He eventually was named creative director of marketing and designed many Disney movie posters, Christmas cards, letterheads, and logos. He also served as one of Walt Disney’s official autographers, signing thousands of photographs with Walt’s famous signature.
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Disney Legend Marc Davis, who animated the sweeping, swirling, chain-smoking villainess, credited Betty Lou for inspiring his pencil work.
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He eventually became the sole developer of the animated features One Hundred and One Dalmatians and The Sword in the Stone, for which he drew the characters, wrote the screenplays, and directed the actors’ voice performances.
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In 1954, Walt asked Wathel to help develop the model shop for his latest project, Disneyland. Wathel became an ace Imagineer, assisting in the construction of architectural models during the Park’s design and development phase.
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As former president of Walt Disney Pictures David Vogel once said, “When you think of Disney, you think of Dean Jones.”
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Angela made her musical comedy motion picture debut in 1971, mesmerizing audiences as the delightful apprentice witch, Eglantine Price, in Disney’s fantasy Bedknobs and Broomsticks.
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Comedian Steve Martin, who worked at Disneyland as a teenager, summed up Wally’s influence: “My hero, the first comedian I ever saw live, my influence, a man to whom I aspired.”
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In 1962… he received a call from his pal Wally Boag… who had been performing in the Golden Horseshoe Revue for seven years, [who] explained that one of his fellow cast members had become seriously ill and [urging] Fulton to take over the role. Fulton did, and went on to light up the stage with his jovial nature and lilting brogue.
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Diminutive in stature, Eddie was often described by his friends in the press as if he, himself, was a Disney character. San Francisco columnist Herb Caen once wrote that Eddie Meck was “no relation to Mecky Mouse.”
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Betty became the darling of nearly 10 million guests, who, over the years, visited the saloon to see the world’s longest-running stage show.
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