5 Unforgettable Moments from High School Musical: The Musical: The Series’ Virtual Quinceañero and Screening Event

By Zach Johnson

On Thursday, we were lucky enough to attend a Virtual Quinceañero for High School Musical: The Musical: The Series in celebration of the episode “The Quinceañero,” now streaming on Disney+. Although more than a few tears were shed, we had the best night!

The festivities kicked off with cast members Dara Renée and Mark St. Cyr hosting a rousing round of trivia live on set in L.A., with co-stars Joshua Bassett, Matt Cornett, and Kate Reinders joining them via Zoom. Then, following a special intro from executive producer and showrunner Tim Federle, fans got a special first look at the episode—and the cast joined fans in seeing it for the very first time! Afterward, actors Julia Lester and Larry Saperstein introduced Monica Trasandes, Director of Spanish Language and Latinx Media and Representation at GLAAD, who moderated a Q&A with writer Emilia Serrano and actors (and real-life boyfriends) Frankie Rodriguez and Joe Serafini. The co-stars then performed an emotional duet of Miley Cyrus’ hit song “The Climb,” which Seb (Serafini) sings to Carlos (Rodriguez) in the episode. Lester, Saperstein, and Serafini also surprised Rodriguez with a few gifts and appearances from his mother and sister, who shared some touching words. The Virtual Quinceañero ended with a performance by Mariachi Arcoiris.

Want to know more about the episode? We’ve got the top five highlights below:

High School Musical

1.“The Quinceañero” is many cast members’ favorite episode of season two.
Like most fans, Cornett admitted he ships Carlos and Seb—aka Seblos. “This episode is so incredibly beautiful on so many levels. I think I cried more in this episode than I’ve cried in the last 10 years of my life,” he said with a laugh. “It’s gorgeous. Joe Serafini has an angelic voice.” Like Cornett, Bassett felt similarly emotional while filming “The Quinceañero” with his castmates. “For whatever reason, I can’t cry when there’s cameras and lights and people looking, but this episode was the first time I’ve ever cried on camera, which I thought was really, really cool,” he said. “I’ll never forget shooting it. I’ve been excited for this episode to come out since we shot it. Really, I’ve been dying for it to come out, so I’m very excited.”

2. The cast got to experience seeing the episode for the first time with fans.
As we already mentioned, the cast hadn’t seen the final edit until Thursday’s Virtual Quinceañero. “You have this amazing feeling shooting it, but then you’re also wondering, ‘What is this going to feel like for a viewer?’” St. Cyr explained. “You imagine it’s going to feel even better because there are things that, as an actor, you don’t see. The way we had to shoot it, we couldn’t all be in the same space at the same exact time. There are aspects of certain performances I’ve gotten to see pieces of, and I’m really excited to see them [in full]. And for some, I’ve seen the whole thing. I can’t wait to see how they cut it together.”

3. The idea for Carlos’ Quinceañero was inspired by real life.
Writing a nontraditional Quinceañero for Carlos is a “testament” to Federle’s leadership, Serrano said. “We just want to tell the stories as we know them and experience them ourselves without over-explaining anything,” Serrano said. “I wanted to write about it organically and let people watch the story unfold.” The storyline is partly inspired by Serrano’s own nontraditional Quinceañera, as well as the one her queer daughter will one day experience. “I thought, ‘This Quinceañero or Quinceañera is really about embracing culture how we see fit. It’s also about just being filled with love and being filled with people who accept and embrace us as we enter different phases and journeys in our lives.”

High School Musical

4. Frankie Rodriguez had been crossing his fingers for an episode like this.
Rodriguez confessed he “didn’t think it was real” when he heard Carlos would get a Quinceañero in season two. “I was very shocked,” he said. “I think I found out at a casting meeting, and I walked out of that meeting like, ‘Oh, my gosh! It’s going to happen.’ To see the way everything came together, and the way the episode came together, and what we talked about in the episode—it’s just a very special moment, and I am so, so happy with it.”

5. Joe Serafini was already familiar with the Hannah Montana: The Movie soundtrack.
As a longtime fan of “The Climb,” Serafini was thrilled to perform Cyrus’ song in the episode. “As soon as that song came out [in 2009], I feel like I was already buying the sheet music online and going to sing it at the piano,” he recalled. The power ballad resonates just as much today as it did then, he added. “I think we all have these climbs in life… I think, especially as LGBTQ youth, you definitely face some challenges as you’re figuring yourself out and who you are and who you want to love,” Serafini said. “I think it’s a really beautiful message that works in so many different ways, especially in this context.”

High School Musical: The Musical: The Series is now streaming on Disney+.

Pride Month Spotlight: Legendary Handprints—Sir Elton John

The monumental career of singer, songwriter, and performer Sir Elton John has made him one of the top-selling solo artists of all time, with more than 200 million records sold worldwide. Winning a wide array of industry awards including Grammys®, Tonys®, and an Oscar®, Elton continues to add to his personal repertoire of 35 gold and 25 platinum albums.

Born Reginald Kenneth Dwight on March 25, 1947, in England, Elton’s career as a prolific songwriter and performer netted him 30 different hits on the top 40 charts between 1970 and 1982. His theatrical stage appearances, featuring a succession of elaborate costumes and outlandish spectacles, made him a pop megastar.

In the early 1990s, Elton embarked on songwriting collaborations with lyricist Tim Rice, resulting in the soundtrack to the 1994 Walt Disney Pictures animated feature The Lion King. At first, though, Elton wasn’t too sure of success. His uneasiness proved unfounded, as the resulting work earned three Academy Award® nominations (“Circle of Life,” “Hakuna Matata,” and the winner, “Can You Feel the Love Tonight”), and the film’s soundtrack album produced two top-selling, award-winning singles: “Can You Feel the Love Tonight” and “Circle of Life.”

The film also introduced Elton to a whole new generation of fans—the children who approach him in public and tell him that they love The Lion King. The lad who grew up loving the score to Walt Disney’s The Jungle Book (1967) once said, “That’s exactly what I wrote it for. I wanted to write melodies that kids would like.” In 1997, The Lion King debuted on Broadway, receiving six Tony® Awards, including Best Musical, and, in 1998, a Grammy® for Best Musical Show Album. In March 2000, the Tony Award-winning Aida opened on Broadway and Elton was honored with another Grammy for the Best Musical Show Album.

A great humanitarian, Elton’s commitment to the fight against AIDS led to the inception of the Elton John AIDS Foundation. In December of 2004, Elton received the Kennedy Center Honor for his lifetime contributions to American culture and excellence through the performing arts, and in 1998 was knighted by the Queen of England, who honored him with the title Sir Elton John, CBE.

5 Fantastic Things to Watch This Weekend

By Zach Johnson

There’s no shortage of fantastic things to watch this weekend! The fun starts Friday, when the 1967 musical The Happiest Millionaire joins the Disney+ library—the same day the streamer debuts the second season of Zenimation. On Saturday, the second season of The Owl House will debut on Disney Channel. Then, on Sunday, ABC will air a new episode The Chase and National Geographic will broadcast two new episodes of Breaking Bobby Bones.

The Happiest Millionaire

The Happiest Millionaire—Friday, June 11, on Disney+
Based on the true story of nonconformist millionaire Anthony J. Drexel Biddle, portrayed by Disney Legend Fred MacMurray, the film is told through the eyes of the clever but unlucky butler John Lawless (Tommy Steele), who manages their Philadelphia household. After young Cordy Biddle (Lesley Ann Warren) gets engaged to heir Angier Duke (John Davidson), it’s up to John to unite the Biddle and Duke families to keep the wedding—dubbed “the social event of the season”—on track. Featuring music by Disney Legends Richard M. Sherman and Robert B. Sherman, the comedy was directed by Norman Tokar.

Frozen

Zenimation—Friday, June 11, on Disney+
The series, which creates a mindfulness soundscape experience featuring unforgettable scenes from Walt Disney Animation Studios’ timeless films, is back with new episodes. They include moments from more than 80 years of acclaimed films, including breathtaking scenes from Disney’s first feature film, Snow White and the Seven Dwarfs, through never-before-seen moments from Raya and the Last Dragon. Unplug, relax, and refresh your senses with the soundscapes of Zenimation. Episode themes include “Everyday Comforts,” “Kindness,” “Locales,” “Natural Wonders,” “Rain,” “Snowscapes,” “Transformation,” and “Waterways.”

The Owl House

The Owl House—Saturday, June 12, at 10 a.m. ET on Disney Channel
Season two picks up immediately after a confrontation with Emperor Belos (voice of Matthew Rhys) and finds our heroes working together to return Luz (voice of Sarah-Nicole Robles) to the Human Realm; to help Eda (voice of Wendie Malick) confront her inner demons; and to discover the truth about King (voice of Alex Hirsch) and his past. Since Luz feels guilty about Eda losing her powers, she tries to win a bounty that will help her friends.

The Chase

The Chase—Sunday, June 13, at 9 p.m. ET on ABC
ITV’s Mark “The Beast” Labbett is the Chaser to beat as three new contestants face off against him in this heart-racing quiz show. JEOPARDY! The Greatest of All Time’s James Holzhauer, Ken Jennings, and Brad Rutter are all back as Chasers, with Sara Haines as host.

Breaking Bobby Bones

Breaking Bobby Bones—Sunday, June 13, at 10 and 10:30 p.m. ET on National Geographic
The hit series is airing two new episodes back-to-back. First, in “Burning Bobby Bones,” Bobby Bones visits Alabama to meet a pipe welder who helps parolees get back on their feet and find careers in the welding industry. He is then challenged to complete a successful weld on a vacuum truck that’s vital to local emergency hurricane relief efforts. Then, in “In Too Deep,” Bones meets an accomplished commercial diver in Seattle. Like Bones, she has overcome adversities and defied the odds to find success in her industry. Then, he’s pushed to his limits as he tries to do heavy industrial construction… underwater!

Meet the Characters of Loki

By Jim Frye

He’s back, and he’s still “burdened with glorious purpose.”

Marvel Studios’ original live-action series Loki arrives on Disney+ today, taking the fan-favorite villain on the ride of a lifetime (or, considering the time-traveling premise, perhaps, multiple lifetimes)! Described as a crime-thriller meets epic-adventure, the series takes place after the events of Avengers: Endgame, beginning the moment in Endgame when the 2012 Loki takes the Tesseract. This lands the God of Mischief in the hands of the Time Variance Authority (TVA), who needs his help to help mend the timeline. The TVA, though, is an unforgiving bureaucracy that knocks Loki down a few pegs from his days as a self-proclaimed majestic being destined for greatness—but of course, he still has his ego intact.

With all that time-jumping around the Marvel Cinematic Universe, here’s a handy guide to the characters in Loki, just to keep you grounded.

Loki

Loki / Tom Hiddleston
He is the Prince of Asgard, the mercurial God of Mischief, the brother of Thor—and he’s in deep trouble. Tom Hiddleston, who has portrayed Loki in six Marvel Cinematic Universe films, returns as the title character, everyone’s favorite villain, who tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority. “Loki is almost this endlessly fascinating box of tricks,” says Hiddleston. “The moment you think you know him he reveals something else.”

Mobius

Mobius / Owen Wilson
Mobius M. Mobius is an agent for the Time Variance Authority, who specializes in the investigations of particularly dangerous time criminals—case in point: Loki. “He’s a little bit like Nick Nolte getting Eddie Murphy out of jail in 48 Hours to help him investigate,” says Wilson. “Mobius believes in this investigation, and the fact that there is someone creating real mayhem for the TVA that Loki can help him find.” Wilson continues: ““Working with Loki, of course, is a little bit of a chess match to gain his trust, and Loki seeing how far he can go with Mobius. And who’s manipulating whom?”

Ravonna Renslayer

Ravonna Renslayer / Gugu Mbatha-Raw
Ravonna Renslayer is a respected judge in the Time Variance Authority, and one of few in rank to stand in the presence of the Time Keepers themselves. She’s a former hunter who rose up the ranks and now oversees the investigation of Loki, among others. And though she’s friends with Mobius, professionally, she does not agree with his methods. “I don’t think I’ve ever played such an authoritative character,” says Mbatha-Raw. “She’s powerful. She’s well respected.”

Hunter B-15

Hunter B-15 / Wunmi Mosaku
A high-ranking Hunter, Hunter B-15 is tough, fair, by the book and none too pleased with Mobius’ laissez-faire demeanor. “She’s proficient physically, and she’s strong,” says Mosaku. “She’s dedicated and loyal. She is a diehard, absolute super fan of the TVA and believes she was created there and that the timekeepers are her superiors and like gods.” She is determined to find and delete The Variant for taking down TVA troops.

Rounding out the announced cast are Sophia Di Martino and Richard E. Grant, whose characters have yet to be revealed.

You can follow all the cross-timeline intrigue of Loki, streaming now on Disney+!

Wendie Malick Celebrates the Incredible World and Inclusive Themes of The Owl House

By Beth Deitchman

Eda, the Owl Lady, was the most powerful witch on the Boiling Isles… or at least she was when we met her at the beginning of The Owl House. Now, as Disney Channel’s groundbreaking, Peabody Award-nominated animated series returns for a second season on Saturday, June 12 (10 a.m. EDT/PDT), on Disney Channel and DisneyNOW, Eda has lost most of her magic but none of her humor, determination, or love for self-assured teenage girl Luz and tiny warrior King—her found family.

The Owl House

Season one saw Luz magically transported to the Boiling Isles, where she’s been pursuing her dream of becoming a witch by serving as Eda’s apprentice. In the first season finale, Luz destroyed the portal to the human world in order to stop the evil Emperor Belos from petrifying her friends—including Eda’s sister, Lilith. Lilith had cursed Eda many years earlier, a curse that she broke at the end of last season by sharing it with her sister. Now both Lilith and Eda have diminished powers—vastly diminished, in Eda’s case—and Luz has no way of returning home to the human world. Watch the exclusive clip below for a glimpse into what life is like in the Boiling Isles for Eda and Luz as the new season begins:

“I think that we now are at a point where everybody is having to sort of reevaluate where they are in this world of the Boiling Isles,” Wendie Malick, who voices Eda, tells D23. Without a portal to the human world, Eda can no longer bring back human garbage to the Boiling Isles to sell, so she and Luz are having to learn new skills and take on odd jobs in order to keep food on the table. “Luz is having to really up her game in order to take care of me,” Malick says. “I think this is another example of where this show is really helping us see what it is to truly be friends and family to each other, and being called upon to do what seems impossible when you love and care about someone.”

The Owl House

Since day one, Eda and King have accepted Luz for exactly who she is. “That’s what we all hope to find in life,” Malick shares, noting that, “As we grow older, we choose our families.” “Us weirdos have to stick together,” Eda proclaims in the first episode of the new season, and Malick has high praise for The Owl House’s inclusive themes. “The whole idea of diversity and inclusion in this show is, I think, what really sets it apart from most other kids’ shows,” she says. “It’s a chance for every kid who watches it to be able to relate to someone and not feel like they’re freaks or that they’re oddballs or misfits. It’s a chance for everyone to kind of know that you’re OK just the way you are and there are people out there who will get you. Don’t worry—you will find them!”

Malick compares these nuanced themes to those found in the fairy tales originally written by Jacob and Wilhelm Grimm, which she points out, “were so scary, but that’s kind of how we learned about the dangers that are out there and the magical wonder of the world, and that all of it exists. This show doesn’t duck any tough issues.”

Though Malick has lent her voice to many animated films and series—including The Emperor’s New Groove, for which she voiced Chica—Eda holds a special place in her heart. “The first time I saw the illustration of this character, I thought, she could be me. She just has better hair,” Malick laughs, “but she wore the same kind of clothes I wear. She had really good arms. I liked how salty she was, and I can tell that underneath that sort of tough exterior, there’s a real squishy woman under there. She just doesn’t let too many people see it.” The character enables Malick to use “every tool in my box,” to show Eda’s more tender and vulnerable side, as well as her sass.

The Owl House

Over the course of the new season, Eda and King will be working to help Luz find a way to return to the human realm—though King has already admitted that he desperately wants her to stay in the Boiling Isles. Malick sees parallels in Luz’ journey to Dorothy’s in The Wizard of Oz. “[Dorothy] went into this magical world that was so dangerous and scary, and yet she got to grow and be a heroine and meet these amazing friends who helped her on her pilgrimage. I think that’s where Luz is with this new family,” Malick explains. “King and Eda have empowered her in a way she never dreamed possible, so as much as she misses her mother, it would be really hard for her to leave this place.”

And Malick can relate. She remembers the excitement that would accompany a new Disney film when she was growing up, waiting with bated breath for the latest release. “They were just the most beautifully drawn magical worlds to climb into,” she says, naming Sleeping Beauty, Snow White and the Seven Dwarfs, and Peter Pan as being among her personal favorites—and revealing that she is named for the latter’s beloved heroine. “I love them all. It just made me want to go live in those worlds,” she says, “and I would have been like Luz. If I had a chance to go and live in those worlds I probably would have.”

Ahead of the season two premiere, Disney Channel ordered a third season of The Owl House that will be comprised of three 44-minute specials. So lucky for Malick—and for us—she won’t have to leave the Boiling Isles any time soon!

7 Magical, Mischievous Highlights from the Loki Press Conference

By Zach Johnson

The time for the Loki press conference has come!

On Monday, cast members Tom Hiddleston, Owen Wilson, Gugu Mbatha-Raw, and Wunmi Mosaku joined director Kate Herron, head writer Michael Waldron, and producer Kevin Feige to discuss Marvel Studios’ new original series, which debuts Wednesday on Disney+. In the first of the six episodes, Loki is apprehended by the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. Throughout his cross-timeline journey, Loki struggles to navigate—and manipulate—his way through the bureaucratic nightmare that is the TVA and its by-the-numbers mentality.

Below, enjoy seven highlights from Loki’s virtual press conference:

Loki

1. Loki’s story is just beginning.
The time-traveling series picks up in 2012, immediately after Loki escaped with the Tesseract in Avengers: Endgame. Given that an older Loki had been previously killed in 2018 in Avengers: Endgame (time travel is a trip, isn’t it?), Hiddleston admitted that the offer to reprise his titular role was “a combination of delight and surprise.” Like so many, he wanted to know what was next for Loki: “Where does he go? When does he go? How does he get there?” Marvel Studios producers Feige, Louis D’Esposito, and Victoria Alonso “reassured me that that would be the starting point of the series and there were so many places we could go,” the actor explained. “There were so many possibilities to think about.”

In fact, Loki had been in development for some time. “One of my favorite things coming out of Endgame was people saying that we forgot to tie up the loose end of Loki,” Feige said. “[As if] Loki just disappeared and we forgot to mention what happens to him at the end of that movie. At that point, we knew that Disney+ and the show were coming, so it became very exciting to make people wait until we figured out what the show would be.”

Loki

2. Loki is about to be humbled in a major way.
This is Loki as you have never seen him, facing consequences he never thought could happen to such a supreme being such as himself. “What I love about the series is that Loki is stripped of everything that’s familiar to him,” Hiddleston said. “Thor [Chris Hemsworth] is not close by. Asgard seems some distance away. The Avengers, for the time being, aren’t in sight. He’s stripped of his status and his power. If you take all those things that Loki has used to identify himself over the last six movies, what remains of Loki? Who is he within or outside all of those things? Those questions became, for all of us, really fascinating to ask: What makes Loki… Loki? And if there is something authentic or something at the center of him, is he capable of growth? Is he capable of change? And do his experiences within the TVA give him any insight into who he might be, this Mercurial shapeshifter who never presents the same exterior twice? I hope the audience gets a kick out of where we take it.”

Loki

3. Loki covers a lot of ground—and a lot of land.
Loki spans thousands of years, with characters popping in and out of major moments throughout time all over the world. “When people hear this is a show about Loki affecting historical events, they maybe expect it’s going to be Loki riding with Paul Revere,” said Waldron, “but that’s the lowest hanging fruit version of that [concept]. We wanted to subvert those expectations and go to places that maybe people knew but didn’t know well, that would just be exciting to see.” As an aside, Feige revealed that about a decade ago, a short film idea centered on Loki’s adventures would have seen him running a nightclub like Studio 54 in the 1970s—an idea that “thankfully” was not incorporated into the Disney+ series. “Thanks to Michael and Kate, the show became infinitely more interesting than that,” he said, laughing. “The time periods are almost secondary to the to the story itself.”

Loki

4. Tom Hiddleston tutored Owen Wilson with “Loki lectures.”
Mobius M. Mobius (Wilson) is an agent for the TVA who investigates particularly dangerous time criminals. Against the advice of all others, he teams up with Loki to solve his biggest mystery yet. Similar to his character, Wilson didn’t hesitate to interrogate Hiddleston. “Before we started filming, Tom very generously and patiently kind took me through the whole sort of MCU mythology, giving me the ‘Loki lectures,’ and let me ask questions,” said Wilson. “It was really helpful to me going to Loki school before we began.”

Hiddleston said trying to compress his experiences within the Marvel Cinematic Universe (MCU) was an “interesting” exercise: “Mobius is an expert in Loki. He knows more about Loki than Loki does, so I was trying to help out with some of my memories. Owen asked such insightful, intelligent questions. It made me rethink various aspects of the character.”

Loki

5. Gugu Mbatha-Raw’s character gets her own origin story.
Mbatha-Raw plays Ravonna Renslayer, who was introduced in the pages of Marvel Comics in 1965 but has never before appeared in the MCU. “Kate explained to me that this was more of an origin story for Ravonna Renslayer, sort of predating some of the stuff in the comics,” she said. “All that stuff is there, but there was also the opportunity to feel like we were starting with something fresh with the TVA that hadn’t been seen before by fans onscreen. There’s so much there, so there’s plenty of potential for her in the future as well.”

Loki

6. Wunmi Mosaku’s first taste of Marvel Studios secrecy came early.
Mosaku joins the series as Hunter-B15, a high-ranking Hunter in the TVA. Her character was created just for the series and has no comic book origins. “There’s no pressure,” said Mosaku, “because no one’s got any ideas of what they want her to be.” The actress was “so excited” to be cast, especially since she “didn’t know” she’d even auditioned for Loki! “I had been given some dummy sides for an audition and sent it into the ether and thought, ‘Well, it’s top-secret, so it’s probably really important,’” she said. “I got a phone call in the middle of the night saying I’d been offered a part in Loki. I was like, ‘When did I audition for Loki?!’”

Loki

7. Tom Hiddleston considers Loki as the role of a lifetime.
“There’s no question that the reason I am allowed to continue to play him is because he clearly means so much to so many people—and for so many different reasons,” said Hiddleston. “That is incredibly gratifying for me, and I see that as a big honor. I think over time, I’ve been made aware of the different things he represents for people. Some people enjoy his playfulness and his spontaneity and that inherent sense of mischief that he has. Some people enjoy his quality as an antagonist. Some people probably can’t stand him. But I know there are some people who are drawn to his vulnerability. Underneath all those layers of charm and charisma and playfulness is a kind of vulnerability, I suppose. I owe all that to the writers, actually, and I owe that to everybody who’s ever written this character.”

Loki’s MCU Origins Explained

By Zach Johnson

It should come as no surprise that a trickster like Loki has a tricky backstory.

Nearly 50 years after Loki was introduced in the pages of Marvel Comics, Tom Hiddleston brought the iconic character to life onscreen in 2011’s Thor. As Prince of Asgard, Odinson, rightful heir of Jotunheim, and God of Mischief, Loki has long felt “burdened with glorious purpose.” After multiple appearances in the Marvel Cinematic Universe (MCU), that purpose will be further explored in a new series, Marvel Studios’ Loki, debuting June 9 on Disney+. The series, from director Kate Herron and head writer Michael Waldron, is set after the events of 2019’s Avengers: Endgame and finds Loki stepping out of his brother’s shadow. But before the first episode begins streaming, let’s first revisit Loki’s MCU origins.

Thor, directed by Kenneth Branagh, sowed the seeds for Loki’s never-ending quest for power. The film opened with a young Loki (Ted Allpress) and a young Thor (Dakota Goyo) telling their father, Odin (Anthony Hopkins), they were ready to rule the Nine Realms. Odin replied, “Only one of you can ascend to the throne, but both of you were born to be kings.” Years later, Odin’s firstborn son, Thor (Chris Hemsworth), was chosen to become King… that is, until Loki schemed in private to ensure that Thor’s ascension didn’t happen.

Loki

Loki had secretly helped the Frost Giants, legendary adversaries of the Asgardians, to infiltrate Asgard just before Thor’s coronation. He then manipulated Thor, who refused to be seen as weak, into attacking the Frost Giants at Jotunheim. To teach his son humility, Odin stripped Thor of his magic hammer, Mjolnir, then cast him out to Midgard aka Earth.

As Thor tried to prove his worth on Earth—all while developing a relationship with renowned astrophysicist Jane Foster (Natalie Portman)—Loki continued to deceive those closest to Thor, beginning with Lady Sif (Jaimie Alexander) and The Warriors Three. “I saved our lives. And Thor’s. I had no idea Father would banish him for what he did,” he lied. “I love Thor more dearly than any of you, but you know what he is: He’s arrogant, he’s reckless, he’s dangerous.” Unconvinced, Sif pointed out that Loki had “always been jealous” of Thor, and Hogun (Tadanobu Asano) claimed the House of Odin had a traitor in its midst.

A little later, Loki questioned his heritage. “Am I cursed?” he asked Odin. “What am I?” Odin explained that ages ago, he fought and defeated Laufey (Colm Feore), King of the Frost Giants. That’s where he found the child Loki, who, abandoned and left for dead, was taken to Asgard and raised as Odin’s son in the hopes that he would one day unite the Frost Giants and the Asgardians. “So am I no more than another stolen relic, locked up here until you might have use of me?” Loki asked, furious. “You could have told me what I was from the beginning. Why didn’t you?”

“You’re my son,” Odin replied. “I wanted only to protect you from the truth.”

Enraged that he was used as a pawn to establish peace between two realms, Loki lashed out as his adoptive father. Comparing himself to “the monster parents tell their children about at night,” he said, “It all makes sense now why you favored Thor all these years! Because no matter how much you claim to love me, you could never have a Frost Giant sitting on the throne of Asgard!” Worn out, Odin collapsed and fell into the Odin Sleep.

With Odin unconscious and Thor unable to return home to Asgard, Loki assumed the throne. His first rule was denying Sif and The Warriors Three’s request to end Thor’s banishment. “My first command cannot be to undo the All-Father’s last,” Loki explained. “We’re on the brink of war with Jotunheim. Our people need a sense of continuity in order to feel safe in these difficult times. All of us must stand together—for the good of Asgard.”

Later, while visiting Odin’s bedside, Loki’s mother, Frigga (Rene Russo), shed new light surrounding the circumstances of his adoption. “He kept the truth from you so that you would never feel different,” she said. “You are our son, Loki, and we, your family. We mustn’t lose hope that your father will return to us—and your brother.” Realizing that Thor might one day return, Loki further manipulated the situation in his favor by appearing to his brother on Earth. “Father is dead. Your banishment, the threat of a new war… it was too much for him to bear,” he lied to Thor. “You mustn’t blame yourself. I know that you loved him. I tried to tell him so, but he wouldn’t listen. It was so cruel to put the hammer within your reach, knowing that you could never lift it. The burden of the throne has fallen to me now.” After Thor pleaded to be repatriated, Loki issued one final blow: “The truce with the Jotunheim is conditional upon your exile,” he said, “and Mother has forbidden your return.”

Before returning to Asgard, Loki tried to prove his worth by lifting Mjolnir… and failed.

Loki

Loki then made a pitstop on Jotunheim to make a deal with Laufey. “I will conceal you and a handful of your soldiers, lead you into Odin’s chambers, and you can slay him where he lies,” Loki offered. He then explained that he couldn’t murder his own father because, he surmised, Asgardians “would not take kindly to a king who had murdered his predecessor.”

Mad with power, Loki had few—if any—friends left in Asgard. Heimdall (Idris Elba), guardian of the Bifröst Bridge, suspected Loki did something nefarious, so he enlisted Sif and The Warriors Three to “commit treason and bring Thor back.” Loki sent the Destroyer to Midgard with a simple instruction: “Make sure my brother does not return.” But, back on Midgard, Thor spoke directly to Loki through the Destroyer: “Brother, whatever I have done to wrong you, whatever I have done to lead you to do this, I am truly sorry. But these people are innocent. Taking their lives will gain you nothing. So, take mine and end this.” By willing to sacrifice himself, Thor proved his worth and regained Mjolnir and his powers.

Meanwhile, on Asgard, Loki had another trick up his sleeve. Just as Laufey was about to stab Odin, Loki saved his father’s life—making it look as if he was a hero and not a villain.  What he didn’t expect was that Thor would arrive a moment later to reveal the truth. “It’s good to have you back,” Loki told Thor. “Now if you excuse me, I have to destroy Jodunheim.” Loki aimed the Bifrost’s full power at the realm where he was born. “I only ever wanted to be your equal,” Loki told Thor, adding, “I’m not your brother. I never was!”

Realizing Jane had played a part in Thor’s maturation, Loki then threatened to “pay her a visit.” To stop the blast, Thor smashed the Rainbow Bridge with Mjolnir, waking Odin from his slumber. Odin appeared in time to save both sons from falling off the battered bridge. “I could have done it, Father! I could have done it!” Loki cried. “For you! For all of us!” Realizing his father would never look at him the same, Loki let go, tumbling into the void. Presumed dead, Loki reappeared in a post-credits scene, plotting his dominion over Earth.

Loki

Still licking his wounds, Loki next appeared in 2012’s The Avengers. Using a scepter with mind control capabilities—a gift from Thanos (Josh Brolin)—Loki staged his takeover of Thor’s favorite realm: Midgard. With the help of the Chitauri, Loki opened a portal to Earth and arrived at an underground S.H.I.E.L.D. facility where Thor’s friend, Dr. Erik Selvig (Stellan Skarsgård), was studying the Tesseract—aka HYDRA’s secret weapon. Trying to diffuse the situation, S.H.I.E.L.D. director Nick Fury (Samuel L. Jackson) vowed, “We have no quarrel with your people,” to which Loki fired back, “An ant has no quarrel with a boot.” Using the scepter, Loki took control of both Selvig and Hawkeye (Jeremy Renner) and escaped with the Tesseract. His actions led Fury to form a response team: The Avengers.

One by one, Fury assembled Earth’s Mightiest Heroes—which, at this point, included Iron Man (Disney Legend Robert Downey Jr.), Captain America (Chris Evans), Black Widow (Scarlett Johansson), and The Hulk (Mark Ruffalo)—to put an end to Loki’s madness. They traveled to Stuttgart, Germany, where Loki had caused a commotion at a fancy gala—all while Hawkeye secretly stole the iridium needed to stabilize the Tesseract’s power. As the gala’s patrons dispersed, Loki instructed them to kneel before him. “Is not this simpler? Is this not your natural state?” he monologued. “It’s the unspoken truth of humanity that you crave subjugation. The bright lure of freedom diminishes your life’s joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel.” As one brave man stood up to Loki (and nearly paid his life for it), the Avengers arrived on the scene, saving him and capturing Loki. But as Captain America later said, it was all too easy…

It wasn’t long before Thor burst into the Avengers’ Quinjet, mid-flight, to bring Loki into Asgardian custody. Away from the Avengers, the brothers’ reunion was fraught with tension. “I thought you dead,” Thor told Loki, who asked, “Did you mourn?” Even as Loki brought up his “true parentage,” Thor tried to reason with him, saying, “We were raised together. We played together. We fought together. Do you remember none of that?” But what Loki remembered was living in his brother’s shadow and being tossed “into an abyss.” Thor implored Loki to “give up this poisonous dream” and “come home,” but it was no use.

After being returned to S.H.I.E.L.D.’s supervision, Loki bided his time. Thor, meanwhile, informed the Avengers that Loki had the Chitahuri army at his disposal. “They will win him the Earth in return, I suspect, for the Tesseract,” he said. Later, Thor said Loki not only craved power—he also craved vengeance: “There’s no pain would prise his need from him.”

With Loki still caged, Black Widow decided to interrogate him. During their chat, Loki thought he had the upper hand… that is, until she deftly outsmarted him and discovered why he’d let himself get caught: He was planning to use The Hulk against them. As the Avengers debated their next move, Hawkeye and his team infiltrated S.H.I.E.L.D.’s Helicarrier to set Loki free—and unleashed Ol’ Greenskin, aka The Hulk, in the process. After Loki lured Thor into his cage, S.H.I.E.L.D. agent Phil Coulson (Clark Gregg) aimed a massive gun in Loki’s direction. “You like this? We started working on the prototype after you sent the Destroyer,” Coulson said. “Even I don’t know what it does. Do you want to find out?” But before Coulson could pull the trigger, Loki magically appeared behind him, stabbing him with his scepter. Loki then ejected Thor’s cage, which plunged 30,000 feet.

“You’re going to lose,” Coulson told Loki. “It’s in your nature.” Curious, Loki said, “Your heroes are scattered. Your floating fortress falls from the sky. Where is my disadvantage?” Cutting Loki to the core, he replied, “You lack conviction.” Before Loki could protest, he blasted his gun, sending Loki through a wall. “Huh,” Coulson said. “So, that’s what it does.”

Loki

After Loki fled the ship—and with Hawkeye no longer under his control—the Avengers plotted their next move. “He wants to beat us. He wants to be seen doing it. He wants an audience,” Iron Man told Captain America. “Loki, he’s a full-tilt diva, right? He wants flowers. He wants parades. He wants a monument built to the skies with his name plastered—” That’s when it clicked: Loki planned to open a wormhole above Stark Tower.

Later, while at Stark Tower, Loki confronted Iron Man. “Please tell me you’re going to appeal to my humanity,” the God of Mischief said. “The Chitahuri are coming. Nothing will change that. What have I to fear?” Pouring himself a drink, Iron Man said, “The Avengers.” As the Chitahuri invasion quickly overwhelmed New York City, Loki watched over the destruction he’d wrought. “There is no stopping it,” he told Thor. “There is only… the war!”

Through teamwork, the Avengers managed to isolate Loki in Stark Tower. Facing The Hulk, a losing Loki shouted, “Enough! You are, all of you, beneath me! I am a god, you dull creature. And I will not be bullied by—” But before Loki could finish his sentence, The Hulk thrashed him around like a rag doll. As he walked away, The Hulk sniffed, “Puny god.” The Avengers managed to close the wormhole, with Iron Man nearly sacrificing himself in the process. Afterward, Thor escorted Loki back to Asgard, where he was to be imprisoned.

Loki

In 2013’s Thor: The Dark World, a shackled Loki faced his father. “Do you not truly feel the gravity of your crimes?” Odin asked Loki. “Wherever you go there is war, ruin, and death.” After debating his birthright, Loki told his father, “If I am for the axe, then for mercy’s sake, just swing it. It’s not that I don’t love our little talk, it’s just… I don’t love them.” Odin then revealed that, thanks to Frigga, Loki’s life would be spared—although he’d be spending the rest of it confined in a dungeon. “Thor must strive to undo the damage you have done,” Odin told his son. “He will bring order to the Nine Realms and then, yes, he will be king.”

Of course, Odin’s proclamation only made Loki more jealous and resentful of his brother. Later, while toiling away in his cell, Frigga appeared to him hoping he’d show remorse. Instead, he grew angry at the mention of Odin’s name. “He’s not my father!” Loki shouted. Hurt, Frigga asked, “Then am I not your mother?” Loki said she was not, though neither really believed that. Said Frigga, “You’re always so perceptive about everyone but yourself.”

Meanwhile, the ruler of the Dark Elves, Malekith (Christopher Eccleston), waged war on Asgard. Resentful, Loki pointed them in the direction of Jane, who’d recently arrived on Asgard after coming into contact with a mysterious weapon known as the Aether. Sadly, Frigga was slain while protecting Jane, and the Dark Elves fled to Svartalfheim without her.

Despite Odin’s orders not to leave Asgard, Thor reluctantly enlisted the help of Loki, who knew of a secret portal to Svartalfheim. “You must be truly desperate to come to me for help,” Loki said. “What makes you think you can trust me?” Thor said he didn’t, but Frigga did. “You should know that when we fought each other in the past, I did so with a glimmer of hope that my brother was still in there somewhere,” Thor told Loki. “That hope no longer exists to protect you. You betray me, and I will kill you.” As if on cue, Loki again tried to betray his brother. Thor had anticipated this, of course, and thwarted his attempt.

Loki and Thor

On Svartalfheim, Loki and Thor plotted to use Jane to lure and confront Malekith. “You know,” Loki said, “this plan of yours is going to get us killed.” Feigning a betrayal, Loki then stabbed Thor and said, “You really think I cared about Frigga? About any of you? All I ever wanted was you and Odin dead at my feet!” As Thor reached for Mjolnir, Loki sliced off his brother’s hand, then offered Jane to Malekith. “I bring you a gift,” he said. “I ask only one thing in return: a good seat from which to watch Asgard burn.” It was all an illusion, as Loki tricked Malekith into drawing the Aether out of Jane. After Thor failed to destroy the Aether, Malekith merged with it and escaped in his ship. Loki was then fatally wounded in combat. “I’m a fool,” Loki said, gasping for breath. “I’m a fool. I’m sorry. I’m sorry. I’m sorry.”

“It’s all right,” Thor replied. “I’ll tell Father what you did here today.”

Before taking his last breath, Loki looked into Thor’s eyes and said, “I didn’t do it for him.” Later, after defeating Malekith, Thor did as promised and told Odin that Loki “died with honor.” Except he wasn’t talking to Odin… it was Loki, alive and well, disguised as the king!

Loki and Thor

Loki maintained his ruse, masquerading as Odin, through 2017’s Thor: Ragnarok. After learning that Odin was no longer on Asgard, Thor returned home to expose his brother’s treachery. “You just couldn’t stay away, could you?” Loki complained. “Everything was fine without you. Asgard was prospering. You’ve ruined everything.” When the brothers journeyed to Earth to reunite with the real Odin, he was gone. Thanks to Doctor Strange (Benedict Cumberbatch), they found their father in Norway. There, Odin explained that he was dying, that Ragnarök was imminent—in spite of Thor’s best efforts to prevent it—and that his passing will free his firstborn, Hela (Cate Blanchett), from her imprisonment in Hel.

After Odin passed, Thor blamed Loki: “This was your doing!”

Before they could continue their conversation, however, Hela materialized. The brothers refused to kneel before their sister, and Thor threw Mjolnir at her—and in horror she caught it, crushed it, and didn’t even bat an eye. Fearful of her power, Loki called to Heimdall to open the Bifröst Bridge. Hela followed them and forced them into outer space, where they landed on Sakaar, a garbage planet surrounded by wormholes. Whereas Thor was captured and sold as a gladiator, Loki found himself in the good graces of Sakaar’s ruler, the Grandmaster (Jeff Goldblum). Not wanting to fall out of favor with the Grandmaster by acknowledging he knew Thor, he lied, “I’ve never met this man in my life.”

Loki later visited his brother to explain himself. “Look, I couldn’t jeopardize my position with the Grandmaster,” he told Thor. “It took me time to win his trust. He’s a lunatic, but he can be amenable. What I’m telling you is: you could join me at the Grandmaster’s side. Perhaps, in time, an accident befalls the Grandmaster, and then…” Realizing Thor didn’t share his vision of ruling Sakaar, he continued, “You’re not seriously thinking of going back, are you? Our sister destroyed your hammer like a piece of glass. She’s stronger than both of us. She’s stronger than you. You don’t stand a chance. Do you understand what I’m saying to you?” Eliciting no response from Thor, he continued, “Fine. I guess I’ll just have to go it alone, like I’ve always done.” Eventually, Thor addressed the elephant in the room: “What would you like me to say? You faked your own death, you stole the throne, stripped Odin of his power, stranded him on Earth to die, releasing the Goddess of Death,” Thor said. “Have I said enough, or would you like me to go back further than the past two days?”

Loki

Loki left, and Thor prepared to face the mysterious champion inside the Grandmaster’s arena. He was elated to discover he’d be fighting The Hulk, a “friend from work.” Loki, in contrast, had a flashback to their last confrontation and said, “I have to get off this planet!”

Eventually, Thor managed to bring The Hulk to his senses. Together, they planned their grand escape—which didn’t sit well with the Grandmaster, who in response tasked Loki and Valkyrie (Tessa Thompson) with finding his missing champions… or else! Loki and Valkyrie sparred, and that’s when Loki realized she’d been running from her past with Hela.

Thor Ragnarok

Valkyrie decided to team up with Thor and The Hulk, and they devised a plan to steal one of the Grandmaster’s ships and return to Asgard. Loki then offered to provide the security access codes in exchange for safe passage. As Loki and Thor blasted their way towards the nearest ship, Loki told his big brother, “Odin brought us together. It’s almost poetic that his death should split us apart. We might as well be strangers now. Two sons of the crown, set adrift.” Try as he might to push Thor away, Loki was surprised when his brother revealed how he truly felt. “Loki, I thought the world of you. I thought we were going to fight side by side forever,” Thor said. “But at the end of the day, you’re you and I’m me. I don’t know. Maybe there’s still good in you. But let’s be honest: Our paths diverged a long time ago.”

Loki tried to betray Thor yet again but was foiled. In turn, Thor decided to leave his brother behind on Sakaar. “Oh, dear brother: You’re becoming predictable. I trust you. You betray me. Round and round in circles we go,” Thor said, smug but weary. “See, Loki, life is about growth. It’s about change. But you seem to just want to stay the same. I guess what I’m trying to say is that you’ll always be the God of Mischief… but you could be more.” Ever resourceful, Loki managed to make it back to Asgard with a group of gladiators. Upon his return, Loki addressed his fellow Asgardians, saying, “Your savior is here. Did you miss me?”

As dozens of people were shepherded onto his stolen ship, Loki joined Thor and the others in their fight against Hela and her army. Realizing only Ragnarok could stop Hela, Thor sent Loki to Odin’s vault to retrieve Surtur’s crown and place it in the Eternal Flame. While there, Loki also swiped the Tesseract cube but kept it hidden from the others. After Asgard—and, along with it, Hela—was destroyed, the Asgardians then headed to Earth. “Maybe you’re not so bad after all, brother,” Thor said, to which Loki replied, “Maybe not.”

Loki

In a post-credits scene, Loki expressed concern over returning to Earth. “I wouldn’t worry, brother,” Thor reassured him. “I feel like everything’s going to work out fine.” That scene led directly into the opening of 2018’s Avengers: Infinity War. After acquiring the first of six Infinity Stones, Thanos had intercepted the spaceship carrying the survivors of Asgard. He then demanded Loki turn over the Tesseract so that he could extract the Space Stone. Before giving it up, Loki told Thor, “I assure you brother, the sun will shine on us again.” The Hulk then charged at Thanos, which did little, so Heimdall summoned the Bïfrost Bridge one last time to transport him to Earth and warn the Avengers of Thanos’ plans.

Hoping to trick him, Loki then pledged his allegiance to Thanos. “If you’re going to Earth, you might want a guide. I do have a bit of experience in that arena,” Loki said, inching closer to the Mad Titan. “Almighty Thanos, I, Loki, Prince of Asgard, Odinson, the rightful king of thee Jotunheim, God of Mischief, do hereby pledge to you my undying fidelity.” Loki then tried to stab Thanos, who stopped him using the Infinity Gauntlet. “Undying? You should choose your words more carefully,” Thanos told him, grabbing Loki by the neck. As Loki struggled to free himself from Thanos’ grasp, he muttered, “You… will never be… a god.” Thanos then snapped his bones, leaving Thor alone in the universe… or so he thought.

 

Loki

In 2019’s Avengers: Endgame, the superheroes who’d survived Thanos’ snap traveled back in time to retrieve the Infinity Stones and undo his galactic genocide. This brought Ant-Man (Paul Rudd), Captain America, The Hulk, and Iron Man to 2012, where Loki had just been apprehended after the Battle of New York. Their plan to retrieve the Tesseract went awry, though, and it landed at Loki’s feet. Seizing the moment, Loki snatched it and disappeared.

That brings us directly into the series premiere of Loki, in which the Time Variance Authority (TVA)—an organization charged with protecting the timeline—captures him. Realizing Loki might be a valuable asset, agent Mobius M. Mobius (Owen Wilson) offers him a shot at redemption. Whether Loki accepts his offer, well… you’ll have to wait and see.

You can stream Thor, The Avengers, Thor: The Dark World, Thor: Ragnarok, Avengers: Infinity War, Avengers: Endgame and other Marvel Studios films and series now on Disney+. Loki will debut Wednesday, June 9, with a new episode streaming each week.

Lucasfilm’s First 50 Years in Posters

By Pete Vilmur

The 34 posters depicted in Lucasfilm’s 50th anniversary commemorative print, which is included with the Summer issue of Disney twenty-three, was a delightful exercise for the Lucasfilm team, as it allowed us to capture all the excitement, romance, adventure, and hope of the multiple Lucasfilm productions in a single image. It also provided an opportunity to share some lesser-known poster artwork from around the world, which can be dramatically different from the more recognized and broadly circulated versions used in the U.S.

The process of selecting the poster images first required taking inventory of the scores of designs that have been produced for Lucasfilm productions over the past 50 years. This number was quickly pared down to 97 finalists after removing much of the repeated imagery used on posters throughout the ’90s and early 2000s, when nearly all global markets used similar poster designs. Those 97 were then put before Lucasfilm team members to select images that both conveyed the broad scope of Lucasfilm storytelling while revealing the vast array of international poster artwork.

While we can’t discuss all the posters in detail if we want to keep this at a readable length, we did want to point out some unique selects:

THX 1138

THX 1138 – While THX is not technically a Lucasfilm production (it was produced by American Zoetrope), it was George Lucas’ first feature film, and informed much of his subsequent work. The poster we chose comes from the 2004 re-release, which is a spare but powerful photo-realistic illustration of THX 1138.

American Graffiti

American Graffiti – This poster art is unique to Spain, who opted for a more traditional illustrative style compared to the U.S. version, which was done by famed MAD Magazine artist Mort Drucker. Ironically, the unknown artist for this Spanish version scribed a signature which seems to read “mad” – initials, perhaps?

Star Wars

Star Wars: A New Hope – Michelangelo Papuzza is responsible for much of the campaign artwork used in Italy for the first release of Star Wars: A New Hope in 1977. Bright colors and a light, comic illustrative style seem to distinguish this poster from others created for the first film, and we couldn’t resist its unabashed, nonconventional approach to advertising the film that launched the Star Wars saga.

Star Wars: Return of the Jedi

Star Wars: Return of the Jedi – The exploding Darth Vader helmet illustration by Witold Dybowski was exclusive to Poland, and upon closer inspection features various camera parts inserted as components of Vader’s mask. This poster always seems to inspire a sense of whimsy and wonder, two essential ingredients of Lucasfilm productions.

Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom – This period-style illustration by Mike Vaughan was not broadly used in 1984, except in Australia, New Zealand, and to a lesser extent, the United Kingdom, which is where this poster is from. Interestingly, this vertical one-sheet format was the only one to use this design in the U.K., as the more common horizontal “quad” posters featured the now-familiar U.S. “standing Indy” artwork by Bruce Wolfe.

Howard the Duck

Howard the Duck – While Lucasfilm’s 1986 Howard the Duck production may have its quirks, this 1987 Polish poster by Jakub Erol (who previously turned in a starkly beautiful portrait of C-3PO for the Polish release of Star Wars: A New Hope in 1979) definitely gets ones attention. He certainly got ours!

The Young Indiana Jones Chronicles

The Young Indiana Jones Chronicles – For Young Indy, we didn’t have a traditional one-sheet for the series, but found this wonderful promotional poster hanging in the office of Lucasfilm PR writer and Young Indy enthusiast, Lucas Seastrom. “It’s full of wondrous detail that imbues both the whimsical romance and the curious mind of Indiana Jones,” says Seastrom. “By not revealing Indy’s face, it teases both a new take on the character and the promise of stepping into his shoes.” So yeah, this made our cut.

Star Wars: The Phantom Menace

Star Wars: The Phantom Menace – While the image of young Anakin Skywalker casting a shadow of the Sith Lord he would become is not as unfamiliar or exotic as some of the posters we’re highlighting here, it is a perpetual favorite among fans for its mythological resonance and elegant simplicity. Design is by Ellen Lee.

Star Wars: Rebels

Star Wars Rebels – This poster, which was printed for employees of Lucasfilm Animation, wonderfully captures the bittersweet spirit of the series conclusion, and was designed by series executive producer Dave Filoni.Rouge One

Rogue One: A Star Wars Story – The Star Wars stand-alone movies seem to have welcomed back a tradition of varying poster designs around the world, including this unique poster exclusive to South Korea. The graphic shot of the Rebel heroes within the ‘tunnel of light’ makes for a stunning composition that prompts a second glance, which was likely by design.

Solo

Solo: A Star Wars Story – Like Rogue, there were multiple designs for Solo used throughout the world, this one from Japan. While many of the posters depicted the full cast, this one distilled the messaging down to the friendship between Han, Chewie… and, of course, the Falcon.

Star Wars: Bad Batch

Star Wars: The Bad Batch – Truth be told, we tried to get the final launch artwork to include on this commemorative poster, but it wasn’t ready in time for print. We think this teaser is just as much a stunner, though.

Of course, we just provided the poster images—it was the Disney twenty-three design team who heroically removed old fold lines and wrinkles in many of the posters, and then pulled it all together into the fantastic finished design for the poster. It came out better than we could have imagined, and we are so thankful for the opportunity to celebrate Lucasfilm’s 50th anniversary with Disney twenty-three readers in this way.

“Swing” Along to Marvel’s Spidey and his Amazing Friends Theme Song

By Zach Johnson

It’s time to Spidey swing with Spidey and his amazing friends!

Patrick Stump, Grammy®-nominated lead singer of the multiplatinum-selling rock band Fall Out Boy, performs the theme song for Marvel’s Spidey and his Amazing Friends. Stump also serves as songwriter and composer for the series, which is the first full-length Marvel series for preschoolers. The theme song, which Stump wrote and produced, is now available on the Disney Junior Hits Playlist. The digital soundtrack, Disney Junior Music: Spidey and his Amazing Friends, is set for a September 17 release on Walt Disney Records.

“When I was approached to write the music for Marvel’s Spidey and his Amazing Friends, I was first just excited to hear that Disney Junior was doing this show, and secondly, I think it took me all of 10 minutes to say yes and start writing the theme song in my head,” says Stump. “As a lifelong Marvel fan, this is a dream come true for me, and I can’t wait for kids and families, including my own kids, to see the show when it premieres this summer.”

Marvel’s Spidey and his Amazing Friends

Premiering this summer, Marvel’s Spidey and his Amazing Friends tells the story of Peter Parker, Miles Morales, and Gwen Stacy, who together form Team Spidey and embark on heroic adventures to protect their community. Geared towards preschoolers and their families, the series models the importance of teamwork and helping others and highlights themes of friendship, cooperation, and problem-solving. Along with the theme song, new images of the Marvel heroes and villains that will appear in the series were released today.

Marvel’s Spidey and his Amazing Friends

In addition to his work with Fall Out Boy, Stump has worked as a producer, writer, and performer with a wide range of artists, including Disney Legend Elton John, Jay-Z, Taylor Swift, and Bruno Mars. Stump also co-wrote, performed, and produced the song “Immortals” for Walt Disney Animation Studios’ Oscar®-winning feature film Big Hero 6.

Marvel’s Spidey and his Amazing Friends

The series is produced by Disney Junior and Marvel Entertainment in association with Atomic Productions. Harrison Wilcox is executive producer, Steve Grover is supervising producer, Chris Moreno is supervising director, and Chris Gilligan is consulting director.

The Mystery of Disneyland Park’s Jungle Cruise Squid

By Justin Arthur

Lions, tigers, and…squids? Find out how the original Jungle Cruise at Disneyland almost featured a rather unconventional creature in its enigmatic rivers.

Harper Goff
A Harper Goff rendering of Adventureland used to help pitch the concept of Disneyland.

In the early 1950’s, Walt Disney dreamed of a way to bring his Academy Award®-winning True-Life Adventures documentary series into his newest and most ambitious project, Disneyland, hoping to build a river cruise with real live animals lining its banks. To herd this Jungle Cruise concept together, Walt Disney enlisted production designer Harper Goff, who had recently worked on a True-Life Adventures short film for Walt, for which he created lavish storyboards outlining an epic undersea adventure. Walt loved his artwork so much that the project evolved into the 1954 feature film 20,000 Leagues Under the Sea, Walt’s most ambitious live-action film to date.

Walt Disney
Walt Disney (middle) and Harper Goff (right) look over renderings of the Jungle Cruise.

Fresh off of designing the film’s iconic submarine, the Nautilus, Goff next tackled the design of the original candy-striped-canopied boats for the Jungle Cruise, adventuresome tramp steamers taking inspiration from the 1951 Humphrey Bogart and Katherine Hepburn film, The African Queen.

20,000 Leagues Squid Battle
Your wires are showing! 20,000 Leagues Under the Sea’s climactic giant squid battle, as originally filmed during a picturesque sunset.

Walt had hoped to find a way to bring the film’s enormous (and very expensive!) giant squid into his jungle boat ride at Disneyland. In fact, if you look closely, an octopus-like creature even made its way into Herb Ryman’s iconic 1953 illustration of Disneyland, featuring one of the earliest renderings of Adventureland.

The climactic squid battle featured in 20,000 Leagues Under the Sea was notoriously plagued by production issues. Instead of the originally planned battle at sunset, the scene was ultimately re-shot as a nighttime scrap in the rain to disguise the very complex system of wires that powered the creature’s flailing tentacles. A similar rationale doomed its addition to the Jungle Cruise, as Goff recalled, “the wires that pulled the tentacles would have been hard to hide” on the outdoor, daytime voyages. Bob Mattey, the studio’s head of mechanical effects, also expressed concerns about the durability of the squid’s latex exterior in a both outdoor and waterlogged environment.

Walt and Bob Mattey
Walt Disney and the mechanical guru behind the animals of the original Jungle Cruise, Bob Mattey, look over drawings of the giant squid from 20,000 Leagues Under the Sea.

Goff would go on to convince Walt that mechanical animals would put on a much better show for Disneyland guests—real ones are often nocturnal, and would mostly sleep or hide during the day. He enlisted sculptor Chris Mueller and Bob Mattey, both of whom had recently designed that infamous squid, to create animals with limited hydraulic functions that could work in and out of the water, exposed to the elements. The animals themselves were simple but cleverly designed with “free animation,” such as the spring-loaded giraffes and rhinos. Some of these sculptures and effects—inventive, yet simple in execution—are still part of the Jungle Cruise today!

Lion, Squid in Shop
Before their departure to Disneyland, some of Bob Mattey’s creature creations cross paths at The Walt Disney Studios in Burbank. A lion bound for the Jungle Cruise in the foreground, and the squid from 20,000 Leagues Under the Sea in the background.

Ultimately, they did devise a way to get the notorious cephalopod into the park—the giant squid used in the film would go on to menace guests for 11 years in Tomorrowland’s impressive 20,000 Leagues Under the Sea exhibit, complete with new inner workings designed by Bob Mattey!

Jungle Cruise
A Jungle Cruise boat narrowly escapes a “bloat” of hippos along the treacherous waterways of Adventureland, c. 1955.

While the attraction that opened would be a little more Kalahari than calamari, the Jungle Cruise has remained a classic for nearly 66 years, leading to similar Adventureland outposts popping up across the globe in other Disney parks. Learn even more about this pun-filled adventure, get a peek at some exciting new surprises in store for the attraction, and take a behind-the-scenes look at the film it inspired in the Summer issue of Disney twenty-three!