Titled “La Vengeance des Chats” [“The Revenge of the Cats”], “Dessin de Theu” [Drawing of Theu] the illustration highlights a dubious (yet comical) feline attraction to everyone’s favorite mouse.
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During the 1941 “Good Neighbor” trip Walt and his artists took to South America, the clan known as “El Grupo” received many a gift from the enchanted people they studied and learned from—Walt especially. One of the gifts Walt received during the trip was a scrapbook filled with original art from some of South America’s then-premier artists.
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Where Mary has an immensely important place in the pantheon of Disney history, some may not know that so too does her husband, Lee.
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These script pages are dated December 16, 1962, and show an early version of the show’s four hosts—or “macaudios”, as they’re described here.
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While inspecting a prop for an Archives display, Becky Cline, director of the Walt Disney Archives, and Steven Clark, head of D23 and the Walt Disney Archives, noticed a small, yellow, crumpled-up piece of paper in the bottom of a Bedknobs and Broomsticks prop.
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Imagineer John Hench sketched this salty seafarer for Epcot Center’s Living Seas pavilion.
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Before he could go on a Journey into Imagination, Figment needed to find his voice.
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Disney historian Jim Fanning looks back at Walt Disney’s Enchanted Tiki Room, a musical fantasy with an astonishing cast of Audio-Animatronics® personalities.
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In these rare photographs, you can see the filmmakers and Walt setting up for production of the “EPCOT Film.”
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Years before Disneyland opened, Walt Disney and his staff considered building an amusement enterprise right across the street from their Burbank studio.
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