5 Things to Know About Marvel Studios’ Deadpool & Wolverine

By Zach Johnson

In Marvel Studios’ Deadpool & Wolverine, Wade Wilson thinks his days as Deadpool are behind him—until he unexpectedly finds himself in a fight for the survival of his home world. If he wants to save the day, he must convince a reluctant Wolverine to help him do it.

“Deadpool can be philosophical in one moment and then have the brain of a half-eaten ham sandwich in the next,” actor, writer, and producer Ryan Reynolds said over the weekend during the film’s global press conference. “He’s a very unpredictable and mercurial character. The thing that always brings him close to my heart—and to other people’s—is his vulnerability. He’s a character in a shame spiral, and so much of what he’s doing is based on his avoidance and maladaptive coping mechanisms around that shame.”

Reynolds continued, “He and Wolverine are more similar than different… The thing that they are running away from is shame, and they just both handle it in very different ways. I was more interested in what these two characters had in common… than what they didn’t.”

Before Deadpool & Wolverine opens in theaters Friday, here are five more things to know:

In a scene from Marvel Studios’ Deadpool & Wolverine, a bald Cassandra Nova wears a camel trench coat with a popped collar and stands in a postapocalyptic landscape. She is surrounded by several mutants, all of whom appear slightly out of focus.
1. Hugh Jackman really thought he was done playing Wolverine before this movie.

Following multiple appearances in the X-Men franchise, Hugh Jackman hung up his cowl with Logan (2017). But once he saw the Merc with the Mouth, he realized there may be more to Wolverine’s story. “I watched Deadpool three days after announcing that Logan would be my last [appearance as Wolverine], and I remember thinking, ‘Oops,’” he said with a laugh. “Because I could see the movie… It was Midnight Run, it was 48 Hours, it was The Odd Couple, it was Planes, Trains and Automobiles—all those great matchups I could feel.”

So, on August 14, 2022, Jackman decided to reach out to Reynolds. “I don’t know why. I just knew every cell in my body was yelling at me: ‘I wanna do this movie,’” he recalled. “So much so that I pulled my car over [to] the side of the road and I rang Ryan immediately.”

2. Deadpool & Wolverine marks Marvel Studios’ first R-rated film.

Although Deadpool & Wolverine includes blood, violence, and strong language, producer Kevin Feige argued that it’s “the most wholesome R-rated movie ever.” Reynolds agreed with Feige, saying, “I felt like that was the pithiest way of explaining the movie. The R-rating is never exploited… It really is there as a facility to tell the most authentic story about these two very iconic characters coming together on-screen for the first time in the exact right way.” Plus, Reynolds said, “Everything is in service of this movie being as warm as possible and as emotional as possible, while still being the most unexpected MCU film in history.”

To that point, writer, director, and producer Shawn Levy said, “The MCU is always at its best when it is giving us something we don’t expect… We had an opportunity collectively to do the first R-rated MCU movie and the first pairing of Deadpool and Wolverine. And built into this opportunity was the chance to surprise—to do something new and unexpected.

3. Deadpool and Wolverine aren’t the only MCU newcomers.

In addition to the title characters, the film introduces a handful of new heroes and villains to the MCU, such as Mr. Paradox (Matthew Mcfadyen) and Cassandra Nova (Emma Corrin).

Early in the film, agents from the Time Variance Authority (TVA) crash Wade’s birthday party. They’ve been dispatched by Mr. Paradox, who wants to recruit Deadpool for a special assignment. “Mr. Paradox is an interesting character,” Mcfadyen teased. “He’s a slightly angry, jangly, middle-management, upper apparatchik who’s ambitious for greater things.”

Later in the film, Deadpool and Wolverine encounter Cassandra Nova—who is effectively Charles Xavier’s evil twin sister. “The term ‘villain’ is a great one, and we all know villains have the most fun,” said Corrin. “I really needed to find a key into what made her tick, to find [a way] to empathize with her. And for me, that was her relationship with her brother.”

In a scene from Marvel Studios’ Deadpool & Wolverine, a TVA agent stands behind Wade Wilson (center) and Mr. Paradox (right), who is showing off TVA headquarters. The TVA agent is wearing an orange and black uniform; Wade is wearing a green jacket, an orange Hawaiian print shirt, and jeans; and Mr. Paradox is wearing a suit.
4. The film’s soundtrack is appropriately eclectic.

With songs by *NSYNC (“Bye Bye Bye”), The Goo Goo Dolls (“Iris”), Huey Lewis & The News (“The Power of Love”), Avril Lavigne (“I’m with You”), and Aretha Franklin (“You’re All I Need to Get By”), the Deadpool & WolverineOriginal Motion Picture Soundtrack has a little bit of everything. “A Deadpool soundtrack is always unique,” Levy explained. “It’s something that is so Ryan-based. His taste is all over the place. Deadpool movies always have a soundtrack that makes no sense on paper, because it’s so diverse and so disparate.”

One of the most buzzed about tracks is “SLASH” by Stray Kids.

“South Korea understands how to make gigantic global impressions in culture through film, through music, through art of any kind,” Reynolds said. “There’s something about whatever the wind is blowing through Seoul and its surrounding areas that is sticky to culture. K-pop is certainly one aspect of that. Years ago, Stray Kids—we just called ’em the Kids—did a Deadpool-inspired music video, which I thought was phenomenal. I reached out to one of the members, and he and I became fast digital friends, and [since then] we’ve met in person. That was it. The initial plan—and I’ve never said this out loud before—was to have them appear in the film.” While that “became logistically impossible,” he revealed, “I will never forget the look on our line producer’s face when I said that there are eight of them.”

5. The cast and crew are having as much fun with the rumors as fans are.

Every day, a new rumor or theory about the film pops up. Corrin’s favorite? “The King Charles one,” they said. Reynolds joked that the monarch “wanted to be in the movie,” saying, “We left a message; did not hear back,” Feige joked, “I think he was a prince when you started production. He was going to do it—but then he became king, so he couldn’t.”

And what about Jackman?

“I like the one that Ryan is Lady Deadpool,” he said. “I have actually been spreading that.”

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In the Swim with the Creative Team and Star of Young Woman and the Sea

By Alison Stateman

It was a movie nearly a century—and, for the creative team, close to a decade—in the making. Young Woman and the Sea, starring Daisy Ridley, tells the extraordinary true story of Trudy Ederle, the first woman to successfully swim the English Channel in 1926… not to mention doing so faster than any of the five men who came before her.

The film, which enjoyed a limited engagement in theaters on May 31, will debut on Disney+ this Friday, July 19. To mark the occasion, Ridley, along with director Joachim Rønning and producer Jerry Bruckheimer, shared what it took to bring Trudy’s remarkable story to the screen at a recent press conference.

The journey began when writer Jeff Nathanson, seeking empowering stories to share with his two daughters, stumbled across Glenn Stout’s book Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Inspired the World in 2016—seven years after its 2009 publication. Nathanson, who worked with Bruckheimer in the past—including on The Pirates of the Caribbean: Dead Men Tell No Tales, shared the story with the producer, who was immediately sold.

“We fell in love with it and got Joachim involved and Daisy involved. But it took us about nine years between [Nathanson] writing the screenplay and finally [getting] the movie made. It was a long journey,” Bruckheimer says.

L-R, Tilda Cobham-Hervey as Meg Ederle, Daisy Ridley as Trudy Ederle, and Kim Bodnia as Henry Ederle Sr. stand on a beach at night illuminated in the cast of bonfires with a celebratory crowd around them, in Disney’s Young Woman and the Sea.

Ridley, who is also an executive producer of the film and familiar with playing a strong female lead—given her star-making turn as Rey from the Star Wars films—says Trudy is “the most joyful character I’ve played. She’s determined. Initially she doesn’t see the barriers that everyone else is aware of. She’s just on her journey. But really, for me, the whole was greater than just playing her, because I saw this family who are wonderful and lovable and who you want to spend time with.”

Born to immigrant parents in New York City in 1905, Trudy overcame incredible odds to achieve her remarkable feat in part through the unwavering support of her older sister Meg and dedicated trainers—battling not only punishing cold waters, jelly fish, and physical fatigue but established social norms.

“I was shocked that I didn’t know [Trudy’s] story because it was such a worldwide event when it happened a hundred years ago,” says Rønning. “In many ways it changed women’s sports forever.”

He says he and the team felt an obligation to retell Trudy’s story and rediscover her for the world. “As much as it is Trudy’s story, it’s also her family story. I wanted to tell the story through the eyes of Trudy’s family because they were there with her all the way,” he adds. “They also represented different parts of the society of the time, with the suppression, the skeptics, the love.”

This included Trudy’s mother, Gertrude (Jeanette Hain), who paved the way for Trudy and Meg to learn to swim and later, for Trudy compete in the Olympics, as well as her butcher father, who was initially reluctant to let her do so.

Focusing not only on the grand achievement but also grounding the story in the intimate helped create a heroine viewers could better relate to, Rønning says. “When you make a movie about someone who’s so determined, that’s willing to risk her own life to do something, it can be a little challenging to identify with her.”

Daisy Ridley is seen swimming in open water during production of Disney’s Young Woman and the Sea. She wears a red bathing cap and large white googles with her face and right arm turned toward the camera.

Making it Real

Of course, it’s Trudy’s determination to do the seemingly impossible that is at the heart of the story. To capture the incredible physical barriers facing Trudy, the team opted to film swimming sequences in the Black Sea in Bulgaria—which created its own challenges, and rewards.

So determined to play Trudy was Ridley that, after being informed of the intent to film sequences in open water, she admits she lied on her “CV” (or resume, for American readers) about her swimming experience.

“I was like, ‘I’m great at swimming, I love open water,’ because, of course, I wanted to do this role. And then as things got closer, I thought, ‘Hmm, how is this going to go,” says Ridley with a laugh.

The actress more than rose to the occasion—training with coaches including Olympic silver medal champion Siobhan Marie O’Connor for three months prior to filming.

“It felt honestly impossible at the beginning. There’s so much to learn,” says Ridley. “My swimming would be getting better as we were filming, but it was all in the pool. Then when we got to open water, it was just an overwhelm of everything, of the current and the cold; there was a lot to contend with, and then just keeping in focus of the camera. When you’re swimming like that, all you hear is your own breath. It gave me a momentary understanding of what Trudy really did.”

Says Bruckheimer, “You could feel her in that really cold water, in the wind, and that is Joachim’s style. He likes to bring everything that is actually real on camera and make the audience feel it. I think you really do feel it.”

Adds Rønning, “Everything on the open water will technically be difficult. But for me it’s always going to be the heart of the story. And the heart of the story is carried by Daisy Ridley….I couldn’t have asked for a better film partner.”

QUIZ: Descendants: The Rise of Red—Are You More Like Red or Chloe?

By the D23 Team

Gone down the rabbit hole into the world of Descendants: The Rise of Red yet? The all-new Original Movie, now streaming on Disney+, follows the adventures of Red (Kylie Cantrall), the daughter of the Queen of Hearts (Rita Ora), and Chloe (Malia Baker), the daughter of Cinderella (Brandi) as they team up to save Auradon Prep from a coup staged by Red’s mother. Rebellious Red and overachiever Chloe couldn’t be more different—but it’s their differences that will give them the strength to save Auradon and the Queen of Hearts herself!

Which of these two heroines do you think you’re most like? Take our quiz to find out if you’re more Wonderland wonderkid or perfectionist princess:

Which song from the Descendants films is your fave?

Pick a card, any card:

Which color suits your fancy?

How would a friend describe you?

... And what trait do you value most in a friend?

Pick a dreamy place to live:

Who is your Descendants fashion icon?

Descendants: The Rise of Red—Are You More Like Red or Chloe?
You’re most like Red!
You followed the right rabbit and got Red as your personality twin! Just like her, you have a strong presence and a knack for making bold decisions. Honestly... someone has to! You are determined and are sure to achieve your dreams—just like Red.
You’re most like Chloe!
And the shoe fits! You got Chloe as your personality match... You’re kind, with an unwavering sense of hope. Your compassion shines through especially when a friend is in need. Everyone needs a Chloe in their life!

The Walt Disney Company Earns 183 Record-Breaking Emmy® Award Nominations

The Walt Disney Company proudly announces 183 record-breaking nominations for the 76th Primetime Emmy® Awards across its content brands and studios, including ABC, Disney Branded Television, Disney Television Studios (20th Television Animation, 20th Television, and ABC Signature), FX, FX Productions, Hulu Originals, National Geographic, and The Walt Disney Studios (Walt Disney Pictures, Marvel Studios, Marvel Animation, Marvel Television), Lucasfilm Ltd. ,and 20th Century Studios). Disney’s streaming platforms are home to 181 nominations, with 152 on Hulu and 32 on Disney+ (with some titles streaming on both platforms).

Disney+ is home to 32 nominations, including programs from The Walt Disney Studios and Disney Branded Television. Lucasfilm Ltd.’s Ahsoka earned five nominations, Marvel Television earned nominations for Loki and Echo, and Marvel Animation secured its second nomination for Outstanding Animated Program for X-Men ’97. Additionally, Walt Disney Pictures received recognition for The Beach BoysDisney Branded Television returned to the Emmys with Jim Henson Idea Man, securing eight nods including Outstanding Documentary or Nonfiction Program, making it the most-nominated documentary this year. The content brand won three Emmys in 2023 for Elton John: Farewell from Dodger Stadium, which included the win for Outstanding Variety Special (Live) that secured Disney Legend Elton John his EGOT status.

FX set a new record with its highest total nominations in a single year, receiving 93 nods and surpassing its previous record of 57 in 2016. In addition to breaking the TV Academy’s record for most Comedy Series nominations, The Bearswept its categories with 23 nominations. Additionally, Shōgun is the most-nominated show of the year with 26 nods. This is also the first year FX has received program nominations in Drama, Comedy, Limited, and Unstructured Reality Series categories, including three Outstanding Comedy Series nominations.

Hulu Originals and 20th Television’s Only Murders in the Building broke a show record securing 21 nominations including Outstanding Comedy Series, making Selena Gomez the most-nominated Latina producer in the category’s history. Additionally, Gomez was nominated for her first acting Emmy for a primetime series, Outstanding Lead Actress in a Comedy Series, making her the fourth Latina woman ever nominated in the lead actress comedy category. 20th Century Studios followed up its first-ever nominations last year for Prey with an Outstanding Television Movie nod for Quiz Lady. Overall, Hulu Originals secured 25 total nominations.

National Geographic secured three nominations, including a third consecutive nomination for the Secrets of franchise with Outstanding Narrator for Paul Rudd. Additionally, Disney Legend Angela Bassett was nominated for Outstanding Narrator for the natural history series Queens, and Life Below Zero was nominated for Outstanding Cinematography for a Reality Program for the 10th year in a row.

ABC received 38 nominations, including nine nominations for 20th Television’s Abbott Elementary, the most the comedy has received in a single season. Creator and star Quinta Brunson, who received nods again for Outstanding Writing for a Comedy Series and Outstanding Lead Actress in a Comedy Series, made history this past year as the first Black woman since 1981 to win in this category. Jimmy Kimmel Live also received its 13th nomination for Outstanding Talk Series and received a nod in the Outstanding Directing for a Variety Series category. The Oscars received seven nominations including for best Outstanding Variety Special (Live), while The Golden Bachelor received The Bachelor franchise’s first-ever nomination for Outstanding Casting for a Reality Program.

The 76th Primetime Emmy Awards will air live coast to coast from the Peacock Theater at L.A. LIVE in Los Angeles on Sunday, September 15, from 8-11 p.m. ET/5-8 p.m. PT on ABC, streaming next day on Hulu. A host and producers for the telecast will be announced at a later date.

A comprehensive release and list of all The Walt Disney Company’s nominations is as follows:

Lady Mariko in Shōgun

Shōgun (FX/Hulu/FX Productions)
25 Nominations

  • Outstanding Drama Series
  • Outstanding Directing for a Drama Series – Frederick E.O. Toye
  • Outstanding Writing for a Drama Series – Justin Marks
  • Outstanding Writing for a Drama Series – Rachel Kondo
  • Outstanding Lead Actor in a Drama Series – Hiroyuki Sanada
  • Outstanding Lead Actress in a Drama Series – Anna Sawai
  • Outstanding Supporting Actor in a Drama Series – Tadanobu Asano
  • Outstanding Supporting Actor in a Drama Series – Takehiro Hira
  • Outstanding Guest Actor in a Drama Series – Néstor Carbonell
  • Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour Or More)
  • Outstanding Casting for a Drama Series
  • Outstanding Cinematography for a Series (One Hour)
  • Outstanding Cinematography for a Series (One Hour)
  • Outstanding Period Costumes for a Series
  • Outstanding Picture Editing for a Drama Series
  • Outstanding Period or Fantasy/Sci-Fi Hairstyling
  • Outstanding Main Title Design
  • Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
  • Outstanding Prosthetic Makeup
  • Outstanding Music Composition for a Series (Original Dramatic Score)
  • Outstanding Original Main Title Theme Music
  • Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
  • Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
  • Outstanding Special Visual Effects in a Season or a Movie
  • Outstanding Stunt Performance

Sydney Adamu and Lionel Boyce in The Bear

The Bear (FX/Hulu/FX Productions)
23 Nominations

  • Outstanding Comedy Series
  • Outstanding Directing for a Comedy Series – Christopher Storer
  • Outstanding Directing for a Comedy Series – Ramy Youssef
  • Outstanding Writing for a Comedy Series – Christopher Storer
  • Outstanding Lead Actor in a Comedy Series – Jeremy Allen White
  • Outstanding Lead Actress in a Comedy Series – Ayo Edebiri
  • Outstanding Supporting Actor in a Comedy Series – Lionel Boyce
  • Outstanding Supporting Actor in a Comedy Series – Ebon Moss-Bachrach
  • Outstanding Supporting Actress in a Comedy Series – Liza Colón-Zayas
  • Outstanding Guest Actor in a Comedy Series – Jon Bernthal
  • Outstanding Guest Actor in a Comedy Series – Bob Odenkirk
  • Outstanding Guest Actor in a Comedy Series – Will Poulter
  • Outstanding Guest Actress in a Comedy Series – Olivia Colman
  • Outstanding Guest Actress in a Comedy Series – Jamie Lee Curtis
  • Outstanding Production Design for a Narrative Program (Half-Hour)
  • Outstanding Casting for a Comedy Series
  • Outstanding Cinematography for a Single-Camera Series (Half-Hour)
  • Outstanding Contemporary Costumes for a Series
  • Outstanding Picture Editing for a Single-Camera Comedy Series
  • Outstanding Contemporary Hairstyling
  • Outstanding Contemporary Makeup (Non-Prosthetic)
  • Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
  • Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

Mabel Mora, Charles-Haden Savage, and Oliver Putnam in Only Murders in the Building

Only Murders in the Building (Hulu/Hulu Originals/20th Television)
21 Nominations

  • Outstanding Comedy Series
  • Outstanding Lead Actor in a Comedy Series – Disney Legend Steve Martin
  • Outstanding Lead Actor in a Comedy Series – Martin Short
  • Outstanding Lead Actress in a Comedy Series – Selena Gomez
  • Outstanding Supporting Actor in a Comedy Series – Paul Rudd
  • Outstanding Supporting Actress in a Comedy Series – Meryl Streep
  • Outstanding Guest Actor in a Comedy Series – Matthew Broderick
  • Outstanding Guest Actress in a Comedy Series – Da’Vine Joy Randolph
  • Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
  • Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
  • Outstanding Production Design for a Narrative Program (Half-Hour)
  • Outstanding Casting for a Comedy Series
  • Outstanding Choreography for Scripted Programming
  • Outstanding Contemporary Costumes for a Series
  • Outstanding Picture Editing for a Single-Camera Comedy Series
  • Outstanding Picture Editing for a Single-Camera Comedy Series
  • Outstanding Contemporary Hairstyling
  • Outstanding Contemporary Makeup (Non-Prosthetic)
  • Outstanding Music Composition for a Series (Original Dramatic Score)
  • Outstanding Original Music And Lyrics
  • Outstanding Music Supervision

Roy Tillman in Fargo

Fargo (FX/FX Productions)
15 Nominations

  • Outstanding Limited or Anthology Series
  • Outstanding Directing for a Limited or Anthology Series or Movie – Noah Hawley
  • Outstanding Writing for a Limited or Anthology Series or Movie – Noah Hawley
  • Outstanding Lead Actor in a Limited or Anthology Series or Movie – Jon Hamm
  • Outstanding Lead Actress in a Limited or Anthology Series or Movie – Juno Temple
  • Outstanding Supporting Actor in a Limited or Anthology Series or Movie – Lamorne Morris
  • Outstanding Production Design for a Narrative Contemporary Program (One Hour Or More)
  • Outstanding Casting for a Limited or Anthology Series or Movie
  • Outstanding Cinematography for a Limited or Anthology Series or Movie
  • Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie
  • Outstanding Picture Editing for a Limited or Anthology Series or Movie
  • Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)
  • Outstanding Music Supervision
  • Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special
  • Outstanding Sound Mixing for a Limited or Anthology Series or Movie

Truman Capote in Feud: Capote vs. The Swans

Feud: Capote vs. The Swans (FX/FX Productions/20th Television)
10 Nominations

  • Outstanding Directing for a Limited or Anthology Series or Movie – Gus Van Sant
  • Outstanding Lead Actor in a Limited or Anthology Series or Movie – Tom Hollander
  • Outstanding Lead Actress in a Limited or Anthology Series or Movie – Naomi Watts
  • Outstanding Supporting Actor in a Limited or Anthology Series or Movie – Treat Williams
  • Outstanding Supporting Actress in a Limited or Anthology Series or Movie – Diane Lane
  • Outstanding Casting for a Limited or Anthology Series or Movie
  • Outstanding Period Costumes for a Limited or Anthology Series or Movie
  • Outstanding Period or Fantasy/Sci-Fi Hairstyling
  • Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
  • Outstanding Original Main Title Theme Music

Barbara Howard, Melissa Schemmenti, and Jacob Hill in Abbott Elementary

Abbott Elementary (ABC/20th Television)
9 Nominations

  • Outstanding Comedy Series
  • Outstanding Directing for a Comedy Series – Randall Einhorn
  • Outstanding Writing for a Comedy Series – Quinta Brunson
  • Outstanding Lead Actress in a Comedy Series – Quinta Brunson
  • Outstanding Supporting Actor in a Comedy Series – Tyler James Williams
  • Outstanding Supporting Actress in a Comedy Series – Janelle James
  • Outstanding Supporting Actress in a Comedy Series – Sheryl Lee Ralph
  • Outstanding Casting for a Comedy Series
  • Outstanding Contemporary Hairstyling

Jim Henson and Kermit the Frog in Jim Henson Idea Man

Jim Henson Idea Man (Disney+/Disney Branded Television)
8 Nominations

  • Outstanding Documentary or Nonfiction Special
  • Outstanding Directing for a Documentary/Nonfiction Program – Ron Howard
  • Outstanding Writing for a Nonfiction Program – Mark Monroe
  • Outstanding Cinematography for a Nonfiction Program
  • Outstanding Picture Editing for a Nonfiction Program
  • Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score)
  • Outstanding Sound Editing for a Nonfiction or Reality Program
  • Outstanding Sound Mixing for a Nonfiction Program

Laszlo, Nandor, Nadja, and Colin Robinson in What We Do in the Shadows

What We Do in the Shadows (FX/FX Productions)
8 Nominations

  • Outstanding Comedy Series
  • Outstanding Writing for a Comedy Series – Jack Bender, Zach Dunn
  • Outstanding Lead Actor in a Comedy Series – Matt Berry
  • Outstanding Production Design for a Narrative Program (Half-Hour)
  • Outstanding Fantasy/Sci-Fi Costumes
  • Outstanding Picture Editing for a Single-Camera Comedy Series
  • Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
  • Outstanding Stunt Coordination for Comedy Programming

Mary Steenburgen, Lupita Nyong'o, Jamie Lee Curtis, Rita Moreno, and Regina King at The Oscars

The Oscars (ABC)
7 Nominations

  • Outstanding Directing for a Variety Special – Hamish Hamilton
  • Outstanding Writing for a Variety Special
  • Outstanding Production Design for a Variety Special
  • Outstanding Choreography for Variety or Reality Programming
  • Outstanding Music Direction
  • Outstanding Variety Special (Live)
  • Outstanding Sound Mixing for a Variety Series or Special

Elliot Lee, Paul Mullin, and James Jones in Welcome to Wrexham

Welcome to Wrexham (FX/FX Productions)
6 Nominations

  • Outstanding Unstructured Reality Program
  • Outstanding Directing for a Reality Program – Bryan Rowland
  • Outstanding Cinematography for a Reality Program
  • Outstanding Picture Editing for an Unstructured Reality Program
  • Outstanding Sound Editing for a Nonfiction or Reality Program
  • Outstanding Sound Mixing for a Reality Program

Anakin Skywalker in Ahsoka

Ahsoka (Disney+/Lucasfilm Ltd./Walt Disney Studios)
5 Nominations

  • Outstanding Fantasy/Sci-Fi Costumes
  • Outstanding Period or Fantasy/Sci-Fi Hairstyling
  • Outstanding Prosthetic Makeup
  • Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
  • Outstanding Special Visual Effects in a Season or a Movie

Carrie Ann Inaba, Derek Hough, and Bruno Tonioli in Dancing with the Stars

Dancing with the Stars (Disney+)
5 Nominations

  • Outstanding Choreography for Variety or Reality Programming
  • Outstanding Hairstyling for a Variety, Nonfiction or Reality Program
  • Outstanding Lighting Design/Lighting Direction for a Variety Series
  • Outstanding Makeup for a Variety, Nonfiction or Reality Program
  • Outstanding Technical Direction and Camerawork for a Series

Bear and Spirit in Reservation Dogs

Reservation Dogs (FX/FX Productions)
4 Nominations

  • Outstanding Comedy Series
  • Outstanding Lead Actor in a Comedy Series – D’Pharaoh Woon-A-Tai
  • Outstanding Cinematography for a Single-Camera Series (Half-Hour)
  • Outstanding Picture Editing for a Single-Camera Comedy Series

Sheryl Crow and Olivia Rodrigo at the 2023 Rock & Roll Hall of Fame Induction Ceremony

2023 Rock & Roll Hall of Fame Induction Ceremony (Disney+)
3 Nominations

  • Outstanding Lighting Design/Lighting Direction for a Variety Special
  • Outstanding Music Direction
  • Outstanding Sound Mixing for a Variety Series or Special

Hunter B-15, Mobius, Loki, Casey, and O.B. in Loki

Loki (Disney+/Marvel/Walt Disney Studios)
3 Nominations

  • Outstanding Fantasy/Sci-Fi Costumes
  • Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
  • Outstanding Special Visual Effects in a Season or a Movie

Steve Harvey and Meghan Trainor in Celebrity Family Feud

Celebrity Family Feud (ABC)
2 Nominations

  • Outstanding Game Show
  • Outstanding Host for a Game Show – Steve Harvey

Sophie Tompkins and Jesse Walker in How I Met Your Father

How I Met Your Father (Hulu/20th Television)
2 Nominations

  • Outstanding Cinematography for a Multi-Camera Series (Half-Hour)
  • Outstanding Picture Editing for a Multi-Camera Comedy Series

Yogesh Raut, Victoria Groce, and Amy Schneider in Jeopardy!

Jeopardy! (ABC)
2 Nominations

  • Outstanding Game Show
  • Outstanding Host for a Game Show – Ken Jennings 

Jimmy Kimmel in Jimmy Kimmel Live

Jimmy Kimmel Live (ABC/ABC Signature)
2 Nominations

  • Outstanding Talk Series
  • Outstanding Directing for a Variety Series – Andy Fisher

Chris Goodhue, Charlie Cannon, Carson MacDonald in Shark Tank

Shark Tank (ABC)
2 Nominations

  • Outstanding Structured Reality Program
  • Outstanding Host for a Reality or Reality Competition Program – Mark Cuban, Lori Greiner, Kevin O’Leary, Barbara Corcoran, Robert Herjavec, Daymond John

Homer Simpson, Bart Simpson, Maggie Simpson, Lisa Simpson, and Marge Simpson in The Simpsons

The Simpsons (20th Television Animation)
2 Nominations

  • Outstanding Animated Program
  • Outstanding Character Voice-Over Performance – Hank Azaria

Anna Victoria Alcott and Siobhan Corbyn in American Horror Story: Delicate

American Horror Story: Delicate (FX/Hulu/FX Productions/20th Television)
1 Nomination

  • Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie

Luke Bryan, Katy Perry, and Lionel Richie in American Idol

American Idol (ABC)
1 Nomination

  • Outstanding Lighting Design/Lighting Direction for a Variety Series

Tina Belcher in Bob's Burgers

 Bob’s Burgers (20th Television Animation)
1 Nomination

  • Outstanding Animated Program 

Maya Lopez in Echo

Echo (Disney+/Marvel/Walt Disney Studios)
1 Nomination

  • Outstanding Fantasy/Sci-Fi Costumes

Lois Griffin and Meg Griffin in Family Guy

Family Guy (20th Television Animation)
1 Nomination

  • Outstanding Character Voice-Over Performance – Alex Borstein

A fox in Life Below Zero

Life Below Zero (National Geographic)
1 Nomination

  • Outstanding Cinematography for a Reality Program

Ben Glenroy and Loretta Durkin in Only Murders in the Building

Only Murders in the Building: One Killer Question (Hulu/Hulu Originals)
1 Nomination

  • Outstanding Short Form Comedy, Drama or Variety Series

Elephants in Queens

Queens (National Geographic)
1 Nomination

  • Outstanding Narrator – Disney Legend Angela Bassett

Jenny Yum and Anne Yum in Quiz Lady

Quiz Lady (Hulu/20th Century Studios/Walt Disney Studios)
1 Nomination

  • Outstanding Television Movie

Octopuses in Secrets of the Octopus

Secrets of the Octopus (National Geographic)
1 Nomination

  • Outstanding Narrator – Paul Rudd

The Beach Boys in The Beach Boys

Shōgun – The Making of Shōgun (FX/Hulu)
1 Nomination

  • Outstanding Short Form Nonfiction or Reality Series

The Beach Boys in The Beach Boys

The Beach Boys (Disney+/Walt Disney Studios)
1 Nomination

  • Outstanding Sound Mixing for a Nonfiction Program

Darlene Conner-Olinsky, Harris Conner-Healy, Jackie Harris-Goldufski, Becky Conner-Healy, and Disney Legend John Goodman in The Conners

The Conners (ABC)
1 Nomination

  • Outstanding Cinematography for a Multi-Camera Series (Half-Hour)

Gerry Turner and Theresa Nist in The Golden Bachelor

The Golden Bachelor (ABC)
1 Nomination

  • Outstanding Casting for a Reality Program

Joh Nolan in The Rookie

The Rookie (ABC/ABC Signature)
1 Nomination

  • Outstanding Stunt Coordination for Drama Programming

Cam Bentland in Under the Bridge

Under the Bridge (Hulu/Hulu Originals/ABC Signature)
1 Nomination

  • Outstanding Supporting Actress in a Limited or Anthology Series or Movie – Lily Gladstone

Rogue in X-Men '97

X-Men ’97 (Disney+/Marvel/Walt Disney Studios)
1 Nomination

  • Outstanding Animated Program

Striking a Chord at EPCOT: The Early Days of the Voices of Liberty

By Steven Vagnini

In the wake of Fourth of July celebrations, it seems a good time to revisit the history of some of the founding performers at EPCOT in Walt Disney World Resort: the Voices of Liberty. The world-renowned a cappella group has performed at the Disney park since opening day, October 1, 1982, in the elegant surrounds of the rotunda at The American Adventure attraction (and eventually, many other locations).

Founded and originally led by arranger/composer Derric Johnson, the Voices of Liberty’s journey to becoming an iconic part the sonic landscape of EPCOT could probably fill its own book. Johnson—who also produced “The Glory and Pageantry of Christmas” (a popular holiday program that ran at the Lake Buena Vista Shopping Village, now Disney Springs, from 1975–1994) and directed the original Candlelight Processional for EPCOT—sat down with D23 to share fond memories from the famed vocal ensemble’s early years.

D23: The Voices of Liberty was an opening day feature of EPCOT. What do you remember about the very first performance?

Derric Johnson: Just before opening day, we opened the park for three days for special guests, including construction workers, [Disney] Entertainment [division] people, and political figures, as I recall. It was amazing. And on that first day we sang, there were two people who stood waiting after the last set, like they wanted to talk—this very lovely lady and her husband leaning against one of the pillars of The American Adventure rotunda. And she said, “I just wanted you to know that hearing you sing, hearing your group, was wonderful. And I’d just like you to know that, of everything that happened today—all the great shows and displays—this would’ve been my father’s favorite.” I said, “Thank you very much,” and she shook my hand and walked away. One of the Operations people rushed up to me and goes, “You know who that was?” I said, “Just a very nice lady.” They said, “That was Diane Disney [Miller], Walt’s oldest daughter.” And I thought, “Wow—what a great thing for her to say, you know?” So that’s my memory of the first day. It started off pretty cool…

Why do you think the Voices of Liberty works so well within EPCOT and has lasted this long as a Walt Disney World entertainment offering?

A lot of that really has to do, I think, with the philosophy of our show. Because we’re in the rotunda, and it’s a flat floor and we have people sit down… It’s a very relational show, because we’re not on a stage—we’re just right at the people. And we do things to involve the crowd and make them feel part of the show.

We had an arrangement we always did of “Oh! Susanna,” where we sang banjo (“ding-a-ning-a-ning-a-ning,” you know?). And a soloist would go out and take a lady’s hand, sing to her, and then we had a kind of slapstick sort of thing where it seemed like she was pulling him back to her, and people laughed. It was great. And we did “Skip to My Lou,” where a lady would sing to an 8- or 9-year-old boy and enter into a bit of a conversation; have him come stand with her.

So, it was very relational. Plus, we were the first group at [Walt Disney World] that ever did [a] meet and greet. I had been told we couldn’t do that—but in my background, that’s what we always did, because we just want to be with people, you know? So we arranged it that the singers would come forward into the crowd and shake hands, and meet and greet the guests. Well, that may not make much of a difference in a week, but when you do that—like Debbie, my wife, did—for 30 years… She sang to kids in “Skip to My Lou,” and 25 years later, that little kid has grown up—he’s now a dad who brings his 5-year-old, so Debbie can sing to him! We built all sorts of great relationships with people. So, it was extremely people-oriented, number one.

Number two, we really majored on music that had hope and encouragement and excitement with everything we did. The whole sound—the feeling—was one of inspiration, and people would come and say, “We love Disney and all the shows. We never expected to see a show that would do this kind of thing at Disney,” because it was life-changing to a whole lot of people.

Over the years, did a “favorite” song emerge for you?

I think I arranged about 90 Americana songs for Voices [of Liberty] and another 70 Christmas a cappella things. So it’s hard to pick one, but I’ll give you two that I would say are significant—not necessarily favorites, but significant.

The first one is “Shenandoah.” The day of our first rehearsal—about four weeks before the park opened back in 1982—I brought in two songs. One was a big choral piece, so they could really sing loud and feel their chops: an arrangement of “America the Beautiful” that we ended up using as an opener for the shows later on. The second song I brought in was “Shenandoah.” And it was a very gentle, soft arrangement, because I wanted to be sure they could sing softly, with intensity. Because if you’re a singer, you know how to sing loud; that’s the first thing they teach you. But nobody teaches you how to sing softly with intensity so there’s credibility in what you’re singing. So I brought in “Shenandoah” that day.

And I was told by some of the park’s music people, “That’s a really pretty arrangement of ‘Shenandoah,’ but you’ll never be able to use that in a show. It’s too soft; people aren’t going to pay attention to it. Here, our shows are upbeat. We gotta keep things happy and moving.” I said, “Okay, but I still would like to use it as a clinic piece because we have these great singers, but we still need to work on singing softly with intensity.”

They asked, “Do you want to go see where you’re going to sing?” And we were invited over to The American Adventure, where the marble floor had not yet been [laid]. There were guys working, mostly by then up in the balcony, and saws were sawing and hammers were pounding and drills were drilling. It was very noisy. And I’m the kind of person that, when we get someplace, I want to sing. So I said, “Let’s just sing something. Let’s get with the feel because it’s so echoey and nice.” Well, “Shenandoah” is the only song we really had memorized because we had been working on it. So we started to sing it, very softly.

And all of a sudden the drill stopped over here… And the hammer stopped… And before we got through the second verse, it was quiet. And every worker was leaning over the balcony listening. And when we finished, they clapped and hooped and hollered like they’d never heard anything like that before. I turned to our music manager and said, “See?” So we put “Shenandoah” in the repertoire, and it became the most requested song that we ever had, because it was so lovely and so good. If you do it with intensity, they’ll stop and listen.

The second song would be “Battle Hymn of the Republic.” When they hired me to do the job (and I didn’t know this until I arrived in Florida), I only had a six-month contract. Because when you go back 40 or so years now, nobody was doing a cappella music commercially. There was no Pentatonix or Voctave—nothing. But I was working with a group that I had called Re’Generation that had done some a cappella things. So in California, they hired me and said they wanted [me] to write, staff, and produce the show, but they inherited me in Florida without knowing what exactly that was going to be. And so the head of Entertainment asked, “What am I supposed to do with an a cappella choir?” Well, of course, we’re not a choir, but he had no idea. “Give him a six-month contract. But a cappella will never work.” Because that’s either barbershop quartets or bad college glee. “It’s not enough to mount a show or a concert.” So they gave me six months.

Now, after a couple months, we were having a big time. From day one, on the audience surveys, Voices of Liberty was always the No. 1-rated show. One of the questions was, “When your friends come to EPCOT, what can they not miss?” The No. 1 answer was Voices of Liberty.

And then a leading political figure came to speak (which we had a lot of in those days) just to [cast members, the World Showcase Fellowship] students. And after he finished speaking upstairs—on the third floor of The American Adventure, in this fabulous lounge—he was waiting to get to his limo to go on to his next appointment. And we knew his favorite song was “Battle Hymn of the Republic.” Well, we had an arrangement of that. So we stood up. The room is empty, because of this guy’s security detail. There’s nobody there except him and Dick Nunis, who was the president [of Walt Disney World and Disneyland]—and then two Secret Service men who were watching. And as he got off the elevator to go, he was walking through the rotunda to get to his limousine.

We started to sing at the third verse: “In the beauty (in the beauty…), of the lilies (of the lilies…), Christ was born across the sea…” And he stopped. Dick Nunis said, “We’ve got to keep going. We’ve got another appointment.” And he said, “Nobody walks while ‘Battle Hymn’ is being sung.” So he waited till the end. And he had a tear on his cheek.

Later, we had one of the executives come back to say, “All that man wanted to do in the last four hours was talk about Voices of Liberty. He’d never heard anything like it.” The precision and the passion merged. And that man had just happened to be the President of the United States, Ronald Reagan.

Well, I got a call the next day from the head of Operations saying, “Okay, if the president likes it that much, the public needs to hear more of this. So first of all, we’re extending your contract to six more months, and we need more singers because we’re doing eight shows a day right now. We need to do 16. So how soon can you bring more singers in?”

So, I’d have to say “Battle Hymn” was one of the most significant songs that we ever had. Because that’s what kept it alive. Without that song, and that day, and that man, there would be no Voices of Liberty today.

Is there anything else you’d like D23 Members to know about Voices of Liberty and your time with the group?

The philosophy of what I do is one of encouragement. The music that we sang were songs people knew or had a message they needed to know, you know? Again, we were always reaching for people.

Often, you’d have a parent coming with a child, the child being deaf. And the parent’s sitting there doing sign language while we’re singing to the 9-, 10-year-old child. It just would blow you away. But one of our closing songs was, “Let There Be Peace on Earth,” which we performed in sign language (so we could sing in two languages at a time). And you would see the child perk up and watch her push her mother’s hands away and point at the singers, because “They’re singing to me!” So it was always that connection, to me. You’ve got to connect with the audience.

We want our music to be friendly and motivating and lifting. When you leave, we want you to feel good. Not just, “Oh, that was a nice show.” What do you remember out of that? You want people to carry something away. So we did songs that would really try to instill that in an audience. You’ve really got to think about the audience and work them.

Every song I arranged had a place to be. Some are openers, some are closers. It wasn’t just “Oh, here’s a song.” It’s always, “I need a song for this purpose.” To me, a concert is a collection of songs; a program is a connection of songs. So we did programs. There was some kind of a thread of Americana to start with. But more than black dots on white paper, it’s the whole feeling of what it was about. And to then find singers who buy into that.

And when you’re singing a cappella—I mean, there’s no place to hide! That’s another thing that really made it work. You can’t turn to the drummer and say, “Take it,” or the guitar player, “Do a riff here.” There’s nobody. It’s you. So all the modulations, intros, everything—it’s you. You’re risking your soul every time you step out there to sing, because there is no place to hide. So it’s up to the singer to create the show. To take the music someplace special.

Country Bear Musical Jamboree Debuts at Walt Disney World Resort

By the D23 Team

For those of us who could not bear to wait any longer, this week arrives like a refreshing mountain breeze that carries with it a rousingly familiar melody: The reimagined Country Bear Musical Jamboree will have its boot-stompin’ debut in Magic Kingdom Park this Wednesday, July 17, at Walt Disney World Resort.

Country Bear Jamboree was one of the last attractions Walt Disney personally helped develop more than 50 years ago. Its country-twang celebration, combined with the lovable bear cast, made it a must-see experience for guests. Now, after a six-month break for rehearsals and costume fittings, the bears are back with a refreshed lineup: Country Bear Musical Jamboree combines Nashville-style arrangements of Disney tunes with the furry fan-favorite cast of characters Disney fans already know and love.

In an image from Walt Disney World’s Country Bear Musical Jamboree, a plump blond bear with a sky-blue boa and a pink cowgirl hat (adorned with a few tall blue-and-purple peacock feathers) is seated on a swing made of thick and leafy vines, hanging above an unseen stage. This is the bear singer Teddi Barra, who has blue eyes and pink cheeks and wears a necklace made of emerald and onyx-colored gems. Behind Teddi is a backdrop painted deep blue with a large crescent moon on the left side.

Rootin’, Tootin’ Tunes

Country Bear Musical Jamboree features a brand-new lineup of tunes, performed in a style that pays homage to the Opry-style shows of Nashville. The new program will feature twangin’ interpretations of Disney songs performed in various genres of country music, including Americana—or a-“bear”-icana!—bluegrass, pop-country, rockabilly, and more. These fresh bear tracks include:

  • “Country Bear Musical Jamboree,” a new original song written for the attraction.
  • “Try Everything,” from Walt Disney Animation Studios’ Zootopia.
  • “Kiss the Girl,” from Walt Disney Animation Studios’ The Little Mermaid.
  • “A Whole New World,” from Walt Disney Animation Studios’ Aladdin.
  • “Supercalifragilisticexpialidocious,” from Walt Disney Studios’ Mary Poppins.
  • “Fixer Upper,” from Walt Disney Animation Studios’ Frozen.
  • “Remember Me,” from Disney and Pixar’s Coco.
  • “You’ve Got a Friend in Me,” from Disney and Pixar’s Toy Story.
  • “The Bare Necessities,” from Walt Disney Animation Studios’ The Jungle Book.
  • “Come Again,” an original song that debuted with Country Bear Jamboree in 1971.

Walt Disney Imagineering turned to popular and upcoming country music talent to provide the vocals for the new setlist. Featured artists include record-breaking 10-time CMA Musician of the Year Mac McAnally, who sings “The Bare Necessities”; country singer Emily Ann Roberts, who lends her voice to Trixie for a rendition of “Try Everything”; and singer-songwriter Allison Russel and musician Chris Thile, who voice Teddi Barra and Wendell, respectively, for “A Whole New World.”

In an image from Walt Disney World’s Country Bear Musical Jamboree, and seen standing in a row on a vaudeville-style stage, are three tan-furred bears wearing identical outfits of pink crop-top blouses, pink-and-white skirts with white belts and bejeweled buckles, white vests with big pink stars on each side, and pink ranger-style hats with white trim. These are Bunny, Bubbles, and Beulah, the triplets, and they all wear blue eye shadow and pink lace scarves tied with a bow around their necks. Behind them is a video screen that appears to depict one of them in danger, hanging precariously from a thin tree that leans out over a cascading waterfall, the bottom of which is not visible.

Meet the Bears

Grizzly Hall in Frontierland is home to the zany and captivating performance that showcases the American musical heritage pioneered by Ursus H. Bear. Over the years, Ursus’ grandson, Henry, has taken over to develop a thrilling new countrified musical.

Longtime fans of Grizzly Hall know and love the kooky cast of bear characters. For those new to joining the jamboree, here is the lineup of growlin’ performers making a triumphant return to the stage in this refreshed show:

  • Ursus H. Bear: Ursus is the founder of Grizzly Hall. He invited tuneful bruins from all around to present zany vaudeville acts and live country-western and folk performances!
  • Henry: Ursus’ grandson Henry is now the master of bear-emonies. He helped develop the new show and co-wrote the opening song with the Five Bear Rugs.
  • Five Bear Rugs: The Five Bear Rugs include Zeke, Zeb, Ted, Fred, and a bear named Tennessee, who all have ol’ country rhythm in their souls.
  • Trixie: One of the most seasoned performers, Trixie has tried everything! She found her niche performing with triplets Bunny, Bubbles, and Beulah.
  • Bunny, Bubbles, and Beulah: Originally known as The Sun Bonnets, these lady bears traded in their bonnets for Stetsons when they began singing with Trixie worldwide, ending up here at Country Bear Musical Jamboree.
  • Teddi Barra: Grizzly Hall is proud to present The Jewel of the Dakotas, Teddi Barra. Her rise in show business was meteoric after being discovered in an ice cream parlor.
  • Wendell: Wendell was a frustrated basketball, baseball, and football player until Henry invited him to try and carry a tune. He’s been part of the Country Bears since and is thrilled to finally sing a love song with Trixie.
  • Ernest the Dude: Ernest the Dude is one of the best-dressed bears at Grizzly Hall—he brings his entire wardrobe wherever he goes!
  • Terrence, aka Shaker: Terrence, also known as Shaker, was once a famous theater star until he fell from the balcony in Romeo and Juliet. After that, he turned in his tights for a guitar and lassoed himself the limelight back onstage.
  • Romeo McGrowl: This bear, otherwise known as the Miami Serenader, is ready to enter his next era singing rockabilly!
  • Gomer: Gomer is the resident piano player who has been claws-ically trained since he was a cub.
  • Big Al: Of course, there must be mention of the infamous Big Al. He’s been playing the guitar since he was a cub because music is in this bear’s blood.

The bears all appear in new costumes, which draw inspiration from classic country-singer culture, including looks that might seem at home at The Grand Ole Opry, the famed live country-music broadcasting studio in Nashville. Guests should watch for all the Easter eggs and Nashville notes scattered throughout the attraction when they visit.

In an image from Walt Disney World’s Country Bear Musical Jamboree, and seen on a log platform atop a vaudeville-style stage, is a band made up of five bears. From left to right we see a short reddish bear playing a homemade standup bass with just one string; a huge brown bear playing a harmonica; a small black bear playing a homemade banjo; a tall thin bear whose pursed lips are blowing into a jug; and a medium-sized black bear with a tan chest and stomach seated on a box and playing a homemade fiddle. All the bears have cowboy hats on their heads except the harmonica player, whose hat sits on a wooden stool in front of him. All the bears have blue neck scarves; three of them have vests; and the harmonica player wears pants. In front of the harmonica player is an old-fashioned microphone with a sign attached to the microphone stand reading, “The 5 Bear Rugs.” A sixth bear, a pouting reddish cub, sits on the right front corner of the log platform, wearing a cowboy hat and holding a stuffed animal toy. The backdrop behind the bears depicts a forested mountain scene in cartoon style.

Guests from around the world can give these star-studded bears a standing ovation when the new Country Bear Musical Jamboree debuts July 17, 2024, at Walt Disney World Resort in Lake Buena Vista, Florida.

All D23 Members Enjoy Magical Perks at the JW Marriott, Anaheim Resort, CA!

Unleash the magic of your Disney Parks adventure with an overnight escape at the JW Marriott, Anaheim Resort, a Disneyland Resort Good Neighbor Hotel!

Located at Gardenwalk, JW Marriott, Anaheim Resort has direct access to Disneyland through a private pathway. This exclusive offer lets you relax in style and create unforgettable memories, all just steps from the Disneyland Resort.

All D23 Members can unlock 10% off regular room rates, plus 10% off food and beverage during your stay to fuel your fun-filled park days. Whether you’re enjoying magnificent views from the rooftop with a drink in hand or sitting down for a luxurious meal at the Italian chophouse on property, there are a variety of dining options for guests to choose.

To kickstart your Disney experience, you'll enjoy two delicious complimentary cocktails at Citriculture Bar, with a magical D23 twist, and a D23 Member gift upon arrival!

This offer includes:

  • 10% off regular room rates (blockout dates apply)
  • 10% off food and beverage during your stay
  • Two (2) Complimentary Crafted Cocktail Arrival Vouchers for use at Citriculture Bar only
  • A D23 Special Gift upon check-in – 1 (one) per room, while supplies last

To redeem your offer online, please follow the instructions below:

 

NOTE:
Proof of D23 Membership is required to be shown at check-in.

Perks will be removed if D23 Membership is not present with matching identification.
Rates are per room, per night. A limited number of packages are available. Two rooms max per visit. Some blockout dates apply. Tax and other fees apply. This package Includes two Signature Seasonal Drinks per stay at Citriculture Bar only.  Not available to groups of 10 or more rooms or in conjunction with other promotional offers. D23 Member gift is one (1) per room, while supplies last.

A promotional image for the Disney D23 app. The background is blue with the D23 logo and text that reads "THE OFFICIAL Disney FAN CLUB." The main text says, "TAKE THE MAGIC ON THE GO WITH THE DISNEY D23 APP," written in a casual, playful font. To the right, there is an illustration of a smartphone displaying a D23 Gold Member digital card featuring Mickey Mouse.

Access Your D23 Benefits Anytime, Anywhere
With the Disney D23 app, your membership card is just a few taps away.
Access your benefits from your phone!

2024 Collector Set

Get More Disney With D23 Gold Membership
Enjoy exclusive discounts and access to special events and merch.
Also includes our quarterly publication and annual Collector Set.

Celebrate the Release of Descendants: The Rise of Red with New Products and Soundtrack!

Disney Descendants: The Rise of Red is now streaming on Disney+ and we have gathered the newest products for the film and the soundtrack that is sure to be on repeat.

On the far left is the Princess Chloe Charming, Daughter of Cinderella Doll featuring her blue hair and outfit and she is holding a sword. Next is the Bridget, Young Queen of Hearts Doll with a pink outfit and hair. In the middle is the Red, Daughter of Queen of Hearts Doll with red hair and a red and black outfit. Fourth is the Uliana, Younger Sister of Ursula Doll with green and blue hair with a multicolored outfit. Fifth is the Singing Red Doll with a black and red outfit, red hair and a black hat.

Disney Descendants: The Rise of Red Fashion Dolls by Mattel

Bring the adventures of Descendants: The Rise of Red to life! This doll collection features heroes and villains from the musical fantasy. Choose from Red, Daughter of Queen of Hearts; Princess Chloe Charming, Daughter of Cinderella; Bridget, Young Queen of Hearts; and Uliana, Younger Sister of Ursula. Stylish, bold, and edgy, these dolls look just like their characters in the movie. Each wears her signature outfit, has long, boldly colored hair, and comes with an accessory. With 11 bendable joints, these Descendants: The Rise of Red dolls are perfect for play or display. Each sold separately, subject to availability.

This Singing Red doll from Descendants: The Rise of Red is ready to rock her heart out! Press her torso to hear “Red,” the hit song from the musical fantasy. She bends at the arms, elbows, wrists, and knees so she can dance and strike a pose. A rebel at heart, she comes dressed in a removable rock ’n’ roll outfit with fun accessories.

Pictured is the Descendants: The Rise of Red set The Sorcerer’s Cookbook Red Version consisting of a Red doll figurine and recipe box with compartments. Second image is the Descendants: The Rise of Red set The Sorcerer’s Cookbook Chloe Version consisting of a Chloe doll figurine and recipe box with compartments.

Descendants: The Rise of Red, The Sorcerer’s Cookbook by Mattel

This Sorcerer’s Cookbook enchants all who dare to open it! Kids can follow three magic recipes and “cook” up spells using the cauldron and stick, just like in Descendants: The Rise of Red. Conjure up fizz, Slime™, and color-change magic to unravel the ultimate surprise: unlocking a door to reveal a doll of Red, Daughter of Queen of Hearts OR a doll of Princess Chloe Charming, Daughter of Cinderella.

Two images of three young girl models wearing the Descendants: The Rise of Red Apparel Collection from Walmart. The girls have a mix of t-shirts, sweatshirts and skirts and are all wearing lace-up boots while in front of a red-and-black background.

Descendants: The Rise of Red Apparel Collection, Exclusively at Walmart

Introducing the Descendants: The Rise of Red Apparel Collection, a trendy and stylish collection of hoodies, tees, vests, and more, perfect for your young Villain Kid fan’s wardrobe! Inspired by the popular Disney franchise, this apparel collection seamlessly blends comfort and fashion for girls ranging from sizes 4 to 16. Crafted with meticulous attention to detail, each item features a charming design inspired by The Rise of Red storyline from the Descendants series.

Whether worn for school, playdates, or special events, it’s the perfect choice for young Descendants fans to showcase their love for the series in style. Let your little one embrace their inner villain-turned-hero with Descendants: The Rise of Red apparel. It’s sure to become a cherished piece in their wardrobe and a must-have for any Descendants enthusiast!

Book cover image of Beyond the Isle of the Lost: Wonderland (A Descendants Novel) by Melissa de la Cruz. The cover art features a red shattered heart and then gray roses in the background.

Beyond the Isle of the Lost: Wonderland (A Descendants Novel) by Melissa de la Cruz

Filled with humor and adventure, this addition to the New York Times best-selling series explores a madcap prequel to Descendants: The Rise of Red, set in Wonderland. Check out the book trailer here.

Fall down the rabbit hole…

For Red, growing up in Wonderland has been no piece of cake (literally—dessert is outlawed). Her mom, the Queen of Hearts, rules the kingdom with an iron scepter, while Red longs for a life of her own. She’s heard rumors about an island that once housed all the villains of folklore. A place with no rules? It sounds perfect.

But then the Queen declares that Red will issue a royal decree at the annual Wonderland Tea Ceremony (aka she’ll come up with new ridiculous laws). Of course, Red loathes idea of following in her mother’s crimson-heeled footsteps. Banding together with new friends, Ace and Chester, Red plans the ultimate rebellion: a party. Little does she know that they’ll be setting off a chain of events (or un-events) that could change things forever.

Check out this video of Kylie Cantrall, who plays Red, unboxing products from Descendants: The Rise of Red! Make sure to also visit DisneyStore.com for more fairytale finds based on the new film!

Left image is a Descendants vinyl record with the square cover and disc peeking out of the sleeve. The cover has purple and pink cloud art with the Descendants logo and the vinyl disc is pink. The image to the right is the album cover for Descendants: The Rise of Red that features Red and Chloe at the top and other characters from the film at the bottom.

Music from Descendants and Descendants: The Rise of Red

Get caught up or revisit the music from the previous films with the Music from Descendants vinyl album that is now available and features 13 of the greatest hits from the Descendants franchise. The album includes fan favorites such as “Rotten to the Core,” “Ways to Be Wicked,” “Queen of Mean,” “Good to Be Bad,” and many more, all performed by the cast.

The new Descendants: The Rise of Red soundtrack features seven new original songs, two reprises, and a cover of “So This Is Love” from the classic animated film Cinderella.

Descendants: The Rise of Red Original Soundtrack track list:

  1. “Red,” performed by Kylie Cantrall and Alex Boniello
  2. “So This Is Love,” performed by Brandy and Paolo Montalban
  3. “Love Ain’t It,” performed by Rita Ora, Kylie Cantrall, Brandy and Malia Baker
  4. “What’s My Name (Red Version),” performed by China Anne McClain and Kylie Cantrall
  5. “Fight of Our Lives,” performed by Kylie Cantrall and Malia Baker
  6. “Life Is Sweeter,” performed by Descendants Cast
  7. “Perfect Revenge,” performed by Dara Reneé, Anthony Pyatt, Joshua Colley, Mars, and Peder Lindell
  8. “Shuffle of Love,” performed by Ruby Rose Turner
  9. “Get Your Hands Dirty,” performed by Malia Baker and Morgan Dudley
  10. “Life Is Sweeter (Reprise),” performed by Rita Ora and Kylie Cantrall
  11. “Life Is Sweeter (Remix),” performed by Descendants Cast
  12. “Bad Reputation,” performed by Kylie Cantrall
  13. Descendants: The Rise of Red Score Suite,” performed and composed by Torin Borrowdale

Links to the Playlist:

User must have access to a major music streaming service to access playlist. Data rates may apply.

Check out these items and more and stream Descendants: The Rise of Red on Disney+.

Cosplayers, Assemble! Cosplay Meet-Ups and Photo Shoots Return to D23: The Ultimate Disney Fan Event

By the D23 Team

Disney fans from around the globe will be coming together to celebrate all things Disney, Pixar, Star Wars, Marvel, and more August 9, 10, 11, 2024 for D23: The Ultimate Disney Fan Event presented by Visa. This year, we want to pay tribute to our amazing fans from around the worlds of Disney in a special way... Can you guess what it is?

That’s right! We’re thrilled to bring back one of our most magical experiences: the official Cosplay Meet-Ups and Photo Shoots* for Disney, Star Wars, Pixar, and Marvel fans (to name a few). Whether you are suiting up or getting a dress from your fairy godmother, come to the Grand Plaza Fountain to show off your fandom and celebrate with D23.

All you need to bring is your D23: The Ultimate Disney Fan Event ticket, as well all the excitement! Not to mention, all attendees are welcome to join! To watch the magic unfold and see breaking announcements, follow @DisneyD23 on social media and search #D23.

Find the dates, times, and locations to attend listed below:

A triptych image showing fans from the previous D23 Cosplay Meet-Ups. On the left is an image of a cosplayer dressed as Winnifred Sanderson from the film Hocus Pocus, who faces the camera in surprise while her hands clutch a book. She sports fiery red hair and a velvety green and purple grown. The center image shows two cosplayers dressed as Ariel from The Little Mermaid. The cosplayer on the left is smiling and lifting her white gown off the floor slightly, while the cosplayer on the right is smiling at her while wearing a shimmering purple top and flowing green pants that resemble a mermaid tail. On the right is an image of a cosplayer dressed as Disneyland Park. She sports blue and white mickey ears and a gown that portray the classic castle and curly short red hair. Her hands are gently clasped as she smiles at the camera, showing off her pearl-colored nails.
Friday, August 9
Grand Plaza Fountain

Star Wars Meet-Up
12:15 p.m. PT - 1:15 p.m. PT

Marvel & Pixar Meet-Up
2:45 p.m. PT - 3:45 p.m. PT

A triptych image showing fans from the previous D23 Cosplay Meet-Ups. On the left is an image of a cosplayer dressed as Winnifred Sanderson from the film Hocus Pocus, who faces the camera in surprise while her hands clutch a book. She sports fiery red hair and a velvety green and purple grown. The center image shows two cosplayers dressed as Ariel from The Little Mermaid. The cosplayer on the left is smiling and lifting her white gown off the floor slightly, while the cosplayer on the right is smiling at her while wearing a shimmering purple top and flowing green pants that resemble a mermaid tail. On the right is an image of a cosplayer dressed as Disneyland Park. She sports blue and white mickey ears and a gown that portray the classic castle and curly short red hair. Her hands are gently clasped as she smiles at the camera, showing off her pearl-colored nails.

Saturday, August 10
Grand Plaza Fountain

Disney Princesses, Heroes, and Villains Meet-Up
11:45 a.m. PT - 12:45 p.m. PT

Disney Parks & Games Meet-Up
2:15 p.m. PT - 2:45 p.m. PT

An image showing fans from the previous D23 Cosplay Meet-Ups. Eight cosplayers dress up as variations of Spider Man across Disney universes, while one cosplayer in the center is dressed as Elsa, with blonde hair and an icy blue gown to match.

Sunday, August 11
Grand Plaza Fountain

All the Worlds of Disney Meet-Ups
11:45 a.m. PT - 12:15 p.m. PT

1:30 p.m. PT - 2:30 p.m. PT

* D23: The Ultimate Disney Fan Event admission required