“We had to mix the paints so they were exactly the same color as what was being used in an animated scene. One time, just before I retired, a computer was brought into the lab to check the colors that I had approved. To my great relief, the computer confirmed that every color matched perfectly.”—Dodie Roberts
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“The people were what made my years at Disney special, and in that position, I met many. And we were all working together toward the same goal—making magic.”—Becky Fallberg
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Tim earned numerous awards for his bumbling Mr. Fix-It, Tim “The Tool Man” Taylor, including a Golden Globe in 1994 and The People’s Choice Award for four consecutive years from 1993-96.
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Among Al’s most famous creations was a popular lunch box set, featuring a host of Disney characters on board a school bus.
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“Walt believed strongly that what would make Disneyland different was the people—he wanted them to feel that they were part of the organization,” Dick once said.
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He helped launch the opening of Walt Disney World in 1971 and Epcot Center in 1982.
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Ham’s ability to develop an easy-to-follow step-by-step system for planning a scene made him a natural teacher of younger animators and, under his guidance, many new artists were developed.
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With no special effects training other than his own hands-on experimentation, Yale worked as a research and development designer creating illusions. These included the “grim, grinning ghosts” featured in the Haunted Mansion and the flames of the burning city in Pirates of the Caribbean.
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The lyric soprano, with an agile coloratura range, won the role of Sleeping Beauty; her graceful voice helped make “I Wonder” and “Once Upon A Dream” Disney music classics.
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“With his pioneering efforts in sound and camera techniques, he helped set Disney Studios apart from others, while his planning and supervisory expertise resulted in the building of a highly efficient Studio in Burbank.”–Dave Smith, Director Emeritus of the Walt Disney Archives
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