Mickey: The Story of a Mouse Draws a Vivid Portrait of an Icon on Disney+

By Bruce C. Steele

The story of Mickey Mouse is the story of America, from his music-infused birth at the tail end of the Jazz Age, in 1928, through the struggles of the Great Depression and World War II, all the way up to the high tech of the 21st century. The new Disney+ Original documentary Mickey: The Story of a Mouse, debuting on Friday, November 18, traces how the beloved icon has been adapted and adopted by one generation after another, across time and across the globe. “I was raised on Mickey in the ’80s,” recalls the film’s director, Jeff Malmberg—a decade when many kids saw the mouse chiefly as a park greeter, plush toy, and corporate icon. “And that’s very different than if you’re raised watching him in a movie theater.”

Mickey: The Story of a Mouse brings together all the eras and incarnations of Mickey during more than 90 years, assessing what, exactly, gives this mouse such durability and magnetism—while also filling in what younger generations may not know about the Mickey of their forebears. The youth of 2022, for example, may not realize that Mickey was once a movie star as big as Harrison Ford or Emma Stone. In fact, says longtime Disney animator Eric Goldberg, “A lot of people today don’t really regard him as a character—or not as a particularly funny character. And I think he’s all those things. Mickey has tons of personality. He has his own playful, resourceful, fun way of looking at things and doing things… There has to be a reason that he’s lasted to this day. And I think it’s his indomitable spirit and that pure joy of movement that he has.”

Movement is key to Goldberg’s major contribution to the documentary: a brand-new, hand-drawn short titled “Mickey in a Minute,” in which some Disney magic pulls our hero into a whirlwind that spins him into scene after scene from his own past, revisiting some of his most iconic roles, such as “Brave Little Tailor” (1938) and “The Sorcerer’s Apprentice” from Fantasia (1940). The kinetic and comic cartoon finally lands Mickey where he began, whistling at the wheel of a steamboat.

This dazzling and delightful short—which will have Disney+ viewers reaching for the remote to rewind and rewatch—is the finale of the larger 93-minute whirlwind that is the full documentary. Somehow Malmberg and his producers—Meghan Walsh, Chris Shellen, and Morgan Neville—have squeezed in the full scope of Mickey’s life (so far) as well as discussions of his cultural impact and importance, testimonials from a wide diversity of adorable fans, a fascinating tutorial on the art of animation, and much more. Mickey’s enduring appeal, as the film asserts, is partly geometric. “He’s a very simple character for people [to recognize],” Walsh says. “Three circles. That makes it easy. And he’s been around for a long enough time that people now can take him and turn him into what they would like… From the ’60s onward, people have been co-opting Mickey for their own artistic and political purposes, and I think that’s really unique and interesting. It’s what art does for the human spirit—we take art and we figure out ways to make meaning out of it for ourselves. And the great thing about Mickey, because he is so simple, is people can do that in a million different ways.”

“He’s just as relevant today as he was when I read Mickey Comics when I was a kid,” says animator, author, and Disney Legend Floyd Norman, who joined what was then called Walt Disney Productions as an animation in-betweener in 1957, soon became a lead animator, and is an interview subject in the documentary. “Mickey Mouse, he started as this simple character,” Norman says in the film. “But over time he gets so big, he becomes this reflection of who we are—the good and the bad. How is that even possible with this little mouse?”

To find out, the filmmakers talk with artists, cultural historians, and collectors for whom Mickey is a consuming passion, as well as share footage of some of the mouse’s most famous admirers, such as author Maurice Sendak and artist Andy Warhol. “I think the takeaway from the documentary is that everybody knows this character and loves this character,” Goldberg says. “He usually represents something that they really enjoyed growing up and can still be enjoyed.”

Along the way, viewers also get a compact biography of Mickey’s alter ego, Walt Disney, from his boyhood in Marceline, Missouri, to his role as Mickey Mouse’s creator, protector, and onscreen voice. “Walt was Mickey and Mickey was Walt,” Goldberg says. “They were inseparable.”

Even more than half a century after Walt Disney’s passing, the film makes clear, Mickey provides a living conduit to his creator. “Walt identifies with Mickey, and we all connect with Walt in that very special way through Mickey Mouse,” Norman says. “So, it is a unique relationship and, I think, something that’s very, very special.”

Goldberg adds, “If you want a key to how Walt looked at life, you don’t have to go much further than watching some classic Mickey cartoons.”

Mickey: The Story of a Mouse is chock-a-block with clips from Mickey’s filmography—his best-known parts, of course, but also less-familiar roles. (A 1955 television commercial, for example, features an angular Mickey and Minnie Mouse driving a Nash Rambler—with their two little mouse children in the backseat!) There are even glimpses of contraband Mickey, such as when he was illicitly co-opted for an antiwar cartoon in the 1960s.

One important observation the film makes, Walsh says, is that the phenomenon that is Mickey Mouse has been developed and expanded by a long and ever-growing roster of skilled and enthusiastic contributors. “It’s not just Walt Disney,” she explains. “It’s people like Floyd Norman, like Eric Goldberg. It’s the women of the [Disney] Ink and Paint Department in the 1930s, ’40s, and ’50s. There are a lot of people that have contributed and built this character into what we know today.”

It’s a living legacy, as the very existence of the animated short “Mickey in a Minute” within Mickey: The Story of a Mouse makes clear. Watching Goldberg and his fellow veteran animators Mark Henn and Randy Haycock at work on some of the estimated 1,500 drawings it took to make the cartoon is both an inspiring glimpse of current artists at work and a living demonstration of the pencil-and-paper origins of Mickey Mouse. Goldberg and the creative team did hundreds of hours of research for the one-minute short, guaranteeing that each incarnation of the character was accurate to its origins, right down to the width of each line and the presence of particular shadows. “I wanted to make sure, first of all, that the animation and the characters looked and moved like they did in those iconic pieces,” Goldberg says.

“We animated it on paper,” he continues. “We cleaned it up on paper; we in-betweened it on paper. It was inked-and-painted digitally, [but] we were replicating what that looked like in terms of [traditional animation] cels.” The resulting short, like Mickey Mouse himself—and the documentary that tells his story—is “absolutely authentic,” Goldberg says. “One hundred percent traditional.”

Watch Mickey: The Story of a Mouse beginning November 18, exclusively on Disney+.

Where to Enjoy Art for Native American Heritage Month at Walt Disney World Resort

November is Native American Heritage Month and to help you celebrate we’ve compiled a list of places you can view stunning art inspired and created by Native Americans across Walt Disney World Resort. Whether a full-fledged gallery dedicated to Native communities or thematic décor across Disney’s Parks and hotels, we’re here to help you plan some must-see stops on your next visit.

Wide shot of The American Heritage Gallery at EPCOT. There are various art pieces inside glass display cases on either side of a doorway with “The American Heritage Gallery” above the door in gold lettering. Inside the exhibit are red, white, and blue murals and screens.

EPCOT American Heritage Gallery
Find the American Heritage Gallery inside the American Adventure Pavilion in EPCOT’s World Showcase. This impressive gallery represents Native communities from seven regions across the United States and showcases historical artifacts alongside contemporary works of American Indian art. Featured artists include fashion designer Loren Aragon (Acoma Pueblo), dollmaker Glenda McKay (Ingalik-Athabascan), and Juanita Growing Thunder (Assiniboine Sioux) from the Growing Thunder family of Montana. The American Heritage Gallery is a unique storytelling experience where you can view interactive displays that help you further explore the art, artifacts, and history through narration by some of the featured artists!

A nighttime shot of the trading post at EPCOT’s Canada Pavilion. The hand carved totem poles are illuminated with up-lighting and the door to the Trading Post store is open with light shining from inside.

The Canada Pavilion Carved Totem Poles
Discover the details behind the hand-carved totem poles in the Canada Pavilion inside EPCOT’s World Showcase. Tsimshian artisan David Boxley created his first totem pole for the Canada Pavilion’s Trading Post in the ’90s and created two more in 2017. The recognizable Eagle Totem Pole represents a famous cultural folktale in which a boy finds an eagle caught in a net and frees it. Years later, when hunger strikes the boy’s tribe, he walks on the same beach, only to find the eagle there waiting for him with food as payback for his kindness. Boxley’s Whale Totem Pole tells the tale of the first potlatch, a ceremonial feast celebrated by the Nagunaks and creatures of the sea. Make sure to stop and admire Boxley’s incredible hand-crafted totem poles and other Native American-inspired décor paying homage to Native communities on your next visit to EPCOT!

Wide view of the Wilderness Lodge lobby. Large, themed chandeliers hang from the ceiling with silhouettes of bison and other animals. Large wooden poles hold up the ceiling and carved totem poles adorn the walls. The lobby is empty, but you can see chairs, couches, and rugs available for guests to sit on.

Disney’s Wilderness Lodge Lobby
Disney’s Wilderness Lodge is a resort hotel inspired by turn-of-the-century National Park lodges and celebrates American craftsmanship and the beauty of the untamed wilderness. While this hotel offers many unique experiences, such as nature trails and scenic overlooks, there is also plenty of Native American-inspired art to see in the lobby. Amid ceiling-high totem poles, headdresses, and various replicas of Native artifacts and art pieces, take the time to enjoy the hidden gems at this unique resort.

We hope you take time to stop by these notable spots at Walt Disney World to enjoy these Native American art pieces. Have you visited the American Heritage Gallery before? Or admired Canada Pavilion’s incredible totem poles? Let us know on social media and keep reading D23.com for more information on Disney Parks year-round!

Enchanting Moments from the Disenchanted Press Conference

By Courtney Potter

Ever wondered what happens after “happily ever after?” In just a few days’ time, we’ll get a magical, tune-filled answer when Disney’s Disenchanted debuts exclusively on Disney+.

It’s been more than 10 years since the events of the beloved, fan favorite film Enchanted. Now, Giselle (Amy Adams) and Robert (Disney Legend Patrick Dempsey) are happily married, but Giselle has grown a bit disillusioned with the city, so they move their growing family to the sleepy suburban community of Monroeville in search of a more fairy tale life. Unfortunately, it isn’t the quick fix she had hoped for. Suburbia has a whole new set of rules—as well as a local queen bee, Malvina Monroe (Maya Rudolph), who makes Giselle feel more out of place than ever. Frustrated that her happily ever after hasn’t been so easy to find, she turns to the magic of Andalasia for help, accidentally transforming the entire town into a real-life fairy tale and placing her loved ones’ future happiness in jeopardy. This puts Giselle in a race against time to reverse the spell and determine what happily ever after truly means to her and her family.

To celebrate the film’s approaching debut, Adams, Dempsey, and Rudolph recently joined fellow Disenchanted cast members Disney Legend Idina Menzel (Nancy), Gabriella Baldacchino (Morgan), Yvette Nicole Brown (Rosaleen), Jayma Mays (Ruby), and Oscar Nunez (Edgar/Barista/Mirror)—as well as producer Barry Josephson, director/executive producer Adam Shankman, and composer and co-songwriter Disney Legend Alan Menken—for a joyful virtual press conference, where they shared insights about making such a special film.

In a production still from Disenchanted, Giselle (Amy Adams), Morgan (Gabriella Baldacchino), and Robert (Disney Legend Patrick Dempsey) are standing in their new house; they have quizzical looks on their faces, and are looking just off camera. Giselle is holding baby Sophia. A stairway is seen behind them, as are a few workmen to their right.

Adams on returning to Andalasia:

“We were looking at where Giselle would be now,” Adams, who also produced the movie, explained. “When we leave her in Enchanted, there’s been an evolution from the beginning of the movie to who Giselle is at the end of the movie. So, this film is taking that evolution of who she might be after spending 10 years [away]—but also making sure we keep her grounded and true to her feelings, without losing that joy, and that naivete and innocence and purity that makes Giselle so special. That’s where my launching place was—taking everything that I loved about Giselle in the first movie, and then getting this opportunity to spin it throughout. It was really just such a pleasure.”

Jacobsen on continuing Enchanted’s enchanting elements while telling a whole new tale:

“Amy really was our starting point of wanting to play Giselle again,” he said. “It was just such a joy to see the script come together and become something really joyous, a musical with comedy but with the right amount of drama, all pivoting around, what is Giselle’s new ‘character?’ What is her dilemma? How do we progress from the original movie and yet make something that was definitively a new movie, a fresh new start for her character and the other characters that everybody loved from the first film?’ And I can’t think of anybody’s stewardship that it was better to develop with than Adam, because he really understood what the music elements needed to be and how all the characters needed to grow.”

Rudolph on the “dream come true” of working on a movie musical with Broadway and Hollywood icons:

“We all had fun; we really did,” the actress admitted. “Even though I’ve had a chance to sing in things before, it was nothing like this experience. And knowing that I was going to get to sing this Menken and [Stephen] Schwartz song was really, truly like a ‘life fulfillment’ [thing—like I’d been training for the marathon my whole life! And that’s what it was every day. We’d go to vocal rehearsal and we’d go to dance rehearsal, and we were working towards the day where we shot the song. And then we shot it, and it was amazing! Truly, I’m not worthy. Such a dream come true. There are no words for stuff like that… This was little Maya’s dream of what it’s like to be in a musical.”

In a production still from Disenchanted, Rosaleen (Yvette Nicole Brown), Malvina (Maya Rudolph), and Ruby (Jayma Mays) are standing and looking off camera. There is a group of people clumped together behind them, exiting through a door. Rosaleen (on the left) is wearing a black and pink gown with a black hat; Malvina (in the middle) is wearing a black gown with gold beaded trim and a black cape, as well as a red beaded necklace and a gold crown; and Ruby (on the right) is wearing an orange and purple gown with an orange hat. The three have smirks on their faces.

Brown on how the cast of Disenchanted helped her through a particularly challenging time:

As the friend of D23 explained, “I want to say, since you’re all here, people know that I lost my mom while we made this film. And I want to take a moment to thank everyone that I’m looking at, [as well as] our entire crew. Maya swooped me up and took me to her house and kept me for a weekend. Jayma was like my touchstone. And Adam took me to a… what was it? The little fair they had [near the filming location in Ireland] every Sunday. I got calls from Patrick. Everyone enveloped me in love. I don’t have any sadness about my time with you, at the hardest time of my life, because that was the love of this film. So, I wanted to make sure I thanked you all again, and I’m so happy that our love letter is about to be out in the world. And I know my mother would want to thank you all, too, for taking care of her baby.”

Menzel on the shifts her character Nancy makes this time ‘round:

“Mine was a pretty drastic change [in the first film],” she admitted, chuckling. “I go from this cynical New York chick who jumps down a portal—or a manhole—and then I come out [entirely different].” (Shankman interrupted at this point, adding, “That’s not even the movie, that’s just her life!”—much to the assembled group’s delight.) Menzel continued, “It was so much fun, but the challenge was figuring out the balance; Adam and I would talk, and I’d say, ‘How much of my New York accent do I still have, coming back from Andalasia? And how much has this idyllic, romantic, beautiful, perfect place rubbed off on me?’ And then putting on the corset and all that—it was an easy journey for me.”

Mays, Nunez, and Baldacchino on being “newbies” in the cast:

“I was so excited to join this cast,” Mays said. “I was a huge, huge fan of the first film. So, when I got this job, I was like, ‘Great, I can retire now. I did it!’ And it was a dream. We had so much fun.” Nunez concurred, remembering one scene in particular: “I got to do a scene with Maya and Amy—Maya, who I’ve wanted to work with forever, and Amy was on The Office 35 years ago,” he kidded, laughing. “In between, while we were waiting to shoot, Amy—I don’t know if you remember this, but you would sing, always. We were so happy, just hanging out, and you wouldn’t stop singing with a big smile on your face. There was a lot of love there.”

“When I was little and even growing up, Enchanted was my favorite movie,” added Baldacchino, “so being able to join all these people was surreal to me. And I’m so, so grateful to sing music written by Alan Menken and Schwartz; I grew up performing, I love musical theater and singing—so that wasn’t new for me—but to get to originate something that they wrote is an honor.”

In a production still from Disenchanted, Robert (Disney Legend Patrick Dempsey) is outside, standing in front of a board that has announcements tacked to it; he’s looking off screen to the left and smiling wide. He’s wearing a blue tunic with a white shirt underneath, as well as brown gloves. The sun is shining.

Dempsey on catching back up with Robert, and what movie musicals have taught him:

“At the very beginning, Robert is very much the same,” the actor explained, “although he is kind of trying to balance life with his new baby—and with his older child, and the conflict [there] between the stepmother, and that dynamic. But then getting into the larger-than-life stuff was completely freeing and really fun. For me, it was a fantastic ride. I had a great time, where I could do some sight-seeing in Ireland and work on the musical. And that whole process of finding your voice—working with the [vocal] coach on that—learning the lyrics and the choreography was an extraordinary experience, and something I’d never done before. I really appreciate the talent, the voices—the singing that Idina and Amy and Maya and everyone [does]. It’s an extraordinary feeling you get when you sing; the vibration—there’s something very intoxicating about it. So, it was nice to get a taste of that.”

Menken on working with Schwartz again to set Giselle and company’s world to music:

“Rather than write for any individual actors,” he explained, “Stephen and I—in the case of this musical—write for the characters and the storyline and take it from there. It just so happens that the actors are perfect for this. In terms of ‘where to start,’ in a way you start from the first Enchanted, which had the most amazing premise: We start in the world of early Walt Disney animation, and this animated princess is thrown into Times Square, where she’s totally unequipped to deal with what happens, and the score kind of grows up with her as she begins to adapt to this world. Well, in the new version, she longs for that world. So, we still go back to those early [themes]—but there’s no ‘happily ever after’ in our world, unlike, an animated ending. So, she makes this wish, and that just throws us into this amazing storyline.”

“Stephen and I had the best time working together,” Menken added. “It’s our fourth movie together: Pocahontas, The Hunchback of Notre Dame, Enchanted, and now this.”

Shankman on why now is the right time for Disenchanted, and his own idea of “happily ever after”:

“Things were getting really complicated out in the world when we started all of this,” the director said. “There was just a lot of conflict going on, and it felt like it was a good time. The stars definitely aligned; the movie is coming out at the right time.”

He continued, “And I would say my ‘happily ever after’ is just the continued love and support of my friends and my loved ones around me. ‘Happily ever after’ sort of says ‘time stops’—because it indicates that life ceases; like bad things never happen again, which is not how life works. To be able to move through life with the joy and the love and the support, in good and bad, with my friends—this group included, for sure, and that is not bologna—that’s ‘happily ever after’ to me. To be able to keep that level of love and support and friends—and laughing!—that’s ‘happily ever after.’”

See Disney’s Disenchanted on Disney+ beginning this Friday, November 18!

Dreams Came True at the World Premiere of Disenchanted

Wednesday evening was a wish come true as the cast and crew of the Disney+ Original movie Disenchanted walked the red carpet at the El Capitan Theatre in Hollywood, California. Set 10 years after the events of Enchanted (2007), Disenchanted follows Giselle, Robert, and Morgan as they move from bustling New York City to the small suburb of Monroeville. Their new home is a picture-perfect fairytale town, not far off from Giselle’s animated world of Andalasia—however, the family will soon learn that so much comes after happily ever after.

The cast of Disenchanted poses in a group photo in front of a sign for the film’s world premiere

Amy Adams looked regal at the premiere with newly inducted Disney Legend Patrick Dempsey. The pair return in Disenchanted as Giselle and Robert, a couple from opposite worlds who fell in love when Giselle was thrown into the human world by the evil Queen Narissa in Enchanted. Also returning for this charming sequel are Idina Menzel (Nancy) and James Marsden (Prince Edward) whose characters have been living in Andalasia since we last saw them get hitched at the end of Enchanted. Marsden performed two songs in the original film but gets the opportunity to sing with Menzel in Disenchanted. “Idina’s song is one of my favorite songs Alan [Menken] has ever written. It’s really fantastic. I can’t wait for it to drop and for everyone to start listening to it!” gushed the film’s music producer, Matthew Rush Sullivan. Fans will be delighted to find out that every main cast member sings in Disenchanted, so you’ll be sure to hear your favorite character on the soundtrack.

Gabriella Baldacchino poses on the red carpet for the Disenchanted world premiere.

 

This includes newcomer Gabriella Baldacchino, who is taking over the role of Robert’s daughter, Morgan, now age 16. For Baldacchino, being cast in Disenchanted still does not feel real. “To actually get to be in Disenchanted is something I could have never thought possible, and I am just so freaking grateful,” Baldacchino said. Luckily, cast members including Amy Adams were ready with lots of advice for her. “She said to me to not deny those feelings [of self-doubt], to just embrace them and bring them to my character and use them. And ever since, I think I have taken that with me in everything I do.”

Yvette Nicole Brown poses next to the poster for Disenchanted

Playing new characters in Disenchanted are acclaimed comedian and actor Maya Rudolph, Glee’s Jayma Mays, and Disney+ superstar Yvette Nicole Brown. Rudolph plays Malvina Monroe, a new foe for Giselle to face in Monroeville. Malvina is very popular in town—the place is even named after her! Along with Malvina comes Ruby (Mays) and Rosaleen (Brown), personal assistants who become new foes in Giselle’s quest to create her happily ever after.

Disney Legend Alan Menken in front of the step and repeat for the Disenchanted world premiere.

The final touch on this picture-perfect sequel is the magical music of composer Disney Legend Alan Menken and lyricist Stephen Schwartz. Menken has written music for over a dozen of your favorite Disney movies, from The Little Mermaid to Captain America: The First Avenger, and has worked with Schwartz on films such as Pocahontas, Mulan, and, of course, Enchanted. For Disenchanted, Menken says he drew inspiration from the Disney classics: “This is the most Disney of all of them, because it goes deep into the history, the vault, of the writers who worked on Snow White, Cinderella, and Pinocchio—we were pulling from everything!”

Matthew Sullivan added, “There’s new music top to bottom! It’s all new songs.” We are sure that the songs created for Disenchanted will become earworms for the rest of the year and fan favorites for decades to come!

You can stream Disenchanted on Disney+ starting Friday, November 18. In the meantime, check out all the magical moments from the world premiere in the gallery below.

Peter Sohn Breaks Down the Spark Between Ember and Wade in Elemental

By Zach Johnson

Opposites react in the just-released teaser trailer for Elemental, an all-new, original feature film from Pixar Animation Studios releasing on June 16, 2023. Set in Element City, where fire-, water-, land- and air-residents live together, Elemental centers on Ember (voiced by Leah Lewis), a tough and fiery young woman, and Wade (voiced by Mamoudou Athie), a fun, sappy, go-with-the-flow guy.

Director Peter Sohn says Elemental is inspired by his formative years in New York City. “One piece is that there were fun times and hard times in my family,” he says. After his parents emigrated from Korea in the early 1970s, they built a grocery store in the Bronx, a neighborhood bustling with different cultures, languages, and people—much like Element City. While Ember and Wade may not appear to be compatible, Sohn says that’s the point: “The other piece is that I fell in love with someone who isn’t Korean—and my parents really wanted me to marry someone Korean—so there was a bit of a culture clash. Those two pieces of my life formed what would later become Elemental.”

Element City is made up of diverse inhabitants, including Ember and Wade, who will soon discover something elemental: how much they actually have in common. “The concept of the city itself started off with Ember,” Sohn tells D23: The Official Disney Fan Club. “We thought, ‘What’s the best city we can build to support Ember’s journey of identity and belonging?’ It started by thinking about a city that would be hard for fire, and so we based it off of water. The idea is that Water got to this area first, and then Earth came, so it became a delta. Then, they built a water infrastructure with water canals and elevated water channels everywhere, making it even tougher for Ember. Then, Air came in after that, and Fire was one of the last groups to come into the city.”

In other words, Sohn says, “It’s not the easiest for Ember.”

Life gets a little easier—and better—when Ember drops her headphones and her hand grazes Wade’s on the subway. “We wanted to create a good introduction to Ember and Wade’s possible relationship,” Sohn says. “There’s a little drop on Ember’s hand to remind you, ‘Oh, yeah, they can’t mix very well.’ It’s a subtle thing, but there’s a little smile at the end; there’s something there. What is that? It’s just a tease.”

Ember and Wade have instant chemistry, despite their seemingly obvious differences. “When I first pitched this story and started developing it, I asked myself: ‘What’s fire?’” Sohn tells D23. “People can see it as a temper. People can see it as passion. As a practical thing, fire burns and sparks—but what does it mean to burn bright? There are all these ingredients to what we already perceive as fire, and that started to form Ember’s personality. It’s the same thing for Wade. Water can be transparent. What does that mean? He wears his emotions on his sleeve. He goes with the flow. That helped form these personalities that were already pretty opposite, and then we had to find that Venn diagram of where they overlapped. That’s the hopeful magic. I hope people can buy into the sparks, the chemical reaction, that could form a relationship.”

Celebrate Marvel Studios’ Black Panther: Wakanda Forever with Products from These Black-Owned Businesses

It is time to return to Wakanda, as Marvel Studios’ Black Panther: Wakanda Forever is now playing in theaters nationwide! To further extend the magic for our fans, Marvel has collaborated with a group of inspiring Black-owned businesses to develop product and collectibles that will bring joy for years to come. These collaborations embody the spirit and storytelling of the film and the importance of authentic representation. Marvel is excited to continue working with these brands and other Black-owned businesses on future projects.

World of EPI

The Black Panther: Wakanda Forever Fresh Fierce Collection was named the Doll of the Year at the 2022 Toy of the Year (TOTY) Awards. World of EPI and founder Dr. Lisa Williams authentically designed this Fresh Fierce Dolls collection in collaboration with Marvel. Featured are the iconic and strong female warriors from the film: Shuri, Okoye, and Nakia.

BLK & Bold

BLK & Bold coffee has developed a new collection inspired by Marvel Studios’ Black Panther: Wakanda Forever, which includes coffee grounds and beans, as well as Keurig K-Cups themed to the film with reimagined special-edition packaging that highlights fan-favorite characters.

Pear Nova

Award-winning, luxury nail care brand Pear Nova has created a https://www.pearnova.com/pages/black-panther-wakanda-forever inspired by Marvel Studios’ Black Panther: Wakanda Forever. This nail collection embodies the resilience, vibrancy, and innovation of the Wakandan culture and even includes “vibranium” claws!

FUBU

Sportswear brand FUBU has released apparel featuring Black Panther designs, and this collection has the coolest streetwear styles for men and women. Pictured above is the Black Panther Tie Dye Crewneck and the Women’s Black Panther Tee.

A Dozen Cousins

This product line from A Dozen Cousins features characters from Marvel Studios’ Black Panther: Wakanda Forever and includes new, co-branded Jollof Rice, Jerk Chicken, and Coconut Rice Seasoning Sauces, alongside a “vibranium” spoon, which is inspired by the rare and powerful metal native to the fictional nation of Wakanda.

Young King Hair Care

Young King Hair Care develops natural hair care products. The Young King Hair Care Black Panther Styling Balm Hair Pomade and Young King Hair Care Black Panther Co-Wash Hair Treatment products are inspired by Marvel Studios’ Black Panther: Wakanda Forever and include characters from the film on the packaging.

Actively Black

Athleisure brand Actively Black has released a collection that features styles for both men and women—which includes performance shirts, tights, hoodies, and joggers—emblazoned with official Black Panther artwork.

All of these items would make great holiday gifts for Marvel fans! Check out these incredible Black-owned businesses and make sure to watch Marvel Studios’ Black Panther: Wakanda Forever, now in theaters.

DuckTales Sails the Jungle Cruise in New Chibi Tiny Tales Short

By the D23 team

Are you excited to see the backside of water?

Well, you’re in luck, because on Saturday, November 19, Disney Branded Television will unveil the third brand-new adorable Chibi Tiny Tales short that pairs an iconic Disney Parks attraction with a fan-favorite animated Disney Channel series. This time, the DuckTales characters embark on the rollicking thrill ride Jungle Cruise. The new short—and the previously released two—will be available for viewing on Disney Channel, Disney Channel YouTube, and DisneyNOW. 

In this new adventure, the DuckTales crew discovers the legendary Golden Banana but soon find themselves pursued by wild animals! Can they escape the perilous Jungle Cruise?

To tide you over until the network premiere, here’s an exclusive clip:

Seeking Adventure at the World Premiere of Strange World

By Zach Johnson

Ironically, nothing strange was in the air at the world premiere of Walt Disney Animation Studios’ Strange World. Hosted at the El Capitan Theatre in Hollywood Tuesday, the event brought out stars Jake Gyllenhaal, Jaboukie Young-White, and Gabrielle Union; director Don Hall; co-director and screenwriter Qui Nguyen; producer Roy Conli; composer Henry Jackman; and Walt Disney Animation Studios executives President Clark Spencer and Chief Creative Officer Jennifer Lee; among other guests.

In addition, D23 Gold and Gold Duo Members were among the first to see the cast and crew arrive on the maroon and pink carpet! They were even invited inside for the screening—and Spencer, for one, couldn’t wait to share Strange World with an audience. “From the beginning, I’ve been so blown away by what the visual development artists designed in terms of the characters in this film—not just the human characters, but the strange world itself. The audience is going to be blown away,” said Spencer. “It’s probably the most complex movie we’ve ever made. It was made to be seen on the big screen so that you can really see how this strange world comes to life.”

Strange World introduces audiences to a legendary family of explorers, the Clades, as they attempt to navigate an uncharted, treacherous world alongside a motley crew that includes a mischievous blob named Splat and a three-legged dog named Legend. Although Gyllenhaal has a diverse and impressive list of film, television, and theatrical credits, he’s relatively new to the world of animation. It wasn’t a strange leap, though, to bring Searcher to life. “Jake wanted so badly to be involved in the story,” Conli said. “That’s what we do: We’re an iterative group that wants people to dive in and help.” In fact, Gyllenhaal—who voices Searcher Clade—told D23 he was surprised by “how collaborative and artistic” the process was, explaining, “I brought different ideas. I actually got to know and love the character. I was a part of creating the whole thing.” According to Nguyen, the story “kept revealing itself” each time a new collaborator joined the film. “It wanted to be told a certain way,” he said, “so that was really fun.”

Just as Gyllenhaal got to make Searcher his own, Young-White, who voices Ethan Clade, said he “definitely” shares similarities with his character. However, he said he’s most like Union’s Meridian Clade than any other character in the film. “Meridian is just so on top of it in a way that I really relate to,” Young-White said. “When push comes to shove, I’ve always got a plan.” As for Union? She most relates to Ethan, especially when the 16-year-old is trying to forge his own identity separate from his family. “[Ethan is part of] a younger generation trying to branch out in their own direction, following their own passions and dreams—maybe with a love where you don’t know if it’s requited or unrequited. There’s a lot about that I relate to,” Union told D23. “I‘m the only one in my family in show business, and it can be a solitary trek. Not everyone understands it.”

Before Walt Disney Animation Studios’ Strange World opens in theaters on Wednesday, November 23, enjoy photos of the stars and filmmakers at the premiere:

Tickets Now on Sale for Disney100: The Exhibition, Opening February 18 in Philadelphia

The D23 Team

Tickets are now on sale for the world premiere of Disney100: The Exhibition, debuting at The Franklin Institute in Philadelphia on February 18, 2023. Created for the 100-year celebration of The Walt Disney Company, the exhibition invites guests to step into their favorite stories using innovative and immersive technology throughout 10 galleries in the 15,000-square-foot exhibit.

The Walt Disney Archives is opening its vault of treasures, showcasing more than 250 of its “Crown Jewels,” rarely seen original artworks and artifacts, costumes and props, and other memorabilia—five of which were unveiled today, including:

  • Disneyland Employee Badge #1 (1955), issued to Walt Disney
  • Steamboat Whistle used for Steamboat Willie (1928)
  • Prop Storybook featured in Snow White and Seven Dwarfs (1937)
  • Skywalker Lightsaber Hilt from Star Wars: The Rise of Skywalker (2019), used by Daisy Ridley
  • Magic Ring from The Shaggy Dog (1959), used by Tommy Kirk

Daytime tickets, which include admission to The Franklin Institute, valid 9:30 a.m.–5 p.m. daily, are $45 for adults, $43 for seniors and military, and $41 for children ages 3–11. Evening tickets, which include admission only to Disney100: The Exhibition, valid from 5 p.m. until closing, Thursday–Saturday, are $25 for all guests. Tickets are timed and dated, and advance ticket purchase is strongly recommended. For information on purchasing tickets, please visit www.fi.edu.

It was also announced today that composer Steve Mazzaro—whose work can be heard on the soundtracks of such Disney-produced films as The Lion King (2019), Pirates of the Caribbean: Dead Men Tell No Tales(2017), and The Lone Ranger (2013)—has composed an original soundtrack for the exhibit blending themes of such beloved classics as “When You Wish Upon a Star” from Pinocchio (1940) and “Let it Go” from Frozen (2013) with a new theme crafted exclusively for the exhibition.

Also exclusive to this exhibition, Disney has curated special behind-the-scenes glimpses into the creation of the company’s most popular characters, films, shows, and attractions—from Disneyland to Walt Disney World and beyond. The 10 magnificent and imaginatively themed galleries, all featuring moving stories, unique interactive installations, and exciting background information, will take guests on a journey through 100 years of The Walt Disney Company, celebrating the classics from Snow White and the Seven Dwarfs to Strange World, as well as the latest members of the Disney family—Pixar, Star Wars, Marvel, and National Geographic.

Exhibitors today shared the first look at six gallery renderings, including:

Alt Text: An artist’s rendering of the gallery titled “Where It All Began” within Disney100: The Exhibition portrays guests walking around and looking at exhibits, artifacts, and interactive displays related to the early years of The Walt Disney Company.

  • Where It All Began: This gallery introduces visionary filmmaker and innovator Walt Disney and his philosophies that laid the foundation for The Walt Disney Company. Guests will explore his story from before Mickey Mouse to Mickey’s debut in Steamboat Willie in 1928, to the fantastic breakthroughs in animation during the early 1930s.

Alt Text: An artist’s rendering of the gallery titled “Where Do the Stories Come From” within Disney100: The Exhibition portrays guests walking around and looking at exhibits, artifacts, and interactive displays related to the iconic stories from 100 years of The Walt Disney Company.

  • Where Do the Stories Come From?: A gallery dedicated to the art of storytelling with ever-changing multimedia environments that illustrate how Disney storytellers bring characters to life. Guests can explore the sources of inspiration for Disney’s most beloved and iconic films through art and artifacts from Snow White and the Seven Dwarfs, Frozen, and The Princess and the Frog.

Alt Text: An artist’s rendering of an interactive station within the gallery titled “Where Do the Stories Come From” within Disney100: The Exhibition portrays guests at a table that appears to be piled with books, while around them are video screens displaying images related to the original sources of the iconic stories from 100 years of The Walt Disney Company, such as the book illustrations from Alice in Wonderland.

  • Sources of Inspiration: From classic fairy tales and legends to original creations, this immersive and interactive installation within the “Where Do the Stories Come From?” gallery invites visitors to explore the literary influences behind some of their favorite stories and see how they inspired Disney artists and storytellers.

Alt Text: An artist’s rendering of the gallery titled “The Spirit of Adventure and Discovery” within Disney100: The Exhibition portrays guests walking around and looking at exhibits, artifacts, and interactive displays related to adventure tales from movies and other media produced by The Walt Disney Company, such as 20,000 Leagues Under the Sea and Pirates of the Caribbean.

  • The Spirit of Adventure and Discovery: From the depths of the ocean and the mysteries of the jungle to the outer reaches of the galaxy, Disney adventure stories from Disney, Star Wars, and the Marvel Cinematic Universe invite exploration and discovery in this interactive gallery where curious youngsters can embark on a quest to uncover hidden artifacts from favorite films.

Alt Text: An artist’s rendering of an interactive station within the gallery titled “The Spirit of Adventure and Discovery” within Disney100: The Exhibition portrays guests looking at a reproduction of the round window from the Nautilus submarine from the movie 20,000 Leagues Under the Sea, while projected video images appear around them, depicting undersea adventure stories from The Walt Disney Company. 

  • The Nautilus Window: Within the “Spirit of Adventure and Discovery” gallery, guests can peer through an interactive window of Captain Nemo’s legendary submarine, as seen in 20,000 Leagues Under the Sea, for a glimpse of Disney and Pixar’s enchanting underwater worlds.

Alt Text: An artist’s rendering of the gallery titled “Your Disney World: A Day in the Parks” within Disney100: The Exhibition portrays guests walking around and looking at exhibits, artifacts, and interactive displays related to the Disney Parks, including full-size ride vehicles from the Matterhorn Bobsleds and Peter Pan’s Flight as well as a rendering of Main Street, U.S.A., that fills one wall.

  • Your Disney World: A Day in the Parks: Guests step into a recreation of Main Street, U.S.A., to explore the legacy and development of Disney parks and attractions worldwide.

“In 1923, Walt Disney set our company on a path that would revolutionize the entertainment industry, creating unforgettable stories, beloved characters, and unparalleled experiences that generations of fans around the world have enjoyed,” said Becky Cline, director of the Walt Disney Archives. “This incredible exhibit will take guests on a remarkable journey from those earliest days into Disney’s dazzling future using seamless technology, a rich musical score, and—of course—treasures from the Walt Disney Archives collection.”

“The Franklin Institute has spent almost 200 years bringing stories of innovation and discovery to the public in an immersive and interactive way, so Disney100: The Exhibition is a perfect fit for us and our audience,” said Larry Dubinski, President and CEO of The Franklin Institute. “We are proud to host the world premiere at The Franklin Institute so fans across Philadelphia and beyond can have the first opportunity to see these crown jewels come to life in beautifully crafted galleries reflecting Disney’s imaginative storytelling, innovation, discovery, and wonder.”

Disney100: The Exhibition is created and curated by the Walt Disney Archives and Semmel Exhibitions. The Franklin Institute is proud to present and play host to the world premiere of Disney100: The Exhibition in the Nicholas and Athena Karabots Pavilion and the Mandell Center. PECO, the Premier Corporate Partner of the Franklin Institute, is the Local Presenting Sponsor of the exhibition, and PNC is the Associate Sponsor.

A photo depicts Disney Employee Badge Number 1, one of the historical artifacts that will be included in Disney100: The Exhibition. The badge has been photographed against a neutral white background. 

The Artifacts

The following historical Disney artifacts are to be featured in World Premiere of Disney100: The Exhibition at The Franklin Institute:

  • Disneyland Employee Badge #1 (1955), issued to Walt Disney: Disneyland Employee Badge #1 was worn briefly by Walt Disney during rehearsal for Disneyland’s Opening Day in 1955 and, later, on television in The Disneyland Tenth Anniversary Show (1965). Disneyland Cast Members wore similar badges from 1955 through 1962, establishing a longstanding tradition of becoming proud ambassadors of Disney culture when wearing their Disneyland name tags.

A photo depicts the whistle used for sound effects in Steamboat Willie, one of the historical artifacts that will be included in Disney100: The Exhibition. The whistle has been photographed against a neutral white background.

  • Steamboat Whistle used for Steamboat Willie (1928): Debuting at the Colony Theatre in New York City on November 18, 1928, Steamboat Willie was the first theatrically released Mickey Mouse cartoon and the first cartoon to feature synchronized sound. Sound effects devices, like the whistle seen here, helped to capture an all-new level of artistry in Walt Disney’s groundbreaking animated films.

A photo depicts the prop storybook used in the opening of Snow White and the Seven Dwarfs, one of the historical artifacts that will be included in Disney100: The Exhibition. The storybook has been photographed against a neutral white background.

  • Prop Storybook featured in Snow White and the Seven Dwarfs (1937): This prop storybook opened Walt Disney’s first full-length animated film, Snow White and the Seven Dwarfs (1937), drawing moviegoers into the fairy tale world from which Snow White originated. This introductory convention would go on to appear in many of Disney’s future animated films, including Pinocchio (1940), Cinderella (1950), and Sleeping Beauty (1959). 

A photo depicts the hilt of a lightsaber used in the film Star Wars: The Rise of Skywalker, one of the historical artifacts that will be included in Disney100: The Exhibition. The lightsaber hilt has been photographed against a neutral white background.

  • Skywalker Lightsaber Hilt from Star Wars: The Rise of Skywalker (2019), used by Daisy Ridley: Once wielded by Anakin Skywalker, and later inherited by Luke and mysteriously gifted to Rey, filmmakers recreated the Skywalker Lightsaber hilt for Star Wars: The Rise of Skywalker (2019) in its repaired form, still emulating the real-world Graflex camera flash holder from which the original was fabricated.

A photo depicts two views of the magic ring used in the Disney film The Shaggy Dog, showing the outside of the ring and inscription inside the ring. The ring is one of the historical artifacts that will be included in Disney100: The Exhibition, and has been photographed against a neutral white background.

  • Magic ring from The Shaggy Dog (1959), used by Tommy Kirk: In Walt Disney’s hit 1959 film The Shaggy Dog, teenager Wilby Daniels (played by future Disney Legend Tommy Kirk) accidentally discovers this magic ring in a museum and, by repeating the Latin inscription featured on the band, transforms into a large and clumsy Bratislavian sheepdog.

About The Franklin Institute

Located in the heart of Philadelphia, The Franklin Institute is a renowned and innovative leader in science and technology learning and a dynamic center of activity. As Pennsylvania’s most visited museum, it is dedicated to creating a passion for learning about science by offering access to hands-on science education. For more information, visit www.fi.edu.

About the Walt Disney Archives

For more than 50 years, the Walt Disney Archives has carefully safeguarded the most treasured items from The Walt Disney Company’s history, including original scripts, movie props and costumes, Walt Disney’s correspondence and script notes, theme park artifacts, merchandise, millions of archival photographs, and many of Walt’s personal effects. Founded by Disney Legend Dave Smith in 1970, the Walt Disney Archives is a vital resource for every part of Disney, as well as an important research center for Disney scholars, researchers, and writers. The Archives also shares its countless pieces with Disney fans everywhere through its exhibitions and close association with D23: The Official Disney Fan Club.

Meet the Characters of Disenchanted

By the D23 Team

Set 10 years after the original Enchanted, Disenchanted follows Giselle and Robert as they move their growing family to the suburbs of Monroeville in search of a fairytale life. Suburban life turns out to be less about singing with the birds and more about dealing with a local queen bee—Malvina Monroe, who makes Giselle feel more out of place than ever. Still searching for some magic in her life, Giselle accidentally transforms the town into a real-life fairytale—consequently placing her family’s future happiness in jeopardy! Watch the film on November 18, streaming exclusively on Disney+, to find out whether Giselle can reverse the spell and learn what happily ever after truly means to her and her family.

Before you start streaming Disenchanted this weekend, we have a question for you: How will you know… the characters? We’ve created this handy guide to the characters both new and familiar—and that’s how you’ll know!

Giselle stands on her balcony with a hand up to her mouth as she calls out a song.

Giselle (Amy Adams)

Originating from the fairytale kingdom of Andalasia, Giselle was once betrothed to the kingdom’s prince, before discovering a new kingdom and a new prince that set her life on a different path! Now, she lives in New York City, married to Robert Philip, a pragmatic divorce attorney who has learned to see the magic in life.

About her character, Adams says, “Giselle comes from this place of such extreme joy and optimism, and she understands that outside of that, there’s an impact that she can have on the world by just seeing the best in every situation. And that is such a beautiful thing to get to play.”

Her newest situation? Moving to the suburbs and dealing with the local alpha female. Can this problem be solved with some fairytale magic? That’s something Giselle will have to find out for herself.

Robert, wearing a puffy shirt and navy overcoat, holds his gloved hand to his chest with a smile.

Robert Philip (Patrick Dempsey)

Disney Legend Patrick Dempsey returns as Giselle’s husband, Robert, who had a lot to learn about the magic of life in Enchanted. Now, he’s adjusting to married life and a new home.

Dempsey explains, “They’ve moved to suburbia, and Robert has to commute into the city for work. He is wondering what he is doing with his life, as he needs more meaning. Then a spell is cast, and he suddenly becomes a fairytale version of himself. He becomes a knight on a quest, which he thinks gives him a purpose.”

His fairytale self is less serious and more swashbuckler—and he’s not afraid to break into song. Director Adam Shankman explains, “Patrick is singing and dancing and doing all sorts of stuff that he never thought he was ever going to do.”

Unlike his character, Robert, Dempsey couldn’t wait to burst into song: “That was the best part of the entire movie because I had to challenge myself in different ways. I have never really sung before, so it was all about finding my voice and working with the dancing.”

Prince Edward pops out from behind Nancy, wielding a magic wand and a smile. Both are dressed in elaborate outfits befitting a prince and princess.

Prince Edward (James Marsden)

Giselle’s would-be husband, the silly and sweet Prince Edward, returns in Disenchanted. Now married to Nancy, he had been living his typical fairytale life before being called to Monrovia to visit Giselle and Robert. “I had so much fun on Enchanted, and I’d been wanting to jump back in,” says Marsden. “Edward is the only character of the bunch that has not really changed. Giselle has adapted to this new world, and Robert’s adapted to having a fairytale princess bride. [Nancy] had to adapt from the real world to Andalasia. Edward? He is the same. He is a hopeless romantic who is in love with being in love.”

Nancy Tremaine (Idina Menzel)

In Enchanted, Nancy started the film betrothed to Robert and ended it marrying a prince—and moving to Andalasia! Disney Legend Idina Menzel is no stranger to fairytale life, having also voiced Elsa in the Frozen films. In Disenchanted, she joins her husband Prince Edward to visit Giselle and Robert—and once Giselle’s spell is cast, she gets to do more than just tour their new house!

While Nancy famously did not sing in Enchanted, she has her own musical number in the new film. “‘Love Power’ is a beautiful ballad that tells an integral part of the story,” Menzel explains. “Nancy encourages Morgan to find love and embrace Giselle. It is an opportunity to grow Morgan’s character and bring her closer to Giselle in their mother-daughter story.”

Giselle, Sophia, Morgan, and Robert stand inside their new home, all reacting in surprise to something in front of them.

Morgan Philip (Gabriella Baldacchino)

Disenchanted in many ways in a mother-daughter story, between Giselle and her stepdaughter, Morgan. When we last saw Morgan, she was a little girl trying to make sense of her father’s impending wedding—and the fairytale woman crashing in their house. In Disenchanted, that fairytale woman is now married to her father. Plus, she’s adjusting to an expanding family and a new home—that’s already a lot for a young woman to handle! Then, Giselle goes and makes a wish for life to be like a fairytale, and the rules of fairytale life have unexpected consequences between stepmother and stepdaughter…

Rosaleen and Ruby flank Malvina as they all walk through a crowded room. Malvina is dressed like an evil queen, while Rosaleen and Ruby both wear simpler gowns and hats.

Malvina Monroe (Maya Rudolph)

New to the world of Disenchanted is Malvin Monroe, Giselle’s suburban adversary. When Giselle first meets Malvina, portrayed by Maya Rudolph, she is already controlling—but with the magic of Giselle’s wish, things get a little out of hand.

“Playing a Disney villain was an unbelievable dream,” Rudolph says of the role.

Adams adds, “Maya is a totally different type of villain who works more through manipulation and has created this power dynamic that reflects the power dynamics she had in her non-fairytale life as the alpha female of the town.”

Rosaleen (Yvette Nicole Brown) and Ruby (Jayma Mays)

What’s a Disney villain without henchmen? Yvette Nicole Brown and Jayma Mays play Rosaleen and Ruby, Malvina’s two sidekicks. “They are sort of an echo of the ugly stepsisters from Cinderella,” jokes Shankman.