story 4

D23: How much freedom did “Team Bo” have in reestablishing Bo Peep’s character?
Rivera: They would unflinchingly say anything, down to, “She couldn’t hold herself that way,” or, “That line is a little off.” And even Annie Potts [who voices the character] would help steer us.
Nielsen: We got to show the film to Annie Potts recently and her reaction to seeing Bo was really strong. She was so happy with the way her character turned out and the way Bo is represented.

D23: What inspired you to include a carnival in the movie?
Cooley: We’re always looking for areas where toys actually do exist in the world to make it feel natural. At first it was just like, “Oh, this would be a fun obstacle for these toys.” But then we realized it had actually become deeper than that and actually became a part of the story. And also, we saw how the lighting of a carnival can affect the mood. In the daytime, they’re kind of gross, but at nighttime, they are stunningly beautiful. So, we definitely took advantage of that.
Nielsen: We loved the contrast, too, between life with the toys in the antiques store and what was just outside. You’ve got all of these kids running around outside—and these toys are kind of trapped, don’t have a kid and desperately want one, and it’s just on the other side of the glass.
Rivera: Remember that story we’d heard on the Alcatraz tour? If you’ve ever been to Alcatraz in San Francisco, they said the prisoners would go crazy because they could hear people having a party and laughing across the bay. It was like a thousand miles away from them. It was really emotional and interesting, and we thought, Oh! A toy version of that is right outside this antique store; like, Right there are kids having fun, trying to win toys—and you can’t have it!
Cooley: We really took advantage of the areas of a carnival where people can’t go. We went to a lot of carnivals for research trips, and underneath all those games is where they store all the stuff for taking down everything. And so, the toys are able to move through there and still be hidden.

Toy Story 4

D23: How will you honor the late Don Rickles as Mr. Potato Head?
Cooley: We went through everything he’s recorded—all the past films, all the shorts, all the video games, all the theme park stuff, all the ice shows, all the toys. He’s done a lot over the last 25 years. He did sign on to be on this film before he passed. We were very honored for that and we were also very honored that his family asked us to see if we could create a performance. Obviously, we can’t say anything specific to the plot, but we’ve found enough that feels natural.
Nielsen: We couldn’t imagine this film with a soundalike. We knew we had to dig and do whatever we possibly could to try to preserve his voice in this. I mean, he is the voice of Mr. Potato Head!

Keep checking D23 for all things Toy Story 4 before it hits theaters June 21!

Find Out What Honey, I Shrunk the Kids and Captain America Have in Common

By Jim Fanning

In the zany tradition of such Disney live-action classics as The Absent-Mind Professor (1961), Honey, I Shrunk The Kids has been earning colossal laughs with its super-sized special effects and anything-but-small thrills for three decades. Released on June 23, 1989, this effects-filled film centers on bumbling inventor Professor Wayne Szalinski (Rick Moranis) who unknowingly shrinks his children, Amy and Nick (Amy O’Neill and Robert Oliveri), and neighbors, Ron and Little Russ Thompson (Jared Rushton and Thomas Brown), down to 1/4-inch high with his electromagnetic shrinking machine. When he accidently throws the mini-kids out with the trash, they must somehow survive the backyard, now an impassable jungle to them. For the 30th anniversary of this Disney movie magic-infused favorite, go big with eight small-but-mighty facts.

Honey, I Shrunk the Kids

1. The Honey, I Shrunk The Kids director came from a galaxy far, far away.
Honey, I Shrunk The Kids was the directorial debut for Joe Johnston. An Academy Award®-winner for Best Visual Effects for Raiders of the Lost Ark (1981), this special-effects whiz began his career as a concept artist and effects specialist at Industrial Light & Magic on Star Wars (1977) and was an art director on The Empire Strikes Back (1980). Said Rick Moranis: “For me, it was unique to work with a director who came from a technical and visual background. The way we shot the movie, my scenes were filmed separately from those involving the kids. Joe was instrumental in helping me understand how my scenes with the children would be put together in the finished film.” Johnston himself was thrilled to helm a movie that invoked “a special kind of Walt Disney film, wonderful excursions that spoke to the adventurous spirit, regardless of age. They were boldly stated films, not afraid to push the envelope of wonder and credibility, yet they had a certain kind of from-the-heart honesty. Through all the unusual perils of moviemaking, the challenge of Honey, I Shrunk the Kids was to capture that same kind of Disney electricity that makes an audience willingly lose itself in an impossible world.” Johnston would go on to direct another Disney live-action favorite, The Rocketeer (1991), as well as Captain America: The First Avenger (2011) for Marvel Studios.

Honey, I Shrunk the Kids

2. Rick Moranis knew his way around movie special effects.
Described as a “cool nerd” by Disney Adventures magazine, Rick Moranis brought his smart and loveable geek persona to Honey’s pseudo-scientific proceedings. Well known as a member of the brilliantly comedic ensemble SCTV television series, Moranis was a veteran of two other fantastical special-effects spectaculars, Ghostbusters (1984) and Little Shop of Horrors (1986), by the time he became Disney’s latest absent-minded professor. He described physics whiz Wayne Szalinski as “very resourceful and extremely flaky…  not unlike myself.” The acclaimed comic actor went on to provide the voice of Rutt the moose in Disney’s Brother Bear (2003).

Honey, I Shrunk the Kids

3. Scale was the secret behind the special effects.
That Disney specialty—mind-bending, eye-popping special effects—is the star of Honey, I Shrunk the Kids, and as the title implies, it’s all about the shrinking. Executive producer Thomas G. Smith, a six-year veteran of Industrial Light & Magic who guided the effects of such hits as E.T.: The Extra-Terrestrial (1982) and Raiders of the Lost Ark, knew that the secret of making the illusion of miniaturized people believable was scale, primarily through oversized sets and props filmed directly in front of the camera. When some expressed skepticism about these so-called “practical” special effects, Smith filmed tests to tryout the scripted visual concepts. “Nobody knew if we could pull it off, make people look small and make it look realistic,” said Smith. “So we did tests of the kids riding an ant and another where they ran up a candy wrapper. They did the trick.”

Honey, I Shrunk the Kids

4. To make the troupe of teens and pre-teens look tiny, the filmmakers needed a big space.
Because the sci-fantasy movie would feature an array of special and visual effects on 48 different sets of varying sizes, the producers toured many facilities before deciding on Churubusco Studios in Mexico City. One of the oldest and largest movie studios in Latin America, the facility enabled Disney to set up one of the world’s biggest blue screens for some of the more complicated visuals. The art department had ample room to re-create an entire U.S.A. suburban town complete with houses, gardens, and a church, as well as the many oversized sets that were needed. “I was really excited when I saw what had been built,” said Johnston, who had used a home in San Diego, California, as a model for the Szalinski house. “It really felt like we were in small-town America and not Mexico City. The neighborhood was important because I wanted to create a typical small town setting against which all these unusual events would occur.”

Honey, I Shrunk the Kids

5. The huge props included a cereal bowl the size of a swimming pool.
Production began in a big way in September 1987, and movie craftsmen spent more than nine months constructing the required large-scale props. One of the most unforgettable of these king-sized objects: the swimming pool-size bowl of Cheerios used in the scene in which Nick unwillingly swims in his father’s breakfast. Large inner tubes, painted and textured to resemble the o-shaped cereal, were set afloat in 16,000 gallons of artificial milk, made from chlorinated water, pigment, and a food product thickener. Honey, I Shrunk the Kids also boasts a gigantic broom and dustpan—and the world’s largest oatmeal cream cookie, a sweet combination of polyurethane foam and real cream filling that the young actors could actually eat.

Honey, I Shrunk the Kids

6. Making the movie was child’s play for the young actors.
For the young actors, the specially constructed plus-sized objects were key to their performances. “We would look at these enormous props and realize how small we were supposed to be,” noted Thomas Brown, who added he particularly liked the huge LEGO® pieces. According to director Johnston, much of the film’s believability came from the youthful thespians. “Being kids they have such good imaginations. They’re on an oversized attic floor or on a set with 35- or 40-foot blades of grass, they don’t think about it. They are just in the environment.” Obviously the casting of the youngsters who would play the tiny adventurers was crucial. “We had to find kids who could convey all the different levels of chemistry that goes on between the four characters,” explained producer Penney Finkelman Cox. “One element was appearance—the kids had to look as though they could be siblings; they also had to resemble the actors who were playing their parents. Amy O’Neill and Robert Oliveri look like they could be Rick Moranis’ and Marcia Strassman’s kids.”

Honey, I Shrunk the Kids

7. It took a big crew to bring Anty to life.
There are no small parts in a film, especially if you’re an ant—and the ant in this film is plenty big anyhow. It was important to the filmmakers that “Anty,” the affectionate insect that befriends the miniaturized group, had his own personality, even if an elaborately constructed model was portraying him. “We wanted audiences to think of the ant as they would a character, so we designed its antennae to move in certain ways that communicate its feelings and emotions,” explained miniatures technician Peter Anthony Zamora. Made from a latex foam core covered with horsehair, the ant took five months to complete, and required seven to twelve technicians to operate. In addition to photographing the model, shots of Anty in action were also created during post-production by stop motion animator David Allen, who developed a special-effects process to make it appear that the real actors were riding atop the stop-motion ant.

Honey, I Shrunk the Kids

8. This smash hit inspired more shrunk-down fun.
Audiences were anything but miniature when this fun-filled comedy-adventure zapped into theatres in 1989, for Honey, I Shrunk The Kids was a runaway hit. This new Disney classic was so popular, it inspired a theatrically released sequel, a direct-to-video follow-up, and a television series. In Future World at Epcot® at Walt Disney World® Resort, Professor Wayne Szalinski’s Imagination Institute was introduced in the Honey, I Shrunk the Audience attraction, which debuted, on November 21, 1994, followed by other versions of this guest-immersive show at Tokyo Disneyland® Park, Disneyland® Park and Disneyland® Paris Park.

6 Enchanting Cinderella Facts Fit for Royalty

By Jocelyn Buhlman

Who among us hasn’t been enchanted by the timeless tale of Cinderella? One of Disney’s most treasured animated classics, Cinderella will celebrate 70 lovely years in 2020. In honor of this milestone anniversary, the film is joining the Walt Disney Signature Collection, an assemblage of groundbreaking films, created or inspired by the imagination and legacy of Walt Disney himself, available on Digital and Blu-rayTM. You can have a ball with the Signature Collection edition of Cinderella right now on digital and take home the film on Blu-ray and DVD on June 25.

In celebration of this special release, we’ve rounded up six of the most fascinating facts we could find on Cinderella to share with you… and don’t worry, they won’t disappear at midnight!

Cinderella

1. You know Jaq and Gus… but what about Mert and Bert?
We fell in love with Cinderella’s tiny mouse helpers, led by the adorable Jaq and Gus. But did you know that many of these magnificent mice have official names? You may have met Suzy and Perla, two female mice in adorable dresses, on one of your trips to Disney Parks. Mert, Bert, Luke, and Blossom are all mice named in the studio production notes, but not individually identified.

2. There is no given name for Prince Charming.
Cinderella has been declared “as lovely as her name,” but what about the prince? While he may be named in published versions of the story, Cinderella’s intrepid shoe-discoverer is only known as “Prince Charming” in the film, much as the prince in Snow White is only known as “The Prince.”

Maleficent and Lady Tremain

3. A sinisterly familiar voice
Maleficent may be the “mistress of all evil” when it comes to villainy, but when it comes to being the mistress of evil voices, look to none other than Eleanor Audley. In Cinderella, she voices the cruel Lady Tremaine, Cinderella’s wicked stepmother who forces her stepdaughter to act as a servant. Does Lady Tremaine’s villainous voice sound familiar? Audley also provided Maleficent’s voice in 1959’s Sleeping Beauty, and Disney Parks guests can hear her reciting incantations as Madam Leota in Haunted Mansion—although Leota’s face is not Audley’s, but instead that of the character’s namesake, Imagineer Leota Thomas.

Cinderella

4. The live-action Cinderella you’ve never seen
You may be familiar with Lily James’ and Brandi’s depictions of the fair princess in Disney’s live-action retellings of the iconic fairy tale, but before either of those actresses stepped out of their slippers, Helene Stanley brought Disney’s Cinderella to life. The 18-year-old actress acted out the entire story on film so that animators Marc Davis and Eric Larson could make Cinderella’s every emotion, expression, and movement believable.

Cinderella

5. Marketing for the film referenced a “Disneyland” before the theme park was completed
Five years before Disneyland’s gates would open, ads for the film proclaimed, “It’s so full of the wonderful fun, hilarious characters, singable songs—the sheer enchantment that comes only from Disneyland.” While we know that Disneyland in Anaheim is definitely full of the enchantment the ad mentions, the park itself did not exist when Cinderella was in theaters! The Disneyland in question is simply the land of Disney magic—the special place we go when we enjoy Disney movies.

Cinderella

6. Setting the stage for future Cinderellas
While we mentioned two classic live-action retellings of Cinderella above, there are actually three live-action feature film depictions of Cinderella that you can enjoy.  Beyond the animated film, you can enjoy 1997’s Rodgers and Hammerstein’s Cinderella, 2014’s Into the Woods, and 2015’s Cinderella. Dresses from the live-action films will be on display at D23 Expo 2019, along with a gown worn by Scarlett Johansson for Annie Leibovitz’s 2007 Disney Dream Portrait series and Cinderella’s gown from the ABC hit series Once Upon a Time.

7 Fun Stories We Collected at the Toy Story 4 Press Conference

By Zach Johnson

If Disney and Pixar’s Toy Story 3 marked the end of Andy’s childhood adventures, Toy Story 4 marks the start of a new journey for Woody (voice of Tom Hanks), his former partner in crime. With the animated movie opening in theaters June 21, 2019, we recently joined the cast and crew at Toy Story Land at Walt Disney World Resort to learn more about all of the toys Bonnie (voice of Madeleine McGraw) inherited from Andy—and what happens when her imagination gives life to Forky (voice of Tony Hale), an arts-and-crafts project who thinks he’s trash. Literally.

We also met four new characters—Gabby Gabby (voice of Christina Hendricks), Ducky and Bunny (voices of Keegan-Michael Key and Jordan Peele), and Duke Caboom (voice of Keanu Reeves)—and were reintroduced to a steadfast, street-smart Bo Peep (voice of Annie Potts). Because the Toy Story movies are near and dear to the hearts of millions, the team at Pixar approached this project with added affection and care. “We knew it had to rise to the level of the other ones,” producer Mark Nielsen said, “so we put our blood, sweat, and tears into this.”

Here’s what else we learned from the Toy Story 4 press conference:

Toy Story 4 Press Conference

1. Duke Caboom is the pride of Pixar’s Canadian animators.
“When we cast these roles, we don’t want to see faces,” director Josh Cooley explained. “We have a casting department bring in a bunch of recordings. We say, ‘Turn the headshots over. We just want to hear the voice.’” After listening to dialogue from Reeves’ oeuvre, Cooley and the producers immediately knew they’d found their daredevil. After an enthusiastic meeting at Pixar’s headquarters, Reeves agreed to play the part. “There’s a lot of great Canadians who work at Pixar, and they all volunteered to animate the Duke Caboom shots,” Nielsen said, adding that the self-appointed “Maple Leaf Crew” animated most of his scenes.

Toy Story 4 Press Conference

2. Gabby Gabby is not a cookie cutter, one-dimensional villain.
She’s an adorable, talking pull-string doll from the 1950s, but a manufacturing defect in Gabby Gabby’s voice box has kept her shelved in an antiques store. Although she desperately wants to acquire Woody’s functioning voice box, she may not be as sinister as she seems. “All of the characters in this movie are so well rounded,” Hendricks said. “A sweet thing about this character is she’s not just one thing. She’s got this strength, even though she’s a baby doll. It was a joy to bring all those sides to her.” Hendricks hopes that after audiences see Gabby Gabby’s story unfold completely, they’ll become more empathetic. “Ultimately, you have to listen to everyone’s full story before you make a judgment about them—or hopefully not make a judgment about them,” she said. “You need to listen before you can fully understand them.”

Toy Story 4 Press Conference

3. No one knows what’s under Buzz Lightyear’s headgear.
When Tim Allen was put on the spot regarding the Space Ranger’s hidden hairstyle, he had a few hypotheses. “He has pattern baldness,” Allen joked. “That balaclava he wears? It’s for fireproofing! No, actually, he’s got a beautiful head of hair underneath there. It’s rather curly and he’s got a man bun.” Cooley, Nielsen, and Rivera neither confirmed nor denied his theories.

Toy Story 4 Press Conference

4. Recording dialogue Toy Story 4 was unlike the previous films.
“I never read a complete script. I don’t think anyone did,” Hanks said, noting that he was only privy to Woody’s sequences. “We always knew what territory we were going into, but never the specific route.” Also, the recording process changed. “Annie and I got to record together at the same time—and that never happens!” Hanks said. “You’re always on a soundstage by yourself.”

Toy Story 4 Press Conference

5. No one understands Forky better than Tony Hale.
Hale said joining Toy Story 4 was “overwhelming”—in a good way. In fact, the actor’s anxiety helped him relate to Forky, who’s been in an existential crisis since birth. “When they brought me to Pixar, they described him as kind of nervous. I was like, ‘Check!’ They said he asked a lot of questions. ‘Check!’ And they said he was gullible to a fault. ‘Bingo! I’m in.’” He also valued Forky’s simplicity, saying, “When he’s brought into the world, he doesn’t understand the rules of the universe. Like, he’s very confused when toys drop to the ground when humans walk in!”

Toy Story 4 Press Conference

6. Bo Peep’s journey made Annie Potts feel like a queen.
As was true of Toy Story 3, Toy Story 4 also addresses loss in a profound way. And at this point in her life, it’s a subject matter Potts felt she could explore with greater vulnerability. “I’m 66 years old. I’ve said goodbye to a lot of people, and hello, and held hands, and looked out into a new future—and it was sweet to play that out. As we said earlier, I never saw the full script; I never knew exactly what I was doing. Over time, I became aware how important the role was going to be,” the actress said. “But not until three weeks ago, when I saw the movie, did I tell Josh afterward, ‘Thank you so much for putting this crown on my head.’ I think she’s so lovely.”

Allen was similarly affected by the film. “I read through and the end was kind of mercurial,” he said, comparing his feelings to a father watching his daughter get married. “There’s great sadness, because she’s leaving, but great [happiness], because she’s also gaining something.”

Toy Story 4 Press Conference

7. It took nearly 20 years for Tom Hanks to grasp Toy Story’s impact.
While enjoying the nighttime show Fantasmic! at Disneyland Park with his family, it dawned on Hanks that he was part of something bigger than himself. “The Mark Twain Riverboat comes by, and all of the Disney characters are on it: Belle, Sleeping Beauty, Mickey Mouse, Mulan, Captain Hook, Peter Pan—everyone! And my daughter, who was 30, burst into tears. I went, ‘What’s wrong?’ She said, ‘Dad, look at the end of the boat.’ It was Woody and Buzz. She said, ‘Dad, you will always be on that boat dancing for the rest of time as long as Disneyland is here,’” Hanks said. “That’s more than just a cool thing; it’s actually a sort of talisman we get to carry with us.”