Check Out These Totally Retro Disneyland Souvenirs to Commemorate 65 Years of Disneyland

By Jocelyn Buhlman

Mouse ear hats. Spirit Jerseys. Autograph books. Throughout Disneyland’s 65 years of magic, there’s always something special you can take home to serve as a memento of your day at the Happiest Place on Earth. No matter where you are, souvenirs act as a way to remind us that the magic of Disneyland—and any Disney park, for that matter—is not in the location, but the lasting impression it makes in your heart. Do you have a favorite souvenir? Our friends at the Walt Disney Archives are sharing some souvenirs from the early years of Disneyland—check them out below!

archives disneyland souvenirs

“I Tink Disneyland Is Great” lenticular pin

archives disneyland souvenirs

Disneyland eraser set

archives disneyland souvenirs

“Mickey Mouse” Disneyland bolo tie

archives disneyland souvenirs

Disneyland felt pennant

archives disneyland souvenirs

Goofy U pennant

Tour Guide doll

archives disneyland souvenirs

Disneyland  “Tencennial ’65 Celebration” Sleeping Beauty Castle hat

archives disneyland souvenirs

The Primeval World, “Dimetrodon” figurine

Adventureland View-Master® stereo pictures

5 Fantastic Things to Watch This Weekend

By Zach Johnson

The time has come to say goodbye to Heartland Docs, DVM and Gordon Ramsay: Uncharted… for now! Both series’ season finales will air this weekend, on Nat Geo WILD and National Geographic, respectively. This weekend will also see the premiere of Hulu’s highly anticipated documentary film Freestyle Love Supreme. Meanwhile, Freeform will air another can’t-miss movie marathon and Disney Channel will air a new episode of the hit animated series Elena of Avalor. Here’s a closer look at what we’re watching this weekend:

freestyle love supreme

Freestyle Love Supreme—Friday, July 17, on Hulu
Years before the world fell in love with the Tony® Award-winning Broadway musicals In the Heights and Hamilton, the inimitable Lin-Manuel Miranda was in an improvisational hip-hop group called Freestyle Love Supreme with director Thomas Kail and performers Christopher Jackson and Anthony Veneziale. Andrew Fried began following the group in 2005, documenting the early days of Freestyle Love Supreme as they beatboxed and rapped on the sidewalks—unaware of how their story would unfold. Fourteen years later, Fried captured them reuniting for a series of shows in New York City that led to a triumphant run on Broadway. Poignant and inspired, the documentary film recalls the creative dreams of youth and why the show means so much to each of these performers.

heartland docs

Heartland Docs, DVM—Saturday, July 18, at 8 p.m. ET on Nat Geo WILD
In the season finale, “All in the Farm-ily,” Ben and Erin will be challenged by some rare animal cases leading up to the big Schroeder family dinner. Dr. Erin will perform a life-saving surgery on a massive dog with a uterus ten times its normal size, while Dr. Ben will try to get to the bottom of what’s ailing an underweight cow. Then, working together, the veterinarians will diagnose a trembling pup with a condition they’ve never seen in real life.

freeform

Funday Weekend—Saturday, July 18, and Sunday, July 19, on Freeform
In addition to featuring classics like Hercules and Cars 3, the network’s movie marathon lineup will feature some of our favorite Disney Princesses! Special showings of Pocahontas (11:30 a.m. ET Saturday and 9 a.m. ET Sunday), The Princess and the Frog (5:40 p.m. ET Saturday and 3:05 p.m. ET Sunday), Brave (7:45 p.m. ET Saturday and 5:10 p.m. ET Sunday), and Tangled (9:50 p.m. ET Saturday and 7:15 p.m. ET Sunday) are just around the riverbend!

elena of avalor

Elena of Avalor—Sunday, July 19, at 5 p.m. on Disney Channel
As the show’s theme song says, loyal friends are always there! In the new episode “The Lightning Warrior,” Princess Elena (voice of Aimee Carrero) will give Victor (voice of Lou Diamond Phillips) and Carla (voice of Myrna Velasco) a chance to redeem themselves by helping to free Ixlan (voice of guest star Stephanie Beatriz), an ancient Maruvian princess.

uncharted

Gordon Ramsay: Uncharted—Sunday, July 19, at 10 p.m. ET on National Geographic
In the season finale, “Norway’s Viking Country,” chef Gordon Ramsay will channel his inner Viking to embrace the freezing temperatures of a Norwegian winter to discover the flavors of its cuisine. He’ll dive for shellfish in the frigid waters of the fjords, wrangle a stomping herd of reindeer with the Sami people, ferment fish and eat sheep’s head… all before putting his skills to the test to make a Christmas feast with local chef Christopher Haatuft.

You’re About to Fall in Love with ABC’s United We Fall

By Zach Johnson

Parenting is no joke… but ABC’s new family sitcom United We Fall is full of ’em!

The heartwarming and hilarious series, premiering with back-to-back episodes on Wednesday, July 15, at 8 p.m. ET, follows the trials and tribulations of Bill Ryan (Will Sasso) and Jo Rodriguez (Christina Vidal Mitchell), parents of two young kids, as they try to make it day to day as a functioning family. Bill’s judgmental live-in mother, Sandy Ryan (Jane Curtin), and Jo’s large Latinx Catholic family never mince words as they criticize the couple, but Bill and Jo always have each other’s backs. Together, they stand united against other parents, coaches, co-workers, doctors, specialists, teachers… and, of course, their own kids.

“I think America’s just going to relate to Bill and Jo a lot, because they’re not perfect by any means,” says Guillermo Diaz, who plays Jo’s brother, Chuy Rodriguez. “Even my character thinks he’s perfect, but he’s so not. In fact, at first, I didn’t see myself in the role, because he’s a very conservative dad—a religious, Type A personality. Very judgmental.” And yet, it was a role Diaz couldn’t pass up. “I was scared about filming in front of a live audience,” he says, “but the script is so good that I was like, ‘I can’t say no.’ And here I am!”

Created by Julius “Goldy” Sharpe, who wrote and executive produced the pilot, United We Fall is filled with as much heart as it is humor. Says Vidal Mitchell, “As I was watching playback, I was like, ‘This gives me that warm hug feeling of those shows I grew up on.’” The original series joins the network’s iconic family comedy brand, which includes two of TV’s top four comedies: The Conners and The Goldbergs. “ABC knows how to do family comedies better than anyone else,” says Sasso, “so we feel like we’re in really good hands.”

United We Fall will also introduce viewers to the adorable Ella Grace Helton, who makes her television debut as the couple’s daughter, Emily Ryan. “It’s really fun! I like it a lot,” she says. “Will’s very funny and Christina is nice and pretty—and she’s always fun to play with!”

Off-camera, the cast has formed their own version of a family. “Ella calls us mom and dad, so…” Sasso jokes. “But it’s interesting. When you’re working with a kid you end up rallying around the child to make sure it’s fun for them. So, in a way, it reminds us to have fun, too.”

Seasons of Sunshine at Disneyland

By Julia Vargas, Walt Disney Archives

Warm weather and sunshine have always been a cause for celebration, especially at Disneyland. Over the years, numerous parades and events have been held at the Park during the spring and summer months for Guests to enjoy.

One long–running tradition held at the Park was the “Old Fashioned Easter Parade,” which debuted on April 1, 1956, with an abundance of floral décor and adorable Easter bunnies. The next year, the parade featured a “Shower of Flowers,” wherein flower petals flurried down from a helicopter. Then, as one Cast Member publication recalled, 1962 saw “vintage cars with 200 riders and dancers dressed in turn-of-the-century styles, promenaded down Main Street” as part of the parade. From 1962 to 1967, Guests could also enjoy a display of the “La Coquette” hot air balloon, from the Academy Award®-winning film Around the World in Eighty Days. The 1978 celebration also featured an Easter Bonnet Judging. The beloved “Old Fashioned Easter Parade” ran until 1982, and helped lead the way for new traditions such as “Thumper’s Easter Egg Hunt” and “Disney Egg-stravaganza.”

Musical entertainment was also a big draw at the Park during this season. Spring 1962 brought about “Spring Fling,” which featured top bands, and ran through 1974 before developing into a special entertainment segment. The “Big Band Festival” launched the celebration of summer, debuting in 1974. The two-day shindig was often held on Memorial Day weekend, and featured performances from musicians such as Duke Ellington, Lionel Hampton, Woody Herman, Benny Goodman, and Count Basie, ­among many others.

Many a summer season have been highlighted with memorable Disneyland fireworks displays. In 1957, the Park launched its first dedicated (and extensive) nighttime program for the summer months, which included the aptly-named “Fantasy in the Sky Fireworks.” In 1961, Tinker Bell began to open the show by flying from the peak of the Matterhorn to Sleeping Beauty Castle. The show was changed to “Believe… There’s Magic in the Stars” for the park’s 45th anniversary in 2000, after an impressive 42-year run.

Finally, the “Main Street Electrical Parade” premiered on June 17, 1972, at Disneyland. The parade floats and units recreated iconic scenes from classic Disney films by way of half a million tiny, and brightly colored, lights. Regularly running through the summer months, the parade would leave an indelible impact on generations of parkgoers, and eventually included versions that ran at Walt Disney World Resort, Disneyland Paris, Tokyo Disneyland, and Disney California Adventure Park. The second-generation debut of the parade in 1977 highlighted new 3D units averaging 17 feet in height. Over the next few years, new features were added such as the 108-foot-long “Honor America” finale, a replica of Sleeping Beauty Castle, and a scene from The Fox and the Hound. The parade ran at Disneyland through 1996, with limited-engagement returns in 2017 and 2019.

Year after year, the spring and summer months have allowed for Guests of all ages to come to Disneyland to have fun in the sun and find entertainment to enjoy.

Star Wars: The Bad Batch Coming to Disney+ in 2021

By Zach Johnson

We’ve got a good feeling about this! Today Disney+ ordered its next animated series from Lucasfilm, Star Wars: The Bad Batch. Fresh off of the critically acclaimed series finale of Star Wars: The Clone Wars, the original series will debut on the streaming service in 2021.

The series follows the elite and experimental clones of the Bad Batch (first introduced in The Clone Wars) as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch—a unique squad of clones who vary genetically from their brothers in the Clone Army—each possess a singular exceptional skill that makes them extraordinarily effective soldiers and a formidable crew. In the post-Clone War era, they will take on daring mercenary missions as they struggle to stay afloat and find new purpose.

“Giving new and existing fans the final chapter of Star Wars: The Clone Wars has been our honor at Disney+, and we are overjoyed by the global response to this landmark series,” said Agnes Chu, senior vice president, Content, Disney+.  “While The Clone Wars may have come to its conclusion, our partnership with the groundbreaking storytellers and artists at Lucasfilm Animation is only beginning. We are thrilled to bring Dave Filoni’s vision to life through the next adventures of the Bad Batch.”

Star Wars: The Bad Batch is executive produced by Dave Filoni, Athena Portillo, Brad Rau, and Jennifer Corbett; co-produced by Carrie Beck; and co-executive produced by Josh Rimes as producer. Rau is also serving as supervising director with Corbett as head writer.

EXCLUSIVE: First Look at the Adorable Art from the New Book, Bruni’s Big Adventure

By the D23 Team

Bruni, the adorable salamander who melted our hearts (literally—he does have fire powers, after all!) in Frozen 2 has returned in an adorable new book written by Suzanne Francis & Griselda Sastrawinata-Lemay and illustrated by Griselda Sastrawinata-Lemay.
bruni's big adventure
Set after the events of Frozen 2, the book follows Bruni and Olaf as they explore their home in the Enchanted Forest. Sometimes, they have Queen Elsa around to keep them out of trouble— but left to their own devices, who knows what kind of mischief they can get into?
bruni's big adventure
If that sounds adorable, wait until you see the illustrations! Check out an exclusive first look at some of the super-cute art from Bruni’s Big Adventure, available for preorder now and coming to shelves on July 28.

5 Fantastic Things to Watch This Week

By Zach Johnson

Whether you’re a country music fan or a comic book lover, this is your week! ABC is bringing us a can’t-miss concert special, CMA Best of Fest, as well as the series premiere of the family sitcom United We Fall. Later in the week, Freeform will say farewell to yet another gripping season of The Bold Type. To cap things off, Disney+ will release the season finale of It’s a Dog’s Life with Bill Farmer and add X-Men: Apocalypse to its library.

CMAs

CMA Best of Fest—Monday, July 13, at 8 p.m. ET on ABC
This three-hour concert experience features a retrospective of more than 25 unforgettable performances from the past 16 years of CMA Fest in Nashville. Hosted by American Idol judge and superstar Luke Bryan—and featuring a brand-new performance from Bryan and Darius Rucker—the special will feature performances by Trace Adkins, Lauren Alaina, Jason Aldean, Kelsea Ballerini, Dierks Bentley, Garth Brooks, Brooks & Dunn, Brothers Osborne, Kane Brown, Luke Bryan, Kenny Chesney, Eric Church, Luke Combs, Billy Ray Cyrus, Dan+Shay, Lzzy Hale, Sam Hunt, Joan Jett, Lady A, Miranda Lambert, Lil Nas X, Little Big Town, Tim McGraw, Maren Morris, Brad Paisley, Rascal Flatts, Thomas Rhett, Darius Rucker, Blake Shelton, Carrie Underwood, Keith Urban, Dwight Yoakam and Zac Brown Band, with special appearances by Bobby Bones, Jim Gaffigan, Kirk Herbstreit, Peyton Manning, Lionel Richie, Rob Riggle, Gwen Stefani, Michael Strahan, and Rita Wilson.

united we fall

United We Fall—Wednesday, July 15, at 8 p.m. ET on ABC
The back-to-back series premiere will show parents Bill Ryan (Will Sasso) and Jo Rodriguez (Christina Vidal Mitchell) trying to make it day to day as a functioning family of four. The pilot will begin with a parent-teacher conference and end with a trip to the ER. After defending their parenting style—or lack thereof—they will find comfort in the fact that their kids are healthy and happy. In the second episode, Jo’s brother, Chuy (Guillermo Diaz), convinces Bill and Jo finally to enroll their younger daughter in preschool… only to discover she is a biter! While they navigate incident reports and overprotective parents, Bill’s mom, Sandy (Jane Curtin), will explore their family history with an ancestry DNA kit.

the bold type

The Bold Type—Thursday, July 16, at 10 p.m. ET on Freeform
In the season finale, “Not Far from the Tree,” Sutton (Meghann Fahy) will visit her hometown, where she’ll fall into a familiar pattern. Meanwhile, Jane (Katie Stevens) will discover a big story… but it could have serious consequences for Jacqueline (Melora Hardin). All the while, Kat (Aisha Dee) will be afraid to share a new romance with her BFFs.

it's a dogs life

It’s a Dog’s Life with Bill Farmer—Friday, July 17, on Disney+
It’s time for the season finale: “Snake Search Dogs & Hawaiian Conservation Dogs.” While visiting the Aloha State, Disney Legend Bill Farmer will meet two dogs protecting birds. Then, he’ll visit three snake-sniffing dogs… but, thankfully, the experience won’t rattle him!

x-men

X-Men: Apocalypse—Friday, July 17, on Disney+
The 2016 film is making its streaming debut on Disney+! Worshiped as a god since the dawn of civilization, the immortal Apocalypse (Oscar Isaac) becomes the first and most powerful mutant. Awakening after thousands of years, he recruits Magneto (Michael Fassbender), Storm (Alexandra Shipp), Psylocke (Olivia Munn), and other mutants to create a new world order. With the fate of the world hanging in the balance, Professor X (James McAvoy) and Mystique (Jennifer Lawrence) lead a team of young X-Men—including Beast (Nicholas Hoult), Jean Grey (Sophie Turner), Cyclops (Tye Sheridan), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), and Jubilee (Lana Candor)— in an epic showdown that will determine the fate of humanity.

First Look at Disney+’s The One and Only Ivan—Plus More in News Briefs

By Courtney Potter

The One and Only Ivan: Coming to Disney+ Next Month

Mark those calendars—there’s another sure-to-be-delightful, brand-new film coming to Disney+ in just a few weeks’ time! Based on the award-winning book by Katherine Applegate, The One and Only Ivan is an unforgettable tale about the beauty of friendship, the power of visualization, and the importance of the place one calls home. Check out the film’s trailer, above!

Told through an incredible hybrid of live-action and CGI, the film follows Ivan (voice of Sam Rockwell)—a 400-pound silverback gorilla who shares a habitat in a suburban shopping mall with Stella the elephant (voice of Angelina Jolie), Bob the dog (voice of Danny DeVito), and several other animals. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby (voice of Brooklynn Prince) arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes Ivan to question his life, where he comes from and where he ultimately wants to be.

Also starring Helen Mirren as the voice of Snickers the poodle; Chaka Khan as the voice of Henrietta the chicken; and Bryan Cranston as Mack, the mall’s owner, The One and Only Ivan begins streaming on Disney+ this August 14.

5 Fantastic Things to Watch This Weekend

Well, we’re now firmly ensconced in the month of July—and this weekend, there’s a lot of great TV/streaming-device viewing to look forward to. Two such examples: Season two of Amphibia kicks off on Saturday, July 11, on Disney Channel, and a brand-new episode of the hi-larious, Alec Baldwin-hosted Match Game comes to ABC on Sunday, July 12. Read up on what else you can expect by clicking here.

marvel

Marvel Announces Comic-Con@Home Panel Schedule

The first-ever Comic-Con@Home is almost here! Beginning Wednesday, July 22, and running through Sunday, July 26, Comic-Con will be livestreamed to fans all around the globe via the official Comic-Con YouTube page… and Marvel just this week announced its über-cool panels, which join previously announced fun from Disney+, Hulu, and Walt Disney Television.

Marvel fans (hey, that’s us) can expect a look into Marvel’s 616, the new documentary series that explores how Marvel’s rich legacy of stories, characters, and creators exist within the “world outside your window” on Thursday, July 23, at 1 p.m. PT; a peak into MARVEL HQ, the destination for all young Marvel fans (and their families), on Thursday, July 23, at 4 p.m. PT (make sure to have some paper and crayons at the ready, because this panel includes activities!); and Marvel Comics: Next Big Thing, where Marvel Editor-in-Chief C.B. Cebulski will break down all the latest and greatest coming from the House of Ideas with a slew of Marvel’s most epic creators, on Friday, July 24, at 11 a.m. PT. Don’t miss out!

hamilton

Hamilton: History Has Its Eyes on You—Exclusively on Disney+

Well, the world certainly knows his name… after the huge debut of Hamilton on Disney+ this past July 3, the streaming service has just this week premiered a brand-new special about the Broadway mega-hit.

Hosted and executive produced by ABC News’ Good Morning America co-anchor and Disney Legend Robin Roberts, the special is an intimate, thought-provoking discussion about the groundbreaking film that has become a global phenomenon—and features Hamilton’s creator, Lin-Manuel Miranda; its director, Thomas Kail; and several cast members of the original Broadway production, including Leslie Odom Jr., Daveed Diggs, and Phillipa Soo. Additionally, Harvard historian and Professor Annette Gordon-Reed shares insight on the historical relevance and accuracy of the production.

Look for Hamilton: History Has Its Eyes on You, now streaming on Disney+.

Disney+ Debuts Sneak Peek at National Geographic’s Rogue Trip

More Disney+ news, and another cool series to add to your queue: The streaming service just this week debuted the first-look trailer for the upcoming original series Rogue Trip. Take a gander at some of the adventures you can expect in the clip, above.

Led by ABC News correspondent Bob Woodruff and his 28-year-old son, Mack Woodruff, Rogue Trip will take viewers along on their father-son journey to some of the world’s most unexpected places: roguish nations and territories mostly known for conflict, but each with their own power to surprise, amaze, and inspire.

Exposing all the grit and glamour of travel—with inside jokes, dirty laundry, and a ton of cramped hotel rooms to boot—the six-episode series finds Bob teaching his son about the hidden places he loves most. Along the way, they’ll visit Colombia, Papua New Guinea, Ethiopia, Pakistan, Lebanon, and Ukraine; expect the unexpected in this guide to the breathtaking and often hopeful experiences found on the edge of chaos. “Going rogue” together will change their perspectives… not just on their own relationship, but on other people and places, too.

All six episodes of Rogue Trip will premiere exclusively on Disney+ on Friday, July 24. Check ‘em out!

Incredible Footwork Behind the Scenes Made The Last Dance an Unqualified Success

By Beth Deitchman

There are so many key moments chronicled in ESPN’s acclaimed documentary The Last Dance: The time when 6-year-old Michael Jordan lost a backyard basketball game to his brother Larry and became determined to excel at the game… The game-winning shot Jordan scored for the University of North Carolina Tar Heels—as a freshman—a play that only hinted at the legendary professional career that was to come… The indignation felt by Jordan upon realizing the Chicago Bulls’ plan to break up the champion team, making the 1997–98 season the end of an era and the “last dance” of the series’ title. But for the documentary itself, there may be no more important date than June 26, 2018. That marked the first time Jordan sat down for an on-camera interview with The Last Dance’s director, Jason Hehir, who knew that if the encounter didn’t go well, the documentary would have ended then and there.

The Last Dance
(photo by Jon Roche)

“I’ll be honest—that’s the most nervous I’ve ever been, certainly in this business and maybe ever,” Hehir said during a recent digital conversation presented by the International Documentary Association. And Hehir stressed that his apprehension had nothing to do with being star-struck. “It was so crucial that that first interview go really, really well,” he noted. “It wasn’t enough to have [the interview] be a B+. It has to go really, really well because we desperately need that content from him for our editors to work and to do what they need to do.”

Of course, the interview was overwhelmingly successful and would be the first of three Hehir would have with Jordan. These candid discussions are but one of the reasons why The Last Dance resonated so intensely with viewers—both basketball fans and non-fans alike—upon its April 19 premiere on ESPN. In addition to speaking with 106 different subjects over the course of creating the 10-part documentary series, Hehir and his team also had at their disposal a wealth of footage shot during the 1997–98 season. Knowing it would be the dynasty’s last season together, Jordan and the Bulls agreed to let a film crew follow them throughout the season to document their quest for one more title. There was just one catch: No one would be able to use that footage unless and until gaining permission from Jordan himself.

The Last Dance
NBA Commissioner David Stern presents Michael Jordan and the Chicago Bulls the championship trophy after the Bulls defeated the Phoenix Suns in Game Six of the 1993 NBA Finals (photo by Andrew D. Bernstein)

Over the years, many had explored the possibility of doing something with the approximately 10,000 hours of footage that was captured over the 1997–98 season, but it wasn’t until 2016 that the stars aligned. Executive producer Mike Tollin explained that the documentary landscape had changed at that point and there was an increased appetite for long-form documentary content. He also had a compelling case for telling Jordan’s story nearly 20 years after this memorable season, and he shared his passion for the project with the basketball legend himself. “My pitch was basically there are all these people who come into my office every day and have never seen you play—and it’s time,” Tollin said, and Jordan was intrigued. “I think he saw that this would be a multipart documentary event—that we would have a chance to really understand his motivation.” The documentary would take a deep dive into the way Jordan treated his fellow players, which Tollin believes the athlete may have previously been somewhat reluctant to reveal, but that could now demonstrate his unwavering commitment to elevating their play, increasing their intensity and getting them up to the same level of play that he reached for every day.

The Last Dance
Charles Oakley (#34), Michael Jordan (#23) and Rory Sparrow (#2) of the Chicago Bulls pose for a photo after winning an award, circa 1987 (photo by Andrew D. Bernstein)

Before a single interview was filmed, producer Nina Krstic had to tackle the challenge that came with having so much material to work with. She noted, “It’s not my job to get everything possible out there. It’s my job to curate enough so that the editors are not overwhelmed with footage.” Krstic and her associate producers created a huge database in which they logged everything, every important soundbite or play, and spent the first nine months of their time with The Last Dance making sure that everything they already had was searchable. “Obviously, once the edit starts it becomes its own beast and you need to start pulling new things in as stories develop; but being able to take that time up front and make sure that things are searchable was invaluable,” she said.

The Last Dance
(photo by Jon Roche)

As he posed questions to Jordan, Hehir looked for new ways to engage the athlete, who remains among the most interviewed people on the planet. He would frequently hand Jordan an iPad on which Hehir would call up classic games, classic confrontations and accounts from Jordan’s relatives and former teammates. Krstic believes this tactic drew responses from Jordan that felt both honest and fresh: “You can’t control your reactions, and when memories come flooding back it’s very natural and very real.”

Over the course of its primetime run, The Last Dance transcended the genre of sports documentaries to deliver a cultural impact. Krstic noted that the producers worked very hard to engage diehard basketball fans who believed they knew the events of the 1997–98 season, as well as viewers with little knowledge of Michael Jordan beyond his iconic shoes. “Part of it came through a lot of team discussions and part of it came through who we decided to hire,” she said.

The Last Dance
Scottie Pippen (#33) and Michael Jordan (#23) of the Chicago Bulls sit on the bench during the game against the Vancouver Grizzlies at General Motors Place on January 27, 1998 (photo by Andy Hayt)

Hehir concurred. “We wanted to hire people who had fresh takes and fresh ideas and may know who Scottie Pippen is, but they don’t know what the triangle offense is,” he said. “They couldn’t tell you a zone from a man-to-man, but they know who Michael Jordan is, how famous he is and why they may be interested in certain aspects in his life and of this story.”

The Last Dance
(photo by Jason Hehir)

The Last Dance follows Jordan and the Bulls over a seminal season, but its themes are relatable to anyone, whether or not they have ever picked up a basketball—and that may be the secret to the documentary’s success. “The common denominator with all of these guys is that at one point or another they were underdogs,” Hehir shared. “What came across to me is that it’s difficult for anyone—and that goes for LeBron [James], that goes for Bill Russell, that goes for Jerry West, that goes for Michael—that this is not just handed to you, that you’re the best basketball player on the planet at the time and you just happen to win titles. [Jordan] was struggling to be the best from the time that he was not 21 years old, not 15 years old, but from the time that he wanted to beat his brother Larry in the backyard so bad that he was crying when he went inside when he was 6 years old. That, to me, is what I learned about [Jordan], that he is human just like the rest of us, but he had the perseverance to make himself as great as he is.”

In case you missed The Last Dance in its premiere broadcast on ESPN—or to watch it again—visit ESPN.com now.

How ESPN’s LANCE Invites Viewers to Draw Their Own Conclusions About its Polarizing Subject

By Beth Deitchman

LANCE, ESPN Films’ incredibly compelling look at Lance Armstrong, opens with a first-person story from the cyclist, who—using frank, no-holds-barred language—describes the public derision he’s encountered since being exposed in one of history’s largest doping scandals. Despite his massive fall, Armstrong is surprisingly honest and even more surprisingly unapologetic. LANCE director Marina Zenovich recalls first hearing the story from Armstrong on a podcast, and remembered thinking, “That story is amazing and I need him to tell me that story on camera.” During a recent digital conversation presented by the International Documentary Association, Zenovich discussed why the anecdote was so well-suited to begin the documentary: “The story is, in essence, just him. It is in your face. ‘This is me.’”

Lance Armstrong
Lance Armstrong and Jan Ullrich riding up mountain (photo by Elizabeth Kreutz)

The two-part documentary LANCE, which premiered on ESPN on May 24, can now be viewed on ESPN+ as part of the streaming service’s amazing 30 for 30 library. LANCE tells the story of Armstrong’s early days as a young superstar cyclist in Texas; looks at his battle with cancer and subsequent activism to help others; and follows his rise to glory, with seven consecutive Tour de France titles, and his equally dramatic fall from grace. Zenovich spoke with Armstrong’s former teammates, friends and family members, as well as sports journalists, but it is Armstrong’s own voice that rings out the loudest.

In an interview from LANCE, ESPN senior writer Bonnie Ford shares her belief that Armstrong evokes a strong response—both positive and negative—and is a person who “gets into people’s heads.” Zenovich, however, was never concerned that he would try to corral the documentary for his own agenda. “It’s a dance,” she acknowledged. “It’s a subtle kind of fencing match between him and me, and we had fun doing it. I always knew he was always trying to maneuver, but so was I. That’s what’s intriguing about the film, I think.”

Lance Armstrong
Lance Armstrong talking to media (photo by Elizabeth Kreutz)

Armstrong’s story has been told before, but never quite like this, said Libby Geist, vice president and executive producer, ESPN Films and Original Content, and that’s in keeping with the philosophy behind the 30 for 30 series, which often looks at topics that have been covered in past, but always with a new spin. “You think you know the story, but we’re going to sort of throw you for a loop a little bit,” Geist described, stressing the element of timing that comes into play with every documentary. “It’s critical for us to catch athletes in a period of their life where they’re willing to be introspective, where they’re sort of looking back,” she shared. “They’re going to be open and honest. There’s not a lot of strings attached. They’re ready to kind of tell all.”

Lance Armstrong

Geist credited Zenovich for building a relationship with Armstrong that had enough trust at its foundation that the cyclist would let down his guard. “Whether she’s in the film or you can just hear her question, you can see the way that he’s talking to her and know they have a dynamic and that she’s really pushing him. I love that,” Geist said. “I think from a filmmaking standpoint, I’m not sure I’d seen anything that well done and that tricky. There was sort of a wink and a nod throughout the whole film that I couldn’t take my eyes off of.”

“I think he was intrigued by the opportunity to tell the fullness of the story and to really tell the entire scope of it—and that was what we pitched [him],” executive producer Mike Hughes noted. ESPN Films made no promises of a sympathetic point of view, and acknowledged that the final product could potentially include revelations that would portray Armstrong in a negative light. “We can’t necessarily control that,” Hughes told Armstrong, but he assured that the documentary would tell “the whole story.” That’s what Hughes came to believe ultimately interested Armstrong and inspired him to be so accessible to the filmmakers.

Lance Armstrong
Lance Armstrong riding past Livestrong van (photo by Elizabeth Kreutz)

Zenovich thinks there’s a very simple reason why she was able to draw so much out of Armstrong. “I always tell up-and-coming documentary filmmakers the best thing you can do is listen. A lot of people don’t listen, so when people feel like you are actually, literally, in the active sense of listening, they open up,” she shared.

Throughout the production, the team made it a priority to allow the audience to reach their own conclusions about LANCE’s polarizing subject. “At the end of the day, whether you hated [Armstrong] back in the day or liked him back in the day, you were going to get all the information. You were going to see him take you through it, and then ultimately you get to decide,” Hughes said. “Any of the complex issues that are at the heart of his story, we wanted to give everybody the opportunity to ultimately make up their own mind.” Hughes believes that viewers have responded to LANCE because the documentary offers no clear-cut answer as to how they should feel about Armstrong, and the conversation is a provocative one.

Lance Armstrong
(photo by Elizabeth Kreutz)

“To me, [LANCE] was really an exploration of a man, a very complicated man, and really trying to understand how he became so hated, so loved, so inspiring to people,” Zenovich shared. The director emphasized that she always sets out to go “super, super deep” with the stories that she tells, and she appreciated that Armstrong was willing to do so, as well. Whether she personally likes Armstrong, or not… whether he’s a great athlete, or a great villain, Zenovich emphasized, “I love exploring all of that, and I’m thrilled that I was the lucky one who was able to do it.”