First Look: Sail the Spellbinding Seas of The Art of Moana 2

By Courtney Potter

Get ready to go behind the scenes of Walt Disney Animation Studios’ Moana 2 in incredible, colorful detail, thanks to the newest book in the Disney Art of series.

Journey from Motunui across the vast ocean with Moana and her crew in this latest installment, visually revealing the story behind the art and making of Moana 2. This stunning art book highlights the development art and paintings from the film’s creation—including character designs, storyboards, color scripts, and much more—and features exclusive interviews from the creative team along with behind-the-scenes details.

Speaking of, in anticipation of both the book’s debut and the movie’s November premiere, D23 sat down not only with the book’s author—Kalikolehua Hurley, also a member of Moana 2’s Oceanic Cultural Trust and Sr. Manager, Cultural at Walt Disney Animation Studios—but also with co-directors Jason Hand, David Derrick, Jr., and Dana Ledoux Miller for an exclusive chat.

A headshot of The Art of Moana 2 author Kalikolehua Hurley; she is wearing a pink blazer and a yellow silk top, and has long light brown hair. She smiles at the camera.
The Art of Moana 2 author Kalikolehua Hurley

D23: The Official Disney Fan Club: Kalikolehua, what was working on the book like?

Kalikolehua Hurley: Working on an Art of book with Chronicle Books is very, very collaborative. We worked closely with our production designer Ian Gooding, and of course with our amazing directors as well, and our producers. We all get to sit and look at the incredible work that has been created by our artists, across the board, and decide in terms of the structure of the book; how we’re going to tell the story.

In our case, you’ll see it tracks Moana’s journey across the film—the new worlds that she visits; the new characters that she meets. It’s been such a wonderful collaboration, and we hope that it highlights everyone’s amazing work.

An image from the new Art of Moana 2 book, authored by Kalikolehua Hurley. Renderings of Moana are seen, with different facial expressions and renderings done in digital formats. Also seen are captions from co-director David Derrick Jr. and production designer Ian Gooding.

D23: David, what’s your favorite thing about the book?

David Derrick, Jr.: I love that it shows the evolution of the story, visually—back from where we began. I think one of the earliest drawings I did is in there, of Moana in front of a giant whale shark. You’ll see incredible paintings by [Walt Disney Animation Studios’] Ian Gooding and James Finch, all of our incredible artists—things that sometimes don’t necessarily make it into the final film. And I also love the representation of our story team in there. So many of our jokes land and work because our story team works tirelessly, iterating and making these jokes really work—and making true emotional moments really land.

An image from the new Art of Moana 2 book, authored by Kalikolehua Hurley. The image features six panels, and each features a watercolor-style look at Moana and her little sister Simea walking through various locations on Motunui. The final bottom-right panel finds Moana and Simea standing in the ocean and looking at a bioluminescent sea creature.

D23: Jason, what do you hope The Art of Moana 2 highlights?

Jason Hand: It’s such a great thing to be able to showcase all the amazing artwork that’s created. An animated film is made from the ground up. Every single thing has to be designed or researched—and that book is such a testament to all the incredible work that’s put into what makes an animated film.

An image from the new Art of Moana 2 book, authored by Kalikolehua Hurley. The image contains multiple Motunui storytelling panels depicting Moana; demigod Maui; the history of Moana’s people; and the world around them.

D23: Dana, is there anything specific you hope readers take away from this book?

Dana Ledoux Miller: At every stage of making an animated film, we have incredibly inspired artists and craftspeople collaborating to create what has become the stunning visual landscape of Moana 2. I am so thrilled for people to get a glimpse at just some of their amazing work. From visual development to story sketches and beyond, this book takes you on the journey that led to the film you see on the screen.

Look for The Art of Moana 2 on bookshelves (both physical and digital) beginning November 26—or you can pre-order it now from your favorite bookstore! Check out more images from the book, below:

30 Days of Disney: Freeform’s Magical November Lineup Returns!

By Cecilia Sarantopoulos

Get ready to live your Disney dreams this November as Freeform brings back 30 Days of Disney! For a whole month, Disney magic will fill your screens every night with themed weeks that capture the heart and soul of Disney’s most beloved films. From timeless classics to modern favorites, there’s something for everyone—so you won’t want to miss a single night!

Disney’s most iconic musicals (November 4–8) will have you belting out tunes from Aladdin, Moana, Encanto, and Frozen (and yes, Frozen 2 too!). Gather the family for sing-along sessions that bring out the joy in all of us.

From the sea witch Ursula to the devious Scar, Disney’s villains (November 11–15) take the spotlight in a week celebrating their delightfully wicked ways. Watch Maleficent: Mistress of Evil and Cruella as they show how being bad can be oh so good!

Adventurers at heart, this is your time! Set sail with Jungle Cruise and journey through the Pirates of the Caribbean movie marathon for a whirlwind of excitement, humor, and treasure-hunting thrills (November 18–22).

Princess Week (November 24–28) is the perfect lead-up to Thanksgiving, with fan favorites including Tangled, Beauty and the Beast, The Princess Diaries, and Brave and a special airing of Moana—all in celebration of Disney Animation’s upcoming Moana 2, hitting theaters on November 27.

Below is a night-by-night schedule of movies airing during 30 Days of Disney (all times in ET/PT):

Friday, November 1
10:30 a.m. – The Great Mouse Detective (Disney Animation)
12:05 p.m. – The Aristocats (Disney Animation)
2:00 p.m. – Pinocchio (1940) (Disney Animation)
4:00 p.m. – Finding Nemo (Disney-Pixar)
6:25 p.m. – Finding Dory (Disney-Pixar)
8:30 p.m. – Coco (Disney-Pixar)

In a scene from Pinocchio (1940), Pinocchio (voiced by Dickie Jones), a living wooden puppet, wears a pointy yellow hat, a yellow shirt, red overalls, a blue bow tie, and maroon shoes. He reaches out with his left finger to touch a lit candle. On the right side of the frame, a small black-and-white cat looks alarmed at Pinocchio's action, with a wooden shelf in the background. The scene is dimly lit.

Saturday, November 2
7:00 a.m. – Alvin and the Chipmunks: Chipwrecked
9:05 a.m. – Rio 2
11:10 a.m. – The Emperor’s New Groove (Disney Animation)
1:05 p.m. – Onward (Disney-Pixar)
3:15 p.m. – Toy Story (Disney-Pixar)
5:15 p.m. – Toy Story 2 (Disney-Pixar)
7:20 p.m. – Toy Story 3 (Disney-Pixar)
9:50 p.m. – Toy Story 4 (Disney-Pixar)
12:00 a.m. – Peter Pan (1953) (Disney Animation)

Sunday, November 3
7:00 a.m. – Bolt (Disney Animation)
9:10 a.m. – The Rescuers (Disney Animation)
11:10 a.m. – The Rescuers Down Under (Disney Animation)
1:05 p.m. – Lady and the Tramp (1955) (Disney Animation)
2:40 p.m. – 101 Dalmatians (1996) (Live Action)
5:10 p.m. – Dr. Seuss’ The Grinch (2018)
7:10 p.m. – The Santa Clause
9:20 p.m. – The Santa Clause 2
11:50 p.m. – The Santa Clause 3: The Escape Clause

Monday, November 4
12:30 p.m. – Dr. Seuss’ The Grinch (2018)
2:30 p.m. – Alice in Wonderland (1951) (Disney Animation)
4:25 p.m. – The Hunchback of Notre Dame (1996) (Disney Animation)
6:25 p.m. – Aladdin (1992) (Disney Animation)
8:30 p.m. – Moana (Disney Animation)

Tuesday, November 5 – Election Day
12:30 p.m. – Freaky Friday (2003)
2:35 p.m. – The Jungle Book (2016) (Live Action)
5:00 p.m. – Mary Poppins
8:00 p.m. – Mary Poppins Returns

In a scene from Disney’s live action The Jungle Book (2016), a young boy, Mowgli (Neel Sethi), walks through tall grass alongside a large black panther, Bagheera (Ben Kingsley). The scene takes place in a lush jungle, with Mowgli in his iconic red loincloth and the panther looking protective as they move forward together.

Wednesday, November 6
1:00 p.m. – The Pacifier
3:00 p.m. – Mulan (1998) (Disney Animation)
5:00 p.m. – Soul (Disney-Pixar)
7:00 p.m. – Tarzan (Disney Animation)
9:00 p.m. – The Lion King (1994) (Disney Animation) 

Thursday, November 7
1:00 p.m. – Rio 2
3:00 p.m. – WALL-E (Disney-Pixar)
5:00 p.m. – Tim Burton’s The Nightmare Before Christmas
6:30 p.m. – Frozen (Disney Animation)
8:55 p.m. – Frozen II (Disney Animation)

Friday, November 8
1:00 p.m. – The Secret Life of Pets 2
3:00 p.m. – 101 Dalmatians (1961) (Disney Animation)
5:00 p.m. – Hercules (Disney Animation)
7:00 p.m. – The Princess and the Frog (Disney Animation)
9:00 p.m. – Encanto (Disney Animation)

Saturday, November 9
7:00 a.m. – The Secret Life of Pets 2
9:00 a.m. – The Jungle Book (1967) (Disney Animation)
11:00 a.m. – A Bug’s Life (Disney-Pixar)
1:05 p.m. – Cars (Disney-Pixar)
3:45 p.m. – Cars 2 (Disney-Pixar)
6:20 p.m. – Cars 3 (Disney-Pixar)
8:50 p.m. – Dr. Seuss’ How the Grinch Stole Christmas (2000)
11:30 p.m. – Casper (1995)

Sunday, November 10
7:00 a.m. – The Game Plan
9:40 a.m. – Holes
12:20 p.m. – Casper (1995)
2:50 p.m. – Up (Disney-Pixar)
5:00 p.m. – Dr. Seuss’ How the Grinch Stole Christmas (2000)
7:40 p.m. – Inside Out (Disney-Pixar)
9:45 p.m. – Turning Red (Disney-Pixar)
11:55 p.m. – Meet the Robinsons (Disney Animation)

Monday, November 11 – Veterans Day
12:30 p.m. – Robin Hood (1973) (Disney Animation)
2:30 p.m. – The Sorcerer’s Apprentice (2010)
5:00 p.m. – Despicable Me
7:05 p.m. – Beauty and the Beast (1991) (Disney Animation)
9:05 p.m. – The Little Mermaid (1989) (Disney Animation)

Tuesday, November 12
11:00 a.m. – Despicable Me
1:05 p.m. – Despicable Me 2
3:10 p.m. – Despicable Me 3
5:15 p.m. – The Lion King (2019) (Live Action)
7:55 p.m. – Aladdin (2019) (Live Action)

Wednesday, November 13
11:00 a.m. – Despicable Me 2
1:00 p.m. – Despicable Me 3
3:00 p.m. – Enchanted
5:30 p.m. – Maleficent: Mistress of Evil
8:05 p.m. – Ghostbusters: Afterlife 

Thursday, November 14
12:30 p.m. – Alvin and the Chipmunks: Chipwrecked
2:30 p.m. – Ghostbusters: Afterlife
5:25 p.m. – Cinderella (2015) (Live Action)
7:55 p.m. – Cruella

Friday, November 15
2:00 p.m. – The Fox and the Hound (Disney Animation)
4:00 p.m. – Home Alone
6:25 p.m. – Home Alone 2: Lost in New York
9:00 p.m. – Dr. Seuss’ The Grinch (2018)

Saturday, November 16
7:00 a.m. – Alice in Wonderland (2010) (Live Action)
9:30 a.m. – Alice Through the Looking Glass
12:05 p.m. – Home Alone
2:35 p.m. – Home Alone 2: Lost in New York
5:15 p.m. – Dr. Seuss’ The Grinch (2018)
7:15 p.m. – The Santa Clause
9:25 p.m. – The Santa Clause 2
11:55 p.m. – The Santa Clause 3: The Escape Clause

Sunday, November 17
7:00 a.m. – Chicken Little (Disney Animation)
9:00 a.m. – The Sandlot
11:30 a.m. – Big Hero 6 (Disney Animation)
1:35 p.m. – Wreck-It Ralph (Disney Animation)
3:40 p.m. – Ralph Breaks the Internet (Disney Animation)
6:15 p.m. – The Incredibles (Disney-Pixar)
8:55 p.m. – Incredibles 2 (Disney-Pixar)
11:35 p.m. – Lightyear (Disney-Pixar)

Monday, November 18
12:30 p.m. – Ferdinand
2:55 p.m. – Luca (Disney-Pixar)
5:00 p.m. – Jumanji: The Next Level
8:00 p.m. – Jungle Cruise
12:00 a.m. – Dr. Seuss’ The Grinch (2018)

Tuesday, November 19
1:00 p.m. – Tangled (Disney Animation)
3:00 p.m. – Coco (Disney-Pixar)
5:10 p.m. – Finding Nemo (Disney-Pixar)
7:15 p.m. – Finding Dory (Disney-Pixar)
9:20 p.m. – WALL-E (Disney-Pixar)

In a scene from Coco (2017), Héctor (voiced by Gael García Bernal), a skeletal spirit, wears a straw hat and a tattered long-sleeve shirt. Miguel (voiced by Anthony Gonzalez) wears a red zip-up jacket with a hoodie and holds a guitar, looking up at Héctor. Miguel's face is painted white with black around his eyes, nose, and mouth. The two are pictured dancing on a stage, with a colorful backdrop in the background.

Wednesday, November 20
12:30 p.m. – Tangled (Disney Animation)
2:30 p.m. – Brave (Disney-Pixar)
4:30 p.m. – Moana (Disney Animation)
6:35 p.m. – Frozen (Disney Animation)
9:00 p.m. – Frozen II (Disney Animation)

Thursday, November 21
1:00 p.m. – The Good Dinosaur (Disney-Pixar)
3:05 p.m. – Up (Disney-Pixar)
5:00 p.m. – Beauty and the Beast (1991) (Disney Animation)
7:00 p.m. – The Little Mermaid (1989) (Disney Animation)
9:00 p.m. – The Princess and the Frog (Disney Animation)

Friday, November 22
1:00 p.m. – Meet the Robinsons (Disney Animation)
3:00 p.m. – Bolt (Disney Animation)
5:00 p.m. – Encanto (Disney Animation)
7:00 p.m. – Turning Red (Disney-Pixar)
9:10 p.m. – Inside Out (Disney-Pixar)
11:15 p.m. – Soul (Disney-Pixar)

Saturday, November 23
7:00 a.m. – Rio 2
9:00 a.m. – The Emperor’s New Groove (Disney Animation)
10:55 a.m. – Alvin and the Chipmunks: Chipwrecked
12:50 p.m. – The Pacifier
2:50 p.m. – Mary Poppins
5:50 p.m. – Mary Poppins Returns
8:50 p.m. – Enchanted
11:20 p.m. – Maleficent: Mistress of Evil

Sunday, November 24
7:00 a.m. – The Jungle Book (1967) (Disney Animation)
9:00 a.m. – Tarzan (Disney Animation)
11:00 a.m. – The Lion King (1994) (Disney Animation)
1:00 p.m. – The Lion King (2019) (Live Action)
3:45 p.m. – Aladdin (1992) (Disney Animation)
6:00 p.m. – Aladdin (2019) (Live Action)
8:35 p.m. – Ghostbusters: Afterlife
11:15 p.m. – Casper (1995)

Monday, November 25
1:00 p.m. – The Fox and the Hound (Disney Animation)
3:00 p.m. – The Secret Life of Pets 2
5:00 p.m. – Zootopia (Disney Animation)
7:05 p.m. – Luca (Disney-Pixar)
9:10 p.m. – Cars (Disney-Pixar)
11:30 p.m. – Cars 2 (Disney-Pixar)

Tuesday, November 26
12:30 p.m. – Rio 2
2:30 p.m. – Cinderella (2015) (Live Action)
5:00 p.m. – Cruella
7:30 p.m. – The Princess Diaries
9:40 p.m. – The Princess Diaries 2: Royal Engagement

Wednesday, November 27
12:30 p.m. – A Bug’s Life (Disney-Pixar)
2:30 p.m. – Hercules (Disney Animation)
4:30 p.m. – Peter Pan (1953) (Disney Animation)
6:05 p.m. – Robin Hood (1973) (Disney Animation)
8:00 p.m. – The Rescuers (Disney Animation)
10:00 p.m. – The Rescuers Down Under (Disney Animation)

Thursday, November 28 – Thanksgiving
8:00 a.m. – Finding Nemo (Disney-Pixar)
10:05 a.m. – Finding Dory (Disney-Pixar)
12:10 p.m. – Coco (Disney-Pixar)
2:25 p.m. – Ratatouille (Disney-Pixar)
4:45 p.m. – Toy Story (Disney-Pixar)
6:30 p.m. – Toy Story 2 (Disney-Pixar)
8:15 p.m. – Toy Story 3 (Disney-Pixar)
10:30 p.m. – Toy Story 4 (Disney-Pixar) 

In a scene from Finding Nemo, Dory (voiced by Ellen DeGeneres), a blue tang fish, and Marlin (voiced by Albert Brooks), a clownfish, swim away from Bruce (voiced by Barry Humphries), a great white shark, who grins widely as the two fish move in front of him. The scene takes place underwater, with naval mines visible in the background. 

Friday, November 29
7:00 a.m. – The Aristocats (Disney Animation)
8:50 a.m. – Pinocchio (1940) (Disney Animation)
10:50 a.m. – The Great Mouse Detective (Disney Animation)
12:25 p.m. – The Fox and the Hound (Disney Animation)
2:10 p.m. – The Lion King (1994) (Disney Animation)
4:10 p.m. – The Lion King (2019) (Live Action)
6:45 p.m. – Beauty and the Beast (1991) (Disney Animation)
8:45 p.m. – Beauty and the Beast (2017) (Live Action)

Saturday, November 30
7:00 a.m. – The Rescuers (Disney Animation)
9:00 a.m. – The Rescuers Down Under (Disney Animation)
11:00 a.m. – Lilo & Stitch (Disney Animation)
1:00 p.m. – Chicken Little (Disney Animation)
3:00 p.m. – Meet the Robinsons (Disney Animation)
5:00 p.m. – Bolt (Disney Animation)
7:00 p.m. – Zootopia (Disney Animation)
9:10 p.m. – Frozen (Disney Animation)
11:30 p.m. – Frozen II (Disney Animation)

Road Diary Director Discusses Documenting Bruce Springsteen

In Road Diary: Bruce Springsteen and The E Street Band, which premieres on Hulu and Disney+ Friday, October 25, the legendary singer reconnects with his band — and his fans — after six globally tumultuous years to reaffirm the ties that bind with the added perspective of age and the limitless energy of rock and roll.

Emmy® Award winning director Thom Zimny — whose work with the Boss stretches back nearly 25 years — orchestrates the project with a level of authenticity and soulfulness often unseen in traditional concert films. From the tour’s early prep and rehearsals to the cross-continent performances before hundreds of thousands of fans, Zimny details the current creative process of an artist who’s worshipped at the altar of rock since he bought his first guitar in 1964.

Zimny talked to us about alternating between fan and filmmaker as he experienced and filmed the performances and then edited the footage. As a fan he was able to rejoice in the music, but as a documentarian he worked hard to capture the multifaceted nature of a dynamic performer debuting new songs while finding new meaning in the old ones.

Why did you gravitate toward music and chronicling music?
I’m dyslexic. Growing up, I lived in a world of pure chaos, not being able to read or write comfortably and wanting to express myself. That gave me a connection to visuals and music, a space to dream. I listened to music very religiously. It was a messenger of sorts, in that it could tap into feelings. And I started to play around with editing and music. Actually, one of the first films I made was using a Bruce Springsteen song.

Were you a Springsteen fan growing up?
My first Bruce show was on “The River” tour. I was 18 years old. I hold on to all those memories of growing up on the Jersey Shore, the small-town element and how important the music was to me.

Community is such a strong aspect of the film.
Road Diary is about the conversation that Bruce has had for the last 50 years with fans. There was a community there that I wanted to tap into and show. I think that understanding of community for me came in the early days of being in Jersey and trading tapes and talking about the mystery of the live show. How can we get tickets? Will Bruce show up? All these elements create a bit of a rock and roll energy and myth. I never let go of that stuff.

Director Thom Zimny attends the world premiere of Road Diary: Bruce Springsteen and The E Street Band during the 2024 Toronto International Film Festival.

The shared past is a huge part of Springsteen’s bond with the audience.
I wanted to tap into E Street history, but I also wanted to show Bruce the artist right now. He was telling a story with this set list, and it’s a story that we’ve all been part of. He was using new songs and old songs and building a narrative. A song that you’ve had a history with, like “Backstreets”, changes with Bruce putting it up against a new song, like “Last Man Standing”. I’ve had my own love of certain songs, but now it feels different since we’ve gone through so much with the lockdown. Those are the kind of themes I was chasing early on with the film.

How quickly did you identify those themes?
I don’t think I was very conscious in the beginning days. I try not to create a locked point of view. I tried to stand before the band, the artist, [manager] Jon Landau, and watch them as much as I could and then went back to the editing room. Within a few months, I could see that the songs Bruce picked and how he arranged the set list had a feeling, a tone, that was dealing with themes of reflection, of mortality. It was a perfect emotional place to stay because Bruce is creating music in the moment, but he’s also looking back. And I knew that was a storyline to chase. It broke away from the cliches of rock and roll, opened up the door to relate to the uber fan, but also to someone who’s new to the music.

Did you ultimately find the story in the editing room?
The film gods throw you a lot of great mistakes if you keep your eyes open. I learned from Jon and Bruce to be present, be prepared, but be ready for an audible, a curve ball, something that’s thrown your way. Sometimes it’s archival footage that you stumble across or sometimes you’re filming and you just see.

For example, I filmed Bruce going up the stairs in a certain way, and it felt very heroic and it finds its place in the film. I let the film talk to me. The film will give you direction. Some of the great things are turning over that sense of control that you’re directing everything and forcing a POV. The film, if you pay attention, will tell you where it wants to go.

Bruce Springsteen performs onstage in Road Diary.

At one point in Road Diary, Springsteen says if he makes a mistake, then that’s the moment. Sounds like that’s your process also.
That’s the influence I’ve had being around an artist who takes these sorts of chances and is open to the spontaneity and the beauty of things just happening. I’ve watched Bruce in the middle of the show change the set list and change the emotional arc. These are things that I try to reflect in Road Diary. This movie stands in the shadow of a Bruce show.  

Can you explain that thought a little more?
It picks up the emotional tones that the actual show itself has: laughter, humor, rock and roll, energy, reflection, sadness, moments of quiet to reflect, the sense of life ending, and what we’re doing in the moment. I can’t verbalize that, but I tried to capture it in this film. That’s why I focused on people’s eyes, their expressions, their moment of transition, where they have a certain set of feelings and they’re connected so deeply to Bruce and the band and the sonic quality and the beautiful storytelling and the writing. You see it in someone’s eyes.

Bruce Springsteen and Curtis King perform together on an outdoor venue.

Springsteen narrates and he interacts with the band, but you don’t interview him like you do the band members. Why that choice?
I use Bruce and his voiceover as a quiet, reflective voice sitting across from you in a diner or at a bar, saying thoughts and observations and confessions. That’s one voice. The other is having the band before you right now and putting them against archival clips so you see their history, and see them engage before the camera, telling fantastic stories. I wanted Bruce’s voice to be whispering in your head. In some ways, these thoughts are much more personal and more detailed than some of the interviews in the rest of the film.

The film flows like a conversation.
The great thing of working with Jon and Bruce for the last 24 years is the gift of time and trust. I was able to sit with the band for hours, and in that comes conversation. There are no boundaries. So you get [guitarist] Steven [Van Zandt] saying, “I’m the musical director now; it’s 40 years too late.” That’s what we wanted from the interviews on an emotional level. There’s no forced agenda or narrative. And people are being honest.

The E Street Band guitarist Steven Van Zandt strums his instrument.

Do you consider this to be a performance film?
Good question. I don’t know. There’s no genre that I can lock it into, because it goes from cinéma vérité to rock concert footage to spoken word. This film plays with all the different languages, or at least we try.

For you, where does the fan stop and the filmmaker begin?
There’s a constant conversation between those different parts of me. The fan side is a great guiding force at moments, but the fan would love everything to be in the film and that doesn’t tell a story. The director needs to make a film and sometimes you have to be ruthless. When Bruce and Jon made all those albums, they were ruthless in their editorial. They cut off “Fire,” they cut off “Because the Night” — big hits, but they didn’t fit the narrative of that album. So I’ve learned a few things being around these guys and it definitely has an influence on my filmmaking. 

Did your friendship with Springsteen pose any challenges?

I never let that take away from the focus. We all go into this with the desire to make the best story, and nothing is personal. Those explorations don’t fall into a personal space. It’s a film. The fan doesn’t cross over in that world. You stay in the zone of being with them, in sync and trying to make the best film possible.

Bruce Springsteen looks over his left shoulder.

Do you look at things differently after you finish a documentary?
These films carry a space for me to be able to grow as a person. I can look back at different chapters of my life and what I got from the The Promise [The Making of Darkness on the Edge of Town] and that commitment that Bruce had. Or Wings for Wheels [The Making of Born to Run], where things were do or die. Or Road Diary, where it’s acknowledging mortality and how that white light is coming right at us. But you need to enjoy every moment and give your focus to life itself. I’m able to process each one of the films later on, not in the moment. That’s the second part of making these films. Six months from now, I’ll process Road Diary even more.

What was your favorite moment of the tour?
My favorite experience was in Barcelona. I had heard about [the Barcelona fans] from Bruce over the years, but I wasn’t prepared for it. We had just witnessed an amazing performance of “Born in the USA”. I got emotional and everyone in the crew had this emotional reaction. It was a magical feeling of being with thousands upon thousands of people having this moment of unity. The stadium singing back the song was a powerful experience. When I heard the tapes of the crowd singing and matching the level and sound of the band, it took me right back there. Every time I see that in the film, I cherish that moment.

Key art for Road Diary: Bruce Springsteen and The E Street Band

QUIZ: Do You Know What These Wizards of Waverly Place Spells Do?

By Cecilia Sarantopoulos

With the much-anticipated Disney Channel premiere of Wizards Beyond Waverly Place on October 29, there’s no better time to revisit the magical mischief of the original Wizards of Waverly Place! From teleportation to animal transformations, the original series enchanted us with its clever, often hilarious spells. But do you remember what each spell actually did? Put your magical knowledge to the test and see if you’re a true Waverly wizard—or if you need a few more lessons at WizTech!

“Transportium Nextorbitorium!”

Correct! Wrong!

“Edgebono Utoostis!”

Correct! Wrong!

“Animoza Espinoza!”

Correct! Wrong!

“Threemetris Movetris!”

Correct! Wrong!

“Literrarium Terrarium!”

Correct! Wrong!

“Hairbrainium Excamchangium!”

Correct! Wrong!

"Key Largo, Key West, Keychain"

Correct! Wrong!

“Zippitus-yer-Trapatus!”

Correct! Wrong!

QUIZ: Do You Know What These Wizards of Waverly Place Spells Do?
Magic Apprentice (1-3 correct answers)

In a scene from Disney Channel’s Wizards of Waverly Place, Jerry Russo (David DeLuise) is sitting on the pavement, looking frustrated. Next to him is a spilled bag of popcorn. He is wearing a light blue graphic t-shirt with a photo of Harper Finkle (Jennifer Stone) and the words 'GO HARPER,' along with blue jeans and brown loafers. In the background are stairs and the lower half of a building’s entrances.

Looks like your spellbook could use some brushing up! While you managed to cast a few good spells, there’s still plenty of magic for you to master. Time to rewatch those episodes, pay close attention to the spells, and channel your inner Russo sibling.
Wand Wielder (4-6 correct answers)

In a scene from Disney Channel’s Wizards of Waverly Place, (L-R) Alex Russo (Selena Gomez), Theresa Russo (Maria Canals-Barrera), and Jerry Russo (David DeLuise) are in an indoor gym. Alex is dressed in a yellow, white, and blue cheerleader outfit, while Theresa wears a yellow short-sleeve top and black pants, and Jerry wears a blue t-shirt, short-sleeve flannel shirt, and khaki pants. Theresa and Jerry both face Alex, shaking their right index fingers at her; Theresa is smiling, while Jerry looks stern.

You’ve got some solid magic under your belt! You’re well on your way to being a competent wizard—but there’s still a bit of room to sharpen your magical memory. With some practice, you might just make it into the Russo family’s hall of fame.
Master Wizard (7-8 correct answers)

In a scene from Disney Channel’s Wizards of Waverly Place, Alex Russo (Selena Gomez) sits on the wooden bleachers of an indoor gym while her fellow cheerleaders stand and perform a dance; Alex, is seated with her hands slightly raised. The team’s uniform is blue, yellow, and white, with 'TRIBERA' across the front. The background shows other people sitting on the bleachers, with a yellow and blue painted stone wall behind them.

Congratulations—you’re a true master of the magical arts! You remember these Wizards of Waverly Place spells like they’re second nature, and it shows. You could easily hold your own against any wizard on Waverly Place... or beyond!

D23 Exclusive: Makeup Maven Vasilios Tanis and Head of Hair Cindy Welles on Crafting Spellbinding Looks for Marvel Television’s Agatha All Along

By Cecilia Sarantopoulos

Editor’s note: This article contains spoilers for Episodes 1–6 of Agatha All Along.

What do chocolate pudding and ancient Greece have in common? For Greek American makeup artist Vasilios Tanis, both served as inspiration for the spellbinding looks he created for Marvel Television’s WandaVision and Agatha All Along. Teaming up once again with his partner-in-crime, head of hair Cindy Welles—who also worked on WandaVision—the dynamic duo dove into the details of their creative process, sharing favorite looks, muddy on-set adventures, and the collaborative magic behind the scenes that led to Agatha’s bewitching style.

“It was such an honor to help shape Agatha’s look in WandaVision,” Tanis shares in an exclusive interview with D23. “I drew inspiration from ancient Greek art, costumes, pottery, and even sarcophagi—a mix of ancient elements with a modern twist. I wanted Agatha to be unconventional yet beautifully eerie.”

From the very first episode of Agatha All Along, the character is stripped of her former confidence. “Agatha is completely deconstructed at first. She’s caught in a spell, disheveled, and unsure of her identity,” Tanis explains. During those moments, her hair is deliberately messy, often tied back in a loose ponytail that becomes a nuisance during her detective work. “Then, as we move forward—especially during the trials of The Witches’ Road—there’s a lot more freedom. The beach house and music scene were particularly fun; I drew on various pop culture references to bring those moments to life.”

In a scene from Agatha All Along, Agatha Harkness (Kathryn Hahn) wears a long, dark purple velvet coat over a deep blue dress. Purple neon energy emanates from her hands as she gazes intensely ahead. The background features a tall gray tower against a dark, stormy sky.

As a visual symbol of Agatha’s power, the color purple plays a vital role in both her magic and her makeup. “I always try to incorporate purple into Agatha’s makeup whenever I can—it’s a foretelling of her growing power,” Tanis notes. Similarly, the character Alice Wu-Gulliver, a protective witch, is tied to the color orange. “We used the same approach with Alice,” says Welles. “For key moments, we added hints of orange to her hair to complement her power.”

The intricacies of creating these looks extended far beyond color palettes. One episode, set on the treacherous Witches’ Road, had much of the coven engulfed in sinking mud—leaving the actors drenched in brown goo. This called for some creative thinking on Tanis’ part: “I made chocolate pudding to use on Kathryn Hahn’s face,” he reveals, laughing. “The solution we used in the show [for the rest of the characters’ bodies] is a chemical one, so I opted for [chocolate] pudding to get the same look without any irritation.”

In a scene from Agatha All Along, Rio Vidal (Aubrey Plaza), left, gazes at Agatha Harkness (Kathryn Hahn), right. Rio wears smoky eye makeup and a dark lip as she holds Agatha’s left hand. The background is blurred as the two characters lock eyes.

Tanis and Welles’ collaboration extended to working closely with the entire cast. “A lot of the actors trust us completely,” says Tanis. “They’ve worked with us before, so there’s this great synergy.” Typically, costume designer Daniel Selon sets the tone, and then Tanis and Welles jump in to enhance each character’s look. “We have to see the costumes first—that’s key,” Tanis adds. “Sometimes, the moment an actor steps into the makeup chair is when their transformation truly begins. It’s the biggest compliment to us because it shows that our work helps bring the character to life.”

As for their favorite looks? Welles couldn’t choose just one. “Honestly, all of them,” she admits. Tanis, on the other hand, teased that the best is yet to come. “My favorites are in episodes that haven’t aired yet. Great things are coming.” 

Add Disney Flair to Your Festive Attire With the Cakeworthy Holiday Collection

Get ready for the holiday season in Disney style with Cakeworthy. Whether you’re a lifelong Disney fan or simply looking for festive apparel to add a little magic to your wardrobe, this collection has something for everyone.

This year’s holiday collection features a line of Mickey and Minnie gingerbread designs like our Mickey Gingerbread Scented Flannel, Mickey and Minnie Gingerbread AOP T-shirt, Mickey Gingerbread Sherpa Beanie, and Mickey and Minnie Gingerbread Scented Fanny Pack. Our Flannel and Fanny Pack both contain a removable scent pouch that smells like cookies!

(from left to right) Minnie Scented Snowman Flannel, Mickey and Minnie Snowman AOP T-Shirt, Minnie Snowman Sherpa Beanie, Mickey and Minnie Snowman Fanny Pack)
Looking for something a little more…chill? We also have Mickey and Minnie Snowman designs like our Minnie Scented Snowman Flannel, Mickey and Minnie Snowman AOP T-shirt, Minnie Snowman Sherpa Beanie, and Mickey and Minnie Snowman Fanny Pack. Like the gingerbread designs, our Minnie Snowman Flannel and Fanny Pack also contain removable scented pouches that make both items smell like candy canes!

(from left to right) Mickey and Friends PJ Set, Mickey Hanukkah Flannel, Seasons Greetings Crewneck)

Additionally, our Disney holiday collection features our Mickey and Friends PJ Set, Mickey Hanukkah Flannel, and Seasons Greetings Crewneck.

The Cakeworthy Disney holiday collection is available for a limited time and won’t be restocked, so make sure to grab all your faves and shop early before they’re gone! Whether you’re getting dressed up for a holiday event or keeping it cozy at home, this collection will bring a touch of Disney magic to all your festive moments.

Head over to our website, www.cakeworthystore.com or visit our store in Limeridge Mall in Hamilton, Ontario, Canada, to explore the full collection. This holiday season, let the magic of Disney light up your wardrobe with these festive offerings!

Details Revealed for D23 Brazil – A Disney Experience

By the D23 Team

With less than a month to go before Disney fans can enjoy an unprecedented experience in Brazil, the concept map for D23 Brazil – A Disney Experience has been unveiled, along with more details on all areas of the event. This is the first time Disney is bringing this extraordinary D23 fan event to Brazil! The event will be held on November 8, 9, and 10 at The Transamerica Expo Center in São Paulo, and will include extensive programming with diverse panels and presentations; a variety of offerings on the show floor; and the D23 Brazil Store Mercado Libre with exclusive products.

"Brazil is home to some of the most passionate Disney fans in the world, and we are thrilled to bring D23 to São Paulo to give guests the extraordinary opportunity to experience the best of Disney storytelling and connect with other fans at D23 Brazil – A Disney Experience,” said Asad Ayaz, Chief Brand Officer, The Walt Disney Company.

Fans can expect a series of surprises and exclusive announcements during the event, including what’s new from Disney Experiences, previews of new releases from Disney Live Action, Pixar Animation Studios, Walt Disney Animation Studios, Marvel Studios, Lucasfilm, and 20th Century Studios, special guests and interactive experiences. D23 Brazil - A Disney Experience promises to provide a complete immersion into the worlds of Disney, creating unforgettable moments and bringing to Brazil the magic of Disney that connects fans around the world.

"D23 Brazil – A Disney Experience will be the epicenter of the enchantment that only Disney can provide, bringing together Disney's biggest fans in one grandiose structure,” explains Renato D'Angelo, General Manager of The Walt Disney Company Brazil. “We will have two stages: the stunning Arena D23 by Bradesco/Visa and Disney Moments by Claro Stage, to ensure that all fans have the opportunity to experience our content in different formats and times. In addition to international and local content, the experience will be enriched with gastronomic options and an exclusive megastore."

Event Highlights

Arena D23 by Bradesco/Visa: Arena D23 will accommodate thousands of fans and will be the place where great talents and creatives will gather. It will host the most anticipated panels and presentations of this fan experience, showcasing the best in creative storytelling and innovation from across The Walt Disney Company. Exclusive previews of films, series, games and shows and a sneak peek of what's to come will be presented, as well as the latest on new and highly anticipated projects in development around the world for Disney Parks and Disney Cruise Line. An extensive program has been carefully curated for fans to enjoy unique experiences with presentations of their favorite titles and the presence of great national and international talent. Panel booking information will be announced soon.

Disney Moments by Claro Stage: Disney Moments by Claro Stage will be dedicated to Disney characters, cosplayers, live shows and sports, as well as local and international Disney news. With continuous programming throughout the day, fans will find:

Amazing spotlight performances from Disney Princess, Mickey & Friends, Disney and Pixar’s Toy Story and more;cosplayers gathering, a celebration of our fans' creativity, with varied activities; live Radio Disney shows with renowned local artists; the presence of local sports talent from ESPN bringing insights and inspiration; Arena D23 by Bradesco/Visa personalities will also be present here with a live talk in special programming.

Exhibit Pavilion

Disney+: Fans can step into the expansive storytelling library. A space that brings together the content available on the streaming platform, with interactive activities and a 360-degree layout designed for fans to explore from all angles.

Disney: The biggest animated and live-action titles come together in this incredible experience. With activities and experiences from upcoming theatrical releases including Walt Disney Animation Studios’ Moana 2 and Zootopia 2, and Disney’s Live Action’s Mufasa: The Lion King, Snow White and Lilo & Stitch, and, for Frozen fans, the chance to have their picture taken in a setting inspired by the animated movie.

Pixar: An immersive space where fans will be able to relive their favorite Pixar stories. This experience will feature iconic films such as Toy Story, Cars and Inside Out 2, as well as areas dedicated to up and coming titles Elio, Dream Productions and Win or Lose that fans are sure to love. 

Marvel Studios: One of the biggest experiences at D23 Brazil - A Disney Experience. With more than 900 square meters, the Marvel Studios space promises to bring fan-favorite heroes together with surprises and interactive activities from upcoming titles Captain America: Brave New World, Thunderbolts and Daredevil: Born Again.  Visitors can also book haircut services with a Marvel touch in a Marvel Barber Shop by Corleone. Hair salon services must be booked in advance. More information will be announced soon.

Star Wars: A space where fans of all ages will have the opportunity to test their Jedi skills in a laser maze, plus other activities inspired by titles such as Lucasfilm’s upcoming Skeleton Crew and worldwide phenomenon, The Mandalorian.

National Geographic: An innovative space with a dome design, reflecting National Geographic's commitment to nature. The booth offers a peaceful and serene experience, where visitors can interact with exclusive brand content, surrounded by decor that integrates elements of nature.

ESPN: Sports fans can meet at this interactive booth featuring various sports activities, challenging fans to show their skills in disciplines ranging from basketball to American football. On Friday, November the 8th, a special edition of ESPN Brazil’s SportsCenter, ESPN’s flagship sports news program, will originate from site, providing fans an opportunity to view the production and interact with ESPN Brazil’s SportsCenter anchors. 

Star: Fans will be able to visit the Star Experience to celebrate the most loved series. Of note is the The Bear kitchen, where participants will be able to compete in a culinary challenge inspired by the acclaimed FX production. There will also be an area dedicated to recreating the famous meme from everyone's favorite family, The Simpsons, providing a fun and interactive experience.

Disney Cruise Line: A world of wonder and magic awaits at the Disney Cruise Line pavilion, where fans can discover the unforgettable experience of sailing with Disney from incredible Florida ports to destinations around the globe. From family-friendly adventures to world-class entertainment, there’s something to delight every guest. Visitors will also learn about exciting new additions to the fleet, including the upcoming Disney Treasure, highlighting the growth and future of Disney’s voyages at sea. To top it off, surprise appearances by beloved Disney characters will offer perfect photo opportunities, creating memories that last a lifetime.

Walt Disney World Resort: Visiting here is an opportunity to experience the joy and wonder that makes Walt Disney World in Florida “The Most Magical Place on Earth.” Immersive experiences here include theme park photo opportunities: elaborately decorated sets will provide perfect backdrops for selfies in front of iconic landmarks like the Cinderella Castle or even with a statue of Walt Disney himself; as well as a fireworks show: fans can enter a special theater where videos of unforgettable moments from Magic Kingdom Park's “Happily Ever After” nighttime show will be projected.

Games: Guests will be able to immerse themselves in the universe of video games with must-see titles for PC, console and mobile; explore incredible worlds, with a special focus on the iconic Marvel and Star Wars franchises.

Radio Disney: A multi-purpose studio where São Paulo's pop radio station will broadcast live, featuring interviews with talent from the worlds of music and entertainment, providing listeners with complete coverage of the event. All this in a glassed-in space that will allow fans to follow all the action from the inside.

D23 Brazil Store Mercado Libre: A paradise for fans with an incredible variety of products; hundreds of exclusive and limited-edition collectibles. In addition to a wide range of Disney, Pixar, Marvel, Star Wars and other nostalgic Disney favorites, fans will also be able to show their passion for D23 Brazil - A Disney Experience itself, with an exclusive range of products dedicated to the D23 Brazil event.

Gastronomy: The event's food and beverage offerings will be carefully planned to immerse fans into the Disney universe, beyond the attractions and panels. It will bring a taste of the stories we love, with menus carefully designed to celebrate the iconic characters, films and themes of the Disney worlds. Fans will be able to sample exclusive Disney character-inspired foods specially created by Bauducco and Bacio di Latte ice cream, as well as all food service, featuring brands such as Baked Potato, Patties Burger, Dr. Peanut and Nuty Bavarian.

In addition, 25 sponsors will participate in D23 Brazil - A Disney Experience presented by Bradesco/Visa. Sponsors include Mercado Libre, Zurich Seguros and Claro with support from Bauducco, Latam | Delta, Tang, Cruzeiro do Sul, IMAX, Avon and Havaianas. Additionally, special participation from Converse, Baw, Corleone, Mattel, Hasbro, Animê, Panini and Funko, and media support from Eletromidia.

Event Details

Dates: November 8, 9 and 10, 2024

Venue: Transamérica Expo Center (Av. Dr. Mário Vilas Boas Rodrigues, 387 – São Paulo, Brazil)

Website: D23Brasil.com

Recommended age: Over 10 years old

Accessibility: D23 will have accessibility resources; see FAQ online for more information.

Decompression Space: A sensory regulation area will be available for neurodivergent individuals and a limited number of companions. The space is designed to help stabilize and reduce sensory stress and will be staffed by a reception team. Visitors will be provided with a stimulus reduction kit that they can pick up in this space for use during the event (check regulations on site).

D23 BRAZIL

QUIZ: Which Disney Animal Is Your Purrfect Match? Find Out With These Weird But True! Facts from Nat Geo

The magical world of Disney is full of wacky, weird, and wonderful facts—and unforgettable animal characters. We took a gander at National Geographic's Weird But True! Disney Edition book to uncover some surprising secrets that will help you determine your inner Disney animal.

Discover every awesome Disney fact with the Weird But True! Disney Edition book! Packed with 300 awesome facts and loads of cool pictures, this fun-filled book is the perfect Disney Parks companion—and a great gift for fans of all things wacky, weird, and wonderful.

Dumbo is the only title character from a Disney animated feature film who never speaks. How chatty are you?

Goat horns were the inspiration for Maleficent’s headdress in Sleeping Beauty. What type of horns would you like to sport?

Sulley in Monsters Inc. has more than 5 million hairs on his body. As an animal, what would you be covered in?

In Beauty and the Beast, Belle is the only character in her village who wears the color blue. What’s your favorite color?

Each of the more than 270 food items that appear in Ratatouille was prepared in a real kitchen and eaten. What’s your favorite food?

It would take more than 20 million balloons to carry Carl’s house from Up in real life. Where would you like to live?

Paradise Falls in Up is based on Venezuela’s Angel Falls, the world’s tallest waterfall. What is your dream vacation destination?

Capuchin monkeys at the Los Angeles Zoo were part of the inspiration for Abu in Aladdin. If you found a magic lamp, what would you wish for?

What Disney animal are you? Find out with these “Weird But True!” facts from National Geographic
Sven from Frozen

Sven from Frozen

Reindeers are better than people! You’re playful, loyal, and have a strong moral character. Nothing is more important to you than friendship, but you also aren’t afraid to stand your ground.
Kevin from Up

Kevin from Up

You are playful and friendly to trusted friends and family but stand up for yourself against those who cross you. You’re a wonderful caretaker and loyal friend, with a weak spot for chocolate!
Mufasa from The Lion King

Mufasa from The Lion King

You are king of the Pride Lands! Revered as a wise and noble leader, you have a powerful and majestic presence that influences everyone around you. Despite this royal exterior, you’re really a playful cub at heart.
Lady from Lady and the Tramp

Lady from Lady and the Tramp

You can come across as shy but are a wonderful friend and a faithful family member. You are brave, protective, and a romantic at heart with a taste for the finer things in life—but you also have a weak spot for simple spaghetti and meatballs.
Louis from Princess and the Frog

Louis from Princess and the Frog

Your dreams are big, and your heart is even bigger! You were made for the spotlight and everyone around you is blown away by your natural talents. You’re also a loyal friend and remain upbeat in tough situations.

Another fun fact: For a limited time, D23 Members receive the exclusive gifts with their purchase of a National Geographic or Nat Geo Kids subscription. Check out the D23 Discounts page to uncover these amazing offers!

Dancing with the Stars Season 33: “Disney Night” Songs Revealed

By Zach Johnson

It wouldn’t be Dancing with the Stars without “Disney Night!”

It’ll be an enchanting night in the Dancing with the Stars ballroom as the eight remaining couples celebrate the magic of Disney through vibrant performances inspired by beloved films and characters. “Disney Night” premieres Tuesday, October 22, at 8 p.m. ET/PT, simulcasting live across both ABC and Disney+ in local time zones and next day on Hulu.

“Disney Night” kicks off with an opening number to “Friend Like Me” from Aladdin, choreographed by Mandy Moore and featuring a special appearance from Michael James Scott, who stars as Genie in the hit Broadway musical. Viewers will also hear a new song from Walt Disney Animation Studios’ Moana 2, “We’re Back,” when it makes its broadcast premiere with a routine by the troupe and eliminated pros, choreographed by Britt Stewart.

The couples’ “Disney Night” dance styles and songs are as follows:

  • Super Bowl Champion Danny Amendola and pro Witney Carson will perform a Jazz to “Bye Bye Bye” from Deadpool & Wolverine.
  • The Bachelor Joey Graziadei and pro Jenna Johnson will perform a Samba to “Trashin’ the Camp” from Tarzan.
  • NBA Champion Dwight Howard and pro Daniella Karagach will perform a Tango to “When Can I See You Again?” from Wreck It Ralph.
  • TV star Chandler Kinney and pro Brandon Armstrong will perform a Paso Doble to “We Own the Night” from ZOMBIES 2.
  • Olympian rugby player Ilona Maher and pro Alan Bersten will perform a Jazz to “Surface Pressure” from Encanto.
  • Olympian gymnast Stephen Nedoroscik and pro Rylee Arnold will perform a Charleston to “A Star Is Born” from Hercules.
  • Reality royalty Phaedra Parks and pro Val Chmerkovskiy will perform a Jazz to “Cruella de Vil” from 101 Dalmatians.
  • The Bachelorette Jenn Tran and pro Sasha Farber will perform a Rumba to “Kiss the Girl” from The Little Mermaid.

Plus, the fan-favorite team dance competition will return to the ballroom:

  • Team Goofs – “I2I” from A Goofy Movie
    • Team Captain Ilona Maher and Alan Bersten, Joey Graziadei and Jenna Johnson, Chandler Kinney, and Brandon Armstrong, and Jenn Tran and Sasha Farber
  • Team Roar – “I Just Can’t Wait to Be King” from The Lion King
    • Team Captain Dwight Howard and Daniella Karagach, Danny Amendola and Witney Carson, Stephen Nedoroscik and Rylee Arnold, and Phaedra Parks and Val Chmerkovskiy

Cohosted by Alfonso Ribeiro and Julianne Hough, Dancing with the Stars is produced in front of a live audience by BBC Studios Los Angeles Productions. The celebrities and their pro partners are judged by a panel of renowned ballroom experts, including Carrie Ann Inaba, Bruno Tonioli, and Derek Hough. Fans will be able to vote during the live simulcast of the show in the ET/CT time zones. During this time, online voting will be available to fans in any time zone in the U.S., its territories, and Canada via dwtsvote.abc.com, and fans on participating U.S. wireless carriers can also vote via SMS/text (fans in Canada cannot vote via SMS/text). Live viewer votes from the night will be combined with the judges’ scores to determine who may be in jeopardy of elimination.

Magic, Mayhem, and Melodies: Unraveling Agatha All Along with Director Rachel Goldberg

By Cecilia Sarantopoulos

Editor’s note: This article contains spoilers for Episodes 1–5 of Agatha All Along.

“Darkest hour, wake thy power, earthly and divine.” Every Wednesday at 6 p.m. PT, this mystical chant heralds a new episode of Marvel Television’s Agatha All Along on Disney+. The series whisks viewers into the spellbinding world of Agatha Harkness (Kathryn Hahn), a once-powerful witch determined to regain her former glory. Stripped of her powers, Agatha sets out to assemble a coven and navigate the treacherous Witches’ Road—a magical path offering to fulfill one’s deepest desires, but at a perilous cost.

Agatha’s evolving coven now features Lilia Calderu (Patti LuPone), Jennifer Kale (Sasheer Zamata), and Rio Vidal (Aubrey Plaza), with former members including the protection witch Alice Wu-Gulliver and neighbor Sharon Davis (Debra Jo Rupp). Rachel Goldberg, director of three episodes of the series, teases the looming dangers of their journey: “If you’re bold enough to challenge the Road, good luck. It’s a force that makes you confront your deepest fears and traumas.” This mystical entity, the Witches’ Road, becomes a perfect narrative device for unearthing the characters’ darkest secrets—giving audiences a front-row seat to the raw, emotional depths of each witch.

In a scene from Agatha All Along, Rio Vidal (played by Aubrey Plaza), Alice Wu-Gulliver (played by Ali Ahn), Jennifer Kale (played by Sasheer Zamata), Teen (played by Joe Locke), Agatha Harkness (played by Kathryn Hahn), and Lilia Calderu (played by Patti LuPone) stand in a forest with bare trees and purple leaves scattered on the ground. Teen lies on a tree stump while Alice, Jennifer, and Agatha tend to him, looking worried. Lilia observes from nearby, and Rio, on the far left, holds and gazes at a flower. Moonlight filters through the trees, casting a soft glow.

The Witches’ Road isn’t just a path; it’s a psychological labyrinth, revealing what each character is running from. The tension it creates heightens the connection between audience and story, as fans witness these witches grapple with their most personal demons. Balancing these individual journeys is no small feat, but Goldberg credits the finely tuned scripts and the talented ensemble for making it all work seamlessly.

Accompanying the coven is Teen, who was recently revealed to be none other than Billy Maximoff, Wanda’s son. Though not a witch himself, Billy’s reverence for Agatha draws him deeper into the witches’ world. But will his true identity fracture the bond he’s built with her? “In Episode 5, we see Billy realize that witches will always chase power—people die, witches die, and these women aren’t who he thought they were,” Goldberg hints, signaling even more intense dynamics ahead.

Agatha All Along uses magic as a lens to explore human nature—examining our wants, our doubts, and our relationship with power. It digs far deeper than the stereotypical witches on broomsticks (as Lilia Calderu herself asserts). Curses, in particular, are a central theme, highlighting how unfinished business and unresolved pasts can block us from realizing our full potential. Goldberg, drawing from her own Persian heritage, notes, “There’s a lot of superstition in my culture, and I was drawn to the idea of things being passed down from generation to generation—not necessarily as curses, but as gifts. The idea of unfinished business resonates with everyone in the coven, not just Agatha.”

In a scene from Agatha All Along, Alice Wu-Gulliver (played by Ali Ahn) extends her hands, releasing orange neon beams of magic. Her face reflects the effort of conjuring the magic. In the background, Lilia Calderu (played by Patti LuPone) and Teen (played by Joe Locke) watch in shock.

And while the magic may be serious, the show also revels in Hahn’s signature wit. “The tone is all Kathryn,” says Goldberg. “She can shift from sarcastic and menacing to hurt and vulnerable in an instant.” Agatha embodies the show’s unique blend of dark humor and emotional intensity. Many of the show’s funniest moments come from improvisation, such as Rio Vidal’s hilarious Beetlejuice-inspired grunt (“The Green Witch”), or her deadpan question to Agatha: “Sweetheart, are you okay?” These moments underscore the series’ commitment to balancing peril with humor—a hallmark of Agatha All Along.

Another key element? The music. The very title, Agatha All Along, comes from the song by Kristen Anderson-Lopez and Robert Lopez used to reveal Agatha’s true identity in WandaVision. For Agatha All Along, the duo returns to compose “The Ballad of the Witches’ Road,” a haunting tune that evolves with each episode. From spell-casting rituals to nods to Fleetwood Mac, the song is central to the show’s identity. “It’s integral to me, to Jac [Schaeffer, creator, showrunner/head writer, director, and executive producer], and to the Lopezes,” Goldberg shares. For fans of MCU Easter eggs, she adds: “Pay close attention to the lyrics, the costumes, the production design—there are clues everywhere.”