Walt Disney Archives’ Heroes & Villains Costume Exhibition Heads to South Carolina

By the D23 Team

First debuting at D23 Expo 2019, the Walt Disney Archives’ exhibition Heroes & Villains: The Art of the Disney Costume has travelled across the nation—enchanting guests with more than 70 costumes from beloved characters such as Cinderella, Maleficent, and more… highlighting the innovative ways iconic characters are brought to life through the artistry and imagination of their costumes. The magic continues in May 2025 when the South Carolina State Museum will be the next host of Heroes & Villains: The Art of the Disney Costume! The exhibition debuts May 3, 2025, but D23 Members will have early access with a special preview before it opens to the general public; stay tuned to D23.com for more details!

Planning on making a springtime trip to the museum? Mark your calendars: General public tickets will be available for purchase in January 2025.

“We are thrilled to bring this exhibition to South Carolina,” said State Museum Executive Director Amy Bartow-Melia. “Guests will be able to enjoy an up-close look at some of Disney’s most memorable costumes and learn about the skilled artisans who helped bring them to life.”

Representing nearly six decades of film and television production at The Walt Disney Company, the exhibition showcases costumes worn by the likes of Bette Davis, Glenn Close, Angelina Jolie, and Disney Legend Julie Andrews. Guests will also be able to get insight into how costumes evolve from concept to reality, with quotes and detailed written accounts featured throughout the exhibition from some of Hollywood’s preeminent designers, including Academy Award® winners Sandy Powell and Disney Legend Colleen Atwood, as well as Emmy® winner Ellen Mirojnick and Emmy® nominees Eduardo Castro and Penny Rose.

The costumes for Mary Poppins and Jack from Mary Poppins Returns displayed in the exhibit against a background of a blue sky and clouds in the Heroes & Villains: The Art of the Disney Costume exhibit.

“Costumes are a significant and memorable element of building a character and telling a story,” said Becky Cline, director of the Walt Disney Archives. “The exhibition explores the craftsmanship required to produce these amazing costuming elements, as well as the immense talent and creativity that goes into every stitch.”

A close-up of Cruella de Vil’s dress and coat as displayed in the Heroes & Villains: The Art of the Disney Costume exhibit.
The exhibition is organized into three Disney archetypes: heroes, villains, and the spaces between—a category reserved for the antiheroes whose fascinating journeys make them some of Disney’s most complex characters. Here, guests can get an up-close look at the artistry on display in some of the iconic costumes of Disney live-action characters including Mary Poppins from Mary Poppins Returns (2018), Queen Narissa from Enchanted (2007), and Jack Sparrow from Pirates of the Caribbean: Dead Man’s Chest (2006). The “Cinderella’s Workshop” gallery examines how several designers have applied their own unique style and artistry to different interpretations of the fairy tale heroine—from Rodgers and Hammerstein’s Cinderella (1997) and Into the Woods (2014) to the ABC hit series Once Upon a Time (TV, 2011–2018), and the 2015 live-action reimagining of Walt Disney’s animated classic starring Lily James.

Heroes & Villains: The Art of the Disney Costume will run at the South Carolina State Museum from May 3 – Oct. 26, 2025. Visit scmuseum.org for more information on the exhibition and ticketing.

Holiday Magic in the Making: The Artistic Evolution of a Disney Studio Christmas Card

By Katie Strobel and Steven Vagnini, Walt Disney Archives

As part of a cherished holiday tradition that began in 1930, Disney studio employees, business partners, and friends could look forward to the yuletide charm of the annual Disney company Christmas card. What began as a simple yet elegant token of goodwill grew over time into a venerable artistic showcase, thanks to the talents of renowned studio designers and illustrators including Tom Wood, Hank Porter, Paul Wenzel, and Disney Legends Mary Blair and Bob Moore. These timeless keepsakes often depicted favorite Disney characters celebrating the magic of the season while offering a glimpse of exciting wonders to come from the Disney studio in the new year.

At the Walt Disney Archives, we are privileged to preserve not only these treasured cards, but also many of the original works of art that led to the final printed creation. In celebration of the holiday season, we’d like to turn the clock back 75 years to highlight three iterations of the 1949 greeting as a stand-out example that spotlights the development of a card—in this case, one that previews a landmark project that would soon revitalize the Disney studio and set the course for animation history: Cinderella (1950).

First, we present the preliminary “ruff” composition for the card’s interior illustration, designed by Disney Legend John Hench. This initial concept anticipates one of the film’s most enchanting scenes in beautiful hues of blue and purple. Along the bottom, Hench also sketched out a banner that would leave room for a new year’s calendar (a typical feature for a card of this era).

A landscape-style painting by John Hench in blue and purple hues depicts Cinderella in her coach being magically whisked away by the Fairy Godmother toward a castle in the distance. The top left of the card reads “1950,” which sets up placement for a calendar along the bottom of the card, where a mock signature reads, “Walt Disney and his staff.”
Interior “ruff” sketch by Disney Legend John Hench

Fellow Disney Legend Mary Blair then took Hench’s concept and created a finalized layout, applying her signature style. In her version, the Fairy Godmother is rendered with greater detail as she magically sends Cinderella’s carriage on its way to the castle.

A painting by Mary Blair of Cinderella in her coach being magically whisked away by the Fairy Godmother.
Finalized layout by Disney Legend Mary Blair

Finally, we present the finished product: the completed holiday card. Pictured here as it appears when unfolded, it reveals a vibrant, printed version of Blair’s artwork on the inside.

The final card showing Cinderella in her coach being magically whisked away by the Fairy Godmother. Along the bottom of the card is the final calendar for the year 1950, presented month by month.
The finished 1949 holiday card

It’s worth noting that both Hench and Blair have a “Color and Styling” credit in Cinderella, making them well-suited illustrators for this card.

And another fun feature: the front cover of the card features an imaginative scene with Mickey Mouse caroling in the snow alongside Jaq and Gus, Cinderella’s faithful mice friends. Meanwhile, the back of the card teases more upcoming Disney films in development at that time—namely, the studio’s first all-live-action feature, Treasure Island (1950), and the next animated feature in development, Alice in Wonderland (1951).

The front and back covers of the card. On the front, Mickey Mouse, Jaq, and Gus are depicted singing carols in the snow, with the text “Greetings” presented against a snowy night sky. On the back, illustrations of Alice and the White Rabbit from Alice in Wonderland (1951), as well as a treasure chest and sword, representing Treasure Island (1950), suggest some of the Disney studio’s upcoming projects.
Back and front cover of the 1949 holiday card

In this regard, the artistry of Disney’s holiday cards not only offers distinctive and festive reflections of the season but also captures moments in the studio’s evolving legacy—a tradition we are honored to safeguard and share here at the Walt Disney Archives.

Season’s greetings!

General Member Offer: Gift Year-Long Adventure with This Themed National Geographic Subscription Bundle

There’s more to see than could ever been seen with a National Geographic subscription.

For a limited time, D23 Members can gift loved ones with a year’s worth of adventure and discovery!

This exclusive themed bundle from National Geographic includes a special map tote bag and 2 bonus issues with every Print & Digital gift subscription. Unlock their inner voyager and gift a year of exploring nature, science, history, and culture with National Geographic’s breathtaking photography, in-depth articles, and world-renowned stories.

Your gift will also include access to Nat Geo's complete digital archive as far back as 1888 and new stories published daily on natgeo.com, so the adventure is truly endless!

NOTE:
Automatic Renewal Program: Your subscription will automatically be renewed each year. We will send you a notice for each subscription at the end of your introductory term, and before your subscription renews each year, with the then-applicable rate of renewal (currently USD$59/year for U.S. and USD$69/year for Canada).
All discounts subject to change and/or cancellation without notice. Benefits and discounts at Disney owned and operated locations are determined solely by Disney, are subject to restrictions and exclusions, and may be valid at only select locations. Check third-party locations for details about their offered benefits and discounts, if any; Disney is not responsible for benefits and discounts offered by any third parties.

Phone featuring the 2024 D23 Gold Member Card and surrounded by sparkles.

Access Your D23 Benefits Anytime, Anywhere
With the Disney D23 app, your membership card is just a few taps away. Access your benefits from your phone!

Access Your D23 Benefits Anytime, Anywhere
With the Disney D23 app, your membership card is just a few taps away. Access your benefits from your phone!

Showcased are the four 2025 D23 Gold Member Premiums: Disneyland 70th Collection, including The Happiest Place on Earth, a replica Disneyland Park entrance plaque, and a reproduction of the Disneyland Entrance plaque text draft; Gold Member Fan Pack including a Sorcerer’s Apprentice Mickey Mouse water bottle, crossbody bag, and hat; a Sorcerer’s Apprentice Mickey Mouse Spirit Jersey; and a 10-piece Pin Set.

Where Disney Fans Belong
Enjoy access to exclusive screenings, special shopping events, immersive experiences, and unique merchandise.

Disney Lorcana TCG Offers Special Promo Card Giveaway at Select Moana 2 Screenings in the U.S. and Canada

By the D23 Team

Our friends at Ravensburger are answering the ocean’s call with a very special giveaway at select screenings of Moana 2in the United States and Canada, while supplies last. The award-winning publisher of games, puzzles and toys will bring the Disney Lorcana Trading Card Game (TCG) to moviegoers at screenings of Moana 2 this December through a partnership with Cinemark theaters in the United States and Cineplex theaters in Canada.

Fans who purchase tickets to see Moana 2 between December 6 and December 15 in Cinemark theaters in the United States will receive a special preview Disney Lorcana TCG promo cardfeaturing the beloved Disney Princess. One card per ticket, available while supplies last. 

Meanwhile, our fans to the North who purchase tickets to see Disney’s Moana 2 in Cineplex theatres in Canada beginning December 4 will receive the special promo card. One card per ticket, available while supplies last.

Go beyond the horizon and find your way back to Motunui with Moana 2, now in theaters!

General Member Offer: Mufasa Themed Nat Geo Kids Subscription Bundle

With Nat Geo Kids, there’s more to do than could ever be done!

For a limited time, D23 Members can give the gift of discovery to their favorite little explorer—all year long. This exclusive Mufasa: The Lion King-themed bundle from Nat Geo Kids includes a free book about lions (for Level 1 readers) and an elephant pop-it toy with every 1-year magazine gift subscription.

Filled with thrilling stories, breathtaking visuals, and hands-on science activities, Nat Geo Kidsmagazine is the ultimate gift of education and screen-free entertainment.

Your young explorer is in for hours of fun with Weird But True! Facts, puzzles, games, and National Geographic’s iconic photography and engaging content, designed for ages 7–12.

NOTE:
Automatic Renewal Program: Your subscription will automatically be renewed each year. We will send you a notice for each subscription at the end of your introductory term, and before your subscription renews each year, with the then-applicable rate of renewal (currently USD$59/year for U.S. and USD$69/year for Canada).

All discounts subject to change and/or cancellation without notice. Benefits and discounts at Disney owned and operated locations are determined solely by Disney, are subject to restrictions and exclusions and may be valid at only select locations. Check third-party locations for details about their offered benefits and discounts, if any; Disney is not responsible for benefits and discounts offered by any third parties.

All discounts subject to change and/or cancellation without notice. D23 Gold Members must present their valid D23 Gold Member card prior to purchases to receive any applicable benefits or discounts. Benefits and discounts at Disney-owned and operated locations are determined solely by Disney, are subject to restrictions and exclusions, and may be valid at only select locations. Check third-party locations for details about their offered benefits and discounts, if any; Disney is not responsible for benefits and discounts offered by any third parties. Additional restrictions may apply. Offer void where prohibited by law.

Phone featuring the 2024 D23 Gold Member Card and surrounded by sparkles.

Access Your D23 Benefits Anytime, Anywhere
With the Disney D23 app, your membership card is just a few taps away. Access your benefits from your phone!

Access Your D23 Benefits Anytime, Anywhere
With the Disney D23 app, your membership card is just a few taps away. Access your benefits from your phone!

Showcased are the four 2025 D23 Gold Member Premiums: Disneyland 70th Collection, including The Happiest Place on Earth, a replica Disneyland Park entrance plaque, and a reproduction of the Disneyland Entrance plaque text draft; Gold Member Fan Pack including a Sorcerer’s Apprentice Mickey Mouse water bottle, crossbody bag, and hat; a Sorcerer’s Apprentice Mickey Mouse Spirit Jersey; and a 10-piece Pin Set.

Where Disney Fans Belong
Enjoy access to exclusive screenings, special shopping events, immersive experiences, and unique merchandise.

QUIZ: How Well Do You Know Disney on Broadway?

By Emma Winikow

Disney on Broadway is celebrating 30 magical years! Since its launch in 1994, Disney on Broadway has captivated audiences by bringing beloved stories from screen to stage. How well do you know the Disney productions that have dazzled Broadway over the decades?

Samuel E. Wright, who portrayed Mufasa in the original Broadway company of The Lion King, also lent his voice to what other iconic Disney character?(Required)
In which city did Beauty and the Beast hold its first-ever preview performance?(Required)
Which Disney on Broadway production has earned the most Tony Awards®, including for Best Musical?(Required)
How many costumes and wigs were featured in the Broadway production of Mary Poppins?(Required)
At what historic Broadway theatre, which The Walt Disney Company restored in the 1990s, does the company have a 99-year residency?(Required)
How many performances were initially planned for the Broadway run of Newsies before it expanded into a remarkable 1,004-show run?(Required)
What type of footwear did actors wear in The Little Mermaid on Broadway to create the illusion of underwater movement?(Required)
In which Disney on Broadway production did Susan Egan, the voice of Meg in Walt Disney Animation Studios’ Hercules (1997), originate the lead role?(Required)
How many new songs were added to the Broadway adaptation of Frozen that were not included in the original 2013 animated film?(Required)
For which Disney on Broadway production did Alan Menken win the Tony Award® for Best Original Score?(Required)
Who composed the music and lyrics for the Disney on Broadway musical Aida?(Required)
What Disney animated film is being developed as the next stage adaptation by Disney Theatrical Group, premiering on the West End in June 2025?(Required)

Everything Coming to Disney+ in December 2024

By Cecilia Sarantopoulos

Cozy up with your favorite festive treats and settle in—Disney+ has a December lineup brimming with holiday cheer and thrilling adventures! From the poignant Invisible, exploring the power of trust and healing, to the captivating Star Wars: Skeleton Crew, where young heroes navigate the vast galaxy in search of home, there’s something for everyone.

As the season continues, catch Disney Legend Sir Elton John’s emotional farewell in Elton John: Never Too Late; dive into the imaginative world of Disney and Pixar’s Dream Productions; and enjoy Springfield’s holiday antics in The Simpsons Christmas Double Episode: O C’mon All Ye Faithful. On Christmas Day, celebrate with the annual Disney Parks Magical Christmas Day Parade or the Doctor’s yuletide escapades in Doctor Who: Joy to the World.

All titles coming to Disney+ in December are listed below:

Monday, December 2
Mickey and the Very Many Christmases
Star Wars: Skeleton Crew
(Two-Episode Premiere)

Tuesday, December 3
Jung Kook: I Am Still – The Original (S1, 3 Episodes)

Wednesday, December 4
Marvel’s Spidey and his Amazing Friends (S3, 5 Episodes)
CMA Country Christmas (Premiere)

Saturday, December 7
Destruction Decoded (S2, 9 Episodes)
Inside the Enchanted Forests (S1, 6 Episodes)

Monday, December 9
Bluey Minisodes (New Episodes)
The Simpsons Funday Football (Live at 8 p.m. ET)

Tuesday, December 10
Sugarcane  

Wednesday, December 11
Big City Greens (S4, 1 Episode)
Mickey Mouse Funhouse (S3, 4 Episodes)
Dream Productions (Premiere – All Episodes Streaming)
Star Wars: Skeleton Crew (Episode 3)

Friday, December 13
Elton John: Never Too Late (Premiere)
Invisible (Premiere – All Episodes Streaming)

Monday, December 16
Morphle and the Magic Pets (S1, 6 Episodes)

Tuesday, December 17
Blink
The Simpsons Christmas Double Episode: “O C’mon All Ye Faithful” (Premiere)

Wednesday, December 18
SuperKitties (S2, 5 Episodes)
ZOMBIES: The Re-Animated Series (S1, 4 Episodes)
Star Wars: Skeleton Crew (Episode 4)

Friday, December 20
Lost Treasures of the Bible (S1, 6 Episodes)

Sunday, December 22
Marvel Animation’s What If…? (Season 3 Premiere – New Episodes debuting daily for 8 days)

Monday, December 23
Me & Winnie the Pooh (S2, 5 Episodes)
Playdate with Winnie the Pooh: Shorts (S2, 3 Episodes)
Marvel Animation’s What If…? (Season 3 Episode 2)

Tuesday, December 24
Marvel Animation’s What If…? (Season 3 Episode 3)

Wednesday, December 25 – Spend Christmas Day with Disney+
Dunk The Halls (Animated Game Airs Live at 12 p.m. ET on ESPN2, Disney+, and ESPN2+; Traditional Game Presentation on ABC, ESPN, Disney+, and ESPN+)
NBA Christmas Specials

  • 12 p.m. ET – NBA Christmas Special Presented by State Farm: San Antonio Spurs at New York Knicks
  • 2:30 p.m. EST – NBA Christmas Special Presented by State Farm: Minnesota Timberwolves at Dallas Mavericks
  • 5 p.m. EST – NBA Christmas Special Presented by State Farm: Philadelphia 76ers at Boston Celtics
  • 8 p.m. EST – NBA Christmas Special Presented by State Farm: Los Angeles Lakers at Golden State Warriors
  • 10:30 p.m. EST – NBA Christmas Special Presented by State Farm: Denver Nuggets at Phoenix Suns

Disney Parks Magical Christmas Day Parade (Premiere)
Doctor Who: Joy to the World (Premiere)
Star Wars: Skeleton Crew (Episode 5)
Marvel Animation’s What If…? (Season 3 Episode 4)

Thursday, December 26
Marvel Animation’s What If…? (Season 3 Episode 5)

Friday, December 27
John Williams in Tokyo
Marvel Animation’s What If…? (Season 3 Episode 6)

Saturday, December 28
Marvel Animation’s What If…? (Season 3 Episode 7)

Sunday, December 29
Marvel Animation’s What If…? (Season 3 Episode 8)

Behind the Animation of Moana 2: Characters, Challenges, and Creativity

By Courtney Potter

Walt Disney Animation Studios’ Moana 2 has arrived—and with it, the latest life-altering adventures of our beloved, bold wayfinder (voiced by Auli‘i Cravalho), her gregarious demigod pal (voiced by Dwayne Johnson), and an unlikely new crew (voiced by Hualālai Chung, David Fane, and Rose Matafeo). Together, they head into dangerous waters, going farther than they ever thought possible.

Much like the original Moana, the lush visuals and unique characters are of paramount relevance for bringing this incredible story to life. Recently, D23: The Official Disney Fan Club heard from the film’s heads of animation Amy Smeed and Kevin Webb, and art director, characters, Daniel Arriaga, about the thoughtful work that went into this incredible return to Motunui.

A triptych of headshots featuring Moana 2 head of animation Amy Smeed (left), head of animation Kevin Webb (center), and character art director Daniel Arriaga (right). Smeed has reddish brown hair and wears a dark pink sweater; Webb has short brown hair and wears a denim button-down shirt over a brown T-shirt; and Arriaga has short black hair and wears glasses, and is wearing a tan jacket over a lighter-tan T-shirt.
(l-r) Moana 2 head of animation Amy Smeed; head of animation Kevin Webb; and character art director Daniel Arriaga.

“Moana is still the same genuine, caring person,” says Smeed, “Still very determined. I’ve always loved her athleticism. [With Moana 2], she’s more of a leader for the community, so some of the things we were thinking about in animation were just strength in posing. What are the posing choices we can make to really keep that determination and athleticism with her?”

Continues Webb, “It’s been three years since the events of the first film, so Moana’s been out on the ocean wayfinding for about three years. She’s also been a leader in her village for those three years. That’s going to weigh on her and change her, so we wanted to look at her from the ‘inside out,’ so to speak. What adjustments can we make? We don’t want to change her for change’s sake; we love her, and the world loves her. But if Moana from the first film was out on top of her toes, ready to leave off the island, when we find her in the second film, she’s more confident and grounded. She’s back on her heels; she’s found her place in this world, and she actually has to wrestle with the idea of leaving. We hope these are decisions and choices that we’ve made, and the performances are something that the audiences just kind of feel—this new sense of maturity.”

“As far as physical changes, there aren’t that many,” adds Arriaga. “Because most of these big changes are going to come from her performance. But one big physical change is in her costume. Now she’s wearing the color red, because she is a leader in her community—and that is a leader’s color. Another subtle change is her hair; it used to just flow back, all the way, but she’s getting a bit more volume now—and her hair sweeps over just a little for this film. They’re subtle changes, but they show her as a bit more updated.”

In a visual development character lineup image from Walt Disney Animation Studios’ Moana 2, Loto (voiced by Rose Matafeo), Kele (voiced by David Fane), Moni (voiced by Hualālai Chung), and Moana (voiced by Auli‘i Cravalho) can be seen from left to right, on a white background; in addition, Pua the pig, Hei Hei the rooster, and a Kakamora can be seen near Moana to the right of the image. Each character is seen in an emblematic pose; Loto is holding a tool, Kele has his arms crossed, Moni is smiling, and Moana looks determined. 

One of the most anticipated new characters in Moana 2 is her ridiculously adorable little sister, Simea (voiced by Khaleesi Lambert-Tsuda)—and the entire animation team looked forward to bringing her to life. “When I first got the assignment, that Moana has a little sister, number one.: I was so excited,” Arriaga admits. “And then I just started drawing my kids. They’re older now, but I have two girls and one boy. I remember my wife doing the girls’ hair—and the minute she finished doing it, it would start falling down, because they were playing. But also, their hair is really thin at that age too, right? They don’t really care about their hair; it’s all in their faces after a few minutes, and we’d think, ‘Whatever, I don’t have time to fix this.’ So you leave it. And I hadn’t ever seen anything like that yet in 3D animation. With Simea, I wanted to make her as believable as possible and giving her any little piece of detail we could.”

Meanwhile, “Right as I joined the film and Danny headed off to modeling, I really latched on to Simea’s buck teeth,” adds Webb, chuckling. “My own daughter was blessed with my buck teeth, and, you know, I wanted to celebrate that and make it a feature that felt really authentic and really earned. So you’ll see when Simea’s talking, she doesn’t press her lips together for ‘M’ and ‘B’ sounds. She actually bites her lower lip instead. But it wasn’t just that—we wanted to be as authentic and specific as we could, to this age… There are a lot of parents who are animators, and they all brought their true-to-life moments that they remember with their kids [to the film]. And I think that’s really what makes these characters believable and memorable.”

In an image from Walt Disney Animation Studios’ Moana 2, Moana (voiced by Auli‘i Cravalho) is surrounded by her crew (l-r) Kele (voiced by David Fane), Moni (voiced by Hualālai Chung), and Loto (voiced by Rose Matafeo) as they stand on their canoe; all four are looking up at something off camera, with concerned looks on their faces. Moana is holding onto an oar, and Loto is holding onto some sort of axe-type tool.And what about Moana’s new crew? “This is a much bigger journey now, and with a bigger canoe,” explains Arriaga. “Moana can’t do all this by herself. She has to have a crew. Part of her crew is the big, huggable, and awesome Moni [voiced by Chung]. He’s very passionate about storytelling, and about keeping the history of Motunui alive. That’s what he documents. And those ‘siapos’ [a type of Samoan cloth] Moni makes are drawn in his own style. And one other thing: He’s a huge fan of Maui’s!”

“For Moni, we always said [in real life] he’d be a theater kid,” jokes Webb. “He’d totally go to fan conventions like D23: The Ultimate Disney Fan Event. Just a big-hearted character.” Adds Smeed, “He’s also someone who probably listens to his music all the time in his head. You often see him with a very wide smile and big eyes, because he finds the joy in everything.”

Arriaga continues, “Another essential person to the crew is Loto [voiced by Matafeo], who’s only 16 years old. She’s young, but she’s a genius. She’s an inventor. She’s the engineer of the group. She’s always fixing things, and her main tool would be used for multiple purposes—for chipping, for hammering, to sand things down. The rope on her belt is a measuring tool with shells, so she can measure distances. We wanted her look to contrast with Moana; since Moana has long hair, we went with short hair. There’s a gap in her teeth, and she has a mole; I’m always looking for those unique little character things.”

“Loto reminds me of a hummingbird,” Webb adds. “She flits and darts from one thought to another both physically and mentally.”

Moni (voiced by Hualalai Chung), Loto (voiced by Rose Matafeo), and Moana (voiced by Auli‘i Cravalho) stand as a group on their boat, looking up with trepidation at an offscreen enemy. Moana is holding out her oar defensively.

“And then one of my favorites: Kele [voiced by Fane],” says Arriaga. “He’s an old guy, right? He’s been farming his entire life, and he’s a little disgruntled and grumpy, and has no intentions of ever going out to sea. But because of his talents, he’s necessary; without him, they can’t do this trip.” Adds Smeed, “You’re often going to see Kele in poses where he’s a little bit hunched; his shoulders roll forward, his neck is out a bit, and he’s super expressive with his face—in part because of Danny’s awesome character designs.”

Continues Webb, “I think of Kele like a piece of driftwood. He’s got these gnarly hands, and these bony knees, and these little angular ankles and stuff—which actually ended up becoming one of the central pieces of how we posed him.”

“All of this gives us the ability to really play, especially with some comedic moments,” explains Smeed.

As far as challenges, every animation team faces them—and one that stands out for the Moana 2 crew was of the non-human variety. “Thankfully, we have such an incredibly collaborative studio here,” says Webb. “And we had to team up with every department to kind of figure out a way to animate an entire weather system. Different types of tornadoes, tidal waves, lightning strikes, stormy waters… That was definitely challenging; I’ve never had to worry about ‘tornado continuity’ before,” he adds, laughing.

And, considering that some time has passed between films, updates to technology were certainly utilized by the studio: “There’s a lot of technology that we developed for the [weather]… things that we needed to unravel and unpack and figure out. But then there’s also incremental updates all the time; we had new systems that allowed us to build custom rope rigs on the fly. There’s a big difference between a rope being pulled and a rope being tied in a knot; you need two entirely different systems to do that.”

In a watercolor-style visual development image created for Walt Disney Animation Studios’ Moana 2 by Kevin Nelson, Moana is seen in the distance standing on an atoll next to her canoe. Toward the middle of the image, at the end of the atoll, is a cluster of greenery; to the left of the image, in the foreground, is a portion of the main island with a palm tree and more greenery. The sea is very blue, and fluffy white clouds are seen throughout the sky.

All told, “a huge theme of this film is connection,” explains Smeed, “and connecting with the people of other islands. Thinking about these new characters, the three of us have talked so many times about who our favorite new character is—and it’s Simea. Seeing that bond between her and Moana, and how that changes Moana, because she’s going to go out on this journey. She went on one in the first film, but it means something completely different this time around. The stakes are much higher—and how does that affect Simea as a small child and growing up in this world? And then especially to see how it affects Moana in terms of her determination and her risk-taking… I think for me that was a very special thing.”

Moana 2 is now sailing into theaters!

Meet the Kids of Lucasfilm’s Star Wars: Skeleton Crew

By Zach Johnson

In Lucasfilm’s new, original, live-action series Star Wars: Skeleton Crew—premiering Monday, December 2, with two episodes on Disney+—four kids make a mysterious discovery on their seemingly ordinary home planet, At Attin. This propels them into a dangerous and unfamiliar galaxy, where they must learn to work together if they hope to ever return home.So, who are these younglings, anyway? Allow the actors who play them to explain…

Wim
In the Winter 2024 issue of Disney twenty-three, available exclusively for D23 Gold and Gold Family Members, actor Ravi Cabot-Conyers describes his character as “a beautiful soul.” Wim “dreams of adventure, and he knows in his bones it’s out there; he’d do anything to escape life on his small planet. But he’s also just a kid with limited experience, so he doesn’t really have any idea what life outside of his personal world is like. Wim relates differently to the others, depending on his environment at any given time. He sometimes sees himself as the guy in charge, but there are also times when he, for better or for worse… well, you’ll see what I mean soon enough!”

Fern
According to Ryan Kiera Armstrong, tomboyish Fern is ” incredibly competitive and a little bossy—but always with the best of intentions.” When things quickly go south, she adds, Fern “feels responsible for looking after her friends and keeping them all safe and on point. [Though], there is no doubt that her insistent nature at times alienates her from the group.”

In a scene from Star Wars: Skeleton Crew, Fern, played by Ryan Kiera Armstrong, Wim played by Ravi Cabot-Conyers, KB, played by Kyriana Kratter, and Neel, played by Robert Timothy Smith, stand outside at dusk. A volcano with molten lava is in the distance.

KB
Thanks to her cybernetic visor, KB can often see what others can’t. But, according to Kyriana Kratter, there’s more to her character than meets the eye. “She’s definitely very calm and collected, but she’s had some trauma. She doesn’t quite look like everyone else or act like everyone else,” she says. “I think a lot of kids will relate to her, because sometimes it can be hard to speak up for yourself, and sometimes it doesn’t feel like you’re seen or heard. It can be hard to trust your instincts and your judgment, so I hope people can find hope through KB and seeing how she evolves—and how she finds her voice and her place.”

Neel
Unlike his best friend Wim, Neel has never longed for adventure. “Neel is a very scared kid, so he’s basically put in the worst scenario he could ever be in,” Robert Timothy Smith says. “He’s just trying to be there for his friends, but he’s also trying to make sure he doesn’t die!” Among his peers, he notes, “Neel is the peacemaker; he wants the group to stay together and not argue. And Neel’s maybe the only one in the group who thinks twice about things.”

Meet all the other characters—including Jude Law’s enigmatic Jod Na Nawood and a band of space pirates—when Star Wars: Skeleton Crew debuts with the first two episodes December 2, on Disney+.

Exclusive Q&A: Bret Iwan on the Connection Between His Love of Trains and Mickey and the Very Many Christmases

By Cecilia Sarantopoulos

As the official voice of Mickey Mouse, Bret Iwan doesn’t just bring the world’s most iconic character to life—he fills him with heart, history, and a touch of his own personal passions. D23 sat down with Bret to dive into one of his greatest loves—trains—and how this fascination seamlessly connects to his work, including the holiday special Mickey and the Very Many Christmases.

Premiering December 1 on Disney Jr. as part of the channel’s “Magical Holidays” programming (and streaming the next day on Disney+), the special follows Mickey as he discovers the magic—and mayhem—that unfolds when his wish for a never-ending Christmas comes true!

D23: The holiday season must be a busy time for you. What’s it like working on projects like Mickey and the Very Many Christmases?
Bret Iwan (BI): What’s funny about the holiday season is that all the holiday projects are usually completed at least six months—if not a year—before their release. That said, voicing Mickey Mouse means there’s rarely a slow period. Mickey is such a beloved character, and there’s always something in production, whether it’s TV specials, theme park experiences, or new animated shorts.

For this specific project, I believe we recorded it last summer, which is always a unique experience. Imagine trying to channel the Christmas spirit while it’s a sweltering heatwave outside! Before becoming a voice actor, I was an illustrator and graphic artist at Hallmark greeting cards. There, I became accustomed to working on holiday-themed content far ahead of the actual season. I remember designing Christmas cards while pumpkins and Halloween decorations were rolling out at the office, which felt surreal. That schedule prepared me for the unusual timelines in animation and voice-over work.

A scene from Mickey and the Very Many Christmases showcases the Wonderland Mini, a model mountain village filled with festive decorations, including lit-up houses, bows, and Christmas trees. The background depicts snow-covered mountain peaks under a dark, cloudy night sky dotted with stars.

D23: Your love of trains has become a significant part of your life. Where did that passion begin?
BI: My passion for trains runs deep—it’s been part of my life for as long as I can remember. My dad was an avid model railroader, so I grew up surrounded by trains. There was even a small train that ran along the ceiling of our family room! Our family vacations were often centered around visiting railroads across the country, whether it was riding through Colorado or visiting a miniature railway in northern Washington.

My connection to Disney added another layer to that passion when I learned Walt Disney himself was a train enthusiast. Realizing that someone I admired shared this interest was a lightbulb moment. Over the years, I’ve delved deeper into trains, from building a garden railroad in my backyard to becoming a licensed locomotive engineer working with full-sized steam trains. Today, I’m working on restoring my very own steam locomotive, which feels like a full-circle moment.

A green and black half-scale steam engine train with gold accents is parked on a railroad, with Bret Iwan standing in front, posing for the photo. He holds a large Mickey Mouse doll, with Mickey’s arm resting on the “1” sign displayed on the front of the train. Bret is dressed in a blue shirt, brown pants, and dark brown loafers. The background features a clear sky and golden, wheat-colored hills.

D23: There’s a personal connection between your train and Mickey and the Very Many Christmases. Can you share more about that?
BI: Absolutely. The train featured in the special holds a deeply personal significance for me, as it’s inspired by my very own half-scale steam locomotive. This train isn’t just a pivotal element in Mickey’s journey—it’s also tied to my family’s history.

The locomotive in the photos is the same one I grew up riding on family vacations. It was originally built in the 1960s by a passionate railroad enthusiast named Tommy Thompson, who turned it into a summer excursion train in the town where my family often vacationed. Riding that train was a childhood favorite for my brothers and me, and now, I’m honored to be its steward, preserving its story and legacy.

When I first read the script for Mickey and the Very Many Christmases, I was thrilled to see that a train was central to the plot. After we finished recording, I shared the story and photos of my locomotive with the producers, who loved the connection. They even added a special Easter egg to the train in the animation: the number plate on the locomotive—a gold circle with a red center and a gold “1”—is a direct nod to my personal train.

This detail is not only meaningful to me but also to the family who entrusted me with the train. It’s a beautiful way to honor their legacy, and I’m so excited to share this connection with them—and with audiences—through the special.

A model train featured in the holiday special Mickey and the Very Many Christmases. The train is painted green, red, and black with gold accents, and it’s adorned with a festive red bow on top.

D23: Voicing Mickey Mouse for so many years must have taught you a lot. What have you learned about yourself through this role?
BI: That’s a great question and a tough one to answer, even after 15 years in the role. My predecessor Wayne Allwine once said, “It’s less about how you influence the character and more about how the character influences you.” That’s been my experience as well. Mickey’s optimism, kindness, and curiosity inevitably seep into my own life. He’s everyone’s best friend, which reminds me to approach the world with the same open-hearted enthusiasm. One of the most rewarding aspects of this job is seeing how Mickey continues to bring joy to people of all ages. That’s a responsibility I don’t take lightly, and it’s shaped how I carry myself, both personally and professionally.

D23: What do you think makes Mickey Mouse such an enduring character?
BI: Mickey’s longevity stems from his ability to evolve while staying true to his core values. He’s a symbol of friendship, resilience, and joy. What makes him unique is that he’s relatable to everyone. Whether he’s solving problems with ingenuity or being a loyal friend, Mickey embodies qualities that inspire people around the world.

As someone who grew up admiring him, I feel incredibly lucky to help carry that legacy forward. Mickey’s stories remind us to stay connected to our inner child, to find joy in the little things, and to never lose sight of the power of imagination. That’s a lesson I think we can all use, no matter how old we are.

Bret Iwan is inside a train, wearing a blue shirt, dark blue overalls, a brown cap, and light brown gloves. He is seated on a black leather seat framed by dark brown wooden accents, working on the train's engine.

D23: Are there any exciting projects you’re working on that fans can look forward to?
BI: Absolutely! Just like voicing Mickey, my artistic pursuits never stop. Recently, I had the incredible honor of designing the Disney100 cover for the magazine [Disney twenty-three], which later inspired Mickey’s 95th anniversary portrait—a piece I was commissioned to paint.

Beyond that, I have several exciting projects in the works, though I can’t share specifics just yet. What I can say is they involve Mickey and art—two of my greatest passions. For fans attending the Festival of the Arts at EPCOT this coming spring, I’m planning to debut some new pieces, so stay tuned! I’ll be making announcements as those plans come together.