Unleash Stitch Summer with These Alien Essentials

With the summer sun starting to shine and Disney’s live-action reimagining of Lilo & Stitch following close behind, we’re excited to share our favorite Stitch products for the season! From alien accessories and toys to tropical coffees, here are some fun Lilo & Stitch products to watch out for:

A netting package of Babybel cheese wheels featuring colorful graphics of Stitch on each wheel. Attached to the package is a red label with Babybel’s logo and the Lilo & Stitch movie logo, featuring Stitch.

Stitch Cheese – Babybel

Snack on Stitch-themed Mini Babybel cheeses—coming soon! From July 21 to August 31, these limited-time cheesy delights will be available as a snack for any crazy activity. Conveniently wrapped in their signature red-wax coating, you can toss these into any picnic and bring Stitch in on the fun. With 4 grams of protein per serving and 100% real cheese, these Stitch Babybels will add a little mischief to your snack time. Just don’t forget to share!

Look for these on-the-go snacks in your local grocery store, beginning this July, or visit Babybel.com.

In a row, from left to right, three Stitch-themed Citizen Watches with tropical, pink, and navy-blue dials.

Summertime with 626 – Citizen

Click to purchase “A Stitch in Time” Watch

Click to purchase Stitch Eco-Drive Watch

Stick with Stitch all the time with CITIZEN’s Stitch-themed watches! With three different styles to pick from, you can choose your adventure’s tempo… and for those who love the sun, know that the Stitch Eco-Drive Watches harness the power of light to move the dial’s three hands! The island themed “A Stitch in Time” Watch features a smooth blue leather strap and a dial of plumerias—perfect for a tropical getaway. A second version of the Eco-Drive Stitch watch features a velvety pink dial. Or, keep an eye out for the “Stitch & Angel Together” Watch; it features a deep navy-blue backdrop for our favorite alien couple and a stainless-steel case.

The pink dial Stitch watch and the “A Stitch in Time” Watch are currently available online at the Disney Store; the “A Stitch in Time” Watch is also available at Trend-D at Disney Springs. In June, the “Stitch & Angel Together” Watch will be available throughout Disneyland and Walt Disney World Resorts, and online at the Disney Store.

A top-down view of a pair of Havaianas flip-flops. The left slipper features Stitch on a surfboard and the right shows Stitch licking ice cream.

Lilo & Stitch Disney Classics Top Flip Flops – Havaianas

Explore a warm beach with Stitch—in the perfect pair of flip flops! For those hot summer sands, Havaianas Disney Classics Top Flip Flops are perfect to keep your feet comfortable. The wider straps, bright colors, and Stitch’s smile make these the ultimate summer sandal. With multiple size options, you can match with the whole family—shop for men’s, women’s, and kid’s sizes to bring the 626 fun to you.

These flip flops are available for purchase at the official Havaianas website. For each size, check out these links: Men’s sizes, Women’s sizes, and Kid’s sizes.

All sides of a package of Joffrey’s Stitch Coconut Craze; its bright pink packaging features a photo of Stitch and white tropical leaves.

All sides of a package of Joffrey’s Stitch Coconut Craze; its blue packaging features tropical flowers and a photo of Stitch dancing hula.

Stitch Coconut Craze & Stitch Ohana Blend – Joffrey’s

Remember Stitch’s baby bottle full of coffee? With notes of coconut and crumbly graham cracker, Joffrey’s Stitch Coconut Craze is sure to delight anyone just as much that java delighted everyone’s favorite blue alien! But if you want a different taste of paradise, keep an eye out for Joffrey’s newest Ohana Blend; featuring classic island notes of creamy coconut and sweet pineapple, this medium roast coffee will transport you to a lively luau. Use it to energize all your tropical treks and travels… Just don’t destroy the whole city!

Visit joffrey’s.com to purchase Stitch Coconut Craze and Stitch Ohana Blend (available May 1).

 

A LEGO version of Angel (left) and Stitch (right) sit side-by-side. Angel is pink and has a blue balloon rising from her head; Stitch is blue, has a pink flower on his head, and is holding an ice cream cone.

Character Set – LEGO®

Click to purchase Angel

Click to purchase Stitch

Build your favorite aliens with new Lilo & Stitch LEGO sets! With Angel and Stitch’s movable ears, turning heads, and variety of props, they’re able to hit all the cutest poses. Accessorize Angel with butterflies and floating hearts for a sweet display or decorate Stitch with his ice cream cone and flower.

Stitch is now available on LEGO.com; Angel is available for pre-order, to ship on June 1.

(L-R) A series of Pandora jewelry, including a silver necklace, ring, charms, earrings, and bracelet of Stitch and Angel.

Stitch Collection – Pandora

Keep the spirit of ‘Ohana close to you with the new Stitch and Angel Charms from Pandora. They’re also available as a matching set of stud earrings where Stitch and Angel are in crawling positions! If you prefer necklaces, the Stitch Collier Necklace featuring Stitch holding a clear cubic zirconia and a sterling silver chain could be your new best friend.

Speaking of friends: If friendship bracelets are your preference, the Stitch Snake Chain Bracelet symbolizes the alien’s strong bonds with his pals. For something more lowkey, the Stitch & Stone Ring is perfect with its black enamel detailing and clear Stitch silhouette.

Find all these items in person at Disney Parks; your nearest Pandora retail location; or online at pandora.net.

Side view of Ray-Ban’s Kids Opticals, showing a graphic of Stitch in the middle of the red temples.

Side view of Ray-Ban’s Kids Sunglasses, showing a graphic of Stitch on the bottom of red and blue temples.

Ray-Ban | Disney Lilo & Stitch Optical & Sun Kids – Sunglass Hut

When your kids channel their inner Stitch during playtime, Sunglass Hut has got them covered from the bright summer sun. These Ray-Ban Lilo & Stitch Sun Kids and Lilo & Stitch Optical Kids feature lightweight bio-based frames and adorable Stitch prints. And no matter what chaos your kids are up to, the bio-rubber nose pads and temple injections will stay secure.

These Stitch-themed spectacles are available to purchase starting mid-May. Keep an eye out on Ray-Ban.com for the color options, including Ray-Ban Kids’ best-selling purple.

A blue GAP T-Shirt with a graphic of Stitch standing and waving overlaying bold text stating “STITCH.”

Stitch T-Shirt – GAP

Add that alien flair to your wardrobe with GAP’s Stitch T-Shirt. As part of their overall Lilo & Stitch collection, this comfortable blue tee will keep you cool through the summer.

Visit your local GAP store or find it online at GAP.com.

A standing plushie of a smiling Stitch with LED eyes against a white background.

Many Moods Stitch Interactive Plush Toy – Just Play

Bring Stitch’s mischievous antics to life with this interactive plushie! Jiggle him around to see his reactions, or rock him for a nap to see him yawn and snore. With expressive, LCD-screen eyes and over 50+ sounds and reactions, the play possibilities are endless. Have fun hanging with Stitch and enjoying his alien antics all summer long!

Visit your local Walmart, or walmart.com, to purchase the Many Moods Stitch Interactive Plush Toy.

Loungefly’s pastel vegan leather backpack with 3D pink hearts, a heart-shaped front pocket, and a picture of Stitch and Angel surrounded by flowers.

Disney’s Stitch and Angel Mini Backpack – Loungefly

Last but certainly not least, Loungefly’s Stitch and Angel Mini Backpack is the cutest gift for you and your favorite alien. Its iridescent detailing, 3D-cherry blossoms, and heart-shaped front pocket are sweet additions to the bag. Meanwhile, the padded strap, gold-colored metal hardware, and vegan leather add to the comfort—making it the right backpack for any date.

Visit Loungefly.com to purchase Disney’s Stitch and Angel Mini Backpack.

Which Stitch product was your favorite? Bring it with you to watch Disney’s Lilo & Stitch in theaters on May 23rd, 2025!

Matteo Lane on His New Hulu Comedy Special and Lifelong Love of Disney

By Cassandra Pinkney

Matteo Lane is a New York City-based comedian from Chicago, IL, with an impressive breadth of talent. A creative in every sense of the word, Lane explored many other creative pursuits before beginning his comedy career—including oil painting, opera singing, and fashion illustration. That inborn creativity led him to gravitate toward Disney at a young age, where he began to develop an impressive knowledge of the studios’ history.

His latest comedy special, Matteo Lane: The Al Dente Special, premiered May 16 on Hulu and Disney+; written, performed, and executive produced by Lane, the special covers his travels, unique family background, and friendships in his signature snarky and sassy wit.

D23 had the chance to sit down with Lane to talk about The Al Dente Special—but not before chatting with the comic about all things Disney!

D23: What are some of your first memories with Disney?

Matteo Lane (ML): Sleeping Beauty. I’m a fan of [Disney Legends] Marc Davis and Eyvind Earle, and a lot of the artists that came out of that era of Disney, from like 1937 through basically the 1960s. I love Marc Davis—he’s my favorite artist of all time. I just think he was an amazing draftsman and an amazing animator; he created Maleficent and Cruella de Vil. He did a lot of the female drawings because he was very good at drawing a believable body, which is something that’s very difficult to animate. I went to art school, and I worked as a storyboard artist and animator and fashion illustrator for so long, so that’s how my appreciation for Disney comes in.

D23: Like you said, you have a very artistic background with a lot of skills that can be seen as quintessentially Disney. So how has Disney influenced your art?

ML: Like I said, I was very influenced by the things I liked. I love Sleeping Beauty. I thought it was really highly stylized, and it looked different than the other animated movies. I think a lot of my influence came from that and the art direction of Earle, and Davis—and the coloring and styling of the “Renaissance tapestry” look of those of those backgrounds and character design. It was like a mix of 14th century French medieval tapestries and the 1950s. So it was that aesthetic that always stuck with me. A lot of my sketch or line work, or character work, all has that feel to it.

D23: What about Disney resonated with you as a child, and what continues to resonate with you as an adult?

ML: Well in the 1990s, we got VHS tapes of Disney movies. We didn’t have DVDs; we didn’t have Netflix; we didn’t have Disney+. So, you had eight Disney movies, and you watched those over and over again, like Aladdin and The Lion King and stuff like that.

It’s an outlet for kids to express themselves and to sing and to watch stories that may have difficult themes to them, but the guise of animation makes them more approachable. You learn about death, you learn about family, you learn about love, and you learn about bad versus good. There are all the tropes of a childhood story but just thrown into a broader animated musical.

D23: You’ve ranked your favorite Disney Villains before…

ML: Number one is Maleficent!

D23: …But can we ask you to rank some other Disney favorites? Who are your top three favorite Disney Princesses?

ML: In terms of design, in my opinion, one of the prettier princesses is Cinderella—in the pink dress before it gets ripped up. I always loved the design of that dress… I like the way it looked; it had the ruffles coming out of the two bows in the front, with the sort of drape. I actually never liked Cinderella in the ball gown that the Fairy Godmother made her, because they put her hair up—and as a kid I hated when the hair went up! Like when Belle put her hair up… let the hair down! I want the hair down with that dress! So, I would say Cinderella’s pink dress.

I would then say Jasmine in the red was great, because it was like a slightly different.  There’s something about just changing an already existing outfit into something slightly different, like Sleeping Beauty with the blue and the pink dress.

You know what? Before Cinderella’s, I’d put Sleeping Beauty in the pink dress. I always preferred it pink. I didn’t like it blue. I liked it pink! So, in order, I would say, Sleeping Beauty in pink, Cinderella in pink, and Jasmine in red.

D23: We’re sensing a love of warm tones…

ML: Yeah, I like warm tones. My favorite color is orange. I like orangey reds; I like orangey yellows. I don’t like purple, I don’t know why. I prefer Marc Davis’s original design of Maleficent with the red coat rather than the purple. But, you know, Eyvind Earle had a vision, and we all followed suit.

D23: Okay—what are your top three favorite Disney films?

ML: Number one, Sleeping Beauty. Number two, 101 Dalmatians… We’re keeping it to animated films, right?

D23: You can choose whatever you want!

ML: I’ll keep it to animation. So, I would say, Sleeping Beauty, 101 Dalmatians—which were right after each other, by the way—and then I guess I have to pick one from the 1990s… Let me see—well, I do love the music of Hercules the best. But maybe Mulan. I’ll do Mulan for number three!

D23: What are your top three favorite Disney songs?

ML: Number one would probably be “A Star is Born” from Hercules. Then number two would be “Go the Distance” from Hercules. And then number three would be… you know, I always loved “I See the Light” from Tangled. I like that song a lot!

D23: You obviously know a lot about Disney history! Where did this knowledge come from?

ML: We had a giant Disney book when I was younger because my mom liked it. It was all about the art of Disney; the sketching and the keyframes and the drawings and the animation and the paintings. And they would go movie by movie. I always loved looking at that book; I loved looking at all the artwork and the drawings. You just pick up a lot from it, you know?

And then, obviously, I was a kid in the 1990s, so our whole life was The Lion King! And you were inundated with ABC—because, you know, we had four channels!)—and so you’re inundated with [announcer voice] “And behind the scenes of Disney’s Beauty and the Beast and you’d watch all the voice actors and all that stuff. So yeah, you just pick it up as you go along.

D23: Your new special, The Al Dente Special, is now out on Hulu and Disney+. How does it feel to have your work streaming alongside the films you grew up watching and that mean so much to you?

ML: Well, I feel sorry for the 7-year-old that wants to watch Beauty and the Beast and instead, they’re watching me complain about flying through Europe!

But seriously, it feels cool! it feels great. None of it sinks in—it’ll all sink in later. I’ll have an answer for you a couple months from now. I think.

D23: What can your fans expect from this new special?

ML: I think that this special is just like catching up with a friend at brunch that you haven’t seen over the past year—and they’re telling you all the stories and adventures they’ve been on. Just an hour of escapism. Just laughing. Let’s just laugh!

Matteo Lane: The Al Dente Special is now streaming on Hulu and Disney+!

QUIZ: Are You More Like Lilo or Stitch?

By Cassandra Pinkney

Lilo and Stitch may be an unlikely pairing, but they’re certainly one of our favorite Disney dynamic duos. These two found each other by chance and became more than just best friends… they became ‘ohana. Both Lilo and Stitch have big personalities, which make them a perfect match for one another. Which character do you think you’re the most like: Lilo or Stitch? Take this quiz to find out!

How do your friends describe you?(Required)
What’s your favorite thing to do at the beach?(Required)
How do you like to greet people?(Required)
What’s your favorite type of movie?(Required)
Who makes the best company: dogs or people?(Required)
How often do you find yourself in trouble?(Required)
When you need advice, who do you turn to?(Required)
Which sea creature is your favorite?(Required)
How do you prefer to listen to music?(Required)

DOWNLOADABLE: Celebrate Lilo & Stitch With This Fun Activity Pack!

By the D23 Team

Ready for a lil’ Hawaiian roller coaster ride with the whole family, in the comfort of your own home?

Disney’s live-action reimagining of Lilo & Stitch hits theaters this Friday, May 23—and to get into the spirit, we’ve got special access to an adorable, Stitch-ified activity pack, available for download right now!

This activity pack is chock full of coloring pages; “Spot the Difference” games; word searches; a Stitch mask you can cut out and wear; and so much more! You can download this pack for free by clicking the link below:

In the meantime, don’t forget to meet the cast and characters of Lilo & Stitch... or read a Lilo & Stitch excerpt from the Summer ’25 issue of Disney twenty-three, the publication available to D23 Gold Members. (Not a Gold Member? Join today!)

And naturally, you don’t want to miss Lilo & Stitch, in theaters beginning May 23!

‘Ohana Means Lilo & Stitch

By Christina Sturdivant Sani

[Excerpted from the Summer 2025 issue of Disney twenty-three. To enjoy this and upcoming issues of the publication, become a Gold Member today!]

When Disney released the animated film Lilo & Stitch in 2002, it created a “unicorn” in the Disney canon, according to Lilo & Stitch fan Jonathan Eirich. “First and foremost, you have Stitch—a whirlwind of terror wrapped in the cutest exterior imaginable,” Eirich, a producer on Disney’s Haunted Mansion (2023) and Aladdin (2019), tells Disney twenty-three. “It was a perfect storm to allow such a quirky, idiosyncratic story to get made—one that’s not about princesses or being perfect, but rather about real, deeply flawed characters discovering a found family.”

On May 23, Disney will release a reimagined live-action version of the film, which Eirich was excited to produce.

“In recent years, you could feel the fan fervor for [Stitch] building. I saw him everywhere out in the world, so you knew fan interest was there,” he says. “That comes with enormously high expectations to get it right… but I love that challenge.”

Set in Hawai‘i, the original film introduces us to Lilo, a little girl who’s being raised by her struggling older sister, Nani. Feeling lonely and dismissed by her peers, Lilo goes to an animal shelter where she adopts Stitch, whom she believes is a dog. In reality, Stitch is an alien creature programmed to cause chaos, and he’s on Earth trying to evade capture by an intergalactic police force.

While their journey is frenzied, Lilo and Stitch develop a close bond rooted in the Hawaiian concept of ‘ohana, which means family. All the while, Nani tries to quell the rambunctious duo and keep a stable job, after being threatened by a social worker who wants to transfer Lilo into foster care.

The right director for this remake needed “heart and humor in [their] filmmaking,” Eirich says, plus animation and visual effects experience to bring Stitch to life. He found that in Dean Fleischer Camp, whose film Marcel the Shell with Shoes On (2022) was nominated for an Academy Award® for Best Animated Feature Film in 2023.

“In that film, you see this quirky, clever, and beloved character of Marcel make us laugh throughout—but more than anything, make us cry,” says Eirich, who had known Fleischer Camp for years and reconnected with him after the Oscar® nomination. “His film was so deeply emotional, and that notion of dealing with loss and finding a family in Marcel was so directly applicable to what is at the core of Lilo & Stitch.”

In a scene from Lilo & Stitch (2025), Lilo (Maia Kealoha) stands in front of a counter in the office of a pet adoption agency. She is facing the camera and is seen from just above floor level. In front of her, with his back to the camera, is Stitch (voiced by Chris Sanders), seen only from the neck up. Lilo is wearing denim overall shorts and a red shirt. Behind her on the counter are stacks of paper and other common office items. A door with a window to the outside can be seen on the left, and on the right is a poster on the wall of a girl hugging a dog and the words “Adopt – Save a Life.”

“I basically make movies to try to make my dad cry in public, so Marcel… and Lilo & Stitch were perfect opportunities for that,” Fleischer Camp tells Disney twenty-three. In the animated Lilo & Stitch, he adds, “The sisters getting torn apart and the struggle that they’re going through is unusually terrestrial for a Disney movie.”

Remaking the sisters’ tale in live action called for even more depth of storytelling, he says. “Live action demands that you tell a real story and have real emotional stakes and that it’s grounded in people’s lived experience of how hard life can be.” Part of his job, he continues, was “trying to figure out the real-world version of what the original Lilo & Stitch did—and that was a fun challenge.”

As a director, that meant ignoring “the swirling chaos going on all around me and trying to put myself in the shoes of an audience member who’s going to see this movie two years later… and ask really basic questions like, ‘Does this joke make me laugh?’; ‘Do I empathize with this person’s struggle?’; ‘Is this storytelling clear?’—those basic things that seem really far off when you’re in a jungle in Hawai‘i… That’s my approach.”

One thing the filmmakers knew for sure: The movie would portray authentic Hawaiian culture. In addition to shooting the entire film in Hawai‘i, they hired screenwriter Chris Kekaniokalani Bright, “who is an extraordinary writer and also born and raised in Hawai‘i,” Eirich says, adding that Bright’s mother was the director of the choir that performed the music for the original film and for the reimagining.

Those touches of authenticity “are felt throughout,” Eirich says, thanks to Bright and “an army of consultants” including Lāiana Kanoa-Wong, Mandi Kaleilani Medeiros Scott, and Mark Keali‘i Ho‘omalu—who ensured that the music, dialogue, locations, and spirit of the film all felt true to the Hawaiian community.

The team was also strict about casting Hawaiian actresses for the lead roles, says Eirich, who calls the search for their Lilo “broad and relentless.” What was particularly challenging was auditioning girls between the ages of 8 to 10. “There is such an innocence to Lilo—she doesn’t understand why she does the things she does or why people around her don’t think she ‘fits in.’ The older the actor, the less of that innocence you saw, so we really started to zero in on 6-year-olds as the sweet-spot age,” he says. Not only did the actress have to resemble and embody Lilo, but she also had to memorize lines and have the endurance for a long feature film shoot, he adds.

Late in the process, they found an audition tape for Maia Kealoha, who says she has a lot in common with Lilo. “We love our culture, we love helping others, and we’re both—I guess you could say—spunky,” she tells Disney twenty-three.

Kealoha was an “absolute revelation,” Eirich says. Fleischer Camp agrees, calling her “an enthusiastic collaborator,” despite this being her very first acting role. “Maia was like… ‘I don’t know what moviemaking is, I don’t know what acting is, but I’m here to perform. What do I do?’” By the end of shooting, “she was such a pro,” Fleischer Camp says. “No ego about it and such a natural performer.”

Similarly, the casting team was impressed by Sydney Elizebeth Agudong, who plays Nani and “is a discovery in her own right,” Eirich says. For Agudong—who’s seen the original Lilo & Stitch “close to one hundred times”—playing Nani was “a creative dream,” she tells Disney twenty-three. “The wonderful thing about art and film is that nothing is set in stone—you prep, study, practice, experiment, and still the moment they call ‘action,’ the slate is clean, and you rediscover your character all over again in real time. And that’s when magic happens.”

In a kinetic scene from Lilo & Stitch (2025), Nani (Sydney Elizebeth Agudong) stands in the kitchen of her house looking and grabbing frantically at Stitch (voiced by Chris Sanders), who is just in front of her, hanging on the open refrigerator door with one paw while reaching for the handle of the upper freezer compartment with the other. Nani’s eyes are wide, and Stitch’s mouth is open, with his tongue sticking out a bit. Behind them is the out-of-focus wall of the kitchen.

As Brilliant as Ever: The Restoration of Cinderella

By William Keck

Just imagine how dazzled movie theater audiences in 1937 must have been seeing Snow White and the Seven Dwarfs, the first full-length animated feature, presented as a well-saturated, 35mm Technicolor® print.

To mark The Walt Disney Company’s 100th anniversary in October 2023, The Walt Disney Studios’ restoration and archive team determined to return to the original negatives and perform the ultimate restoration of not just Snow White and the Seven Dwarfs but also Cinderella (1950) and 27 classic shorts, from Trolley Troubles (1927), with Oswald the Lucky Rabbit, to the Goofy-starring Aquamania (1961)—matching each film to the clarity and richness of their original theatrical showings. (All debuted on Disney+ in 2023.)

So what makes these refurbished shorts and 4K ultra-high-definition restorations different from past efforts? Basically, advances in high-dynamic range and state-of-the-art display monitors revealed minute details, defects, and discolorations previously hidden from the human eye. “HDR (high-dynamic range) allows us to provide more brightness, a wider range of color, and sharper and crisper detail in the dark [areas] to get us closer to the original film than we ever have before,” explains Kevin Schaeffer, Director, Restoration & Library Management for The Walt Disney Studios, a 30-year studio employee who has now worked on multiple restorations of Snow White and the Seven Dwarfs, Cinderella, Mary Poppins (1964), and Beauty and the Beast (1991).

The centennial restoration project began with tracking down the films’ original negatives, which in itself was an epic undertaking. The great majority of Disney’s shorts as well as every animated feature from Snow White and the Seven Dwarfs all the way through 1950’s Cinderella were captured on nitrate negatives, which, Schaeffer observes, “shows the sharpest, crispest, clearest picture you’re going to get.” But nitrate can also become extremely flammable and potentially explosive. That’s why these delicate reels are safely housed in a protective facility in the Library of Congress in Washington, D.C.

Upon being “checked out” from the library, the borrowed nitrate reels were carefully transported to California during cooler months. The negative was then scanned at Picture Shop in Hollywood, and an original nitrate print was screened for the restoration team at UCLA’s Melnitz theater, one of only three screening rooms in Southern California equipped to show such prints.

Before the negatives were returned to the library, 4K scans were made and turned into digital files to be closely inspected for dirt, scratches, dust particles, strobing, fading, inconsistencies, and unintentional omissions. The actual restoration—involving clean-up and color correction—was a group effort employing up to 150 people. And unlike the Fairy Godmother’s spell that expired at midnight, these magical makeovers are made to last forever.

SILVER MEDDLE

Before the restoration of Snow White and the Seven Dwarfs, unveiled in 2023, the team had first waved its collective wand to give Cinderella its own bibbidi-bobbidi-boo 4K transformation. Just as the Fairy Godmother told Cinderella, even miracles take a little time, and this one took between nine and 10 months, beginning with a proper dusting of the large carpet in the main hall… and the windows and the tapestries and the draperies! Even Lucifer the cat was given a thorough bath.

A side-by-side comparison, with the unrestored film image on the left and the restored image on the right, showcases the work of the film restoration team, which included adding back details created by the film’s original animators that had been inadvertently removed.

Schaeffer selected Cinderella, in large part, to address issues that arose from a previous restoration for a previous Blu-ray edition. Along with several generations of film grain, some elements of the animators’ original detail were also inadvertently removed, such as some defining folds in Cinderella’s ball gown. “There is now a whole system of checks and balances in place to make sure that never happens again,” Schaeffer assures.

Previous restorations of Cinderella also left some on the Disney team questioning that ball gown’s intended color: Blue? Pearl gray? Silver? White? Eric Goldberg—Head of Hand-Drawn Animation for The Walt Disney Animation Studios, and the ultimate keeper of the colors—insists “when she first gets the dress it is silver, not blue.”

Simple, right? Not exactly. While Cinderella is dancing with the prince in the moonlight, the dress does in fact turn blue. “It was something the animators intentionally did to reflect a mood,” Goldberg explains, “and now we knew what to recapture to stay true to what the director originally intended.”

And don’t get Goldberg started on Cinderella’s hair. It is, he stresses, “not yellow. It is more dusty blond… Both [Disney Animation production designer] Mike Giaimo and I tried very hard to get it back to how we remember seeing it on film way back when,” says Goldberg. “I pulled a whole bunch of cels, which gave us a road map to go by.” Archived cels also proved invaluable when longtime colorist Mike Underwood worked as hard as Jaq and Gus tracking a nonstop kaleidoscope of colored ribbons, bluebird vests, and mouse hats and hair bows as the dress is being made.

There were also a few errors or omissions on the nitrate negative that warranted repair. “We’d never want to use modern technology to change something that couldn’t be done at the time,” says Schaeffer. “However, if Cinderella is looking at Gus in the little mousetrap and leans in and smiles but suddenly has no neck, that’s an oopsie. So we gave that floating head a neck.”

HAPPILY EVER AFTER

In addition to the restored digital masters, high quality copies of all the features and shorts originally shot on nitrate film stock have been made on safety stock, and these along with the original negatives for everything from 1951 onward are archived in a temperature-controlled vault built on the Disney lot in 2015 to house the crown jewels of the Disney collection, as well as newer acquisitions from ABC Films, Selznick International, and 21st Century Fox.

Housed behind 10-inch-thick walls are some 52,000 reels and just under 4,000 titles, including the original cut negatives of 1951’s post-nitrate Alice in Wonderland all the way through to 1990’s The Rescuers Down Under. Beyond that, beginning with 1991’s Beauty and the Beast, everything shifted to being archived as digital files. But many films created digitally have a film master created to archive as a backup, explains the keeper of the vault, Lisa Fuguet, Senior Manager of the Film Archive. “Film is known to last over 100 years,” Fuguet says, “while the jury’s still out on digital durability.”

The archive team makes sure to inspect all negatives at least once every 25 years. (Fans, of course, can watch the recently restored shorts and features on Disney+, and both Snow White and the Seven Dwarfs and Cinderella are available on 4K Blu-ray.)

As for future restorations, having recently completed remastering the animated Lilo & Stitch (2002), Schaeffer hints the next title selected may be “a little more recent” than Snow White and the Seven Dwarfs and Cinderella.

“We all have our wish list on what we want to be restored,” says Goldberg, whose personal picks would be Alice in Wonderland, Peter Pan (1953), and Sleeping Beauty (1959), simply to showcase the beautiful color palettes of Disney Legend Mary Blair. “Our hope is that eventually all of the classic features will go through the restoration process to make them look as they did when they were first released.”

(Excerpted and adapted from Disney twenty-three, Winter 2023)

Meet the Cast and Characters of Lilo & Stitch

By Cassandra Pinkney

“‘Ohana means family. Family means nobody gets left behind, or forgotten…” The release of the live-action reimagining of Lilo & Stitch means welcoming a new cast into the Disney family. While the film is filled with characters audiences know and love, it’s also set to introduce us to some new folks we can’t wait to meet!

Before you catch Lilo & Stitch in theaters beginning May 23, let’s take a look its all-star cast and learn about all the characters you’ll encounter in this “Hawaiian rollercoaster ride” of a film!

Lilo Pelekai (Maia Kealoha)

Lilo is a high-energy 6-year-old girl from Hawaii who loves hula and the music of Elvis Presley. When she’s not dancing along to her favorite songs, she often acts out in ways that get her into trouble and leave her feeling isolated from her classmates. Stitch, a mischievous fugitive alien, seemingly saves her from this loneliness when he becomes the friend she wishes on a star for. Beneath this rebellious streak, Lilo is a loving girl who cares about her family and wants nothing more than to find belonging.

Making her onscreen debut as the titular role of Lilo is up-and-coming actress Maia Kealoha, who relates to her character in a number of ways—including their shared love of hula dancing, music, and the ocean! Kealoha is proud of her heritage, hailing from the Big Island of Hawaii, and has a deep connection to her culture. We can’t wait to see Kealoha share that culture, and her undeniable charm, with audiences when the film premieres this summer.

Nani Pelekai (Sydney Elizebeth Agudong)

Caring for Lilo is her older sister, Nani Pelekai. Nani was once a straight-A student with dreams of becoming a marine biologist. Her life changed when she became Lilo’s guardian—now having to balance school with the demands of raising and providing for her rambunctious little sister. She loves Lilo dearly, but is often too busy to understand the wild musings of such an imaginative child.

Sydney Elizebeth Agudong brings Nani to life in Lilo & Stitch. Agudong was born and raised on the island of Kauai and pursued a career in entertainment after graduating high school. She has been cast as the lead in many projects, and has launched several of her own creative ventures—like serving as an executive producer on an upcoming independent film and writing music.

Mrs. Kekoa (Tia Carrere)

The live-action reimagining of Lilo & Stitch features characters from the 2002 animated film as well as new characters that audiences are sure to love. One such character is Mrs. Kekoa, a social service worker who checks in on Nani and Lilo. She sympathizes with Nani’s situation but is unnerved by the lack of attention given to Lilo. She acts as a mentor for Nani, giving her pointers on how to be a better role model to her sister while also holding her accountable when she messes up.

Tia Carrere has had a well-established career filled with many memorable roles, but Disney fans know her best as the original voice of Nani in Lilo & Stitch (2002). Born and raised in Honolulu, Hawaii, her acting career began after she was discovered at a grocery store. She has brought her Hawaiian heritage to many of creative pursuits—including her music career, for which she has won two Grammy® Awards.

Grand Councilwoman (voiced by Hannah Waddingham)

Grand Councilwoman is the leader of the United Galactic Federation, and a force to be reckoned with! She’s well-intentioned and reasonable, but firm in her desire to bring Stitch back to serve out the rest of his sentence. She has no tolerance for lawbreakers and sends Jumba (Zach Galifianakis) to Earth to find Stitch after he escapes.

Hannah Waddingham voices the Grand Councilwoman—a fitting role for the versatile stage, film, and television star.

Stitch (voiced by Chris Sanders)

There’s no Lilo & Stitch without everyone’s favorite alien, Stitch! Experiment 626, as he is also known as, is one of Jumba’s many outlawed genetic experiments. The short-tempered troublemaker has mischief in his DNA. It is because of these traits that Lilo takes a liking to Stitch and believes that he is the friend she wished for. As Lilo and Nani protect Stitch from being captured by the United Galactic Federation, Stitch learns the meaning of “‘ohana” and embraces the love he receives as part of the Pelekai family.

Chris Sanders is an important name to Disney fans. Not only has he been the definitive voice of Stitch for more than two decades, but he’s also worked behind the scenes on other beloved Disney films such as Beauty and the Beast (1991), Aladdin (1992), Mulan (1998), and of course, co-directed and co-wrote 2002’s Lilo & Stitch! His prowess for creating memorable, heartwarming stories is evident in all his work, with this newest film being no exception.

Tūtũ (Amy Hill)

Tūtũ is a warm, friendly member of Nani and Lilo’s community. A constant presence throughout their lives, she is keenly aware of the struggles that the sisters have faced. She is similar to Mrs. Kekoa in this way, but that’s not the only thing these characters have in common…

Much like Mrs. Kekoa, Tūtũ is played by another member of the cast of the 2002 film, Amy Hill. Disney fans can spot Hill in the 2002 film as a fruit vendor named Mrs. Hasagawa—as well as in other Disney projects including Kim Possible, That’s So Raven, American Dragon: Jake Long, Spider-Man: Homecoming (2017), black-ish, Doogie Kameāloha, M.D., and more!

David Kawena (Kaipot Dudoit)

David Kawena is one of Nani’s coworkers at the hotel she works at. When he’s not entertaining tourists with his Fire Knife Dance, he loves to go to the beach and surf. He has a huge crush on Nani and his affection for her gives him a soft spot for her little sister, Lilo, and their new “dog,” Stitch, as well.

Hawaiian actor Kaipot Dudoit plays David, and he’s proud to be sharing his culture with audiences around the world in through this new film.

Cobra Bubbles (Courtney B. Vance)

Don’t let his last name fool you—Cobra Bubbles is not one to pop under pressure! Cobra Bubbles acts like a social worker assigned to the Pelekai family, but there’s more than meets the eye. He’s actually an undercover CIA agent who has made contact with the United Galactic Federation.

Bubbles is played by Courtney B. Vance, who’s made several appearances around the worlds of Disney—notably on ABC’s Scandal and Revenge, and he’ll soon appear as Zeus in the second season of Percy Jackson and the Olympians on Disney+.

Pleakley (Billy Magnussen)

Pleakley is an enthusiastic and eccentric agent with the United Galactic Federation. He accompanies Jumba on his mission to capture Stitch because he is an expert on Earth (or so he says). Pleakley is played by Billy Magnussen—an actor, writer, and producer who appeared in Disney’s Into the Woods (2014) and the live-action Aladdin (2019).

Jumba (Zach Galifianakis)

Jumba is the evil mastermind from the United Galactic Federation that is responsible for the creation of Stitch. He was arrested for his outlawed genetic experiments, but released on the condition that he would go to Earth to capture Stitch after he escaped. And if that was not punishment enough, Pleakley must go with him on this mission!

Actor, comedian, writer, and producer Zach Galifianakis brings his signature sense of humor to this role; around the worlds of Disney, he can also be seen in episodes of Only Murders in the Building, Bob’s Burgers, The Simpsons, and in The Muppets (2011).

With characters new and old and an all-star cast, you won’t want to miss Lilo & Stitch—only in theaters May 23.

Walt Disney Archives Celebrates 55 Years of Preserving the Magic

Live events, presentations, exhibitions, and digital engagements will celebrate the Disney legacy, memories, and magic.

This summer, the Walt Disney Archives is proud to unveil a milestone anniversary celebration honoring 55 years of collecting, preserving, and showcasing the magic of The Walt Disney Company. Since its founding on June 22, 1970, the Walt Disney Archives has been the home of countless stories and treasures that have delighted and inspired generations, and Disney fans are invited to take part in a series of events, exhibitions, and other special engagements beginning June 1 that spotlight the department’s rich legacy.

Special Events & Exhibitions Calendar

The logo for an upcoming D23 event features the “D23 Spotlight Series” logo and “Walt Disney Archives 55th Anniversary Celebration” text along the left, set on a red background with sunburst pattern. Below this text is the Walt Disney Archives 55th anniversary logo, featuring a 1920s-era, black-and-white-style Mickey Mouse in gray shorts holding a pencil next to a large number “55” set in gray. Below these icons is a logo reading “Walt Disney Archives” in white. Below the Archives logo is a white line separating the slogan “Preserving the Magic,” with “1970–2025” on the bottom line. On the right is a collage of images set in grayscale with a single element (representing an object from the Walt Disney Archives collection) in color. Within this framework (counterclockwise, from top left) are a color Winnie the Pooh doll, with a live-action adult Christopher Robin in grayscale (from Christopher Robin, 2018); a color BB-8 droid from Star Wars: The Rise of Skywalker (2019); a color pair of glass slippers representing the live-action film Cinderella (2015); a black-and-white image of Walt Disney from the early 1930s, featuring a Charlotte Clark Mickey Mouse doll set in color, with red shorts and revealing a yellow glove; and three green-hued Hitchhiking Ghosts figures from the Haunted Mansion attraction at Walt Disney World Resort, seated in a grayscale Doom Buggy ride vehicle and set in an ornate mirror frame.

Special Events

As part of the all-new D23 Spotlight Series, the Walt Disney Archives 55th Anniversary Celebration invites D23 Gold Members to join a behind-the-scenes exploration of how the Archives collects, preserves, and shares thousands of historical treasures from its vast collection. With events scheduled at both the Grand Central Air Terminal in Glendale, California (click here for details), and at AMC Disney Springs 24 in Orlando, Florida (click here for details), fans will get a first glimpse at some of the Archives’ latest projects through a series of fascinating presentations and panel discussions. In addition, Walt Disney Archives Director Becky Cline and special guests will be the hosts at an intimate Walt Disney Archives 55th Anniversary Luncheon, also scheduled for this June at Walt Disney World® Resort!

A vibrant promotional image for the “Charting the Course” event presented by the Walt Disney Archives at the upcoming Destination D23 event. The background is a lime green landscape with yellow and orange accents that evokes nature and exploration. There are triangle graphics resembling mountains, clouds, and waves, and dotted orange lines with star accents throughout. In the center is a large light yellow spark shape evoking a compass on a muted background red and blue. On the graphic is the event title, with “Charting the Course” in a curved red-brown font with the “i” in “Charting” being replaced by a yellow starburst. “Disney’s Global Stories & Inspirations” is written on a red-brown banner graphic near the bottom of the compass.

Exhibitions

Among the exciting experiences offered at Destination D23: A Journey Around the Worlds of Disney – Presented by Lug this August, the Walt Disney Archives is proud to present Charting the Course: Disney’s Global Stories & Inspirations, an all-new exhibit exploring how the world around us sparks creativity in Disney storytelling. Through an incredible selection of photography, artwork, and dimensional artifacts, D23 Gold Members will follow Disney creatives on an artistic journey culminating in a dynamic showcase of Disney stories inspired by diverse cultures and breathtaking landscapes. For more information on the exhibit and Destination D23: A Journey Around the Worlds of Disney, click here.

Fans can also see historical Disney treasures up close as part of the Archives’ robust touring exhibitions program. Presented through October 26 at the South Carolina State Museum, Heroes & Villains: The Art of the Disney Costume features an impressive display of some 70 iconic costumes worn by beloved characters, from Cinderella to Maleficent, highlighting the artistry of costume design. And throughout 2025, the Walt Disney Archives and Semmel Exhibitions continue the global tour of Disney100: The Exhibition, a landmark, 15,000-square-foot experience featuring more than 250 rarely seen artifacts, works of art, costumes, props, and other “crown jewels” of The Walt Disney Company in imaginatively themed galleries.

Special Presentations & Engagements 

The staff of the Walt Disney Archives is excited to engage with fans at a variety of special programs throughout the year. From Destination D23: A Journey Around the Worlds of Disney – Presented by Lug and D23 Gold Theater virtual events to surprise appearances on select Disney Cruise Line sailings in 2025, you never know where the Archives team might appear next to offer an inside look at Disney’s many historical realms.

Two spreads from the quarterly D23 publication, Disney twenty-three, reveal stories presented by the Walt Disney Archives. On the left is page featuring a large, sepia-toned image of Walt Disney in the year 1940, standing in his office at the new Walt Disney Studios in Burbank and looking outside at the lot under construction, where the Disney studio water tower is also pictured. Joining Walt are illustrated characters from Pinocchio (1940), including Pinocchio, who is standing on series of stacked boxes and wood blocks to reach Walt’s height and peer outside. Standing along the window frame is Jiminy Cricket, also looking outside. At the bottom of the base of Pinocchio’s self-made stairs is the cat Figaro, looking up and smiling. To the right of this page is another article from the publication, with an “Ask the Walt Disney Archives” series logo on the top left and featuring a variety of questions from D23 Members and answers from the Archives staff, all in small text. Accompanying the text are three supporting images relevant to each question (clockwise from top-left): a grayscale photo of radio, television, and/or film personalities Ronald Reagan, Bob Cummings, and Art Linkletter from the opening of Disneyland Park in July 1955; a 1927-era colorful map illustration of Playland at Rye Beach in Westchester County New York; and a color photo from the former Mickey’s Toontown Fair area at Walt Disney World, featuring a red barn and a marquee for Wacky Radio, featuring a graphic of the station’s rooster host (incidentally named Red Barns).

Disney twenty-three Quarterly Publication

D23 Gold Members can discover even more magic from the Walt Disney Archives in Disney twenty-three, the quarterly publication of D23: The Official Disney Fan Club. With a new digital edition available to D23 Gold Members, and with the print edition available for purchase on DisneyStore.com, each issue features unique storytelling, perspectives, and rarely seen photography from the Archives, including the engaging “Ask the Walt Disney Archives” and “Down the Rabbit Hole: The Disney You Didn’t Know” series.

A series of four mobile device wallpapers is mocked up, each featuring an historical image set in grayscale with a single element (representing an object from the Walt Disney Archives collection) in color. Each mobile device mockup features a “lock” symbol on top with the large time set to 22:33. On the bottom of each graphic is the Walt Disney Archives 55th anniversary logo, featuring a 1920s-era, black-and-white-style Mickey Mouse in gray shorts holding a pencil next to a large number “55” set in gray. Below these icons is a logo reading “Walt Disney Archives” in white. Below the Archives logo is a white line separating the slogan “Preserving the Magic,” with “1970–2025” on the bottom line. From left to right, the represented images and assets are: a grayscale Walt Disney holding a large, tan-colored oversized book (titled “Mickey Mouse: His Book”) from the Disneyland television series; a color pair of glass slippers representing the live-action film Cinderella (2015); a color Winnie the Pooh doll, with a live-action adult Christopher Robin in grayscale (from Christopher Robin, 2018); and three green-hued Hitchhiking Ghosts figures from the Haunted Mansion attraction at Walt Disney World Resort, seated in a grayscale Doom Buggy ride vehicle and set in an ornate mirror frame.

Digital Downloads: Walt Disney Archives 55th Anniversary Mobile Wallpaper

Disney fans can begin celebrating 55 years of the Walt Disney Archives today with a collection of downloadable phone wallpapers! Debuting the Archives’ brand-new 55th anniversary logo, each graphic spotlights a carefully selected “crown jewel” from the vast collections of the Walt Disney Archives that will be the focus of upcoming live events and digital content throughout the celebration:

  • Mickey Mouse Plush Doll, manufactured by Charlotte Clark (ca. 1930)
  • Glass Slippers, Cinderella (2015)
  • Winnie the Pooh Live-Action Reference Stand-In, Christopher Robin (2018)
  • BB-8, Star Wars: The Rise of Skywalker (2019)
  • Hitchhiking Ghosts, Haunted Mansion attraction, Walt Disney World® Resort (1971)
  • Prop Storybook (“Mickey Mouse – His Book”), Disneyland television series (1954)

About the Walt Disney Archives

Since its founding on June 22, 1970, the Walt Disney Archives has carefully safeguarded the most treasured items from The Walt Disney Company's history, including original scripts, movie props and costumes, Walt Disney's correspondence and script notes, theme park artifacts, merchandise, millions of archival photographs, and many of Walt's personal effects. Founded by Disney Legend Dave Smith, the Walt Disney Archives is a vital resource for every part of Disney, as well as an important research center for Disney scholars, researchers, and writers. The Archives also shares its countless pieces with Disney fans everywhere through its exhibitions and close association with D23: The Official Disney Fan Club.

Who Is Bob? Lewis Pullman on His Complex Character in Marvel Studios’ Thunderbolts* and The *New Avengers Twist

By Zach Johnson

Some Super Heroes aren’t born — they’re made.

That’s certainly true of Robert Reynolds, aka Bob, the mild-mannered mystery man played by Lewis Pullman in Marvel Studios’ Thunderbolts* (now in theaters). But who is he, really?

Warning: Spoilers Ahead

Midway through the film, it’s revealed that Bob, depressed and down on his luck, had volunteered for an illicit, secret Super-Soldier experiment, orchestrated by CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). The result? Bob gets godlike powers that, according to Valentina, make him “stronger than all of the Avengers rolled into one.”

So, in an attempt to solidify her own power, Valentina decides to rebrand Bob as Sentry, giving him a classic costume and a blonde dye job. But it isn’t long before Bob’s dark side manifests as the Void, a deadly alter ego that threatens the Thunderbolts — Yelena Belova (Florence Pugh), Bucky Barnes (Sebastian Stan), John Walker (Wyatt Russell), Red Guardian (David Harbour), and Ghost (Hannah John-Kamen) — and the rest of the world.

Thunderbolts*, which topped the global box office in its opening weekend, not only introduced audiences to Bob and the Thunderbolts, but to a new team: the New Avengers. Following the film’s release (and retitling), Pullman shared an unfiltered look at the many facets of Bob — and teases what might be in store for his character in Avengers: Doomsday.

Yelena Belova (Florence Pugh) uses a flashlight as she tries to escape the vault with Bob (Lewis Pullman) in Marvel Studios' Thunderbolts*.

What excited you most about joining the Marvel Cinematic Universe (MCU)?

I think it was the possibility of living in and inhabiting a character, potentially over the course of many years. Unless you’re doing television, there’s a clear arc in the beginning and end of your relationship with a character; you can only go so deep. There’s something really intriguing about [continuing with] a character who’s as complex and versatile as Bob.

How do the film’s themes of grief and worth — coupled with intense action and dark humor — work together to create something that feels bold and different for the MCU? 

After seeing it, what I really appreciate is that it has all the momentum and action that is so intoxicating about previous Marvel films — but it also has patience. Our director, Jake [Schreier], lets the tempo of the story slow down in moments when it’s earned and it’s deserved. It was invigorating to see [the Marvel Studios team] allow themselves to do that.

Bob (Lewis Pullman) hides in the shadows in Marvel Studios' Thunderbolts*.

Performance-wise, how were you able to juggle Bob’s different personas?

 Jake and I spent a never-ending amount of time talking about it over the weekends. We’d have phone calls late into the night after we’d finished shooting, because he understood him so well.

We were always very clear on the fact that we couldn’t have them be so separate that you could root for one and not for the others — that the audience understood that these were all derivatives of the same spirit and of the same person. It was about finding those ties and those bridges between them. Once you have those, you can stretch in any direction that you want to, as long as you really remain true to those things that are always going to be a commonality, no matter which facet of his personality is in the driver’s seat in the moment.

What was it like the first time you saw yourself in the Sentry suit with blonde hair?

It was bizarre. One of the kind of challenging things to ride was that he’s supposed to look like he’s a Super Hero, but something’s off. There’s something that’s not true to himself, because Valentina had gotten her talons into him. When I finally saw myself fully formed [as Sentry], I was like, ‘I think it’s good that I don’t feel comfortable like this.’ It goes to show that we did it right in terms of how it’s supposed to be a little dissonant and almost a little disturbing. It’s like seeing somebody wearing somebody else’s clothes and trying to act like somebody else. It always looks a little off-putting, so it was really fun to play into.

It wasn’t until the fight sequence when I really felt like I was able to own the suit and not let it own me. There are so many parts about this movie that were meta, and it just kept revealing itself. Even my own imposter syndrome — it was so helpful to have all of that emotional information at the ready for the character. I was lucky that it was so applicable.

Ghost (Hannah John-Kamen), Bob (Lewis Pullman), John Walker (Wyatt Russell), Alexei Shostakov/Red Guardian (David Harbour), Yelena Belova (Florence Pugh), and Bucky Barnes (Sebastian Stan) form an unlikely team in Marvel Studios' Thunderbolts*.

What’s it been like to see the asterisk revealed in the post-release marketing?

That was an easy secret to keep, because it’s unprecedented to change the title of a movie right after it’s already been released. It was hard to imagine how it was going to be pulled off. When they were first talking about it, I was like, ‘How is this going to happen? Has it ever been done? No?’ And, honestly, I still have questions about it! Going forward, should I say that I played Sentry in *Thunderbolts — or in The *New Avengers? What do you think?

I guess we’ll find out.

I guess we’ll find out!

Taskmaster (Olga Kurylenko), Ghost (Hannah John-Kamen), Bucky Barnes (Sebastian Stan), Yelena Belova (Florence Pugh), Alexei Shostakov/Red Guardian (David Harbour), and John Walker (Wyatt Russell) appear in the poster for *The New Avengers.

Everything You Need to Know About Disney Nights on American Idol

By Cassandra Pinkney

The highly anticipated “Disney Nights” on American Idol are here! You read that right—Disney Nights!

This season, American Idol is doubling the fun and giving audiences twice the Disney magic with two back-to-back “Disney Night” episodes! Idol hopefuls will be performing beloved Disney classics during these extra special episodes, with performances from the Top 7 during Disney Night #1 on Sunday, May 11 at 8 p.m. ET/5 p.m. PT and the Top 5 performing during Disney Night #2 on Monday, May 12 at 8 p.m. ET/5 p.m. PT. Here’s a sneak preview of what songs you can expect to hear from the Top 7 on Sunday, May 11:

Graphic of American Idol season 23 Disney Night #1 song choices. Graphic is blue and features Stich from Lilo & Stitch dancing and wearing a yellow lei. Breanna Nix will be singing “Reflection” from Mulan. Gabby Samone is singing “How Far I’ll Go” from Moana. Jamal Roberts is singing “Go the Distance” from Hercules. John Foster is singing “Almost There” from The Princess and the Frog. Mattie Pruitt is singing “Remember Me” from Coco. Slater Nalley is singing “Can You Feel the Love Tonight” from The Lion King. Thunderstorm Artis is singing “Colors of the Wind” from Pocahontas.

And it wouldn’t be “Disney Night” on American Idol without some extra magical surprises. Serving as mentor for the contestants during both episodes is award-winning songwriter, actor, director, and producer Lin-Manuel Miranda. Plus, the Monday night episode features a special performance by Iam Tongi singing Hawaiian Roller Coaster Ride from Disney’s new movie, Lilo & Stitch, in theaters May 23. And to top it all off, contestants will be visiting Disneyland Resort to experience the Happiest Place on Earth before dazzling audiences across America with their incredible performances. Could these episodes get any more magical?!

Tune into the 2-night “Disney Night” Celebration on American Idol Sunday, May 11 at 8 p.m. ET/5 p.m. PT and Monday, May 12 at 8 p.m. ET/5 p.m. PT.